Jahf biannual Bibliography, 2000-2014



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Hutt, Julia, and Lesley Kehoe. 2003. Unryuan: Master of Traditional Japanese Lacquer: Selected Works. Melbourne, Australia: Lesley Kehoe Galleries.

Hutt, Julia, and Stephen Overbury. 2000. Namiki: The Art of Japanese Lacquer Pens. Toronto, Ontario: Pens Unlimited.

Ikeda, Asato. 2009. "Japan’s Haunting War Art: Contested War Memories and Art Museums." disClosure (18):5-32.

Ikeda, Asato. 2009. "Fujita Tsuguharu Retrospective 2006: Resurrection of a Former Official War Painter." Review of Japanese Culture and Society 21:97-115.

Ikeda, Asato. 2010. "Twentieth Century Japanese Art and the Wartime State: Reassessing the Art of Ogawara Shū and Fujita Tsuguharu." The Asia-Pacific Journal: Japan Focus (43-2-10).

Ikeda, Asato. 2012. "Envisioning Fascist Space, Time, and Body: Japanese Paintings during the Fifteen-Year War (1931-1945)."Ph.D. dissertation, University of British Columbia.

Ikeda, Asato. 2013. "Ikeda Manabu, the 2011 Great East Japan Earthquake, and Disaster/ Nuclear Art in Japan." The Asia-Pacific Journal: Japan Focus 11 (13-2).

Ikeda, Asato. 2013. "On Uranium Art: Artist Ken + Julia Yonetani in Conversation with Asato Ikeda." The Asia-Pacific Journal: Japan Focus 11 (11-1).

Ikeda, Asato. 2013. "Modern Girls and Militarism: Japanese Style Machine-ist Paintings, 1935-1940." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 91-110. Leiden-Boston: Brill.

Ikeda, Asato, Aya Louisa McDonald, and Ming Tiampo, eds. 2013. Art and War in Japan and its Empire, 1931-1960. Leiden: Brill.

Ikeda, Asato, and Ming Tiampo. 2011. "The Transnational History of Japanese Woodblock Prints." In Inuit Prints: Japanese Inspiration. Ottawa: Canadian Museum of Civilization.

Ikeda, Shinobu. 2008. "The Allure of a "Woman in Chinese Dress": Representation of the Oilier in Imperial Japan." In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill.

Imada, Kinichi. 2004. "Typography Review 04: Succeeding the History of Typefaces." Idea International Graphic Art (304):119-134.

Impey, O. R., and C. J. A. Jörg. 2005. Japanese Export Lacquer: 1580-1850. Amsterdam: Hotei.

Inaga, Shigemi. 2012. "Okakura Kakuzō and India: The Trajectory of Modern National Consciousness and Pan-Asian Ideology Across Borders." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:39-57.

Inaga, Shigemi. 2012. "Crossing Axes: Occidentalism and Orientalism in Modern Visual Representations of Manchukuo (1931-1945)." In Orientalism/Occidentalism: The Languages of Culture vs. the Languages of Description, edited by Evgeny Steiner, 93-113. Moscow: Russian Institute for Cultural Research.

Irvine, Gregory. 2000. The Japanese Sword: the Soul of the Samurai. London: Victoria & Albert Museum.

Irvine, Gregory. 2001. "The Japanese Sword." Orientations 32 (10):36-38.

Irvine, Gregory. 2002. "Masks." In Timeless Beauty: Traditional Japanese Art from the Montgomery Collection, edited by Waal Edmund de and etc, 227-253. Milan: Skira Editore SpA.

Irvine, Gregory. 2002. "Metalwork." In Timeless Beauty: Traditional Japanese Art from the Montgomery Collection, edited by Waall Edmund de and etc, 254-287. Milan: Skira Editore SpA.

Irvine, Gregory. 2004. Guide to Japanese Art Collections in the UK. London: Hotei Publications in conjunction with the Japan Society.

Irvine, Gregory. 2004. "Japanese Diplomatic Relations with Europe." In Encounters: the Meeting of Europe and Asia 1500-1800, edited by Anna Jackson and Amin Jaffer, 100-101. London: Victoria & Albert Museum.

Irvine, Gregory. 2004. "East Asian Metalwork for the Export Market." In Encounters: the Meeting of Europe and Asia 1500-1800, edited by Anna Jackson and Amin Jaffer, 232-233. London: Victoria & Albert Museum.

Irvine, Gregory. 2004. "The Impact of European War Technology." In Encounters: the Meeting of Europe and Asia 1500-1800, edited by Anna Jackson and Amin Jaffer, 324-325. London: Victoria & Albert Museum.

Irvine, Gregory. 2004. Well-Hammered: The Art of Japanese Metalwork. Bournemouth: Russell-Cotes Museum.

Irvine, Gregory. 2005. "Shippōyaki: ‘The Art of Japanese Cloisonné." Arts of Asia 35 (5):76-86.

Irvine, Gregory. 2005. "Collecting Japanese Arms and Armour: A European Perspective with an Emphasis on the Collections of the Victoria & Albert Museum." Oriental Art Magazine LV (1):37-46.

Irvine, Gregory. 2006. Japanese Cloisonné: The Seven Treasures. London: Victoria & Albert Museum.

Irvine, Gregory. 2007. "The Hayashi Revisions Revised: Hayashi and the Japanese Art Collection of the Victoria and Albert Museum, London, 1886." In Hayashi Tadamasa: Japonisme and cultural exchange. Tokyo: Brücke Inc.

Irvine, Gregory. 2009. "Collecting Japanese Art at the Victoria and Albert Museum." Arts of Asia 39 (4).

Irvine, Gregory. 2010. "Le Samouraï: une histoire millénaire (The Samurai: the history of a millennium)." In Kyoto-Tokyo, des Samourais aux mangas (Kyoto-Tokyo, The Samurais of Mangas), edited by Emmanuelle Kouchner. Paris: Xavier Barral/Grimaldi Forum.

Irvine, Gregory. 2011. Japanese Cloisonné Enamels. London: V & A Publishing.

Irvine, Gregory. 2012. "Japanese Arms and Armour after 1600." In Art of Armor: Samurai Armor from the Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 99-106. New Haven: Yale University Press.

Irvine, Gregory, ed. 2013. Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period: The Khalili Collection. New York: Thames & Hudson.

Irvine, Gregory. 2013. "From Namban to Meiji: The Availability and Reception of Japanese Art in the West." In Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period: The Khalili Collection, edited by Gregory Irvine, 16-53. New York: Thames & Hudson.

Irvine, Gregory. 2013. "Wakon Yosai -- Japanese spirit, Western Techniques: Meiji Period Arts for the West." In Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period: The Khalili Collection, edited by Gregory Irvine, 166-223. New York: Thames & Hudson.

Irvine, Gregory. 2014. "The Dresden State Art Collections: Collecting Japan in the 19th Century." Arts of Asia 44 (4):41-54.

Irvine, Gregory, and Anna Jackson. 2000. "'The Finest Piece of Bronze Which an Artist’s Hand Ever Produced': The Life and Times of a Japanese Incense Burner." Apollo 465:18-23.

Isaka, Maki. 2009. "Images of Onnagata: Complicating the Binarisms, Unraveling the Labyrinth." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 22-39. Newcastle-upon-Tyne: Cambridge Scholars Press.

Ito, Daisuke. 2007. "The Kotohiragu Collection: Dedications to the Kompira Deity." In Acquisition: Art and Ownership in Edo-period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions.

Iwakiri, Yuriko, and Amy Newland. 2013. Kuniyoshi: Japanese Master of Imagined Worlds. Leiden: Hotei Publishing.

Iwatate, Marcia, and Geeta K. Mehta. 2005. Japan Houses. North Clarendon, Vt: Tuttle.

Izzard, Sebastian. 2010. "Catherine Halff Edson (1938–2010): Remembering an Esteemed Collector." Impressions: Journal of the Japanese Art Society of America (32):177-179.

Izzard, Sebastian. 2010. "The Kollar Collection of Japanese Prints and Paintings." In Fleeting Beauty: Japanese Woodblock Prints, edited by Catherine C. Roche, 9-13. Seattle: Seattle Art Museum.

Jabn, Gisela. 2005. The Art of Japanese Export Porcelain and Satuma Ware 1868-1912. Stuttgart, Germany: Arnoldsche Art Publishers.

Jackson, Anna. 2000. "Orient and Occident." In Art Nouveau 1890-1914, edited by Paul Greenhalgh, 100-113. London: Victoria & Albert Museum.

Jackson, Anna. 2000. "Textiles." In Mingei: Beauté du Quotidien au Japon, La Collection Montgomery, 117-139. Nice, France: Musée des Arts Asiatiques.

Jackson, Anna. 2000. "Tradition and Modernity: Japan and the Creation of Art Nouveau." New Architecture 6:38-45.

Jackson, Anna. 2001. "Art and Design: East Asia." In The Victorian Vision: Inventing New Britain, edited by John MacKenzie, 296-313. London: Victoria & Albert Museum.

Jackson, Anna. 2002. "Textiles." In Timeless Beauty: Traditional Japanese Art from the Montgomery Collection, edited by Waal Edmund de and etc, 289-355. Milan: Skira Editore SpA.

Jackson, Anna. 2003. "Tessuti del Mondo Fluttuante; stoffe tradizionali nelle xilografie giapponesi’ [Fabrics of the Floating World: traditional textiles in Japanese woodblock prints]." In in Giappone Coloir Indaco: La Collezione Montgomery, 10-13. Milan: Biblioteca di via Senato Edizioni.

Jackson, Anna. 2003. "Inspiration from the East." In Art Deco:1910-1939, edited by Tim Benton Charlotte Benton and Wood Ghislaine, 66-77. London: Victoria & Albert Museum.

Jackson, Anna. 2003. "Art Deco in East Asia." In Art Deco:1910-1939, edited by Charlotte Benton, Tim Benton and Ghislaine Wood, 370-381. London: Victoria & Albert Museum.

Jackson, Anna. 2003. "Ritual and Drama: Japanese Costume in the Victoria and Albert Museum." Arts of Asia 33 (2):102-109.

Jackson, Anna. 2003. "La Passion du Laque." Dossier de l’art Hors Série de l’Estampille/L’Object d’art (95):52-57.

Jackson, Anna. 2004. "Japanese Textiles in the Victoria and Albert Museum."

Jackson, Anna. 2004. "Visual Responses: Depicting Europeans in East Asia." In Encounters: the meeting of Asia and Europe, edited by Anna Jackson and Amin Jaffer, 200-217. London: Victoria & Albert Museum.

Jackson, Anna. 2005. "Fashion for the Foreign: The Taste for Exotic Textiles and Dress in Momoyama and Edo Period Japan." Oriental Art LV (1):28-36.

Jackson, Anna. 2005. "Dynamic Lines and Syncopated Rhythms: Art Nouveau and Art Deco Designs in Early Twentieth-Century Kimono." In Fashioning Kimono: Dress and Modernity in early twentieth century Japan, edited by Annie van Assche, 30-37. Milan: 5 Continents Editions.

Jackson, Anna. 2014. "Fashioning the ‘Greater Taishō’ Era." Andon 97:105-116.

Jackson, Anna, and Amin Jaffer. 2002. Encounters: the meeting of Asia and Europe. London: Victoria & Albert Museum.

Jaffer, Amin. 2000. "Textiles." In Mingei: Beauté du Quotidien au Japon, La Collection Montgomery, 117-139. Nice: Musée des Arts Asiatiques.

Javallana SJ, René B. 2013. "The Invention of an Icon: From Francisco Xavier of Navarre to San Francisco, Patron of the Missions and Apostle to the Indies." In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 17-26. Boston: McMullen Museum of Art, Boston College.

Jenkins, Donald. 2011. "The Artist’s Touch, The Craftsman’s Hand: Endurance and Innovation in Japanese Prints." In The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited by Maribeth Graybill, 25-65. Portland OR: Portland Art Museum.

Jenkins, Donald. 2011. "Harunobu Reconsidered." In The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited by Maribeth Graybill, 97-106. Portland OR: Portland Art Museum.

Jirka-Schmitz, Patrizia. 2005. The World of Netsuke: The Werdelmann Collection at the Museum Kunst Palast Dusselsorf. Stuttgart: Arnoldsche Art Publishers.

Jirka-Schmitz, Patrizia. 2014. "Shin Hanga and Nihonga in Berlin, 1929-1932: Donations and Exhibitions." Andon 97:75-90.

Jodidio, Philip. 2008. Tadao Ando: Modern Art Museum of Fort Worth. New York and Fort Worth: Rizzoli and Modern Art Museum of Fort Worth.

Johnson, Hiroko. 2005. Western Influence on Japanese Art: The Akita Ranga Art School and Foreign Books. Amsterdam: Hotei.

Johnson, Hiroko. 2010. "Early Provenance Histories: The Cora Timken Burnett Bequest of Ukiyo-e Prints." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 33-52. Seattle: University of Washington Press.

Johnson, Hiroko. 2010. "Yokohama-e: Prints of a New Port City." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 145-186. Seattle: University of Washington Press.

Johnson, Scott. 2014. "New Colours, A New Profession & A New Idea: Zuan Enrich Kyoto Design Books." Andon 97:117-128.

Jungmann, Burglind. 2004. Painters as Envoys: Korean Inspiration in Eighteenth-century Japanese Nanga. Princeton, N.J: Princeton University Press.

Kainuma, Oshiko. 2014. "Chogen’s Jodoji Amida Triad and Its Environment: A Theatrical Effect of the Raigo Form." Artibus Asiae 74 (1):97-128.

Kal, Hong. 2003. "The Presence of the Past: Exhibitions, Memories, and National Identities in Colonial and Postcolonial Korea and Japan."Ph.D. dissertation, SUNY Binghamton.

Kamada, Yumiko. 2013. "Woven Flowers: Persian and Indian Carpets in Early Modern Japan." Orientations 44 (3):53-61.

Kameda-Madar, Kazuko. 2012. "A Set of Four Guardian Hanging Scrolls and the Transformation of the Twelve Devas Pictorial Tradition in Medieval Japan." Kaikodo Journal 28:21-27.

Kameda-Madar, Kazuko. 2014. "Copying and Theory in Edo Period Japan (1615-1868)." Art History 37 (4 Special Issue, Theorizing Imitation in a Global Context):708-727.

Kameda-Madar, Kazuko. 2014. "A Sixteenth-Century Korean Landscape Painting with Seal Reading ‘Bunsei’." Kaikodo Journal XXX:24-29.

Kamens, Edward. 2011. "Ink Play." The Yale Review 99 (2):51-74.

Kaminishi, Ikumi. 2006. Explaining Pictures: Buddhist Propaganda and Etoki Storytelling in Japan. Honolulu: University of Hawai'i Press.

Kanda, Fusae. 2004. "Hōnen’s/Senchaku/Doctrine and his Artistic Agenda." Journal of Religious Studies 31:3-27.

Kanda, Fusae. 2005. "Behind the Sensationalism: Images of a Decaying Corpse in Japanese Buddhist Art." Art Bulletin 87 (1):24-49.

Kaneko, Kenji, Kokuritsu Kindai Bijutsukan, and National Museum of Modern Art Tokyo. 2005. Modern Craft Art Japan: Works from the Crafts Gallery, the National Museum of Modern Art, Tokyo. Tokyo: National Museum of Modern Art: International distribution by Coherence.

Kaneko, Maki. 2011. "Mukai Junkichi’s Transformation from a War to Minka (Folk House) Painter." Archives of Asian Art (61):37-60.

Kaneko, Maki. 2013. "Under the Banner of the New Order: Uchida Iwao's Responses to the Asia-Pacific War and Japan's Defeat." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 191-208. Leiden-Boston: Brill.

Kaneko, Maki. 2013. "New Art Collectives in the Service of the War: The Formation of Art Organizations during the Asia-Pacific War." Positions: Asia Critique 21 (2 Collectivism in Twentieth-Century Japanese Art):309-350.

Kasahara, Michiko. 2009. "Gender Issues in Contemporary Japanese Art." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 40-49. Newcastle-upon-Tyne: Cambridge Scholars Press.

Kasahara, Michiko, and Ayelet Zohar. 2009. "The Pregnant Man: Fiction or Future Reality?" In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 171-183. Newcastle-upon-Tyne: Cambridge Scholars Press.

Katsumoto, Lynn. 2011. "The Mary Andrews Ladd Collection of Japanese Prints." In The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited by Maribeth Graybill, 137-142. Portland OR: Portland Art Museum.

Katz, Janice. 2004. "Collecting and Patronage of Art in Seventeenth Century Japan: The Maeda Daimyo."Ph.D. dissertation, Princeton University.

Katz, Janice. 2007. "Fools for Art: Two Maeda Daimyo as Collectors in Seventeenth-Century Japan." In Acquisition: Art and Ownership in Edo-period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions.

Katz, Janice. 2009. "Allusion and Illusion: Harimaze-type Folding Screens In The Art Institute of Chicago and the Saint Louis Art Museum." Orientations:48-53.

Katz, Janice. 2009. "Isabella Gardner’s First Pair of Japanese Screens." In Journeys East: Isabella Stewart Gardner and Asia, edited by Noriko Murai and Alan Chong. Boston: Isabella Stewart Gardner Museum.

Katz, Janice. 2009. "Hidden Behind History: Revealing Moments in the Evolution of Japanese Folding Screens." In Beyond Golden Clouds: Japanese Screens from the Art Institute of Chicago and the Saint Louis Art Museum, edited by Janice Katz, 13-32. Singapore: The Art Institute of Chicago.

Katz, Janice. 2009. Beyond Golden Clouds: Japanese Screens from the Art Institute of Chicago and the Saint Louis Art Museum. Singapore: The Art Institute of Chicago.

Katz, Janice. 2010. "The Roger L. and Pamela Weston Wing: Transforming Japanese Art at the Art Institute of Chicago." Orientations 41 (6):118-123.

Katz, Janice. 2010. "Roger Weston: Unlocking New Doors." Impressions: Journal of the Japanese Art Society of America (32):129-133.

Katz, Janice. 2012. "The Perfect Gift: Japanese Premodern Screens Sent Abroad." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 203-217. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Katz, Janice Impey O. R., and Ashmolean Museum. 2003. Japanese Paintings in the Ashmolean Museum, Oxford. Oxford: Ashmolean Museum.

Kawai, Masatomo, Robert T. Singer, Felice Fischer, Hollis Goodall, and Kiyoko Kakeya. 2002. Munakata Shiko: Japanese Master of the Modern Print. Tokyo: Art Media Resources.

Kawata, Akihisa. 2013. "War Art and Its Era." In Art and War in Japan and its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 27-38. Leiden-Boston: Brill.

Kawata, Akihisa. 2013. "The Japanese Physique and the 'Proper Body'." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 139-154. Leiden-Boston: Brill.

Keehan, Reuben. 2014. We Can Make Another Future: Japanese Art After 1989. South Brisbane, Queensland, Australia: Queensland Art Gallery/Gallery of Modern Art.

Keene, Donald, and Kazan Watanabe. 2006. Frog in the Well: Portraits of Japan by Watanabe Kazan, 1793-1841, Asia perspectives. New York: Columbia University Press.

Kehoe, Sinead R. C. 2012. "A Brief Reconsideration of a Fragment of The Illustrated Collected Gleanings of the Legends of Past Virtues." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 95-106. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Keyes, Roger. 2006. EHON: The Artist and the Book in Japan. New York, NY: New York Public Library with University of Washington Press.

Keyes, Roger. 2013. "The Very Moment When Everything Changes: Reflections on a Drawing by Katsushika Hokusai (1760-1849)." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 7-12. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

Kim, Gyewon. 2012. "Tracing the Emperor: Photography, Famous Places, and the Imperial Progresses in Prewar Japan." Representations 120 (1):115-150.

Kim, Hyeshin. 2013. "Visual Representations of War in Korea, 1937-1945." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 325-338. Leiden-Boston: Brill.

Kimbrough, R. Keller. 2005. "Reading the Miraculous Powers of Japanese Poetry Spells, Truth Acts and a Medieval Buddhist Poetics of the Supernatural." Japanese Journal of Religious Studies 32 (1):1-33.

Kimbrough, R. Keller. 2012. "Battling Tengu, Battling Conceit: Visualizing Abstraction in The Tale of the Handcart Priest." Japanese Journal of Religious Studies 39 (2):275-305.

King, James. 2006. Japanese Warrior Prints, 1646-1904. Leiden; Abingdon : Marston distributor], Projected Date: Hotei; 200606.

Kinoshita, Nagahiro. 2012. "Okakura Kakuzō as a Historian of Art." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:26-38.

Kinoshita, Yumi. 2006. "Case Study: American Neo-Imperialism, Interdisciplinarity and Identity." M.F.A Ph.D. dissertation, University of California, Santa Barbara.

Kitagawa, Anne Rose. 2012. "Veiled in Shadow: Recent Discoveries and Technical Analyses of the Harvard Art Museum’s Tale of Genji Album." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 39-54. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Klemperer-Markman, Ayala. 2009. "Art, Politics and Prostitution in Occupied/Contemporary Japan: The Voice of a Sex Worker." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 229-250. Newcastle-upon-Tyne: Cambridge Scholars Press.

Klompmakers, Inge. 2003. Japanese Erotic Prints: Shunga by Harunobu and Koryūsai. Leiden: Hotei Publishing.

Klompmakers, Inge. 2013. "Umehara Ryūzaburō and the Lure of the Mediterranean: The Artistic Network of a Japanese Oil Painter in Europe, 1908-13." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 69-76. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

Knelman, Sara. 2008. Great New Wave: Contemporary Art from Japan. Victoria: Art Gallery of Greater Victoria.

Kobayashi, Tadashi. 2000. "The Coquetry of the Kanbun Beauty." In The Arts of Japan: An International Symposium, edited by Miyeko Murase and Judith G. Smith, 211-220. New York, NY: The Metropolitan Museum of Art.

Kobayashi, Tadashi. 2005. "The Kanbun Bijin: Setting the Stage for Ukiyo-e Bijinga." In The Hotei Encyclopedia of Japanese Woodblock Prints, edited by Amy Reigle Newland, 83-87. Amsterdam: Hotei Publishing.

Kobayashi, Tadashi. 2005. "Light and in Shadow Ukiyo-e Paintings by Hokusai's Daughter Katsushika Oi." In Hokusai and his Age, edited by John T. Carpenter. Amsterdam: Hotei Publishing.

Kobayashi, Tadashi. 2010. "Welcome Home, Gitter Collection." In Returning Home: Edo Paintings from the Gitter-Yelen Collection, edited by Tadashi Kobayashi, 160-161. Tokyo: NHK Puromōshon.

Kobayashi, Tadashi. 2012. "Itō Jakuchu: A Man Rejoicing in Painting." Orientations 43 (3):36-43.

Kominz, Laurence R. 2011. "On and Off Stage: Gender, Identity, and Kabuki." In The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited by Maribeth Graybill, 67-94. Portland OR: Portland Art Museum.


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