The uk has been described as a "cultural superpower"

Regional accents[edit]
Main article: Regional accents of English
Dialects and regional accents vary heavily amongst the four countries of the United Kingdom, as well as within the countries themselves. This is partially the result of the long history of immigration to the UK, for example Northern English dialects contain many words with Old Norse roots.^[13] Scottish English, Welsh English, and Hiberno-Irish are varieties of English distinct from both English English and the native languages of those countries. Received Pronunciation is the Standard English accent in England and Wales, while in Scotland Scottish Standard English is a distinct dialect. Although these accents have a high social prestige, since the 1960s a greater permissiveness toward regional English varieties has taken hold in education.^[14]
The great variety of British accents is often noted, with nearby regions often having highly distinct dialects and accents, for example there are large differences between Scouse and Mancunian despite Liverpool and Manchester being only 35 miles (56 km) apart.^[15][16] Dialectal English is often found in literature, for example Emily Brontë's novel Wuthering Heights contains Yorkshire dialect.^[17]
Arts[edit]
Literature[edit]
Main article: Literature of the United Kingdom
The United Kingdom inherited the literary traditions of England, Scotland and Wales. These include Arthurian literature and its Welsh origins, Norse-influenced Old English literature, the works of English authors Geoffrey Chaucer and William Shakespeare, and Scots works such as John Barbour's The Brus.

Robert Burns is regarded as the national poet of Scotland.^[18]
The early 18th century period of British literature is known as the Augustan Age and included the development of the novel. Daniel Defoe's Robinson Crusoe (1719) and Moll Flanders (1722) are often seen as the first English novels, however the development of the novel took place in a wider literary context that included the rise of prose satires – which reached a high point with Gulliver's Travels – and earlier foreign works like the Spanish Don Quixote.^[19] Also linked to the Augustan period is Samuel Johnson's A Dictionary of the English Language. Published in 1755, it was viewed as the pre-eminent British dictionary until the completion of the Oxford English Dictionary 150 years later.^[20]
The subsequent Romantic period showed a flowering of poetry comparable with the Renaissance 200 years earlier, and a revival of interest in vernacular literature. In Scotland the poetry of Robert Burns revived interest in Scots literature, and the Weaver Poets of Ulster were influenced by literature from Scotland. In Wales the late 18th century saw the revival of the eisteddfod tradition, inspired by Iolo Morganwg. The period also saw the publication of A Vindication of the Rights of Woman (1792), by Mary Wollstonecraft, is one of the earliest works of feminist philosophy.
The late Georgian and Victorian era saw a renewed focus on the novel. A key theme of these novels was social commentary. Early in the period Jane Austen satirised the lifestyle of the gentry and nobility, while the later novels of Charles Dickens often used humour and keen observations to criticise poverty and social stratification. The three Brontë sisters and George Eliot commented on Northern England and the Midlands respectively, though all four women wrote under male pen names during their lifetimes, partly to deflect anti-feminist criticism. Nevertheless, openly female authors achieved considerable success in the period, such as the predominantly religious poems of Elizabeth Barrett Browning and Christina Rossetti.
Rudyard Kipling exemplifies the British Empire's influence on British literature. His novels The Jungle Book and The Man Who Would Be King are both set in British India, the poem If— evokes the concept of the "stiff upper lip", while The White Man's Burden demonstrates a white supremacist Imperialist outlook.^[21]

Welsh native Roald Dahl is frequently ranked the best children's author in British polls.^[22]
World War I gave rise to British war poets and writers such as Wilfred Owen, Siegfried Sassoon, and Rupert Brooke, who wrote (often paradoxically) of their expectations of war, and their experiences in the trenches. Initially idealistic and patriotic in tone, as the war progressed the tone of the movement became increasingly sombre and pacifistic.^[23] The beginning of the twentieth century also saw the Celtic Revival stimulate a new appreciation of traditional Irish literature, while the Scottish Renaissance brought modernism to Scottish literature as well as an interest in new forms in the literatures of Scottish Gaelic and Scots. The English novel developed in the 20th century into much greater variety and it remains today the dominant English literary form.
The contemporary British literary scene is marked by awards such as the Booker Prize, created in 1969, and festivals including the Welsh Hay Festival, held since 1988. The prominent status of children's literature in the UK was demonstrated in the opening ceremony of the London 2012 Olympic Games, which contained sequence dedicated to prominent children's literary characters.^[24] In 2003 the BBC carried out a British survey entitled The Big Read in order to find the "nation's best-loved novel", with works by English novelists J. R. R. Tolkien, Jane Austen, Philip Pullman, Douglas Adams and J. K. Rowling making up the top five on the list.^[25] More than 75% of the British public read at least one book annually.^[26] The UK is also among the largest publishers of books. As of 2017, six firms in the United Kingdom rank among the world's biggest publishers of books in terms of revenue: Bloomsbury, Cambridge University Press, Informa, Oxford University Press, Pearson, and RELX Group.^[27]
Theatre[edit]