022 oriental renaissance: innovative, educational, natural and social sciences scientific journal volume 2, issue issn 2181-1784 Impact Factor: 947 asi factor = 7



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ORIENS Volume 2 ISSUE 5-сжатый

Critical
biographies discuss the relationship 
between the subject’s life and the 
work they produced or were involved in; for example, 
The Billionaire Who Wasn’t: 
How Chuck Feeney Secretly Made and Gave Away a Fortune
by Conor O’Clery 
and 
Unpresidented: A Biography of Donald Trump
by Martha Brockenbrough. 

Historical
biographies put greater understanding on how the subject’s life and 
contributions affected or were affected by the times in which they lived; see 
John 
Adams
 by David McCullough and 
Catherine the Great
by Peter K. Massie. 

Literary
biographies concentrate almost exclusively on writers and artists, 
blending a conventional narrative of the historical facts 
of the subject’s life with an 
exploration of how these facts impacted their creative output. Some examples 
include 
Savage Beauty: The Life of Edna St. Vincent Millay 
by Nancy Milford 
and 
Jackson Pollock: An American Saga
by Gregory White Smith and Steven Naifeh. 

Reference
biographies are more scholarly writings, usually written by multiple 
authors and covering multiple lives around a single topic. They verify facts, provide 
background details, and contribute supplemental information resources, like 
bibliographies, glossaries, and historical documents; for example, 
Black Americans in 
Congress, 1870-2007
and the 
Dictionary of Canadian Biography


Fictional
biographies, or biographical novels, like 
The Other Boleyn Girl
 by 
Philippa Gregory, incorporate creative license into the retelling of a real person’s 
story by taking on the structure and freedoms of a novel. The term can also describe 
novels in which authors give an abundance of background information on their 
characters, to the extent that the novel reads more like a biography than fiction. An 



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