Write a short composition about the importante of books in our life

Write a short composition about the importante of books in our life

Usmon Nosir

The talanted poet Usmon Nosir who entered the Uzbek literature of XX th century as a thunder and lived a very short creative life as a lightning. He was born on November 13, 1912, in Namangan. Afterdeath of his father he was brought in children’s house in Kokan. The talented fellow learnt the best examples of Russian and world literature. After leaving boarding house in 1931, he entered Uzbekistan. State University, faculty of Uzbek philology in Samarkand.

Writing books from his childhood his creative work extended only 15 years, until the time he was put in prison. In that period he showed his rare talent. Young poet’s books as “Quyosh bilan suhbat” (1932), “Safarbar satrlar” (1932), “Traktorobod” (1934), “Yurak” (1935), “Mehrim” (1935) were published at that time. In 1937, on July 14, he was put in prison first in Tashkent, Magadan and in Kemerovo. Being exhausted in the prison he died in 1944, in Kemerovo.

Usmon Nosir brought new sound, new spirit and new image into Uzbek poetry. The poets such lines as “Tingla, erkam, o’rtog’imsan, Ko’nglimni ochay. Qonim she’r bo’lib oqsin-da, Men qayta ichay” (Listen to me, my pet, you are my mate, let me uncover my heart, let my blood flow like a poem and me drink it again…) can be an example to it. There wasn’t such a tradition in Uzbek poetry to clemonstrate emotions as they are. Our national poetry has ever been whithin the frames of decency. Usmon Nosir was the first poet to destroy these frames. The poet’s expression of his emotions like:

“Sevgi! Sening shirin tilingdan
Kim o’pmagan, kim tishlamagan?
Darding yoyday tilib ko’ksidan,
Kim qalbidan qonlar to’kmagan?”

(Love! Is there anybody who did not taste your sweet tongue?! Whose heart did not bleed wouded by you pain?) was a poetic event of no comparison for its scope and effectiveness at the same time, the poet’s confussion in the shape like “Ilhomimning vaqti yo’q selday keladi, Jalloddek rahm etmay dilni tiladi, Ayondir bir kuni aylaydi xarob” (the inspiration doesn’t wait for the time, it may come upon you like a blood, mersilessly culting (breaking) your heart and it’s so clear that once it will ruin you…) is a great literary inherition as well.

The most colourful features, characteristic of Usmon Nosir’s poetry are brightly seen in dozens of such poems as “Yurak” (The heart), “Nil va Rim” (Nile and Rome), “Monolog” (A monologue), “Nasimaga deganim” (What I told Nasima), “Yana she’rimga” (Again to my poem), “Begona” (A Stranger), “Yoshlik” (The Youth).



Usmon Nosir

Istiqlolli shoir Usmon Nosir XX asr o'zbek adabiyotiga momaqaldiroqday kirib kelgan va chaqmoq kabi juda qisqa ijodiy hayot kechirgan. U 1912 yil 13 noyabrda Namanganda tug'ilgan. Otasining o'limidan so'ng uni Qo'qon shahridagi bolalar uyiga olib kelishdi. Iste'dodli do'st rus va jahon adabiyotining eng yaxshi namunalarini o'rgandi. 1931 yilda pansionatdan chiqib, u O'zbekistonga kirib keldi. Davlat universiteti, Samarqand shahridagi o'zbek filologiyasi fakulteti.

Bolaligidan kitob yozish bilan uning ijodiy faoliyati qamoqqa tashlangan paytigacha atigi 15 yilni tashkil etdi. O'sha davrda u o'zining noyob iste'dodini namoyish etdi. O'sha paytda yosh shoirning "Quyosh bilan suhbat" (1932), "Safarbar satrlar" (1932), "Traktorobod" (1934), "Yurak" (1935), "Mehrim" (1935) kabi kitoblari nashr etilgan. 1937 yilda, 14 iyulda u birinchi bo'lib Toshkent, Magadan va Kemerovoda qamoqqa tashlandi. 1944 yilda Kemerovoda vafot etgan.
Usmon Nosir o'zbek she'riyatiga yangi tovush, yangi ruh va yangi qiyofa olib kirdi. Shoirlarning «Tingla, erkam, o'rtog'imsan, Ko'nglimni ochay. Qonim she'r bo'lib oqsin-da, Men qayta ichay ”(Meni tinglang, uy hayvonim, siz mening turmush o'rtog'imsiz, yuragimni ochib beray, qonim she'rday oqsin va yana ichaman ...) bo'lishi mumkin. bunga misol. O'zbek she'riyatida his-tuyg'ularni o'zlari kabi yashirish kabi an'ana bo'lmagan. Bizning milliy she'riyatimiz har doim odob-axloq mezonlari tarkibida bo'lgan. Ushbu ramkalarni yo'q qilgan birinchi shoir Usmon Nosir edi. Shoirning his-tuyg'ularini quyidagicha ifodalashi:
“Sevgi! Sening shirin tilingdan

Kim o'pmagan, kim tishlamagan?

Yoyday tilib ko'ksidan,

Kim qalbidan qonlar to'kmagan? ”Deb so'radi.

(Sevgi! Shirin tilingni tatimagan odam bormi ?! Kimning yuragi senga dard bilan qon quymagan?) She'riy voqea edi, shu bilan birga uning ko'lami va ta'sirchanligi bilan taqqoslanmaydigan she'riy voqea, shoirning o'xshash shakldagi sarosimasi “Ilhomimning vaqti yo'q selday keladi, Jalloddek rahm etmay dilni tiladi, Ayondir bir kuni aylaydi xarob” (ilhom vaqtni kutib o'tirmaydi, u qonga o'xshab tushishi mumkin, qalbingni qalbingga sig'inib (sindirib) oladi va bu shunchalik ravshanki, u bir marta sizni buzadi ...) bu ham katta adabiy meros.
Usmon Nosir she'riyatiga xos rang-barang xususiyatlar "Yurak" (Yurak), "Nil va Rim" (Nil va Rim), "Monolog" (Monolog), "Nasimaga deganim" singari o'nlab she'rlarida yorqin namoyon bo'ladi. (Nasimaga aytganlarim), "Yana she'rimga" (Yana she'rimga), "Begona" (Begona), "Yoshlik" (Yoshlik).