Theme 7: English Literature in the 17th century. Plan


Part 1.A voyage to Lilliput



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lecture 7-8 (2)


Part 1.A voyage to Lilliput.
Part 2.A voyage to Brobdingnag.
Part 3. A voyage to Laputa, Balnibarbi, Luggnagg, Glabdubdrib and Japan.
Part 4.A voyage to the country of the Houyhnhnms.
Thus, Gulliver first visits Lilliputians - tiny people whose bodies and surroundings are only 1/12 the size of normal people and things. At first the Lilliputians treat Gulliver well. Gulliver helps them, but after a time they turn against him and he escapes their land.
Gulliver’s second voyage takes him to the country of Brobdingnag, where people are 12 times larger than Gulliver and amused by his tiny size.
Gulliver’s third voyage takes him to several strange kingdoms. The conduct of the strange people of these countries shows the types of foolishness Swift saw in his world. For example, in the academy of Lagado, scholars waist all their time on useless projects such as extracting sunbeams from cucumbers. Here Swift satirizes impractical scientists and philosophers.
In his last voyage, Gulliver discovers a land ruled by wise and gentle horses called Houyhnhnms. Stupid, savage creatures called Yahoos also live there. The Yahoos look like human beings. The Houyhnhnms dislike and distrust Gulliver because he looks like Yahoos, and they believe he is also a Yahoo. Gulliver wishes to stay in the company of the Houyhnhnms, but they force him to leave.
Thus in each country Gulliver makes observations about society in general. He finally returns to England with a painful recognition of his own country’s flaws.
The greatest merit of the novel is the satirical description of all the vices of the society of the time. Under the cloak of fantasy Swift satirized the politics of the time, religious prejudices, wars of ambition and the absurdity of many aspects of science.
Swift’s style is uniquely simple. Every line and every detail is alive but it is full of biting satire. The author presents the most improbable situations with the utmost gravity and makes the reader believe them. Defoe’s prose is clear, it is a clarity sustained by the most vigorous mind of the century. It defies imitation. Never is the meaning obscure, and each argument is developed with a deadly certainty, not through rhetoric, but by putting the proper words in the proper places.
Jonathan Swift had a great influence on the writers who came after him. His work has become popular in all languages. Like Defoe’s “Robinson Crusoe”, it has the merit both of amusing children and making men think.



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