ˡcan’t underˡstand what you are ‘‘talking about.
b) — It’s altogether wrong.
— 'How do you ‘‘know it’s wrong?
c) — He acted as if he didn’t know me.
— 'How ‘‘strange.
An emphatic falling tone is often associated with a semantic contrast. The effect of contrast is increased when there are no prenuclear stresses, i.e. there is no head in an utterance, e.g.:
— It’s the wrong copy. — Go and take the ‘‘right one.
The contrastive function is reinforced by a nuclear shift, e.g.:
— I can't afford the decorations. — ˡGet your ‘‘husband to do it.
However, the nucleus bearing an emphatic fall is made contrastive even when it occupies its normal, i.e. final, position in the tune, e.g.:
— I have quite forgotten about tomorrow’s interview. — 'Surely you 'can’t have for˙gotten ‘‘that.
When an emphatic nuclear tone is preceded by emphatic prenuclear stresses there is no contrastive effect, but the general prominence of the utterance is increased, e. g.:
— ˡˡWho’s ˡˡthat ‘‘now? If those boys have come to ask for their ball again I shall scream!
In such a case emphatic stresses are frequently given not only to the notional words but also to the functional words.
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