Jahf biannual Bibliography, 2000-2014



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Kono, Motoaki. 2010. "Layered Meanings of 'Kamo' in the Work of Tawaraya Sotatsu." In Returning Home: Edo Paintings from the Gitter-Yelen Collection, edited by Tadashi Kobayashi, 162-164. Tokyo: NHK Puromōshon.

Koplos, Janet. 2006. "Clamor and Quiet." Art in America 94 (3):58-61.

Körber, Ulrike. 2013. "Reflections on Cultural Exchange and Commercial Relations and Sixteenth-Century Asia: A Portuguese Nobleman's Lacquered Mughal Shield." In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 45-56. Boston: McMullen Museum of Art, Boston College.

Kornicki, P. F. 2005. "Unsuitable Books for Women: Genji monogatari and Ise monogatari in Late Seventeenth-Century Japan." Monumenta Nipponica 60 (2):147-193.

Kouchner, Emmanuelle. 2010. Kyoto-Tokyo, des Samourais aux Mangas (Kyoto-Tokyo, the Samurai of Manga). 2010: Xavier Barral/Grimaldi Forum.

Koyama, Ori, and Mizuho Kuwata. 2005. Inspired Shapes: Contemporary Designs for Japan's Ancient Crafts. Vol. 1st. Tokyo ; New York: Kodansha International.

Kreiner, Josef. 2001. "Introduction." In Inro of the Ryukyus, Lacquered Medicine Containers, edited by Else Kress and Heinz Kress. Bonn, Germany.

Kreiner, Josef. 2005. Japanese Collections in European Museums: Reports from the Toyota-Foundation-Symposium, Königswinter 2003, JapanArchive,; Bd. 5. Bonn: Bier'sche Verlagsanstalt.

Kress, Else, and Heinz Kress. 2002. Inro of the Ryukyus, Lacquered Medicine Containers. Bonn, Germany.

Kress, Else, and Heinz Kress. 2003. Inro shita-e. Design Drawings from a Japanese Lacquer Workshop. Gerd, Germany: Fleischmann.

Kress, Else, and Heinz Kress. 2004. "Japanese Lacquer Objects from the Collection of Chinese Emperors." Bulletin Association Franco-Japonaise (85).

Kress, Else, and Heinz Kress. 2005. "Inro - Collecting and Collections in Europe." In Japanese Collections in European Museums, Volume I: General Prospects, edited by Josef Kreiner, 97-115. Bonn: Bonn University.

Kress, Else, and Heinz Kress. 2010. Inro - A Key to the World of Samurai. Tampere: Vapriikki.

Kress, Else, and Heinz Kress. 2013. "Nanban-Style Revival? Inro Decorated with a Western Coat of Arms, and Other Works by (Kajikawa) Koryusai." International Netsuke Society Journal 32 (4).

Kress, Else, and Heinz Kress. 2013. "Bands of Flowers in Gold and Silver Metal Wire on Metal Wire on Metal and Lacquer Inro." International Netsuke Society Journal 33 (3).

Kress, Else, and Heinz Kress. 2013. "Carved by Hidari Issan: Powerful Dragons Among Clouds and Waves." International Netsuke Society Journal 33 (1).

Kress, Else, and Heinz Kress. 2014. "Black Lacquer Eighteenth Century Inro in the Shape of Antique Ink Tablets and Their Sixteenth Century Design Drawing by Else and Heinz Kress." International Netsuke Society Journal 33 (4).

Kress, Else, and Heinz Kress. 2014. "Indian Cotton Print Designs as Decoration of “Portuguese” Leather, Made in Macao, and of Japanese Metal and Lacquer Inro." International Netsuke Society Journal 34 (2).

Kress, Else, and Heinz Kress. 2014. "Inro and Their Design Drawings, as Documented in Yoyusai's Worshop Books Dated 1801-1841." International Netsuke Society Journal 34 (3).

Kress, Heinz. 2000. "Inro Motifs, Part VII." International Netsuke Society Journal 20 (2):46-57.

Kress, Heinz, and Else Kress. 2005. "Introduction of Historical Documents: Sketchebooks for Inro and Netuke and the Makie Workshop of Kanyiai." In Shikki shi, History of Lacquer Art, 50-63.

Kunimoto, Namiko. 2013. "Shiraga Kazuo: The Hero and Concrete Violence." Art History 36 (1):154-179.

Kunimoto, Namiko. 2014. "Tanaka Atsuko’s Electric Dress and the Circuits of Subjectivity." The Art Bulletin XCV (3):465-483.

Kuraya, Mika. 2014. "Who is Kishida Ryūsei? A Case Study of Taishō-Era Yōga Painter." Andon 97:33-44.

Kuroda, Raiji 2005. "Kyushu-ha as a Movement: Descending to the Undersides of Art." Review of Japanese Culture and Society 17, 1960s Japan: Art Outside the Box.

Kuroda, Raiji. 2005. "A Flash of Neo Dada: Cheerful Destroyers in Tokyo (1993)." Review of Japanese Culture and Society 17, 1960s Japan: Art Outside the Box.

KuroDalaiJee. 2013. "Performance Collectives in 1960s Japan: With a Focus on the 'Ritual School'." Positions: Asia Critique 21 (2 Collectivism in Twentieth-Century Japanese Art):417-449.

Kusaba, Yoshio. 2010. Tradition and Innovation: Japanese Print from 18th to 20th Century, from Ukiyo-e, Shin Hanga, to Sosaku Hanga. Chico, CA: Janet Turner Print Museum, California State University, Chico.

Lai, Yu-chih. 2005. "Surreptitious Appropriation: Ren Bonian (1840-1850) and Japanese Culture in Shanghai, 1852-1895."Ph.D. dissertation, Yale University.

Lambourne, Lionel. 2005. Japonisme: Cultural Crossings between Japan and the West. London: Phaidon.

Lane, Richard. 2006. Images from the Floating World: The Japanese Print. New York; Princes Risborough : John Wilson distributor], Projected Date: Konecky & Konecky; 200603.

Lawrence, Robyn Griggs. 2006. The Wabi-Sabi house: Japanese Art of Imperfect Beauty. New York; Enfield : Hi Marketing distributor], Projected Date: Random House; 200603.

Lee, Susan. 2003. "The Sōōji screens and the Teinai yūrakuzu."Ph.D. dissertation, University of Michigan.

Leighton, Taigen Dan. 2005. "Dogen's Appropriation of Lotus Sutra Ground and Space." Japanese Journal of Religious Studies 32 (1):85-105.

Leiter, Samuel L. 2006. Historical Dictionary of Japanese Traditional Theatre, Historical dictionaries of literature and the arts; no. 4. Lanham, Md: Scarecrow Press.

Leiter, Samuel L. 2009. "Edo Kabuki: The Actor’s World." Impressions: Journal of the Japanese Art Society of America (31):115-131.

Levine, Gregory P. A. 2005. Daitokuji: The Visual Cultures of a Zen Monastery. Seattle: University of Washington Press.

Levine, Gregory P. A. 2012. "On Return: Kano Eitoku’s Flowers and Birds of the Four Seasons and the Digital World." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 285-305. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Levine, Gregory P. A., Andrew M. Watsky, and Gennifer Weisenfeld. 2012. Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu. Princeton, NJ; Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Lillehoj, Elizabeth. 2002. "Tôfukumon’in Masako and Art." Bijutsu Forum 21 (5):40-45.

Lillehoj, Elizabeth. 2002. "Empress Tôfukumon’in (1607-78) and Documents (in Word and Image)." In Across Time and Genre: Reading and Writing Japanese Women’s Texts, 48-51.

Lillehoj, Elizabeth. 2004. Critical Perspectives on Classicism in Japanese Painting, 1600-1700. 2004: University of Hawaii Press.

Lillehoj, Elizabeth. 2007. "A Gift for the Retired Empress." In Acquisition: Art and Ownership in Edo-period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions.

Lillehoj, Elizabeth. 2010. "Making Asia out of China: Okakura Kakuzo's Notions of Classicism." In Collecting China: The World, China, and a Short History of Collecting, edited by Vimalin Rujivacharakul. Newark: Delaware University Press, Rowman & Littlefield.

Lillehoj, Elizabeth. 2011. Art and Palace Politics in Japan, 1580s-1680s. Leiden: Brill (Japanese Visual Culture Series).

Lindsey, William. 2005. "Religious and the Good Life: Motivation, Myth, and Metaphor in a Tokugawa Female Lifestyle Guide." Japanese Journal of Religious Studies 32 (1):35-52.

Linhart, Sepp. 2005. "Niedliche Japaner" oder Gelbe Gehahr? : Westliche Kriegspostkarten, 1900-1945. Wien ; Münster : Lit Verlag ; London; Piscataway, NJ: distributed by Global Book Marketing; Transaction Publishers.

Link, Howard A. 2010. "Ukiyo-e Prints at the San Diego Museum of Art: An Art Historical Overview." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 52-94. Seattle: University of Washington Press.

Link, Howard A. 2010. "The Scrapbook World of Hiroshige: The Harimaze Prints." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 105-118. Seattle: San Diego Museum of Art and Washington University Press.

Lippit, Miya. 2001. "Figures of Beauty: Aesthetics and the Beautiful Woman in Meiji Japan."Ph.D. dissertation, Yale University.

Lippit, Yukio. 2003. "The Birth of Japanese Painting History: Kano Artists, Authors, and Authenticators of the Seventeenth Century."Ph.D. dissertation, Princeton University.

Lippit, Yukio. 2009. "Apparition Painting." Res (55/56):61-86.

Lippit, Yukio. 2009. "Ningbo Buddhist Painting: A Reassessment." Orientations (40.5):54-62.

Lippit, Yukio. 2010. "Ink Painting and the Fashioned Self." In Returning Home: Edo Paintings from the Gitter-Yelen Collection, edited by Tadashi Kobayashi, 168-171. Tokyo: NHK Puromōshon.

Lippit, Yukio. 2011. "The Monk Painter in Medieval Japan." In Splendid Impressions: Japanese Secular Paintings 1400-1900 in the Museum of East Asian Art, Cologne, edited by Doris Croissant, 32-39. Leiden: Brill/Hotei Publishing.

Lippit, Yukio. 2012. "Of Modes and Manners in Japanese Ink Painting: Sesshū’s Splashed Ink Landscape of 1495." The Art Bulletin 94 (1):50-77.

Lippit, Yukio. 2012. "Seer of Sounds: The Muqi Triptych." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 243-266. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Lippit, Yukio. 2012. Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū. Washington DC: National Gallery of Art.

Lippit, Yukio. 2013. "The Heirloom Painting in Early Modern Japan." In The Family Model in Chinese Art and Culture edited by Jerome Silbergeld and Dora C.Y. Ching, 475-512. Princeton: Princeton University Press.

Lippit, Yukio. 2013. "Fantasies and Foreign Contact in the Art History of Japan: Timon Screech in Conversation with Yukio Lippit." The Art Bulletin 95 (2):212-217.

Lippit, Yukio. 2014. "Japanese Folding Screens and the Gitter-Yelen Collection." In Unfolding Worlds: Japanese Screens from the Gitter-Yelen Collection, edited by Miriam Malachi. Jerusalem: The Israel Museum.

Little, Stephen. 2005. "The Richard Lane Collection." Orientations 36 (2):93-100.

Long, Gregory, and et al. 2008. Kiku: The Art of the Japanese Chrysanthemum: The Chrysanthemum in Japanese Art. Bronx, NY: The New York Botanical Garden.

Longhi, Leighton R. 2010. "Yabumoto Sōshirō: The Way of an Art Dealer." Impressions: Journal of the Japanese Art Society of America (32):37-63.

Los Angeles County Museum of Art, Tokyo Kokuritsu Hakubutsukan, Nihon Hoso Kyokai, NHK Puromōshon, Ōsaka Shiritsu Bijutsukan, and Nagoya-shi Hakubutsukan. 2005. Japan Goes to the World's Fair: Japanese Art at the Great Expositions in Europe and the United States, 1867-1904. Los Angeles, CA: LACMA, Tokyo National Museum, NHK, and NHK Promotions Co.

Loveday, Helen. 2005. "Tokens of Faith: Japanese Altar Cloths of the Edo Period." Orientations 36 (4):37-44.

Loveday, Helen. 2013. "A New Display: The Japanese Collections of the Baur Foundation." Arts of Asia 43 (4):48-57.

Lu, Hui-Wen. 2011. "Imaging Oriental Art in Late Nineteenth-Century America: The Walters Collection Catalogue." In Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by Jerome Silbergeld and Dora C. Y. Ching, 713-741. Princeton, NJ; Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Lucken, Michael. 2013. "Total Unity in the Mirror of Art." In Art and War in Japan and its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 79-90. Leiden-Boston: Brill.

Ludvik, Catherine. 2012. "Uga-Benzaiten: The Goddess and the Snake." Impressions: Journal of the Japanese Art Society of America 33:95-110.

Lühl, Hendrick. 2014. "An Album of Osaka Actor Prints." Andon 98:49-68.

MacDonald, Ian McCullough. 2005. "'The Monk One Hundred Poets' in Word and Images: Parody, Satire and Mitate in Seventeenth-Century Comic Poetry."Ph.D. dissertation, Stanford University.

Machotka, Ewa. 2009. Visual Genesis of Japanese National Identity. Hokusai's Hyakunin isshu. New York: Peter Lang Publishing Group.

Machotka, Ewa. 2014. "For Girls and Wives: Narrating ‘Tradition’ and ‘Modernity’ through Gendered Publications of the Taishō Era." Andon 97:91-104.

Mack, J. Karen. 2006. "The Phenomenon of Invoking Fudo for Pure Land Rebirth in Image and Text." Japanese Journal of Religious Studies 33 (2).

Mack, Karen F. 2010. "Landmarks of Esoteric Art in Japan." In Esoteric Buddhism and the Tantras in East Asia, edited by Charles D. Orzech, Henrik H. Sørensen and Richard K. Payne, 904-923. Leiden: Brill.

Mack, Karen J. 2006. "Function and Context of Fudo Imagery from the Ninth to Fourteenth Century in Japan."Ph.D. dissertation, University of Kansas.

Mack, Karen J. 2008. "A Reconsideration of the Program of the Goshichinichi Mishuhō." In Proceedings of the International Conference on Esoteric Buddhism, edited by ICEBS Editorial Board, 85-89. Koya-machi, Wakayama: Koyasan University.

Macnaughtan, Helen. 2005. Women, Work and the Japanese Economic Miracle: The Case of the Cotton Textile Industry, 1945-1975, RoutledgeCurzon Studies in the Modern History of Asia; 27. London; New York: RoutledgeCurzon.

Maeda, Tamaki. 2004. "Tomioka Tessai's Narrative Landscape: Rethinking Sino-Japanese Traditions."Ph.D. dissertation, University of Washington.

Maeda, Tamaki. 2009. "Rediscovering China in Japan: Fu Baoshi's Ink Painting." In Writing Modern Chinese Art: Historiographic Explorations, edited by Josh Yiu. Seattle: Seattle Art Museum.

Maeda, Tamaki. 2012. "(Re)-Canonizing Literati Painting: The Kyoto Circle." In The Role of Japan in Modern Chinese Art, edited by Joshua A. Fogel, 215-227-353-358. Berkley: University of California Press.

Maeda, Tamaki. 2012. "Luo Zhenyu and the ‘Legacy of the Southern School’ in Japan and the West." In Lost Generation: Luo Zhenyu, Qing Loyalists, and the Formation of Modern Chinese Culture, edited by Roderick Whitfield and Chia-ling Yang, 123-141. London: Eastern Art Publishing in association with University of Edinburgh.

Maeda, Tamaki. 2012. "From Feudal Hero to National Icon: The Kusunoki Masashige Image, 1660-1945." Artibus Asiae 72 (2):201-263.

Maeda, Tamaki, and Aida Yuen Wong. 2011. "Kindred Spirits: Fu Baoshi and the Japanese Art World." In Chinese Art in an Age of Revolution: Fu Baoshi (1904–1965), edited by Anita Chung, 35-41. New York, Cleveland, New Haven: Cleveland Museum of Art, Yale University Press.

Maeda, Tamaki (Qiantian, Huan), and trans. Liu Qiong. 2014. "Neiteng Hunan he jindai Zhong-Ri meishu shi xue (Naitō Konan and Art History in Modern China and Japan)." Shijie jindaishi yanjiu (Research on Modern World History) 11:67-77.

Maerkle, Andrew. 2008. "Makoto Aida: No More War; Save Water; Don’t Pollute The Sea." ArtAsiaPacific 59:132-142.

Maezaki, Shinya. 2011. "New Horizons of Ceramic Sculpture." In Fukami: Purity of Form, edited by Andreas Marks, 18-25. Hanford, CA: Clark Center for Japanese Art & Culture.

Malachi, Miriam, ed. 2014. Unfolding Worlds: Japanese Screens from the Gitter-Yelen Collection. Jerusalem: The Israel Museum.

Mann, H. George. 2012. "Osamu Ueda (1928-2011)." Impressions: Journal of the Japanese Art Society of America 33:113-119.

Marcon, Barbara. 2011. "Hiroshima and Nagasaki in the Eye of the Camera." Third Text 25 (6):787-797.

Marks, Andreas. 2005. "A Country Genji: Kunisada’s Single-Sheet Genji Series." Impressions: Journal of the Japanese Art Society of America 27:58-79.

Marks, Andreas. 2007. "Third Month 1807 (Bunka 4), Utagawa Kunisada’s Debut?" Ukiyo-e geijutsu 154:66-69.

Marks, Andreas. 2007. "When the Shogun Travels to Kyoto—The Great 'Processional Tokaido' Series." Andon 81:5-44.

Marks, Andreas. 2008. Generosity in Clay: Modern Japanese Ceramics from the Natalie Fitz-Gerald Collection. Clark Center Exhibition Series 3. Hanford: Clark Center for Japanese Art and Culture.

Marks, Andreas. 2008. They Swim, Fly, Wiggle, Walk, or Slither: The Hidden Code of Animals in Japanese Art. Clark Center Exhibition Series 2. Hanford: Clark Center for Japanese Art and Culture.

Marks, Andreas. 2008. Traces of China: The Japanese Transformation of Chinese Themes and Techniques. Clark Center Exhibition Series 1. Hanford: Clark Center for Japanese Art and Culture.

Marks, Andreas. 2008. "Hiroshige’s Publishers." In Hiroshige: Shaping the Image of Japan, edited by Chris Uhlenbeck and Marije Jansen. Leiden: Brill.

Marks, Andreas. 2008. "When Two Utagawa Masters Get Together: The Artistic Relationship of Hiroshige and Kunisada." Andon 84:33-49.

Marks, Andreas. 2008. "Art: East Asia." In Encyclopedia of the Modern World, edited by Peter N. Stearns. New York: Oxford University Press.

Marks, Andreas. 2010. "Kabuki Brain Puzzles: Station-character Motif Patterns in the Actor Tōkaidō Series of Utagawa Kunisada (1786–1865)."Ph.D. dissertation, Leiden University.

Marks, Andreas. 2010. Publishers of Japanese Woodblock Prints: A Compendium. Leiden and Boston: Hotei Publishing.

Marks, Andreas. 2010. Japanese Woodblock Prints: Artists, Publishers and Masterworks 1680–1900. North Clarendon, Tokyo, Singapore: Tuttle.

Marks, Andreas. 2010. "The Tōkaidō: A Road as Theme Within Japanese Arts." The Netherlands-Japan Review 1 (3):82-103.

Marks, Andreas. 2010. "Chinese Generals in Japanese Prints of the Edo Period: The Case of Guan Yu (Kan U)." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 94-103. Seattle: University of Washington Press.

Marks, Andreas. 2010. "Anything that Creeps and Flies: Natural History Prints." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 118–127. Seattle: University of Washington Press.

Marks, Andreas. 2010. "Prince Genji and His Provincial Successor: Inaka Genji Prints." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 128–143. Seattle: University of Washington Press.

Marks, Andreas. 2010. "Japanese Heroes in Prints of the Meiji Period." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 174–185. Seattle: University of Washington Press.

Marks, Andreas. 2011. Fukami: Purity of Form. Hanford, CA: Clark Center for Japanese Art & Culture and Washington University Press.

Marks, Andreas. 2012. Kamisaka Sekka: Rinpa Traditionalist, Modern Designer. San Francisco: Pomegranate.

Marks, Andreas. 2012. Modern Twist: Contemporary Japanese Bamboo Art. Washington DC, Seattle: International Arts and Artists and Washington University Press.

Marks, Andreas. 2012. "The Genji Print Phenomenon." Aziatische Kunst 42 (4):13-23.

Marks, Andreas. 2012. "The ‘Decadent’ Japanese Woodblock Print: Application and Preservation of Color in the Mid-Nineteenth Century." In Awash in Color: French and Japanese Prints, edited by Chelsea Foxwell and Anne Leonard, 123–132. Chicago: Smart Museum of Art, University of Chicago.

Marks, Andreas. 2012. "The Phenomenon Japanese Woodblock Prints." In Pictures of the Floating World: Japanese Woodblock Prints. Sideways.

Marks, Andreas. 2012. "The Development of Bijinga until the Mid-Nineteenth Century." In The Beauty of the Moment: Women in Japanese Woodblock Prints, edited by Katharina Epprecht, 11–18. Zurich: Museum Rietberg and Scheidegger & Spiess.

Marks, Andreas. 2012. Genji’s World in Japanese Woodblock Prints. Leiden: Hotei Publishing.

Marks, Andreas. 2012. "Genji Prints: A Nineteenth-Century Craze." In Genji’s World in Japanese Woodblock Prints, edited by Andreas Marks, 10-17. Leiden: Hotei Publishing.

Marks, Andreas. 2013. Kunisada's Tōkaidō: Riddles in Japanese Woodblock Prints. Leiden: Hotei Publishing.

Marks, Andreas, and Sonya Quintanilla. 2010. Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art. Seattle: University of Washington Press.

Marra, Michael F. 2011. "The Creation of the Vocabulary of Aesthetics in Meiji Japan." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 193-211. Honolulu: University of Hawai’i Press.

Marvin, Stephen E. 2010. Heaven Has a Face; So Does Hell: The Art of the Noh Mask. 2 vols. Warren, CT: Floating World Editions.

Maske, Andrew. 2011. Potters and Patrons in Edo Period Japan: Takatori Ware and the Kuroda Domain. Farnham, Surrey, UK: Ashgate Publishing.

Mason, Penelope E., and Donald Dinwiddie. 2005. History of Japanese Art. 2nd ed. Upper Saddle River, N.J: Pearson Prentice Hall.

Masters, H. G. 2008. "Yoko Ono: The Artist in Her Unfinished Avant-Garde." ArtAsiaPacific 58:142-149.

Maucuer, Michel. 2005. "Kofun Period Bronze Mirrors Rediscovered in Enrico Cernuschi's Collection." Orientations 36 (5):35-39.

Maucuer, Michel. 2011. "Use and Display: Ceramic Wares in Edo Period Japan." Arts of Asia 41 (4):74-81.

Mayer, Amanda. 2006. Contemporary Expressions of Cultural Identity. New Zealand: University of Otago.

McArthur, Meher, and Robert J. Lang. 2011. Folding Paper: The Infinite Possibilities of Origami. Washington DC: International Arts & Artists.

McCausland, Shane. 2005. "Nihonga Meets Gu Kaizhi: A Japanese Copy of a Chinese Painting in the British Museum." Art Bulletin 87 (4):688-713.

McCausland, Shane, and Matthew McKelway. 2009. Chinese Romance from a Japanese Brush. London: Scala Publishers.

McCormick, Melissa. 2000. "Tosa Mitsunobu's Ko-e: Forms and Fuctions of Small-Format Handscrolls in the Muromachi Period (1333-1573)."Ph.D. dissertation, Princeton University.

McCormick, Melissa, ed. 2003. Japanese Art: The Scholarship and Legacy of Chino Kaori. Vol. 15, Review of Japanese Culture and Society. Tokyo: Josai University.

McCormick, Melissa. 2003. "On the Scholarship of Chino Kaori." Review of Japanese Culture and Society 15, Japanese Art: The Scholarship and Legacy of Chino Kaori:1-24.


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