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Soc. Anc. Textes, 1885), it is a very spirited reply to French authors who had attacked the English.[9]
Drama
This must have had a considerable influence on the development of the sacred drama in
England, but none of the French plays acted in England in the 12th and 13th centuries has
been preserved. Adam, which is generally considered to be an Anglo-Norman mystery of the
12th century, was probably written in France at the beginning of the 13th century (Romania
xxxii. 637), and the so-called Anglo-Norman Resurrection belongs also to continental French.
It is necessary to state that the earliest English moralities seem to have been imitations of
te French ones.[9]
CONCLUSiON
In short, what we call the Middle English period, the whole period openly recognized English-Latin control. The conquest led to a healthy awakening of national life. Inspired by the new soldiers, artisans, and merchants who were suddenly brought with them, people brought scientists to revive science, chronicles to record memorable events, ministers to celebrate victories, or to sing adventure and love. The great difference between the two periods is the disappearance of old English poetry, the rich maturity of Anglo-Saxon poetry, and then the disappearance of new forms and influences of language.
The most obvious change in literary expression is reflected in the tool used, and it can be said that it helped to make life easier at that time. The priests demanded the use of Latin, the aristocracy demanded the use of French. No one saw English as a means of constant thinking. Another feature of material literature is its general anonymity.
Miracle games have become very popular. The development of a biblical story is step-by-step and involves its logical conclusion. However, the only theme of the play "Morality" was the struggle of the forces of good and evil to win the hearts of people, to give people completely new ideas. Allergies are a hallmark of moral games.
This type of romance was the most popular form of literature in the Middle English period. These romances are distinguished by their stories rather than their poetry. These romances are mainly derived from French and Latin sources. They deal with King Arthur’s “Trojan War” stories.
William Langland was one of the greatest poets of the Middle Ages. His poem Plowman’s Seeing the Scaffolding plays an important role in English literature. This represents the dissatisfaction of the lower and more thinking strata of English society. He is essentially a satirical poet. The feudal system was his ideal, and he created many works of this kind.
Gower plays an important role in the development of English poetry. The Gower Palace represents the pinnacle of medieval English poetry. He is a great stylist and a mostly narrative poet and his most important work is the recognition of Amantis.
Choser was the "father of English poetry" and disregarded ancient English traditions. His most important work is The Tales of Canterbury. The Canterbury Tales is an important event in the history of English poetry.
Choser's works are divided into three periods. In the first period he imitated French models, he wrote Le Roman de la Rose; Rose's Remount translation. The poems of the second period reflect the influence of Italian literature, in particular Dante's The Divine Comedy and the poems of Boccaccio, while the third period of Choser's is an English period that avoids foreign influences and is unique. Metaphysics and theology
During this period there was a decline in English poetry over the years after Chaucer, who wrote in English and Scottish Chaucerian. They all didn’t do much, but copied it.
THE LIST OF USED BOOKS
For full references to texts see R. Bossuat's Bibliographies and my Anglo-Norman Literature and its Background (Oxford, 1963, reprinted).
More recent and forthcoming works will be noted. Add here on Benedictus my article "Les origines de langlo- normand littéraire," Revue de Linguistique Romane, 31 (1967) p. 48. 2w. J. Watson, The Celtic Place-Names of Scotland (Edinburgh and London, 1926) pp. 274, 281
.
Sef. my "La Préciosité de la littérature anglo-normande," Cahiers de Civilisation médiévale (Poitiers, 1965) pp. 333, 334.
10M. Blaess, "L'abbaye de Bordesley et les livres de Guy de Beauchamp," Romania, 78 (1957) pp. 511-18.
See M. D. Legge, Anglo-Norman Literature and Its Background (1963). The Columbia Electronic Encyclopedia, 6th ed. Copyright © 2012, Columbia University Press. All rights reserved.
William Cole. First and Otherwise Notable Editions of Medieval French Texts Printed from 1742 to 1874: A Bibliographical Catalogue of My Collection. Sitges: Cole & Contreras, 2005.
Wogan-Browne, Jocelyn et al., eds. Language and Culture in Medieval Britain: The French of England, c. 1100-c. 1500 (York: York Medieval Press, 2009, pprbk 2013).
Wogan-Browne, Jocelyn, Thelma Fenster and Delbert Russell, Vernacular Literary Theory from the French of Medieval England: Texts and Translations c. 1120-c. 1450 (Cambridge: D. S. Brewer, 2016).
THE GROUNDS OF ENGLISH LITERATURE books.google.co.uz
Anglo-Norman Literature & Impact of Norman conquest on English literature (1066-1350) student-corner.com
Anglo-Norman Literature An open Companion to Early British Literature
Early.british.pressbooks.com
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