The connection of S. with other branches of S. 1



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Metonymy – is a genien stylistic deveice, is used to achieve concreteness of description by giving a specific connection with phenomena, the writer crockes graphic, concrete and life-like images, stresses the most important essentual features and reveals certain feelings of his own.
Synechdoche – a type of varient metonymy. It’s a trope, in which a part represents the whole and individual stand for a class, the singular for the plural, an indefinite number for a definite one. So, the relations b/w the two objects in S are quantitative.
Ex. Отсель грозить я буду шведу.
Give us this day our daily bread (Только хлеба просишь)
Due to S the utterance becomes energetic, vivid and a high degree of generalisation is achieved.
The expressive force of metonymy and metaphor.
Metonymy is mostly logical, intellectual, while metaphor is always emotional, sensual. The image in metonymy is created by assosiational logic, while metaphor is illogical or its logic is peculiar, governed by emotions, impressions and represents a pucratistic vision of the world.
Mixed group
Allegory – is an expression of an abstract idea through concrete images.
The simplest example of the A are proverbs. In most of them abstract ideas are made visual, concrete through the application of images. Proverbs are based on metaphors, they imply comparisons (The darkest hour is nearest to the door – самый страшный час).
In metonymycal A-s the basis for the creation is not comparison but some permanent relations. Metonymycal A is often used in fairy-tales and tables, when animals, objects and natural phenomena are endowed with human qualities. Cunning (хитрость) is conveyed through the image of a fox. Another example of MA are the char-ers of methology: the A of hope – ankor, of justice – blind woman, holding scales and sort.
A. come close to Antonomasia (when w-ds denoting abstract notions are used as proper names). Sometimes it is close to personification and may be either a form of metaphor or metonymy. But the dif-ce is that allegory has a definite symbol m-ng. Whole books may be based on allegory (“Animal Farm”, “Guliver’s Travels”).

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