The description of provincial life in the novel "main street" by sinclair lewis


CHAPTER II The description of provincial life in the novel "Main Street"



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THE DESCRIPTION OF PROVINCIAL LIFE IN THE NOVEL MAIN STREET BY SINCLAIR LEWIS

CHAPTER II The description of provincial life in the novel "Main Street"
2.1. Main Street is a satirical novel
Main Street is a satirical novel written by Sinclair Lewis, and published in 1920.
The story is set in the small town of Gopher Prairie, Minnesota, a fictionalized version of Sauk Centre, Minnesota, Lewis's hometown. The novel takes place in the 1910s, with references to the start of World War I, the United States' entry into the war, and the years following the end of the war, including the start of Prohibition.
Satirizing small-town life, Main Street is perhaps Sinclair Lewis's most famous book, and led in part to his eventual 1930 Nobel Prize for Literature. It relates the life and struggles of Carol Milford Kennicott as she comes into conflict with the small-town mentality of the residents of Gopher Prairie. Highly acclaimed upon publication, Main Street remains a recognized American classic.
Carol Milford, the daughter of a judge, grew up in Mankato, Minnesota, and became an orphan in her teens. In college, she reads a book on village improvement in a sociology class and begins to dream of redesigning villages and towns. After college, she attends a library school in Chicago and is exposed to many radical ideas and lifestyles. She becomes a librarian in Saint Paul, Minnesota, the state capital, but finds the work unrewarding. She marries Will Kennicott, a doctor, who is a small-town boy at heart.
When they marry, Will convinces her to live in his home-town of Gopher Prairie, Minnesota, a town modeled on Sauk Centre, Minnesota, the author's birthplace. Carol immediately sets about her plans to remake Gopher Prairie, but she is filled with disdain for the town's physical ugliness and smug conservatism.
She speaks with its members about progressive changes, joins women's clubs, distributes literature, and holds a party to liven up Gopher Prairie's inhabitants. Despite her efforts, she is ineffective and constantly derided by the leading cliques.
She finds some comfort and companionship with a variety of social outsiders in the town, but these companions all fail to live up to her expectations.
After a political meeting of the Nonpartisan League is broken up by local authorities, Carol leaves her husband and moves for a time to Washington, D.C., to become a clerk in a wartime government agency. She eventually returns. Nevertheless, Carol does not feel defeated:
I do not admit that Main Street is as beautiful as it should be! I do not admit that Gopher Prairie is greater or more generous than Europe! I do not admit that dish-washing is enough to satisfy all women! I may not have fought the good fight, but I have kept the faith.
Main Street initially was awarded the 1921 Pulitzer Prize for literature, but was rejected by the board of trustees, who overturned the jury's decision. The prize instead went to Edith Wharton for The Age of Innocence. In 1926, Lewis refused the Pulitzer when he was awarded it for Arrowsmith.
In 1930, Lewis was the first American ever awarded the Nobel Prize in Literature. While a Nobel Prize is awarded to the author, not the work, and itself does not cite a particular work for which he was chosen, Main Street was Lewis' best-known work and enormously popular at the time. In the Nobel committee's presentation speech, both Main Street and Arrowsmith were cited.[6] The prize was awarded "... for his vigorous and graphic art of description and his ability to create, with wit and humour, new types of characters."
In 1998, the Modern Library ranked Main Street #68 on its list of the 100 best English-language novels of the 20th century.
Main Street, published late in 1920, was my first novel to rouse the embattled peasantry and, as I have already hinted, it had really a success of scandal. One of the most treasured American myths had been that all American villages were peculiarly noble and happy, and here an American attacked that myth. Scandalous. Some hundreds of thousands read the book with the same masochistic pleasure that one has in sucking an aching tooth.
Since Main Street, the novels have been Babbitt (1922); Arrowsmith (1925); Mantrap (1926); Elmer Gantry (1927); The Man Who Knew Coolidge (1928); and Dodsworth (1929). The next novel, yet unnamed, will concern idealism in America through three generations, from 1818 till 1930-an idealism which the outlanders who call Americans «dollar-chasers» do not understand. It will presumably be published in the autumn of 1932, and the author’s chief difficulty in composing it is that, after having received the Nobel Prize, he longs to write better than he can.
I was married, in England, in 1928, to Dorothy Thompson, an American who had been the Central European correspondent and chef de bureau of the New York Evening Post. My first marriage, to Grace Hegger, in New York, in 1914, had been dissolved.
During these years of novelwriting since 1915, I have lived a quite unromantic and unstirring life. I have travelled much; on the surface it would seem that one who during these fifteen years had been in forty states of the United States, in Canada, Mexico, England, Scotland, France, Italy, Sweden, Germany, Austria, Czechoslovakia, Jugoslavia, Greece, Switzerland, Spain, the West Indies, Venezuela, Colombia, Panama, Poland, and Russia must have been adventurous. That, however, would be a typical error of biography. The fact is that my foreign travelling has been a quite uninspired recreation, a flight from reality. My real travelling has been sitting in Pullman smoking cars, in a Minnesota village, on a Vermont farm, in a hotel in Kansas City or Savannah, listening to the normal daily drone of what are to me the most fascinating and exotic people in the world – the Average Citizens of the United States, with their friendliness to strangers and their rough teasing, their passion for material advancement and their shy idealism, their interest in all the world and their boastful provincialism – the intricate complexities which an American novelist is privileged to portray.
And nowadays, at forty-six, with my first authentic home – a farm in the pastoral state of Vermont – and a baby born in June 1930, I am settled down to what I hope to be the beginning of a novelist’s career. I hope the awkward apprenticeship with all its errors is nearly done



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