Jahf biannual Bibliography, 2000-2014



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Weisenfeld, Gennifer. 2012. Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923. Berkeley: University of California Press.

Weisenfeld, Gennifer. 2012. "Shiseido Chic: The Cosmopolitan Aesthetics of Japanese Cosmetics." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 159-179. Princeton NJ, Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Weisenfeld, Gennifer. 2013. "Touring ‘Japan as Museum’: NIPPON and Other Japanese Imperialist Travelogues." In Art and War in Japan and its Empire, 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 224-251. Leiden: Brill.

Weisenfeld, Gennifer. 2014. "Gas Mask Parade: Japan’s Anxious Modernism." Modernism/modernity 21 (1):179-199.

Weisenfeld, Gennifer. 2014. "Laughing in the Face of Calamity: Visual Satire after the Great Kantō Earthquake." In Disaster as Image: Iconographies and Media Strategies across Europe and Asia, edited by Monica Juneja and Gerrit Jasper Schenk, 125-134. Regensburg, Germany: Schnell und Steiner.

Weisenfeld, Gennifer. 2014. "Die Verbildlichung der Katastrophe in Japan (The Visualization of Catastrope in Japan)." In Von Atlantis bis heute: Mensch, Natur, Katastrophe (From Atlantis to the Present Day: People, Nature, Disaster). Mannheim, Germany: Reiss-Engelhorn-Museen.

Weiss, Allen S. 2013. Zen Landscapes: Perspectives on Japanese Gardens and Ceramics. London: Reaktion Books.

Welch, Matthew. 2013. "Artistic Remix: Contemporary Takes on Timeless Prints." Impressions: Journal of the Japanese Art Society of America 34:123-140.

Weston, Victoria. 2012. "What’s in a Name? Rethinking Critical Terms Used to Discuss Mōrōtai." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:116-136.

Weston, Victoria, ed. 2013. Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods. Boston: McMullen Museum of Art, Boston College.

Weston, Victoria. 2013. "Unfolding the Screen: Depicting the Foreign and Japanese Nanban Byōbu." In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 79-90. Boston: McMullen Museum of Art, Boston College.

White, James J., Lugene B. Bruno, Kazunori Kurokawa, and Hunt Institute for Botanical Documentation. 2006. Yuuga: Contemporary Botanical Watercolors from Japan. Pittsburgh, Pa: Hunt Institute for Botanical Documentation, Carnegie Mellon University.

Wilson, Richard L. 2001. "Containing Images: Kenzan-Style Ceramics in the Freer Gallery of Art." Orientations 32 (3):14-19.

Wilson, Richard L. 2001. The Potter’s Brush: The Kenzan Style in Japanese Ceramics. Great Britain: Freer Gallery of Art in Association with Merrell Publishers.

Wilson, Richard L. 2003. "Plastic, Graphic and Plain: Momoyama-era Wares from Mino." Orientations 34 (10):14-19.

Wilson, Richard L. 2003. "Oribe Ceramics and the Oribe Imagination." In Turning Point: Oribe and the Arts of Sixteenth-Century Japan, edited by Mieko Murase, 115-121. New York: Metropolitan Museum.

Wilson, Richard L. 2003. "Modern Japanese Ceramics into Mingei: Art, Industry and Idea." In Mingei Legacy: Continuity and Innovation Through Three Generations of Modern Potters, edited by Michel Conroy, 13-24. Erie, Colorado: NCECA.

Wilson, Richard L. 2005. "Notes on Chinese Ceramics Excavated in Japan." In Tradition and Transformation: Studies of Chinese Art in Honor of Chu-tsing Li, edited by Judith G. Smith, 472-493. Lawrence, Kansas: Spencer Museum of Art.

Winfield, Pamela D. 2005. "Curing with Kaji: Healing and Esoteric Empowerment in Japan." Japanese Journal of Religious Studies 32 (1):107-130.

Winfield, Pamela D. 2012. "Esoteric Images of Light and Life at Osaka Kokubunji, Japan." Southeast Review of Asian Studies 34.

Winfield, Pamela D. 2013. Icons and Iconoclasm in Japanese Buddhism: Kūkai and Dōgen on the Art of Enlightenment. New York: Oxford University Press.

Winther-Tamaki, Bert. 2011. "To Put On A Big Face: The Globalist Stance of Okamoto Tarō’s Tower of the Sun for the Japan World Exposition, 1970." Review of Japanese Culture and Society 23:81-101.

Winther-Tamaki, Bert. 2011. "The ‘Oriental Guru’ in the Modern Artist: Asian Spiritual and Performative Aspects of Postwar American Art." In Questioning Oriental Aesthetics and Thinking: Conflicting Visions of ‘Asia’ under the Colonial Empires; The 38th International Research Symposium, edited by Shigemi Inaga, 321-33. Kyoto: International Research Center for Japanese Studies.

Winther-Tamaki, Bert. 2012. Maximum Embodiment: Yōga, the “Western Painting” of Japan, 1910-1955. Honolulu: University of Hawai’i Press.

Winther-Tamaki, Bert. 2012. "Yōga: The Western Painting, National Painting, and Global Painting of Japan." In Working Words: New Approaches to Japanese Studies, edited by Jordan Sand, Alan Tansman and Dennis Washburn.

Winther-Tamaki, Bert. 2012. "From Resplendent Signs to Heavy Hands: Japanese Painting in War and Defeat, 1937-1952." In Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000, edited by J. Thomas Rimer, 124-143. Honolulu: University of Hawai’i Press.

Winther-Tamaki, Bert. 2012. "Overtly, Covertly, or Not at All: Putting ‘Japan’ in Japanese American Painting." In East-West Interchange in American Art: A Long and Tumultuous Relationship edited by C. Mills, L. Glazer and A. Goerlitz, 112-125. Honolulu: University of Hawai’i Press.

Winther-Tamaki, Bert. 2013. "Embodiment/Disembodiment in Japanese Painting During the Fifteen-Year War." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 111-138. Leiden-Boston: Brill.

Winther-Tamaki, Bert. 2013. "Kitagawa Tamiji: Painting in the Pursuit of Pigmented Knowledge of Self and Other." Archives of Asian Art 63 (2):189-207.

Wright, Frank Lloyd. 2005. The Japanese Print: An Interpretation. Chicago: Ralph Flectcher Seymour.

Wu, Pei-Jung. 2014. "Wooden Statues as Living Bodies: Deciphering the Meanings of the Deposits within Two Manjushri Images of the Saidaiji Order." Artibus Asiae 74 (1):75-96.

Wu, Xiaojin. 2012. "Innumerable Emodiments of Hotei: The Emergence of a Literati Persona." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 267-281. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Wurmell, Cora. 2011. "Fukami Sueharu and The Clark Center for Japanese Art & Culture." In Fukami: Purity of Form, edited by Andreas Marks, 52-57. Hanford, CA: Clark Center for Japanese Art & Culture.

Yamakawa, Aki. 2010. "Hidden Memories: Two Histories Told by Kasaya." In Transmitting Robes, Linking Minds: The World of Buddhist Kasaya, edited by Museum Kyoto National. Kyoto: Kyoto National Museum.

Yamamori, Yumiko. 2006. "Export Carved Furniture: from Official Pieces to the 'Meiji Baroque'." Orientations 37 (4):41-46.

Yamamori, Yumiko. 2009. "Exploring the Old, Understanding the New: The Tradition of Meiji Export Cabinets." In The Golden Journey: Japanese Art from Australian Collections, edited by James Bennett and Amy Reigle Newland. Adelaide: Art Gallery of South Australia.

Yamamori, Yumiko. 2011. "A.A. Vantine and Company: Japanese Handcrafts for the American Consumer, 1895–1920."Ph.D. dissertation, Bard College.

Yamanaka, Manabu, and Patricia J. Graham. 2009. Gyahtei: Yamanaka Manabu Photography: Pot Publishing Co.

Yamanashi, Emiko. 2011. "Western-Style Painting: Four Stages of Acceptance." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 19-33. Honolulu: University of Hawai’i Press.

Yamashita, Yuji. 2010. "Zenga as ‘Post-war Legacy’: The Role of the Gitter Collection." In Returning Home: Edo Paintings from the Gitter-Yelen Collection, edited by Tadashi Kobayashi, 165-167. Tokyo: NHK Puromōshon.

Yeoh, Peter. 2013. "The Sky in Flames: Photographs of Tōmatsu Shōmei." Impressions: Journal of the Japanese Art Society of America 34:97-109.

Yiengpruksawan, Mimi Hall. 2012. "Catching the Last Bus: Yoshiaki Shimizu and Art of Creative Digression." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 19-27. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Yokomizo, Hiroko. 2013. "The Presentation and Reception of Japanese Art in Europe during the Meiji period." In Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period: The Khalili Collection, edited by Gregory Irvine, 54-89. New York: Thames & Hudson.

Yonemura, Ann. 2012. "Hokusai: Thirty-Six Views of Mount Fuji." Orientations 43 (2):117-123.

Yonemura, Ann, Donald Keene, Andrew Gerstle, Elizabeth de Sabato Swinton, and Joshua Mostow. 2002. Masterful Illusions: Japanese Prints from the Anne Van Biema Collection. Washington: University of Washington Press.

Yoshie, Akiko. 2005. "Gender in Early Classical Japan: Marriage, Leadership, and Political Status in Village and Palace." Monumenta Nipponica 60 (4):437-479.

Yoshimoto, Midori. 2005. Into Performance: Japanese Women Artists in New York. New Brunswick, N.J: Rutgers University Press.

Yoshimoto, Midori. 2008. "From Space to Environment: The Origins of Kankyō and the Emergence of Intermedia Art in Japan." Art Journal 67 (3):24-45.

Yoshimoto, Midori. 2008. "Beyond the Avant-Garde: Positions of Japanese Women Artists." In Dissonances: Six Japanese Women Artists. Toyota: Toyota Municipal Museum of Art.

Yoshimoto, Midori. 2011. "Yayoi Kusama sauve le monde par la Self-Obliteration (Kusama Saves the World through Self-Obliteration)." In Yayoi Kusama. Paris: Centre Pompidou.

Yoshimoto, Midori. 2012. "Fluxus International: New York, Tokyo, and Beyond." In From Postwar to Postmodern: Art in Japan 1945-1989, edited by Doryun Chong, Michio Hayashi, Kenji Kajiya and Fumihiko Sumitomo. New York: The Museum of Modern Art.

Yoshimoto, Midori. 2012. "Ay-O’s Environments and Fluxus Events." In Ay-O: Over the Rainbow Once More. Tokyo: Museum of Contemporary Art Tokyo.

Yoshimoto, Midori. 2012. "Bye Bye Kitty!!!" Impressions: Journal of the Japanese Art Society of America 33:118-127.

Yoshimoto, Midori. 2013. "A Woman and Collectives: An Interview with Tabe Mitsuko." Positions: Asia Critique 21 (2 Collectivism in Twentieth-Century Japanese Art):475-488.

Yoshimoto, Midori. 2014. "Beyond ‘Japanese/Women Artists’." Third Text 28 (1 Special Issue: The Transnational Turn: East Asian Mobility):67-81.

Yoshitake, Mika. 2012. "The Language of Things: Relation, Perception, and Duration." In Tokyo 1955-1970: A New Avant-Garde, edited by Doryun Chung, 120-137. New York, NY: The Museum of Modern Art.

Young, David E., Michiko Young, Ben Simmons, Keystone, and Tan Hong Yew. 2005. The Art of the Japanese Garden. North Clarendon, VT: Tuttle Publishing.

Young, David E., Michiko Young, and Yew Hong Tan. 2007. The Art of Japanese Architecture. Tokyo; Rutland, VT: Tuttle Publishing.

Zohar, Ayelet. 2009. "The Multiplicity of the Phallus: Becoming and Repetition." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 109-154. Newcastle-upon-Tyne: Cambridge Scholars Press.

Zohar, Ayelet. 2010. "Pelluses/ Phani: The Multiplication, Displacement and Appropriation of the Phallus." In Perversion and Modern Japan: Experiments in Psychoanalysis, edited by Keith Vincent and Nina Cornyetz. London: Routledge.

Zohar, Ayelet. 2011. "The Elu[va]sive Japanese Portrait: Repetition, Difference and Multiplicity." Trans Asia Photography Review 2 (1).

Zohar, Ayelet. 2011. "The Elu[va]sive Portrait: Mimicry, Masquerade and Camouflage Conceptual and Theoretical Notes, an Introduction." Trans Asia Photography Review 2 (1).

Zohar, Ayelet. 2012. "Camouflage, Photography and [In]visibility: Yamashiro Chikako's "Chorus of Melodies" series (2010)." Trans Asia Photography Review 3 (1).

Zohar, Ayelet. 2013. "On Butō and Body, Gender, Performance and Mimicry: Morimura Yasumasa, Ōno Kazuo and the Movement Discourse." Dance Now 23 (Special Issue: On Butō Dance):76-81.

Zohar, Ayelet. 2014. "Yayoi Kusama: The Jewel, the Mirror and the String of Beads." N. Paradoxa 33 (Special Issue: Religion):1-15.



Zohar, Ayelet. 2014. Two Moons on the Shore, Wind-Up Bird in Norwegian Wood: Haruki Murakami and Contemporary Art. Tel Aviv: Contemporary by Golconda Gallery.




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