Wole soyinka: Politics, Poetics and Postcolonialism



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Bog'liq
(Cambridge Studies in African and Caribbean Literature) Biodun Jeyifo - Wole Soyinka Politics, Poetics, and Postcolonialism-Cambridge University Press (2003)

Gulliver’s Travels
, New York: Garland Publishing Co.,

Thomson, George Derwent,
Marxism and Poetry
, London: Lawrence and
Wishart,

Usman, Yusufu Bala,
For the Liberation of Nigeria
, London: New Beacon Books,

Wali, Obi, “The Dead-end of African Literature,” Kampala,
Transition
no.

,
(September

),



Wallerstein, Immanuel,
Africa and the Politics of Unity: An Analysis of a Contemporary
Social Movement
, New York: Vintage Books,

Wauthier, Claude,
The Literature and Thought of Modern Africa
, trans. by Shirley
Kay, Washington, DC: Three Continents Press,

Weiskel, Thomas,
The Romantic Sublime: Studies in the Structure and Psychology of
Transcendence
, Baltimore: Johns Hopkins University Press,

Weiss, Peter,
Marat-Sade
, New York: Atheneum,




Bibliography
Wilkinson, Jane, “Interview with Wole Soyinka,” in Biodun Jeyifo (ed.),
Conver-
sations with Wole Soyinka
, Jackson, MS: University Press of Mississippi,

,



Williams, Adebayo, “Ritual as Social Symbolism: Cultural Death and the King’s
Horseman,” in Oyin Ogunba (ed.),
Soyinka: A Collection of Critical Essays
,



Wilson, Roderick, “Complexity and Confusion in Soyinka’s Shorter Poems,” in
Critical Perspectives on Wole Soyinka
,



Wren, Robert,
Those Magical Years: the Making of Nigerian Literature at Ibadan,



, Washington, DC:

Wright, Derek,
Wole Soyinka Revisited
, New York: Twayne Publishers,

Yerima, Ahmed and Ayo Akinwale, eds.,
Theatre and Democracy in Nigeria
, Ibadan:
Kraft Books,

Zizek, Slavoj,
The Sublime Object of Ideology
, London: Verso,



Index
Abacha, Sani,

,

,

,

,

Abimbola, Wande,

(
Ifa: An Exposition of Ifa
Literary Corpus
)
Abiola, M.K.O.,

Abrams, M.H.,

Achebe, Chinua, xv,

,

,

,

,

,

,

,

,

(
Arrow of God
);

,

(
Things Fall
Apart
);

,

,

,

(
Morning Yet On
Creation Day
)
Adamu,Ciroma,

Adekoya, Segun,

Adelabu, Adegoke,

Adeniran, Tunde, xii (
The Politics of Wole
Soyinka
)
African socialism,

Aidoo, Ama Ata, xvii,

,

Aiyejina, Funso, xvii,

Akinrinade, Alani,

Akintola, S.L.,

,

Albee, Edward,

(
Who’s Afraid of Virginia
Woolf
)
Alkali, Zeinab, xvii
Althusser, Louis,

Aluko, Sam,

Amin, Idi, xii,

,

,

Anagnorisis,

Anikulapo-Kuti, Fela,

,

Apartheid,

,

Arden, John,

,

Aristophanes,

,

(
Lysistrata
);

(
The
Clouds
)
Aristotle,

(
Poetics
);

Armah, Ayi Kwei,

,

,

(
Two Thousand
Seasons
);

,

,

(
The Beautyful Ones Are
Not Yet Born
)
Austin, J.L.,

Awolowo, Obafemi, xvi,

Awoonor, Kofi,

,

(
The Breast of the
Earth
)
Ayindoho, Kofi, xvii
Azikiwe, Nnamdi, xvi
Ba, Ahmadou Hampate,

Ba, Mariama, xvii,

Babangida, Ibrahim Badamasi,

,

,

,

Bacon, Francis,

,

Baer, William,

Balakian, Anna,

(
The Symbolist
Movement
)
Balewa, Tafawa,

Banda, Hastings,

,

Banham, Martin,

Bappa, Saliu,

Barber, Karin,

,

Beehan, Brendan,

Beier, Ulli,

,

,

,

Bello, Ahmadu, xvi
Benjamin, Walter,

(“Theses on the
Philosophy of History”)
Beowulf,

Berger, Jr, H.,

Beti, Mongo,

,

,

,

Beyala, Calithxe, xvii
Blyden, Edward Wilmot,

Boal, Augusto,

(
The Theatre of the
Oppressed
)
Bokasa, Jean-Bedel,

Booth, James,

,

Borges, Jorge Luis,

Bosch, Hieronymous,

Botha, Pik,

Brecht, Bertolt, xiv (
Herr Puntilla and his Man
Matti
);

,

(
The Threepenny Opera
);

(
Baal
);

,

Brockbank, Philip,

,

,

Brodsky, Josef,

,

Brook, Peter,

,

Brutus, Dennis,

Buhari, Muhammadu,

,

Burundi,

Busia, Abena, xvii
Byrd, Rudolph,

,





Index
Cabral, Amilcar, xii,

,

Camboida,

Casely-Hayford, J.E.,

Castro, Fidel, xvi
Cauldwell, Christopher,

Chaplin, Charlie,

(Modern Times);

Cheney-Coker, Syl, xvii
Chinweizu,

,

Churchill, Caryl,

(
Serious Money
);

Clark, J.P., xv, xxiii,

,

,

,

,

,

class approach to literary criticism, xiii
Cockshot, Una,

Coetzee, J.M.,

Commonwealth Arts Festival

,

Conton, William,

Cooper, Brenda, xvii
Courtine, Jean-Francois,

(
Of the Sublime
)
Coward, Rosalind,

(
Language and
Materialism
)
Crossman, R.H.,

(
The God that Failed
)
Crow, Brian,

,

,

Crowther, Ajai,

Dangarembga, Tsitsi, xvii
Dante, Allegheri,

David, Mary,

,

Davis, Ann B.,

Davis, Carole Boyce,

De St. Jorre, John,

(
The Nigerian Civil War
)
Derrida, Jacques,

Descartes, Rene,

Djebar, Assia, xvii
Dunton, Chris,

Eliot, T.S.,



,

,

(
The Wasteland
)
Emecheta, Buchi, xvii
Emokpae, Erabor,

Enahoro, Anthony,

Enahoro, Peter,

,

Enwonwu, Ben,

Eso, Kayode,

(
The Mystery Gunman
)
Etherton, Michael,

,

,

Euba, Femi,

Euripides,

,

(
The Bacchae
)
Fagunwa, D.O.,

Fall, Aminata Sow, xvii
Fanon, Frantz,

,



,

,

,

Farrakhan, Louis,

Fasina, Dipo,

Fatoba, Femi,

,

Fatunde, Tunde,

Fawehinmi, Gani,

Festival of Black Arts and Culture(Festac)

,

Fido, Elaine,

Fiebach, Joachim,

,

Fletcher, Angus,

Foucault, Michel,

,

Fraser, Robert,



,

Frisch, Max,

(
Count Oederland
)
Fry, Christopher,

Fugard, Athol,

,

Garland, Colin,

Gates, Jr., H.L.,

,

,

Gay, John,

(
The Beggar’s Opera
)
Genet, Jean,

(
The Balcony
)

George, Olakunde,

Gibbs, James,

,

,

,

,

,

Gilliat, Penelope,

Gilroy, Paul,



,

Girard, Rene,

,

Gordimer, Nadine, xvii,

,

,

,

,

Government College, Ibadan,

Gowon, Yakubu, xii,

,

,

Graham, Robin,

Gramsci, Antonio, xvii
Greenblatt, Stephen,

Guevarra, Che, xvi
Gunnar, Abdulrazak,

Habermas, Jurgen,

Hagher, Irowuese,

Harris, Wilson,

,

Havel, Vaclav,

,

,

Head, Bessie, xvii,

Hegel, G.W.F.,

,

Heidegger, Martin,

Hertz, Neil,

Hess, Rudolph,

Heywood, Annemarie,

Ho Chi Minh, xvi
Hume, David,

Hunt, Geoffrey,

Ibadan-Ife group, xii, xiii
Ibsen, Henrik,

Idiagbon, Tunde,

Imbuga, Francis,

Innis, Roy,

Irele, Abiola, xv, xxiii,

,

,

Irobi, Esiaba,

Iyayi, Festus, xvii,

,

Izevbaye, D.S.,

,

Jacobean drama,

James, C.L.R.,



Index

Jeyifo, Biodun,

,

,

Johnson, Femi,

,

Johnson, Samuel,

,

Jolly, Rosemary, xvii
Jones, Eldred,

,

Jonson, Ben,



,

(
The Alchemist
);

Joyce, James,

,

(
Portrait of the Artist as a
Young Man
);

(
Ulysses
)
Jules-Rosette, Benetta,

July, Robert,

Kabuki Theatre,

Kafka, Frantz,

Kandinsky, Vassily,

,

Kane, Cheikh Hamidou,

,

,

Kavolis, Vytautas,

Katrak, Ketu,

,

Kenyatta, Jomo, xvi
Kermode, Frank,

Khayyam, Omar,

Koestler, Arthur,

Kokoschka, Oscar,

Kosovo,

La Rose, John, xxiii
Labou Tansi, Sonny, xvii
Laclau, Ernesto,

Ladipo, Duro,

,

,

,



(
Oba Koso
)
Langley, J. Ayo,

Larsen, Stephan,

Larson, Charles,

Latin American “boom literature,”

Laye, Camara,

Lee, Bruce,

Lindfors, Bernth,

,

,

,

,

,

Locke, John,

Lord, Albert,

(
The Singer of Tales
)
Macebuh, Stanley,

,

Machel, Samora,

Macherey, Pierre,

Maduakor, Obi,

Madunagu, Eddie,

,

Mahood, Molly,

Mair, Lucy,

Mandela, Nelson,



,

Mangakis, George,

Marechera, Dambudzo,

,

Marinetti, Filipo Tomaso,

Marx, Karl,

(
The German Ideology
);

(
Capital
)
Marxian labor theory of value,

Mbembe, Achille,

Mbowa, Rose, xvii
McFarlane, James,

Maja-Pearce, Adewele,

Mike, Charles,

Mishima, Yukio,

Mitterand, Francois,

Mnouchkine, Ariadne,

Mobutu, Sese Soko,

Mohammed, Bala,

Mohammed, Murtala, xii
Moore, Gerald,

,

Moseley-Braun, Carole,

Mouffe, Chantal,

Msiska, Mpalive-Hangson, xii
Mugo, Micere, xvii
Naipaul, V.S.,

,

(
A House for Mr. Biswas
)
Nandy, Ashis,

,

Nasser, Gamal Abdel, xvi
Naylor, Gloria,

(
Linden Hills
)
Nazareth, Peter,

N´egritude,

,

,

,

,

,

Nehru, Pandit, xvi
Nguema, Macias,

,

Ngugi wa Thiongo,

,

,

,

,

(
Detained:
A Writer’s Diary
);

,

(
Homecoming
)
Nichol, Abioseh,

Nietzsche, Friedrich Wilhelm,

(
The Birth of
Tragedy
)
Nigeria,
Agbekoya revolt,

,

civil war,

,

,

,



,

crisis of



,

General Strike

,

“independence generation of writers,”

January

,

military coup,

June

,

Elections,

,

Massacre of Igbos,

,

,

Nigerian Labor Congress,

“pre-independence generation of writers,”

Njemanze, Israel,

,

Nkosi, Lewis,

Nkrumah, Kwame, xvi,

Noh Theatre,

Nwapa, Flora, xvii
Nwoko, Demas,

Nyerere, Julius,

Obafemi, Olu,

Obileye, Yomi,

Obumselu, Ben,

Ofeimun, Odia,

Ogah, Aba,

Ogunba, Oyin,

,

Ogunde, Hubert,

,



,

,

,

Ogundipe, Ayodele,

Ogundipe, Molara, xvii,

,




Index
Ogunmola, Kola,

Ogunyemi, Chikwenye, xvii
Ogunyemi, Wale,

Ojaide, Tanure, xii, xvii
Okai, Atukwei, xvii
Okigbo, Chris, xv, xxiii,

,

,

(“Path of
Thunder”)
Okosun, Sunny,

Okoye, Mokwugo,

Okpewho, Isidore,



,

,

Okri, Ben,

Olaniyan, Tejumola, xi,

Omotoso, Kole, xii, xvii,

,

Onabrakpeya, Bruce,

O’Neill, Eugene,

,

Oni, Ola,

Onoge, Omafume,

Onwueme, Tess, xvii,

Orwell, George,

(
Animal Farm
)
Osofisan, Femi, xv, xxiii,

,

,

,

,

,

,

,

,

,

Osundare, Niyi, xvii,

,

,

,

,

,

Oswald, Laura,

Ouloguem, Yambo,

,

(
Bound to Violence
)
Oyelana, Tunji,

Palmer, Eustace,

Pecheux, Michel,

(
Language, Semantics and
Ideology
)
Peters, Jonathan, xi
Peters, Shina,

Phillips, Caryl,

postmodernist discourse of race,

poststructuralism,

,

Pound, Ezra,

,

(
The Cantos
)
Quayson, Ato,

,

,

Radin, Paul,

Ransome-Kuti, Beko,

Ransome-Kuti, Funmilayo,

Rive, Richard,

Roscoe, Adrian,

Rothberg, Albert,

Rotimi, Ola,

Royal Court Theatre,

Ruitenbeck,

Saadawi, Nawal el-, xvii,

Saro-Wiwa, Ken,

(
Sozaboy
);

,

,

,

,

Sartre, Jean-Paul,

,

(“Orph´ee Noir”)
Sekoni, Ropo,

Sekyi, Kobina,

Sembene, Ousmane,

,

,

,

(
God’s Bits of
Wood
);

Senghor, Leopold Sedar, xvi,

,

(
Chaka
)
Severac, Alain,

Shagari, Shehu,

,

Shaka,



Shakespeare, William,

,

,

(
Anthony and
Cleopatra
);

(
Hamlet
);

,

(
Midsummer
Night’s Dream
);



(
The Tempest
)
Solarin, Tai,

Solanke, Jimi,

Solzhenitsyn, Aleksander,

(
The Gulag
Archipelago
)
Sorel, Georges,

(
Reflections on Violence
)
Sowande, Bode,

,

Sowemimo, Segun,

Sowemimo, Sobo,

Wole Soyinka,
and aesthetic radicalism in developing
world,



African influences in dramatic works
of,



animism, thought in works of,



avantgardism of, xviii, xxii,

and the Bakhtinian grotesque realism,

“complexity” and “obscurity” in poetry
of,

,

the “Coriolanus complex,”

,

cosmopolitanism in works of,

and the dilemma of pure anteriority,

,

dogmatic application of Marxism, xiv
and the duality of creation and
destruction,



,

and the Eurocentric discourse on Africa,

exile, xii–xiii,

first phase of critical thought,

,



and gender,

,



and the “great man” theory of history and
politics, xviii
heroic mythos in prose works of,

and the “literature of rediscovery,”

,

the “Kongi” appellation,

and the metanarratives of
emancipation,



nativism in works of,

and the national-masculine tradition, xv,
xvii, xix, xx,

nature objectified in works of,



on N´egritude cult of blackness,



Nobel prize,

,

,

,

on numinous being and consciousness,



and Ogun archetype,



,

and the Orisanla-Atunda myth,

overvalorization of will in works of,





Index

and the “pharmakon,”

on poetic solipsism of N´egritude,

political activism, xiv,

radical break in critical thought of,



resistance and oppositionality in works
of,

and the Romantics,



ritual festivity in plays of,

ritual matrix as interpretive construct in
critical thought,



ritual problematic in plays of,



scope of scholarly works on, xi–xii
seclusion as spiritual
enhancement,



second phase of critical thought,



,



self-writing in works of,



on social malaise of village life in colonial
Africa,

solitary confinement in prison,

as a student in Britain,

and the sublime, xviii, xx
and the Symbolists,

taking political and artistic risks,



thematic patterns in dramatic works
of,



third phase of critical thought,

,



tragic mythopoesis in works of,



and transnational capitalism,

use of language in prose works of,



version of the leftist script of Nigerian crisis
of



,



and violence,



and voluntarism,

“And after the Narcissist?,”



“Climates of Art,”



“The Credo of Being and
Nothingness,”



“The Critic and Society,”

“Drama and the Idioms of Liberation,”

“The External Encounter,”



“The Fourth Stage,”

,



,

“From a Common Black Cloth,”



“Neo-Tarzanism and the Poetics of
Pseudo-tradition,”

“New Frontiers for Old,”



Nobel lecture,

,

“Theatre in Traditional African
Societies,”



,

“Towards a True Theatre,”



“The Writer in a Modern African
State,”



,



,

Prose Works:
Ak´e
,



,

,

,



,

Art, Dialogue and Outrage
, xiv, xxi
The Burden of Memory and the Muse of
Forgiveness
,



Ibadan
,

,

,

,



The Interpreters
,

,

,

,

,

,

,

,



Isara
,



The Man Died
,

,

,



,

Myth and Literature and the African World
,

,

,



,

The Open Sore of a Continent
,



Season of Anomy
,

,

,



,



Plays:
The Bacchae of Euripides
,

,

,



The Beatification of Area Boy
,

,

Before the Blackout
,

A Dance of the Forests
,

,

,

,

,

,



Death and the King’s Horseman
,

,

,

,

,



,

,

,

From Zia with Love
,

,

,

,



The Invention
,

Kongi’s Harvest
,

,



,



,

The Lion and the Jewel
,

,



Madmen and Specialists
,

,



,

,

,

,



,



,

,

,

Opera Wonyosi
,

,

A Play of Giants
,



Requiem for a Futurologist
,

The Road
,

,

,

,

,



,



,

,



,



,

,

A Scourge of Hyacinths
,

The Strong Breed
,

The Swamp Dwellers
,

Poetry:
Idanre and Other Poems
,



,



Mandela’s Earth
,



Ogun Abibiman
,



Outsiders
,



A Shuttle in the Crypt
,



“Telephone Conversation,”

Film:
“Blues for a Prodigal,”

St. John Perse,

Stratton, Florence,

Sublime, the,



,

Sukarno, Achmed, xvi
Sundiata epic,

Sutherland, Efua, xvii,

Swift, Jonathan,

(
Gulliver’s Travels
)
Toyo, Eskor,

Transition magazine, xii, xv
transnational capitalism,

Tutuola, Amos,

,




Index
U’Tamsi, Tchicaya,

University of Ife, xiii
Usman, Bala Yusufu,

,

,

(For the
Liberation of Nigeria)
Vera, Yvonne, xvii
violence,



violence of representation,



Voltaire,

Walcott, Derek,

,

,

,

,

,

,

,

Wali, Obi,

Wallerstein, Immanuel,

Wauthier, Claude,

Weiss, Peter,

(
Marat-Sade
);

Williams, Adebayo,

,

Williams, Eric, xvi
Wilson-Tagoe, Nana, xvii
Wren, Robert,

Wright, Derek,

,

,

,

,

,

,

,

Yerima, Ahmed,

Yoruba,
Eshu,



,

Ifa,

Ogun,

,

,



,

,

,

,

,



,

Orisanla-Atunda myth,



,

Zia ul-Haq,

Zizek, Slavoj,


Document Outline

  • Cover
  • Half-title
  • Series-title
  • Title
  • Copyright
  • Dedication
  • Contents
  • Preface
  • Chronology
  • Abbreviations
  • CHAPTER 1 ‘Representative’ and unrepresentable modalities of the self: the gnostic, worldly and radical humanism of Wole…
  • CHAPTER 2 Tragic mythopoesis as radical postcolonial discourse: critical and theoretical writings
  • CHAPTER 3 The "drama of existence": sources and scope
  • CHAPTER 4 Ritual, anti-ritual and the festival complex in Soyinka's dramatic parables
  • CHAPTER 5 The ambiguous freight of visionary mythopoesis: fictional and nonfictional prose works
  • CHAPTER 6 Poetry, versification and the fractured burdens of commitment
  • CHAPTER 7 "Things fall together": Wole Soyinka in his Own Write
  • Notes
    • 1. 'REPRESENTATIVE' AND UNREPRESENTABLE MODALITIES OF THE SELF: THE GNOSTIC, WORLDLY AND RADICAL HUMANISM OF WOLE SOYINKA
    • 2. TRAGIC MYTHOPOESIS AS POSTCOLONIAL DISCOURSE – CRITICAL AND THEORETICAL WRITINGS
    • 3. THE 'DRAMA OF EXISTENCE': SOURCES AND SCOPE
    • 4. RITUAL, ANTI-RITUAL AND THE FESTIVAL COMPLEX IN SOYINKA'S DRAMATIC PARABLES
    • 5. THE AMBIGUOUS FREIGHT OF VISIONARY MYTHOPOESIS: FICTIONAL AND NONFICTIONAL PROSE WORKS
    • 6. POETRY, VERSIFICATION AND THE FRACTURED BURDENS OF COMMITMENT
    • 7 "THINGS FALL TOGETHER": WOLE SOYINKA IN HIS OWN WRITE
  • Bibliography
    • PUBLISHED WORKS BT WHOLE SOYINKA
    • UNCOLLECTED ESSAYS AND ARTICLES
    • WORKS CITED
  • Index

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