Sentimental Journey L. Stern as a work of English sentimentalism



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Conclusion
Sentiment analysis or opinion mining is a field of study that analyzes people’s sentiments, attitudes, or emotions towards certain entities. This paper tackles a fundamental problem of sentiment analysis, sentiment polarity categorization. Online product reviews from Amazon.com are selected as data used for this study. A sentiment polarity categorization process (Figure 2) has been proposed along with detailed descriptions of each step. Experiments for both sentence-level categorization and review-level categorization have been performed. ConclusionL. Stern's "Sentimental Journey" in terms of its content belongs to the psychological novel of sentimentalism. The form that he gives to his work is the form of a freely flowing literary process, not connected by a plot, the rules of organizing the space-time structure and other canons, however, this form is also a fiction. The organization of the narrative structure and composition of Stern's work is subject to its own strict logic, due to an internal task: to bring out the image of an absolutely subjective narrator.By destroying the form of travel, memoir, classic novel, Stern creates a new type of psychological novel. His self-narration is an ironic peeping at himself. The depiction of nature, an appeal to the inner world of a person, the principle of compassion, sympathy, lyrical digressions, the reflections of the hero and the conclusions that follow them prove that the novel is written in the style of sentimentalism. Yorick himself refers to himself as a sentimental traveler. But there is an irony in Yorick's sensitivity. A.G. Yakovleva believes that the novel "Sentimental Journey" destroys the sentimental canon. The novel uniquely combines wit and sensitivity, skepticism and cheerfulness that transcends sentimentalism. "Sentimental Journey" partly refers to sentimentalism, this work is broader than this literary direction.Thus, “Stern opened up new perspectives for the art of storytelling; moreover, many conclusions from the writer's findings were made not only by his younger contemporaries, but also much later - also by romantics and realists of the subsequent time "

Bibliography

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  2. J. A. Kuddon, Penguin Dictionary of Literary Terms and Literary Theory, 4th ed. (London: Penguin Books, 1999), p.809; M. H. Abrams, Dictionary of Literary Terms, 7th ed. (Fort Worth: Harcourt Brace, 1999), p.283.

  3. Laura Sue Fuderer, English Bildungsroman: Annotated Bibliography of Criticism (1990)

  4. "novel". Encyclopedia of Britannica. Britannica Encyclopedia Online Academic Edition. Encyclopedia Britannica Inc., 2013. Web. January 19, 2013.

  5. London: Anthem Press, 2012, x.iiii, p.123.


  6. Tompkins, Jane. Sensational Designs: American Fiction Cultural Work, 1790-1860. New York: Oxford University Press, 1986 y.

  7. University of Minnesota- Duluthhttp://www.d.umn.edu/~csigler/ domestic_fiction.html

  8. Shirley Samuels, ed., Emotional Culture, (1992). http://www.broadviewpress.com/bvbooks.asp?BookID=235

  9. Paul Christian Jones, "" I put my fingers in my throat and squeezed to see how it felt ": Antigallows Sentimentalism and E. D. E. N. Southworth's Secret Hand," Heritage, Volume 25, no. 1, 2008. Pages 41-61.

  10. Tobin Sibers, "The Werther Effect: Suicidal Aesthetics" Mosaic (Winnipeg), Volume 26, 1993.

  11. Robert Hume, "Against the Gothic and the Romance: A Reassessment of the Gothic Novel," PMLA, Volume 84, № 2 (March 1969), pp. 282-290.

  12. Leo Braudy, "The Form of a Sentimental Novel," Novel: A Forum on Fiction, Volume 7, №1 (Fall, 1973), pp. 5-13.




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