Jahf biannual Bibliography, 2000-2014



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McCormick, Melissa. 2003. "Genji Goes West: The 1510 Genji Album and the Visualization of Court and Capital." The Art Bulletin 85 (1):54-85.

McCormick, Melissa. 2009. Tosa Mitsunobu and the Small Scroll in Medival Japan. Seattle: University of Washington Press.

McCormick, Melissa. 2012. "Mountains, Magic, and Mothers: Envisioning the Female Ascetic in a Medieval Chigo Tale." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 107-133. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

McDermott, Hiroko T., and Clare Pollard. 2012. Threads of Silk and Gold: Ornamental Textiles of Meiji Japan. Oxford: Ashmolean Museum.

McDonald, Aya Louisa. 2013. "Fujita Tsuguharu: An Artist of the Holy War Revisited." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 169-190. Leiden-Boston: Brill.

McKee, Daniel. 2008. Colored in the Year’s New Light: Japanese Surimono from the Becker Collection. Ithaca, NY: Herbert F. Johnson Museum of Art.

McKee, Daniel. 2008. "Leaves of Words: The Art of Surimono as a Poetic Practice."Ph.D. dissertation, Cornell University.

McKee, Daniel. 2013. "The Gifts of the 'Treasure Ship': A Surimono from the Robert and Josephine Schaap Collection." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 16-21. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

McKee, Daniel, and F. Johnson Museum of Art Herbert. 2006. Japanese Poetry Prints: Surimono from the Schoff Collection. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University.

McKelway, Matthew. 2013. "Views of Lake Biwa." Orientations 44 (8):94-102.

McKelway, Matthew P. 2006. Capitalscapes: Folding Screens and Political Imagination in Late Medieval Kyoto. Honolulu: University of Hawai'i Press.

McKelway, Matthew P. 2011. "The Battle of Ichinotani." Orientations 42 (4):50-57.

McKelway, Matthew P. 2013. "Masterworks of Kano Workshop Screen Paintings in the Larry Ellison Collection of Japanese Art." In In the Moment: Japanese Art from the Larry Ellison Collection, edited by Laura W. Allen, Melissa M. Rinne and Emily J. Sano, 21-34. San Francisco: Asian Art Museum.

McKelway, Matthew P., Yoko Woodson, Melissa M. Rinne, Asian Art Museum--Chong-Moon Lee Center for Asian Art, and Kyoto Kokuritsu Hakubutsukan. 2005. Traditions Unbound: Groundbreaking Painters of Eighteenth-Century Kyoto. San Francisco: Asian Art Museum--Chong-Moon Lee Center.

Meech, Julia. 2001. Frank Lloyd Wright and the Art of Japan: The Architect’s Other Passion. New York: Harry Abrams and Japan Society Inc.

Meech, Julia. 2003. "The Early Years of Japanese Print Collecting in North America." Impressions: Journal of the Japanese Art Society of America 25:15-53.

Meech, Julia. 2003. "Edwin Grabhorn: Printer and Print Collector." Impressions: Journal of the Japanese Art Society of America 25:55-69.

Meech, Julia. 2004. "Richard Lane (1926-2002): Scholar and Collector." Impressions: Journal of the Japanese Art Society of America 26:107-113.

Meech, Julia. 2005. "Ukiyo-e Print Collecting in America." In The Hotei Encyclopedia of Japanese Woodblock Prints, edited by Amy Reigle Newland, 402-411. Amsterdam: Hotei Publishing.

Meech, Julia. 2006. "William Slattery Lieberman (1923–2005): Curator and Collector." Impressions: Journal of the Japanese Art Society of America 28:104-112.

Meech, Julia. 2006. "Tiffany’s Collection of Asian Art at Laurelton Hall." In Alice Cooney Frelinghuysen, Louis Comfort Tiffany and Laurelton Hall: An Artist’s Country Estate, 157-175. New York, New Haven and London: The Metropolitan Museum of Art, Yale University Press.

Meech, Julia. 2010. "Who Was Harry Packard?" Impressions: Journal of the Japanese Art Society of America (32):85-113.

Meech, Julia, and Jane Oliver. 2008. Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680-1860. New York: Asia Society and Japanese Art Society of America.

Meech, Julia, and Ann Yonemura. 2005. "The Ukiyo-e Society of America: Approaching Thirty-Five." Impressions: Journal of the Japanese Art Society of America 27:99-109.

Mertz, Mechtild. 2011. Wood and Traditional Woodworking in Japan. Ōtsu: Kaiseisha Press.

Mezur, Katherine. 2005. Beautiful Boys/Outlaw Bodies: Devising Kabuki Female-Likeness. New York: Palgrave Macmillan.

Milhaupt, Terry Satsuki. 2009. "In the Guise of Tradition: Serizawa Kesuke and His Eclectic Designs." In Serizawa: Master of Japanese Textile Design, edited by Joe Earle, 97-100. New Haven: Yale University Press.

Milhaupt, Terry Satsuki. 2014. Kimono: A Modern History. London: Reaktion Books.

Miller, Mara. 2011. "Time, History and Temporality in Gardens and Gardening." In Gardening and Philosophy: Cultivating Wisdom, edited by Dan O’Brien, 178-191. Hoboken, NJ: Wiley-Blackwell.

Miller, Mara. 2012. "Genji’s Gardens: From Symbolism to Personal Expression and Emotion: Gardens and Garden Design in The Tale of Genji." In States of Mind in Asia, edited by Paolo Santangelo and Giusi Tamburello, 105-141. Florence: Olschki.

Miller, Mara. 2012. "Reflecting the Moon: Teaching East Asian Aesthetics K-12." In Teaching Asian Art: Content, Context, and Pedagogy, edited by Sheng Kuan Chung, 11-17. Reston, VA: The National Art Education Association.

Miller, Mara. 2013. "Philosophical Issues in Japanese Gardens: In Reality, Literature and Film." In The Dynamics of Cultural Counterpoint in Asia: Essays on the Ongoing Development of Asian Studies, edited by David Jones and Michele Marion. Albany: SUNY Press.

Miller, Mara. 2014. "'A Matter of Life and Death:’ Yasunari Kawabata on the Value of Art After the Atomic Bombings." Journal of Aesthetics and Art Criticism 74 (2):261-275.

Miller, Mara. 2014. "‘I Let The Piece Sing Its Own Stories:’ Post-Modern Artistic Inspiration." Sztuka i Filozofia (Studies in Philosophy) 45/2014 (Special issue on inspiration):7-31.

Miller, Mara. 2014. "Denis Dutton’s The Art Instinct and the Recovery of Ainu Aesthetics." Philosophy and Literature 38 (1A Evolutionary Aesthetics: A Special Issue in Memory of Denis Dutton).

Miller, Mara. 2014. Visualizing the Past, Envisioning the Future: Utilizing Atomic Bomb Memorials, Fukushima, and the ‘Fourth Space’ of Comparative Informatics to Construct a Peaceful Future. In Violence, Nonviolence, and Japanese Religions: Past, Present, and Future: Numata Conference in Buddhist Studies., edited by Michel Mohr.

Mintz, Robert. 2009. Japanese Cloisonné Enamels: The Stephen W. Fisher Collection. Edited by Museum Walters Art. Baltimore MD: The Walters Art Gallery.

Mitsuda, Yuri. 2012. "Trauma and Deliverance: Portraits of Avant-Garde Artists in Japan, 1955-1970." In Tokyo 1955-1970: A New Avant-Garde, edited by Doryun Chung, 158-177. New York, NY: The Museum of Modern Art.

Miwa, Hanako. 2010. "Hanako’s Teahouse." Impressions: Journal of the Japanese Art Society of America (32):29-35.

Miwa, Kenjin. 2005. Ajia no Kyubizumu: Kyokai naki taiwa (Cubism in Asia: Undounded Dialogues). Tokyo: National Museum of Modern Art.

Miyamoto, Yuki. 2005. "Rebirth in the Pure Land of God's Sacrificial Lambs? Religious Interpretations of the Atomic Bombings in Hiroshima and Nagasaki." Japanese Journal of Religious Studies 32 (1):131-159.

Miyazaki, Fumiko. 2005. "Female Pilgrims and Mt. Fuji: Changing Perspectives on the Exclusion of Women." Monumenta Nipponica 60 (3):339-391.

Mizoguchi, Koji. 2006. Archaeology, Society and Identity in Modern Japan, Cambridge studies in archaeology. Cambridge: Cambridge University Press, Projected Date: 200605.

Mizoguchi, Koji. 2013. The Archaeology of Japan: From the Earliest Rice Farming Villages to the Rise of the State, (Cambridge World Archaeology) Cambridge: Cambridge University Press

Mizuo, Hiroshi. 2009. "Serizawa Keisuke: An Appreciation." In Serizawa: Master of Japanese Textile Design, edited by Joe Earle, 93-96. New Haven: Yale University Press.

Molony, Barbara, and Kathleen Uno. 2005. Gendering Modern Japanese History, Harvard East Asian monographs; 251. Cambridge, Mass: Harvard University Asia Center.

Morinaga, Maki Isaka. 2005. Secrecy in Japanese Art: 'Secret Transmisssion' as a mode of Knowledge. Hampshire: Palgrave/ Macmillan.

Moriyama, Daido, and trans. Lena Fritsche. 2012. Daido Moriyama: Tales of Tono. London: Tate Publishing.

Morse, Anne Nishimura. 2001. "At the Intersection of ‘Old Japan’ and ‘New Japan’: The Museum of Fine Arts, Boston and the Meiji Era." In Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era 1868-1912, 13-21. Boston: MFA Publications.

Morse, Anne Nishimura. 2001. "Netsuke in the Museum of Fine Arts, Boston." In Netsuke: Fantasy and Reality in Japanese Miniature Sculpture, 11-15. Boston: Museum of Fine Arts, Boston.

Morse, Anne Nishimura. 2001. "Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era." In Japan at the Dawn of the Modern Age: Woodblock Prints from the Meiji Era, 13-21. Boston: Museum of Fine Arts, Boston.

Morse, Anne Nishimura. 2003. "Art Nouveau and its Reception in Japan: Selections from the Leonard A. Lauder Collection of Japanese Postcards." Apollo:7-11.

Morse, Anne Nishimura. 2004. "Souvenirs of ‘Old Japan’: Meiji-era Photography and the Meisho Tradition." In Art and Artifice: Meiji-era Photography, 41-50. Boston: Museum of Fine Arts.

Morse, Anne Nishimura. 2004. The Art of the Japanese Postcard: The Leonard A. Lauder Collection at the MFA, Boston. Boston: Museum of Fine Arts, Boston.

Morse, Anne Nishimura. 2005. "Exploiting a New Visuality: The Origins of Russo-Japanese War Imagery." In A Much Recorded War: The Russo-Japanese War in History and Imagery, 32-51. Boston: Museum of Fine Arts, Boston.

Morse, Anne Nishimura. 2010. "Images of Wrath and Elegance: Heian Period Buddhist Paintings at the Museum of Fine Arts, Boston." Arts of Asia 40 (6):84-90.

Morse, Anne Nishimura. 2012. "Modern Girls in the Palace of Lyrical Elegance." In The Brittle Decade: Visualizing Japan in the 1930s, 51-90. Boston: MFA Publications.

Morse, Anne Nishimura, Timothy Clark, Louise Virgin, and Allen Hockley. 2001. The Dawn of the Floating World 1650-1765: Early Ukiyoe Treasures from the Museum of Fine Arts, Boston. Royal Academy of Arts: London.

Morse, Anne Nishimura, Jacki Elgar, and Richard Newman. 2005. "A Technical Study of the Hokkedō konpon mandara." In Scientific Research on the Pictorial Arts of Asia, edited by Anne Nishimura Morse, Jacki Elgar and Richard Newman, 1-9. Washington, D.C: Freer Gallery of Art,Smithsonian Institution.Smithsonian Museum.

Morse, Anne Nishimura, and Abigail Hykin. 2014. "An Exploration of Finality: Conservator and Curator Examine the Ceramic Sculpture of Nishida Jun." Impressions: Journal of the Japanese Art Society of America 35:85-96.

Morse, Anne Nishimura, J. Thomas Rimer, and Kendall H. Brown. 2005. Art of the Japanese Postcard. Aldershot: Lund Humphries.

Morse, Anne Nishimura, and Michio Yonekura. 2004. "A Tribute to Yanagisawa Taka." Orientations 35 (1):77.

Morse, Samuel C. 2009. "Revealing the Unseen: The Master Sculptor Unkei and the Meaning of Dedicatory Objects in Kamakura-Period Sculpture." Impressions: Journal of the Japanese Art Society of America (31):25-41.

Morse, Samuel C. 2012. "Shimada Kiyonori: The Transformation of Cloth." Impressions: Journal of the Japanese Art Society of America 33:43-54.

Moss, Paul. 2014. "Ōbaku Sho." In Eat This and Drink Some Tea: Huangbo / Ōbaku Crosscultural Zen Calligraphy. London: Sydney L. Moss, Ltd.

Moss, Paul, and L. Moss Ltd Sydney. 2006. More Things In Heaven and Earth: Japanese Netsuke and Ojime. London: Sydney L. Moss.

Mostow, Joshua. 2000. "Canonization and Commodification: Illustrations to the Tales of Ise in the Modern Era." In Issues of Canonicity and Canon Formation in Japanese Literary Studies; Proceedings of the Association for Japanese Literary Studies, Vol. 1, edited by Stephen D. Miller, 89-119.

Mostow, Joshua. 2002. "Court Classics and Popular Prints: Poetry and Parody in Ukiyo-e," in , ed." In Masterful Illusions: Japanese Prints from the Anne van Biema Collection, edited by Ann Yonemura, 36-51. Washington, D.C: The Arthur M. Sackler Gallery, Smithsonian Institution.

Mostow, Joshua. 2003. "The Gender of Wakashu and the Grammar of Desire in Late 17th Century Edo." In Gender and Power in the Japanese Visual Field, edited by Joshua Mostow, Norman Bryson and Maribeth Graybill, 49-70. Hawai'i: University of Hawai'i Press.

Mostow, Joshua. 2003. "What is 'Japanese Beauty'?: Museum as 'Hometown'." In Japan at the Millennium: Joining Past & Future, edited by W. Edgington David, 222-244. Vancouver: University of British Columbia Press.

Mostow, Joshua. 2003. "Gender and Cultural Capital: The Hakubyō and Kubo-Family Tales of Ise Illustrated Scrolls." Review of Japanese Culture and Society 15, Japanese Art: The Scholarship and Legacy of Chino Kaori:104-105.

Mostow, Joshua. 2004. "Inventing a New 'Classical' Theme: Tan'yu and the One Hundred Poets." In Classicism in Japanese Art of the Early Edo Period, edited by Elizabeth Lillehoj and Sam Morse, 133-167. Hawai'i: University of Hawai'i Press.

Mostow, Joshua. 2006. "Setsugakka: Snow, Moon and Cherry." In Chikanobu: Modernity and Nostalgia in Japanese Prints, edited by Bruce A. Coats, 83-89. Leiden: Hotei Publishing.

Mostow, Joshua. 2007. "Female Readers and Early Heian Romances: The Hakubyō Tales of Ise Illustrated Scroll Fragments." Monumenta Nipponica 62 (2):135-177.

Mostow, Joshua. 2008. "Utagawa Shunga, Kuki’s ‘Chic,’ and the Construction of a National Erotics in Japan." In Performing 'Nation': Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880-1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill.

Mostow, Joshua. 2009. "Tales of Ise: Reading Gender, Class, and Nation in Japanese Visual Culture." Transactions of the Asiatic Society of Japan, Fifth Series 1:21-54.

Mostow, Joshua. 2009. "Comparison Pictures (Mitate-e/Yatsushi) and Gender." In Civilisation of Evolution, Civilisation of Revolution: Metamorphoses in Japan 1900-2000, edited by A. Jablonski, S. Meyer and K. Morita, 317-323. Krackow: Manggha Museum of Japanese Art & Technology.

Mostow, Joshua. 2010. "The Tale of Light Snow: Pastiche, Epistolary Fiction, and Narrativity Verbal and Visual." Japan Forum 21 (3 Special Issue: Narrativity and Fictionality in Edo-period Prose Literature):363-387.

Mostow, Joshua. 2010. "Illustrated Classical Texts for Women in the Edo Period." In The Female as Subject: Reading and Writing in Early Modern Japan, edited by P. F. Kornicki, Mara Patessio and G. G. Rowley, 59-85. Ann Arbor: The Center for Japanese Studies, The University of Michigan.

Mostow, Joshua, Norman Bryson, and Maribeth Graybill. 2003. Gender and Power in the Japanese Visual Field. Honolulu: University of Hawai`i Press.

Mostow, Joshua S. 2014. Courtly Visions: The Ise Stories and the Politics of Cultural Appropriation. Vol. 12, Japanese Visual Culture. Leiden: Brill.

Mrazek, Jan, and Morgan Pitelka. 2007. What's the Use of Art?: Asian Visual and Material Culture in Context. Honolulu: University of Hawaii Press.

Mueller, Laura J. 2007. "Competition and Collaboration: Japanese Prints of the Utagawa School." 2007.

Mueller, Laura J. 2010. Adornment in Clay: Ceramic Netsuke from the Richard R. Silverman Collection. Toledo: Toledo Museum of Art.

Mueller, Laura J., and Toledo Museum of Art. 2005. Strong Women, Beautiful Men: Japanese Portrait Prints from the Toledo Museum of Art. Vol. 1st. Amsterdam: Hotei Publishing.

Mulligan, Mark, and Yukio Lippit. 2014. The Thinking Hand: Tools and Traditions of the Japanese Carpenter. Cambridge, Mass.: Edwin O. Reischauer Institute of Japanese Studies, Harvard University.

Murai, Noriko. 2003. "Authoring the East: Okakura Kakuzo and the Representations of East Asian Art in the Early Twentieth Century."Ph.D. dissertation, Harvard University.

Murai, Noriko. 2012. "Okakura’s Way of Tea: Representing Chanoyu in Early Twentieth-Century America." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:70-93.

Murai, Noriko, and Yukio Lippit, eds. 2012. Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies. Vol. 24, Review of Japanese Culture and Society.

Murai, Noriko, and Yukio Lippit. 2012. "Okakura Kakuzō: A Reintroduction." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:1-14.

Murakami, Takashi. 2005. Little Boy: The Arts of Japan's Exploding Subculture. New York: Japan Society: New Haven, CT: Yale University Press.

Murase, Miyeko. 2002. The Written Image: Japanese Calligraphy and Painting from the Sylvan Barnet and William Burto Collection. New York and New Haven: Metropolitan Museum of Art and Yale UP.

Murase, Miyeko. 2003. Turning Point: Oribe and the Arts of Sixteenth-Century Japan. New York: Metropolitan Museum of Art.

Murase, Mieko. 2013. Art Through A Lifetime: The Mary Griggs Burke Collection. 2 vols. University of Washington Press: Seattle.

Nagai, Kafū. 2012. "Ukiyo-e Landscapes and Edo Scenic Places." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies.

Nagata, Helen Mitsu. 2000. "Reading A Pictorial Narrative: A Study of the Illustrations Attributed to Hishikawa Moronobu in 'Yoshiwara koi no michibiki' (A Guide to Love in the Yoshiwara, 1678)."Ph.D. dissertation, Stanford University.

Nakagawa, Takeshi. 2005. The Japanese House: In Space, Memory, and Language, LTCB International Library Selection; no. 17. Tokyo, Japan: International House of Japan.

Naoi, Nozomi. 2014. "Beyond the Modern Beauty: Takehisa Yumeji and the New Media Environment in Early Twentieth Century Japan."Ph.D. dissertation, Harvard University.

Naoi, Nozomi. 2014. "Beauties and Beyond: Situating Takehisa Yumeiji and the Yumeiji-shiki." Andon 98:29-39.

Naoi, Nozomi, and Noriko Murai. 2012. "Select Annotated Bibliography of Okakura Kakuzō." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:196-209.

Naoyuki, Kinoshita. 2009. "Kisaburō, Kuniyoshi and the 'Living Doll'." Impressions: Journal of the Japanese Art Society of America (31):101-113.

Navarro, Maria Roman. 2000. "La Vaiselle de Porcelaine Japonaise du 19ème Siècle." Bulletin Association Franco-Japonaise (69):6-17.

Navarro, Maria Roman. 2005. "Bizen Wares: Momoyama Revival and the Creation of National Identity." In Faszination Keramik. Moderne japanische Meisterwerke in Ton aus der Sammlung Gisela Freudenberg, edited by Stephan von der Schulenburg, 30-39. Colonia: Wienand Verlag.

Navarro, Roman Maria. 2003. "The Development of Bizen Wares from Utilitarian Vessels to Tea Ceramics in the Momoyama Period (1573-1615)."Ph.D. dissertation, Heidelberg University Ph.D.

Navarro, Roman Maria. 2005. "The Impact of the Korean Campaigns (1592-98) on Bizen Ceramics." In Über Japan Denken. Japan überdenken. Festschrift für Sepp Linhart zu seinem 60. Geburtstag von seinen Schülerinnen und Schülern, edited by Roland Domenig, Susanne Formanek and Wolfram Manzenreiter, 345-368. Viena y Munich: LitVerlag.

Neave, Dorinda, Lara Blanchard, and Marika Sardar. 2014. Asian Art. New Jersey: Pearson Education Inc.

Nelson, John. 2008. "Household Altars in Contemporary Japan: Rectifying Buddhist ‘Ancestor Worship’ with Home Décor and Consumer Choice." Japanese Journal of Religious Studies 35 (2):305-330.

Newland, Amy Reigle. 2005. The Hotei Encyclopedia of Japanese Woodblock Prints. Amsterdam: Hotei Publishing.

Newland, Amy Reigle. 2009. "An Interview with Toyohara Kunichika: The Sequel." Impressions: Journal of the Japanese Art Society of America (31):133-131.

Newland, Amy Reigle, ed. 2013. Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

Newland, Amy Reigle. 2013. "A Life's Work: Toyohara Kunichika's One Hundred Performances of Ichikawa Danjūrō IX." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 42-49. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

Ngai, Sianne. 2005. "The Cuteness of the Avant-Garde." Critical Inquiry 31:811-847.

North, Alice, Halsey North, and Louise Cort. 2011. "A Conversation with Fukami Sueharu." In, 40-51. Hanford, CA: The Clark Center for Japanese Art and Culture.

Noy, Kinneret. 2009. "Transcending Bodies: Dancing Gender(s) in Butoh." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 184-203. Newcastle-upon-Tyne: Cambridge Scholars Press.

O'Donnell, Joe. 2005. Japan 1945: A U.S. Marine's Photographs from Ground Zero. Nashville: Vanderbilt University Press.

Oba, Mitsutoshi. 2004. "Eclectic Symbolism: The Interplay of Japonisme and Classicism in the Folding Screens by Thomas Wilmer Dewing, 1896-1900."Ph.D. dissertation, City University of New York.

Oertling, Sewall Jerome, Ellen B. Avril, F. Johnson Museum of Art Herbert, and Tyler Art Gallery. 2005. Japanese Paintings from the Henricksen Collection. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University.

Ogawa, Morihiro. 2012. "Introduction: Japanese Armor Deconstructed." In Art of Armor: Samurai Armor From The Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 20-25. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller Museum in association with Yale University Press.

Ōhashi, Kōji. 2012. "Nabeshima, Hirado, Karatsu Presentation Wares for the Shōgun and his Family." In Shōgun-ke kenjō no Nabeshima, Hirado, Karatsu (Ceramics for the Shogunate), 240-241. Arita: Kyushu Ceramic Museum.

Ohki, Sadako. 2012. "Konoe Nobutada's Waka Byobu: Kana Calligraphy and the Triumph of a Displaced Courtier." Orientations 43 (6):118-122.

Okakura, Kakuzō. 2012. "Concerning the Institution of Art Education." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:184-195.

Okakura, Kakuzō. 2012. "Kokka." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:176-183.

Okakura, Kakuzō. 2012. "Reading “Calligraphy Is Not Art"." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:168-175.

Okubo, Jun’ichi. 2010. "Into the Modern: Landscape Prints of Kobayashi Kiyochika and Kawase Hasui." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 187-205. Seattle: University of Washington Press.


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