Jahf biannual Bibliography, 2000-2014



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Tomii, Reiko. 2006. "An Invitation to ‘Comparative Art History’: Katsuhiro Saiki and Christoph Weber." In. Vienna: SUMAZO, 2006.

Tomii, Reiko. 2007. "After the ‘Descent to the Everyday’: Japanese Collectivism from Hi Red Center to The Play, 1964-1973." In Collectivism After Modernism, edited by Blake Stimson and Gregory Sholette. Minneapolis: University of Minnesota Press.

Tomii, Reiko. 2007. "Geijutsu on Their Minds: Memorable Words on Anti-Art." In Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970, edited by Charles Merewether and Rika Iezumi Hiro. Los Angeles: Getty Research Institute.

Tomii, Reiko. 2007. "Border-Crossings; Snapshots from the Past: Japan Society and Gendai Bijutsu—From the Perspective of 1960s Art; Dictionary of Ei Arakawa: Excerpts from a Preliminary Edition; Food Is a Many-Splendored Thing; Conceptual Landscapes of Tōru Hayashi; The Exquisitely Extreme Photography of Gō Sugimoto; Tremors of the Air." In Making a Home: Japanese Contemporary Artists in New York, edited by Eric C. Shiner and Reiko Tomii. New York: Japan Society & Yale University Press.

Tomii, Reiko. 2007. "Matsuzawa Yutaka (1922-2006) [obituary]." ArtAsiaPacific (52).

Tomii, Reiko. 2007. "Yukinori Yanagi." Art on Paper [4th Annual New Prints Review]:72.

Tomii, Reiko. 2008. "Matsuzawa Yutaka’s Vanishing Act." In Into the Atomic Sunshine: Post-War Art under Japanese Peace Constitution Article 9. New York: Atomic Sunshine Exhibition Committee.

Tomii, Reiko. 2008. "Ground Zero of Anti-Art: Kudō Tetsumi’s Early Years, 1957-1962." In Tetsumi Kudō. New York: Andrea Rosen Gallery.

Tomii, Reiko. 2008. "Fragments of Chaos: Ei Arakawa’s ‘On-Site Magazines." Art on Paper.

Tomii, Reiko. 2009. "Event to Change the Image of Snow and Psychophysiology Research Institute." Art on Paper (6th Annual New Prints Review):82-83.

Tomii, Reiko. 2009. "Beyond Gutai 101." ArtAsiaPacific (66):56.

Tomii, Reiko. 2009. "Beyond the Collection Display: Connecting to the Trans-national Past of 1960s Japanese Art, with a focus on MoMA, New York." Diaaalogue: AAA’s Monthly Newsletter.

Tomii, Reiko. 2009. "Rebel with a Cause: Akasegawa Genpei’s Greater Japan Zero-Yen Note." In Appropriation, edited by David Evans, 45-50. Cambridge MA and London: The MIT Press and Whitechapel.

Tomii, Reiko. 2009. "Positioning GUN in World Art History." In GUN Group: Event to Change the Image of Snow. Tokyo: Tokyo Gallery.

Tomii, Reiko. 2009. "The Regional/International Origins of Gutai." In Rose Is a Rose Is a Rose. Oudenburg, Belgium: Foundation De Elf Lijnen.

Tomii, Reiko. 2009. "Voiding the Exhibition: Hi Red Center and Matsuzawa Yutaka." In Voids, A Retrospective of Empty Exhibitions, 427-432. Paris, Bern, and Zürich: Centre Pompidou, Kunsthalle, and JRP/Ringier.

Tomii, Reiko. 2009. Kazuo Shiraga: Six Decades. New York: McCaffery Fine Art.

Tomii, Reiko. 2009. "'International Contemporaneity’ in the 1960s: Discoursing on Art in Japan and Beyond." Japan Review (21):123-147.

Tomii, Reiko. 2010. "Before Tomason: Akasegawa Genpei’s Print Adventures—Model 1,000-Yen Note Incident and The Sakura Illustrated." In Hyperart: Thomason. New York: Kaya Press.

Tomii, Reiko. 2010. "Contemporary Art, ‘Contemporaneity,’ and World Art History." In Art and Globalization, edited by James Elkins, Zhivka Valiavicharska and Alice Kim. University Park: Penn State University Press.

Tomii, Reiko. 2010. "Yanagi Yukinori and Inujima Art Project: A New Potential for 21st-Century Art." In Yanagi Yukinori: Inujima Note. Tokyo: Miyake Fine Art.

Tomii, Reiko. 2010. "The Culture of Showing: The Operational Context for Nomura Hitoshi’s Early Works." In Hitoshi Nomura: Early Works. New York: McCaffery Fine Art.

Tomii, Reiko. 2010. "Akasegawa Genpei as a Populist Avant-Garde: An Alternative View to Japanese Popular Culture." Kontur: Culture, History, Politics (20 Special Issue on Visualizing Asian Modernity):36-47.

Tomii, Reiko. 2011. "How Gendai Bijutsu Stole the ‘Museum’: An Institutional Observation of the Vanguard 1960s." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 144-167. Honolulu: University of Hawai’i Press.

Tomii, Reiko. 2013. "Introduction: Collectivism in Twentieth-Century Japanese Art with a Focus on Operational Aspects of Dantai." Positions: Asia Critique 21 (2 Collectivism in Twentieth-Century Japanese Art):225-267.

Tomii, Reiko, and Kevin Concannan. 2000. "Chronology: Exhibitions, Concerts, Events, etc." In YES Yoko Ono. New York: Japan Society.

Tomii, Reiko, Seth McCormick, Hiroko Ikegami, Jeffrey Wechsler, and Midori Yoshimoto. 2009. "Exhibition as Proposition: Responding Critically to The Third Mind." Art Journal 68 (3):30-49-30-49.

Trede, Melanie. 2006. "Lives of the Japanese Picture (as wandelbare japanischen Bild)." In Arts of Japan: The John C. Weber Collection (Kunst aus Japan: Die John C. Weber Sammlung), edited by Melanie Trede and Julia Meech, 20-27. New York and Berlin: Museum für Ostasiatische Kunst, Staatliche Museen zu Berlin.

Trede, Melanie. 2007. "Edo: Images of a City between Visual poetry and idealized reality / Edo: Bilder einer Stadt zwischen visueller Poesie und idealisierter Wirklichkeit / Images d’une ville entre poésie visuelle et réalité idéale." In Hiroshige: One Hundred Famous Views of Edo, edited by Melanie Trede. Cologne, New York: Taschen.

Trede, Melanie. 2007. "Comment/Komento, Session II: Lives and Culture Depicted in Illustrated Materials: The Early Modern Period in East Asia." In Kanagawa daigaku 21seiki COE puroguramu shinpojiumu hōkoku 4, dai 2 kai kokusai shinpojiumu “Zuzō, mingū, keikan: Himoji shiryō kara jinrui bunka wo yomitoku: Kanagawa University 21st Century COE Program Conference Series, Bulletin No. 4: The 2nd International Symposium: “Interpreting Human Culture through Nonwritten Materials: Perspectives on Illustrated Material, Folk Implements and Landscape, edited by Second International Symposium Organizing Committee, 145-150. Yokohama: Kanagawa daigaku 21seiki COE puroguramu.

Trede, Melanie. 2008. "Banknote Design as a Battlefield of Gender Politics and National Representation in Meiji Japan." In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill.

Trede, Melanie. 2011. "Pictorial Narratives." In Splendid Impressions. Japanese Secular Paintings 1400-1900 in the Museum of East Asian Art, Cologne, edited by Doris Croissant, 43-117. Leiden: Brill/Hotei.

Trede, Melanie, and Lorenz Bichler. 2007. Hiroshige: One Hundred Famous Views of Edo. Cologne, New York: Taschen.

Trede, Melanie, and Lorenz Bichler. 2010. Hiroshige: One Hundred Famous Views of Edo. Cologne, New York: Taschen.

Trede, Melanie, and Martina Köppel-Yang. 2009. Becoming Intense, Becoming Animal, Becoming…. Heidelberg: Kehrer Publishers.

Trede, Melanie, and Julia Meech. 2006. Arts of Japan: The John C. Weber Collection. Berlin: Museum of East Asian Art, National Museums in Berlin.

Trede, Melanie, and Julia Meech. 2006. Kunst aus Japan: Die John C. Weber Sammlung. Berlin: Museum für Ostasiatische Kunst, Staatliche Museen zu Berlin.

Truong, Hong-An, and elin o'Hara-Slavick. 2010. "War, Memory, the Artist and The Politics of Language." The Asia-Pacific Journal: Japan Focus (31-2-10).

Tsang, Carol Richmond. 2005. "Marriage, Adoption, and Honganji." Japanese Journal of Religious Studies 32 (1):53-83.

Tschumi, Christian, and Saito Wernli Markuz. 2005. Mirei Shigemori: Modernizing the Japanese Garden. Berkeley: Stone Bridge Press.

Tsen, Hsuan. 2011. "Spectacles of Authenticity: The Emergence of Transnational Entertainments in Japan and America, 1880-1905."Ph.D. dissertation, Stanford University.

Tseng, Alice. 2004. "Styling Japan: The Case of Josiah Conder and the Museum at Ueno, Tokyo." Journal of the Society of Architectural Historians:472-497.

Tseng, Alice. 2004. "Art in Place: The Display of Japan at the Imperial Museums, 1872-1909."Ph.D. dissertation, Harvard University.

Tseng, Alice. 2008. The Imperial Museums of Meiji Japan: Architecture and the Art of the Nation. Seattle: University of Washington Press.

Tseng, Alice. 2008. "Kuroda Seiki’s Morning Toilette On Exhibition in Modern Kyoto." The Art Bulletin September:418-441.

Tseng, Alice. 2009. "Domon Ken’s Murōji." Impressions: Journal of the Japanese Art Society of America 30 (Special Issue: Pictures and Things: Bridging Visual and Material Culture in Japan):114-118.

Tseng, Alice. 2009. "Josiah Conder and Early English-Language Historiography of Japanese Architecture." In Kenchiku shikō, edited by Suzuki Committee for the Publication in Honor of Professor Hiroyuki, 371-378. Chuo Koron Bijutsu Shuppan.

Tseng, Alice Y. 2012. "In Defense of Kenchiku: Itō Chūta’s Theorization of Architecture as a Fine Art in the Meiji Period." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:155-167.

Tseng, Alice Y. 2012. "The Retirement of Kyoto as Imperial Capital." The Court Historian – The International Journal of Court Studies 17 (2):209-223.

Tseng, Alice Y. 2012. "Theorizing Architecture as a Fine Art in the Meiji Period." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:155-167.

Tsuda, Noritake. 2009. A History of Japanese Art, From Prehistory to the Taisho Period. Vol. Reprint of 1935. Rutland, VT: Tuttle.

Tsuruya, Mayu. 2011. "Senso Sakusen Kirokuga: Seeing Japan’s War Documentary Painting as Public Monument." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 99-123. Honolulu: University of Hawai’i Press.

Tsuruya, Mayu. 2013. "Socialist Realism in the War Art of Imperial Japan." In Art and War in Japan and its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 59-78. Leiden-Boston: Brill.

Turnbull, Stephen. 2012. "Armor of Wood and Stone: Castles of the Samurai." In Art of Armor: Samurai Armor From The Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 59-69. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller Museum in association with Yale University Press.

Uhlenbeck, Chris, and Margarita Winkel. 2013. "A Possible Source for Hiroshige's Compositional Technique: Yashima Gakutei's Ichirō gafu." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 22-30. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

Uhlenbeck, Chris, Margarita Winkel, Ellis Tinios, Cecilia Segawa Seigle, Oikawa Shigeru, and Amy Reigle Newland. 2005. Japanese Erotic Fantasies: Sexual Imagery of the Edo period. Amsterdam: Hotei Publishing.

Ulak, James T. 2005. "Uncomfortable Realities: Reflecting on Sherman Lee's Hunches." Orientations 36 (1):74-81.

Ulak, James T. 2012. "Masters of Mercy: Kano Kazunobu and the Buddha's Amazing Disciples Resurrecting and Understanding a Major Buddhist Landmark of the Late Edo Period." Orientations 43 (2):108-116.

Um, Nancy. 2005. "Commentaries and Demarcations: Asian American Art." Art Journal 64 (2):101-102.

Van Assche, Annie, and Stefano Ember. 2005. Fashioning Kimono: Dress and Modernity in Early Twentieth-Century Japan. Milan; Woodbridge: 5 Continents.

Van den Ing, Eric. 2013. "The Yoshitoshi Project 1991-92." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 38-41. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

Van den Ing, Eric. 2014. "Carving Out a Niche. Sōsaku Hanga and 20th-Century Japanese Print Art." Andon 98:5-28.

Vandeperre, Nathalie. 2012. "Collecting the Far East: Chinese, Korean, and Japanese Art in the RMAH." Arts of Asia 42 (4):83-93.

Varshavskaia, E. Iu, and Kuniyoshi Utagawa. 2005. Heroes of the Grand Pacification : Kuniyoshi's Taiheiki eiyū den. Leiden: Hotei.

Vartanian, Ivan. 2005. Drop Dead Cute: The New Generation of Women Artists in Japan. San Francisco, Calif: Chronicle.

Vieillard-Baron, Michel. 2007. "Religious and Lay Rituals in Japanese Gardens during the Heian period (784-1185)." In Sacred Gardens and Landscapes: Ritual and Agency (Dumbarton Oaks Colloquium on the History of Landscape Architecture), edited by Michel Conan. Washington, D.C. : Dumbarton Oaks Research Library and Collection.

Vinhais, Luisa, and Jorge Welsh. 2008. After the Barbarians II: Namban Works of Art for the Japanese, Portuguese and Dutch Markets. London: Jorge Welsh Books.

Volk, Alicia. 2001. "Contemporary Japanese Photography." In Encyclopedia of Contemporary Japanese Culture, edited by Sandra Buckley. New York & London: Routledge.

Volk, Alicia. 2002. "Kasahara, Emiko; Kawamata, Tadashi; Murakami, Takashi; Yanagi, Yukinori." In Contemporary Artists, edited by Sara Pendergast and T. Pendergast. Detroit: St. James Press.

Volk, Alicia. 2003. "Katsura Yuki and the Japanese Avant-garde." Woman’s Art Journal 24 (2).

Volk, Alicia. 2004. "When the Japanese Print Became Avant-garde: Yorozu Tetsugorō and Taishō-period Creative Prints." Impressions: Journal of the Japanese Art Society of America (26).

Volk, Alicia. 2005. "The Japanese Expressionist: Yorozu Tetsugorō (1885-1927) and the Language of Modern Art."Ph.D. dissertation, Yale University.

Volk, Alicia. 2007. "Modern Japanese Prints at Yale." In Bulletin 2007: Special Issue on Japanese Art at Yale, edited by Susan Matheson and Sadako Ohki. New Haven: Yale University Art Gallery.

Volk, Alicia. 2009. "Screen Projections: Modern and Contemporary Byōbu." In Beyond Golden Clouds: Japanese Screens from the Art Institute of Chicago and the Saint Louis Art Museum, edited by Janice Katz, 73-87. Singapore: The Art Institute of Chicago.

Volk, Alicia. 2010. In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art. Berkeley: University of California Press.

Volk, Alicia. 2013. "Authority, Autonomy and the Early Taishō ‘Avant-garde’." Positions: Asia Critique 21 (2 Collectivism in Twentieth-Century Japanese Art):451-488.

Volk, Alicia. 2014. "Nihonga." In Art in Time: A World History of Styles and Movements, edited by Tom Melick. London: Phaidon.

Volk, Alicia. 2014. "Yōga." In Art in Time: A World History of Styles and Movements, edited by Tom Melick. London: Phaidon.

Volk, Alicia, and Helen Nagata. 2005. Made in Japan: The Postwar Creative Print Movement. Vol. 1st. Milwaukee, Wis: Milwaukee Art Museum in association with University of Washington Press, Seattle.

Volk, Alicia, and Bijutsukan Tokyo Kokuritsu Kindai. 2005. Modern Japanese Art, A Concise History: Gallery Guide to the Collection of the National Museum of Modern Art, Tokyo. Tokyo: The Museum.

Vollum, Patricia. 2011. "Love of Hearts: Jean Vollum and Fukami Sueharu." In Fukami: Purity of Form, edited by Andreas Marks, 16-17. Hanford CA: Clark Center for Japanese Art & Culture.

Wakita, Mio. 2012. "In the Guise of Elusive Veracity: Souvenir Photographs of Meiji Femininity in the Age of Visual Modernity." In Shifting Paradigms in East Asian Visual Culture, A Festschrift in Honour of Lothar Ledderose, edited by Burglind Jungmann, Adele Schlombs and Melanie Trede, 331-350. Berlin: Dietrich Reimer Verlag GmbH.

Walley, Akiko. 2012. "Flowers of Compassion: The Tamamushi Shrine and the Nature of Devotion in Seventh-Century Japan." Artibus Asiae 72 (2):265-322.

Walley, Akiko. 2013. "Inscribing and Ascribing Merit: Buddhist Vows and the Hōryūji Shaka Triad." Harvard Journal of Asiatic Studies 73 (2):299-337.

Watanabe, Mitsuko. 2005. Beauties of the Four Seasons. Oxford: Ashmolean Museum.

Watanabe, Masako. 2014. "Spring in the Palace: A Depiction of ‘The Maidens’ from The Tale of Genji in the Detroit Institute of Arts." Orientations 45 (2):146-154.

Watanabe, Shinya, and Jean Miyake Downey. 2008. "Into the Atomic Sunshine: Post-War Art under Japanese Peace Constitution Article 9." Japan Focus.

Watanabe, Toshio. 2001. "Japonisme." Crafts (173):42-45.

Watanabe, Toshio. 2006. "Japanese Imperial Architecture: From Thomas Roger Smith to Ito Chuta." In Challenging Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art, edited by Ellen P. Conant, 240-253. Honolulu: University of Hawaii Press.

Watanabe, Toshio. 2011. "The Modern Japanese Garden." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 340-360. Honolulu: University of Hawai’i Press.

Watanabe, Toshio, and Yuko Kikuchi. 2002. "The British Discovery of Japanese Art." In The History of Anglo-Japanese Relations 1600-2000, edited by G. Daniels and C. Tsuzuki, 146-170. Basingstoke and New York: Palgrave Macmillan Ltd.

Waterhouse, David. 2002. "Buddhism and the Reaching of Jūdō." In Teaching Buddhism in the West. From the Wheel to the Web, edited by Victor Sogen Hori, Richard P. Hayes and James Mark Shields, 119-140. London: Routledge Curzon.

Waterhouse, David. 2003. "Some of My Teachers." In The Best Teacher I Ever Had. Personal Reports from Highly Productive Scholars, edited by Alex C. Michalos, 278-282. London, Ontario: The Althouse Press.

Waterhouse, David. 2004. "Portrayals of Japanese Court Dance: The Shinzei kogaku zu/ Bugaku no byōsha, ‘Shinzei kogaku-zu’ o megutte." In Nihon no gakkai. Atarashii gakkigaku e muketeJapanese Musical Instruments (Toward a New Organology), edited by Kenkyūjo Tōkyō Bunkazai, 42-54 (English section), 123-31 (Japanese section). Tōkyō: National Research Institute for Cultural Properties.

Waterhouse, David. 2004. "The Cultural Milieu of Suzuki Harunobu." In The Commercial and Cultural Climate of Japanese Printmaking, edited by Amy Reigle Newland, 43-75. Amsterdam: Hotei Publishing.

Waterhouse, David. 2004. "Harunobu in Chiba." Impressions: Journal of the Japanese Art Society of America (26):118-126.

Waterhouse, David. 2005. "The Birth of the Full-Colour Print: Suzuki Harunobu and His Age (Early 1760s to Early 1780s)." In The Hotei Encyclopedia of Japanese Woodblock Prints, edited by Amy Reigle Newland, 91-116. Amsterdam: Hotei Publishing.

Waterhouse, David. 2006. "B.W. Robinson (1912–2005): Curator and Collector." Impressions: Journal of the Japanese Art Society of America 28:100-103.

Waterhouse, David. 2008. Warriors and Entertainers. Japanese Woodblock Prints in the Alice T. Miner Museum, Chazy, NY. Chazy, NY: Alice T. Miner Colonial Collection, Inc.

Waterhouse, David. 2008. "Hishikawa Moronobu: Tracking Down an Elusive Master." In Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680-1860, edited by Julia Meech and Jane Oliver. New York: Asia Society and Japanese Art Society of America in association with University of Washington Press, Seattle and London.

Waterhouse, David. 2009. "The Hishikawa Mode." Impressions: Journal of the Japanese Art Society of America (31):43-49.

Waterhouse, David. 2013. The Harunobu Decade. A Catalogue of Woodcuts by Suzuki Harunobu and His Followers in the Museum of Fine Arts, Boston. 2 vols. Leiden: Hotei Publishing.

Waterhouse, David. 2013. "Figures of Humans and Animals: Some Early Japanese Color Prints from the Grabhorn Collection." In The Printer’s Eye: Ukiyo-e from the Grabhorn Collection, edited by Laura W. Allen and Melissa M. Rinne. San Francisco: Asian Art Museum, Chong-Moon Lee Center for Asian Art and Culture.

Watsky, Andrew M. 2003. "Commerce, Politics, and Tea: The Career of Imai Sōkyū." In Japanese Tea Culture: Art, History, and Practice, edited by Morgan Pitelka, 18-38. London: Routledge.

Watsky, Andrew M. 2004. Chikubushima: Deploying the Sacred Arts in Momoyama Japan. Seattle: University of Washington Press.

Watsky, Andrew M. 2006. "Locating ‘China’ in the Arts of Sixteenth-Century Japan." Art History 29 (4).

Watsky, Andrew M. 2012. "Picturing Yusai: The Poet Evoked." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 137-158. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Watsky, Andrew M. 2013. "Representation in the Nonrepresentational Arts: Poetry and Pots in Sixteenth-Century Japan." Impressions: Journal of the Japanese Art Society of America 34:141-150.

Wattles, Miriam. 2005. "The Life and Afterlife of Hanabusa Itcho (1652-1724)."Ph.D. dissertation, New York University.

Weisenfeld, Gennifer. 2000. "Japanese Modernism and Consumerism: Forging the New Artistic Field of Shōgyō Bijutsu (Commercial Art)." In Being Modern in Japan, 75-98. Sydney: Australian Humanities Research Foundation.

Weisenfeld, Gennifer. 2002. Mavo: Japanese Artists and the Avant-Garde, 1905-1931. Berkeley: University of California Press.

Weisenfeld, Gennifer. 2004. "‘From Baby’s First Bath’: Kaō Soap and Modern Japanese Commercial Design." The Art Bulletin 86 (3):573-598.

Weisenfeld, Gennifer. 2006. "Women and Words: Two Language Artists in Contemporary Japan." In Persistence/Transformation: Text as Image in the Art of Xu Bing, edited by Jerome Silbergeld and Dora C. Y. Ching, 59-85. Princeton: P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Weisenfeld, Gennifer. 2007. "Reinscribing Tradition in a Transnational Art World (Clark Studies in the Visual Arts)." In Asian Art History in the Twenty-First Century, edited by Vishakha Desai, 181-198. Williamstown, MA: The Sterling and Francine Clark Art Institute.

Weisenfeld, Gennifer. 2007. "Publicité et propagande dans le Japon des années 1930: Le modernisme comme méthode." In La société Japonaise devant la montée du militarisme: Culture populaire et contrôle social dans les années 1930, edited by Jean-Jacques Tschudin and Claude Hamon, 47-70. Arles: Editions Philippe Picquier.

Weisenfeld, Gennifer. 2009. "Publicity and Propaganda in 1930s Japan: Modernism as Method." Design Issues 25 (4):13-28.

Weisenfeld, Gennifer. 2009. "Selling Shiseido: Cosmetics Advertising & Design in Early 20th-Century Japan." Massachusetts Institute of Technology Accessed Web Page. http://ocw.mit.edu/ans7870/21f/21f.027/shiseido_01/sh_essay01.html.

Weisenfeld, Gennifer. 2010. "Reinscribing Tradition in a Transnational Art World." Transcultural Studies (1):78-99.

Weisenfeld, Gennifer. 2011. "The Expanding Arts of the Interwar Period." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 66-98. Honolulu: University of Hawaii Press.

Weisenfeld, Gennifer. 2011. "Japanese Typographic Design and the Art of Letterforms." In Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by Jerome Silbergeld and Dora C. Y. Ching, 827-848. Princeton, NJ; Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press.


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