Yusupov Oybek Nematjonovich Ahmedova Nigora Shavkatovna



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Questions for discussion: 
1. What is the nature of stylistic device of antonomasia? 
2. In what styles of the language is antonomasia is mostly used? 
3. What is the stylistic function of antonomasia? 
4. What is a difference between antonomasia and epithet? 
 
CONTENTS
 


60 
5. Intensification of a Feature
Simile.
The intensification of some feature of the concept is realized in a device 
called simile. Similes set one object against another regardless of the fact that they 
may be completely alien to each other. The simile gives rise to a new understanding 
of the object. The properties of an object maybe viewed from different angles, f. e. its 
state, its actions, manners [47]. Accordingly, similes may be based on adjective - 
attributes, adverb - modifiers, verb - predicates etc. 
Similes have formal elements in their structure: connective words such as like, 
as, such as, as if, seem. 
Periphrasis 
- is a round - about way of speaking used to name some object or 
phenomenon. Longer-phrase is used instead of a shorter one. Some periphrasis are 
traditional. 
e. g. The fair sex. My better half. 
Periphrasis are divided into: 
1. Logical - based on inherent properties of a thing. 
e. g. Instrument of destruction, the object of administration. 
2. Figurative - based on imagery: metaphor, metonymy 
e. g. To tie a knot - to get married; in disgrace of fortune - bad luck. 
Euphemism
is used to avoid some unpleasant things, or taboo things. 
e. g. To pass away - to die. 
Hyperbole
is deliberate overstatement or exaggeration, the aim of which is to 
intensify one of the features of the object in question to such a degree as to show its 
utter absurdity[65]. Like many SDs, hyperbole may lose its quality as a SD through 
frequent repetition and become a unit of the language as a system, reproduced in 
speech in its unaltered from. Here there are some examples: 
e. g. A thousand pardons, scared to death, immensely obliged. 
Hyperbole is a device which sharpens the reader's ability to make a logical 
assessment of the utterance. This is achieved, as in case with other devices, by 


61 
awakening the dichotomy of thought and feeling where thought takes the upper hand 
though not to the detriment of feeling. 
e. g. rosy dreams of youth, growing awareness. 

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