Uzbekistan state world languages university english philology faculty



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Bog'liq
Madina Barnoyeva

In the third paragraph of this chapter is mostly devoted to define the comparison between Pamela and Shamela. Although the two authors writing style is quite different from each other’s we were able to find out some resembles. We tried to draw more attention to Henry Fielding’s work as a result we quoted more from Shamela rather than Pamela. One can easily discover citation from parody and citation from original novel with no tips.
Chapter two is about Hardworking and successful Samuel Richardson and his professional literature career.
The first paragraph of this chapter entitled as Samuel Richardson as a professional novelist and the author’s own writing style. Firstly here we brought information about the author’s private life after which the text was continued with the topic about Samuel Richardson’s literary career. As Richardson’s Pamela is often credited with being the first English novel we could not continue our research without the words on this topic. Appropriately, we also gave information about the contemporary period of European Literature.
The second and the last paragraph of main part is devoted to theoretical case. Here below we decided to give information the parody itself. We considered that for the reader who is able to deal with course papers there is no need to depict what is parody. But at the end taking into account that the research might be read by other users we made a decision to define the word parody itself.
“All in all every start has its own finish”. After the main body we have written a brief conclusion where we added necessary information from reliable sources as well as our modest critical review. We considered it would be useful to share it with professor-teachers as well as students.
The list of used literature is based on internet sources along with published book, magazines and newspapers.

Chapter 1. General information about Henry Fielding and main peculiarities


of the writer.

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