5. What Is the Connection between Romanticism and Nature?

Definition of Romanticism
Romanticism was an attitude or philosophical orientation that marked numerous works of Western civilization's literature, painting, music, architecture, criticism, and historiography during the late 18th and mid-19th centuries. Order, serenity, harmony, proportion, idealization, and rationalism, which characterized Classicism in general and late 18th-century Neoclassicism in particular, were rejected by Romanticism. It was also a reaction to the Enlightenment, as well as to 18th-century rationalism and physical materialism in general. The individual, the subjective, the irrational, the imaginative, the personal, the spontaneous, the emotional, the visionary, and the transcendental were all emphasized in Romanticism. A deepened appreciation of nature's beauty; a general exaltation of emotion over reason and of the senses over intellect and even the demonic; and an obsession with folk culture, national and ethnic cultural origins, and the medieval age.
Pre-Romanticism refers to a group of connected developments that began in the mid-18th century and lasted until the mid-19th century. A fresh appreciation of medieval romance, from which the Romantic movement gets its name, was one of these movements. The romance was a chivalric adventure story or ballad whose emphasis on individual heroism, the exotic, and the mysterious contrasted sharply with the elegant formality and artificiality of prevailing Classical literary forms, such as the French Neoclassical tragedy or the English heroic couplet in poetry. This newfound fascination in crude but bluntly emotional literary representations of the past would become a major theme of Romanticism. The Lyrical Ballads of William Wordsworth and Samuel Taylor Coleridge launched Romanticism in English literature in the 1790s. The "Preface" to the second edition (1800) of Lyrical Ballads, in which Wordsworth defined poetry as "the spontaneous overflow of great sentiments," became the manifesto of the English Romantic poetry movement. William Blake was the movement's third most important poet during its early stages in England. The initial phase of the German Romantic movement was defined by content and literary style advances, as well as a fascination with the mystical, subconscious, and supernatural. Friedrich Holderlin, Johann Wolfgang von Goethe in his early years, Jean Paul, Novalis, Ludwig Tieck, August Wilhelm and Friedrich von Schlegel, Wilhelm Heinrich Wackenroder, and Friedrich Schelling were all part of this first period. By virtue of their important historical and theoretical publications, François-Auguste-René, vicomte de Chateaubriand, and Madame de Stal were the major initiators of Romanticism in Revolutionary France.
I've found the following definitions of Romanticism and related words to be extremely useful. Please keep in mind that the term "romanticism" has been employed in many different situations and means different things to different people. The definitions that follow are taken from literary contexts and are intended to serve as a starting point for further discussion. The definitions that follow include citations to their respective sources.
A.O. Lovejoy, an American scholar, once commented that the term "romantic" has evolved to mean so many things that it now means nothing at all... The richness and plurality of European romanticism are reflected in the multitude of its actual and potential meanings and connotations. By the 17th century, the word 'romance' had acquired the negative meanings of whimsical, weird, exaggerated, and chimerical in Britain and France. 'melancholy'. Many people believe that the romantic movement began in Britain'