Theme: the description of truth and issue in shakespeare's histories plan

Conclusion

Shakespeare, in his plays, poems, and other writings, used 29,066 unique words. Most people today only use 7,500 to 10,000 unique words in their writing and speech.introduced nearly 3,000 words into the English language. In addition, Shakespeare’s works, which were often quoted, became such commonplace that they helped set the standards for Modern English; prior to Shakespeare, English grammar and spelling had few standards. In addition, many of Shakespeare’s expressions (such as "a foregone conclusion") are commonly used today.Shakespeare used cleverly fashioned insults in his plays to amuse his audiences. He wrote insults that everyone could enjoy, and he used a large range of insults, some of which were vulgar, comical, cruel, or simply heinously descriptive.’s works are full of literary devices such as metaphors, similes, puns etc.revolutionized the Elizabethan drama. He was an amazing man with a powerful mind. It seemed that Shakespeare truly understood the meaning of life. He analyzed people and their behavior and applied that to his writing. Not only did his knowledge of the human mind make him great, but also Shakespeare’s knowledge of the art of writing.’s innovative use of grammar, however, set him apart from his contemporariesShakespeare’s grammatical skill shows even more dexterity with language. He wrote during a transitional period for English grammar when there was a range of grammatical options open to writers. of the grammar he chooses now seems old fashioned, but it lends poetry to commonplace words and significantly while his spelling is often updated, his grammar is not.

List of literature

1. Carl F. Hovde, "Introduction" Moby-Dick by Herman Melville (Spark Publishing, 2003), p.26.

2. Charney, Maurice. All of Shakespeare. Columbia University Press, New York 1993.
. Dramatic Character Plates for Bell's Edition of Shakespeare's Plays, 1775-1776. Facsimile published by Cornmarket Press from the plates in the Birmingham Shakespeare Library, London, 1969.
. Gager, Valerie L. (1996). Shakespeare and Dickens: The Dynamics of Influence. Cambridge University Press. p. 163.
. Girard, Rene. A Theater of Envy: William Shakespeare. Oxford University Press, New York 1991. J
. Hovde, Carl F. "Introduction" Moby-Dick by Herman Melville, Spark Publishing, 2003, page 26.
. John Bryant, "Moby Dick as Revolution" The Cambridge Companion to Herman Melville, Robert Steven Levine (editor) (Cambridge: Cambridge University Press, 1998), 82.
. Jorgens, Jack J. Shakespeare on Film. Bloomington, Indiana: Indiana University Press, 1977.
. Mazzeno, Laurence W.; Frank Northen Magilsadasdasdls and Dayton Kohler (1996) [1949]. Masterplots: 1,801 Plot Stories and Critical Evaluations of the World's Finest Literature. Salen Press. p. 2837.
10. Oakley, Lucy. Unfaded Pageant: Edwin Austin Abbey's Shakespearean Subjects. New York: Columbia University, 1994.
11. Аракин В.Д. История английского языка. М., 1985
12. Иванова И.П. Чахоян Л.П. История английского языка. М., 1976
13. Ильиш Б.А. История английского языка. М., 1968
14. Морозов М.М. Статьи о Шекспире. М., 1964
15. Common Phrases Invented by Shakespeare
16. The Language of Shakespeare
17. Shakespearean Comedy
18. Shakespeare’s Poetry
19. Jealousy and Mistaken Identity in Shakespeare
20. Shakespeare and Puns
21. Romeo and Juliet Oxymorons in Romeo and Juliet