feels his hand pressing against her through her jeans, she thrusts forwards ever
so slightly to greet it, and then a bit more. She opens her eyes and smiles at him,
as he does back at her.
“Just there,” she says, focusing his hand on one very specific area just to the
side of the lower part of her zip.
This goes on for another minute or so, and then she reaches down and takes
his wrist,
moves the hand up a little, and guides him to undo her button.
Together they open her jeans, and she takes his hand and invites it inside the
black elastic of her panties. He feels her warmth and, a second later, a wetness
that symbolizes an unambiguous welcome and excitement.
Sexiness might at first appear to be a merely physiological phenomenon, the
result of awakened hormones and stimulated nerve endings. But in truth it is not
so much about sensations as it is about ideas—foremost among them the idea of
acceptance and the promise of an end to loneliness and shame.
Her jeans are wide-open now, and both of their faces are flushed. From Rabih’s
perspective, the excitement springs in part from the
fact that Kirsten gave so
little indication over so long that she really had such things on her mind.
She leads him into the bedroom and kicks the pile of clothes onto the floor.
On the bedside table is the novel she’s been reading by George Sand, whom
Rabih has never heard of. There are some earrings, too, and a picture of Kirsten
in a uniform standing outside her primary school, holding her mother’s hand.
“I didn’t have a chance to hide all my secrets,” she says. “But don’t let that
hold you back from snooping.”
There’s an almost full moon out, and they leave the curtains open. As they lie
entwined
on the bed, he strokes her hair and squeezes her hand. Their smiles
suggest they’re not completely past shyness yet. He pauses in mid-caress and
asks when she first decided she might want this, prompted in his inquiry not by
vanity but by a mixture of gratitude and liberation, now that desires which might
have seemed simply obscene, predatory, or pitiful in their unanswered form have
proved to be redemptively mutual.
“Pretty early on, actually, Mr. Khan,” she says. “Is there anything more I can
help you with?”
“As a matter of fact, yes.”
“Go on.”
“OK, so at what point did you first feel, you know, that you might . . . how
can I say . . . well, that you’d perhaps be on for . . .”
“Fucking you?”
“Something like that.”
“Now I see what you mean,” she teases. “To tell you the truth, it started that
very first time we walked over to the restaurant. I noticed you had a nice bum,
and I kept thinking about it all the while you were boring on about the work we
had to do. And then later that night I was imagining, stretched out on this very
bed that we’re on right now, what it would be like to get hold of your . . . well,
okay, I’m going to get shy now, too, so that may have to be it for the moment.”
The idea that respectable-looking people might
be inwardly harboring some
beautifully carnal and explicit fantasies while outwardly seeming to care only
about a friendly banter—this strikes Rabih as an entirely surprising and deeply
delightful concept, with an immediate power to soothe a raft of his own
underlying guilty feelings about his sexuality. That Kirsten’s late-night fantasies
might have been about him when she had simultaneously
seemed so reserved
and so upright at the time, and yet was now so eager and so direct—these
revelations mark out the moment as among the very best of Rabih’s life.
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