The Complete Idiot''s Guide to Music Theory

Part
Tones

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1
Pitches and Clefs
In This Chapter
◆
Understanding musical tones
◆
Assigning names to specific pitches
◆
Putting notes on a staff
◆
Using the treble, bass, and other clefs
Lesson 1, Track 2
As you can tell from the title, this is a book about music theory. But what
exactly 
is
music theory? And, even more basic than that, what is 
music?
There are lots of different definitions of the word “music,” some more poetic
than practical. For example, William Shakespeare called music the “food of
love,” George Bernard Shaw called music the “brandy of the damned,” and
Gottfried Wilhelm Leibnitz called music “sounding mathematics.”
Interesting definitions all, but not really what we’re looking for here.
Let’s try another definition:
Music is the art, the craft, and the science of organizing sound and silence
in the framework of time.
Now that’s a little more helpful, but it’s still fairly broad. This definition could
describe a tremendous range of activities—a mother singing a lullaby to her
child, an orchestra playing a Mozart symphony, a rock group performing their
latest hit, a group of Native Americans playing ceremonial drum beats, Louis
Armstrong playing trumpet in a jazz quartet, a group of sailors chanting “yo
heave ho,” or a nightingale warbling a serenade. You probably didn’t buy this
book to learn about 
all
these things, although all of them have been called
“music,” at one time or another.
So we’ll use a slightly different definition of music in this book. This definition
is a lot more specific:
Music is a succession of tones arranged in a specific rhythm.
Chapter

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