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SELECT BIBLIOGRAPHY
PRIMARY SOURCES:
Marlowe, Christopher.
Doctor Faustus, London: St. Martin’s
Press INC, 1963.
.
The Jew of Malta, London: The New
Mermaids, 1967.
_________.
Edward II, London: The New Mermaids,
1967.
_________.
Tamburlaine the Great, London: The New
Mermaids, 1971.
SECONDARY SOURCES:
Albert, Edward.
History of English Literature, Calcutta:
Oxford University Press, Faraday House,
1982.
Alexander, Nigel.
The Performance of Christopher Marlowe’s
Dr. Faustus’, Proceedings of the British
Academy, 57 (1971). pp. 331-49.
185
Armstrong, W.A.
Marlowe’s Tamburlaine: The Image and
the Stage, Hull: n.p., 1966.
Barber, C.L.
Creating Elizabethan Tragedy. Chicago;
London: The University of Chicago Press,
1988.
Bawcutt, N.W.
Christopher Marlowe, The Jew of Malta.
Revels Play edition, n.p., Manchester
University Press, 1978.
Bevington, David & Rasmussen, Eric (eds). Doctor Faustus Revels
Play edition, n.p., Manchester University
Press, n.d.
Bloom, Harold.
Christopher Marlowe. New York: Chelsea
House Publishers, 1986.
_________.
Christopher Marlowe’s Dr. Faustus. New
York: Chelsea House Publishers, 1988.
Boas, Frederick S.
Christopher Marlowe: A Biographical and
Critical Study. Oxford: The Clarendon
Press, 1940.
186
Bradbrook, M.C.
Themes & Conventions of Elizabethan
Tragedy. London: The Syndics of the
Cambridge University Press, 1935.
___________.
Marlowe’s Doctor Faustus and the
Eldritch Tradition in Essays on
Shakespeare and Elizabethan Drama in
Honour of Hardin Craig, Colombia: Mo.,
1962.
_________.
“A Discussion of Tamburlaine” In Critics
on Marlowe ed. Judith O’Neill. London:
George Allen and Unwin, 1969.
Bradley, A.C.
“Christopher Marlowe” In The English
Poets: Selection, ed. T.H. Ward. New
York: Macmillan, 1880.
Butter, Elizabeth M.
The Fortunes of Faust. n.p., Sutton
Publishing Limited, 1952.
Cazamian and Legouis. History of English Literature, New Delhi:
Macmillan India Ltd., 2001.
187
Cole, Douglas.
Christopher Marlowe and the Renaissance
of Tragedy. Westport, CT: Greenwood
Press, 1995.
____________.
Suffering and Evil in the Plays of
Christopher Marlowe. Princeton, N.J.:
Princeton University Press, 1962.
Compton-Rickett, Arthur. A History of English Literature,
Edinburgh: Thomas Nelson and Sons Ltd.,
1963.
Cunningham, J.E. (ed.) Tamburlaine the Great Revels Plays
edition. n.p., Manchester University Press,
1999.
Deats, Sarah Munson.
Sex, Gender and Desire in the Plays of
Christopher Marlowe. n.p., University of
Delawara Press, 1997.
Ellis-Fermor, Una Mary, ed., Tamburlaine, the Great. New York:
Gordian Press, 1966.
Ellis-Fermor, Una Mary. Christopher Marlowe, Handen, CT:
Archon Books, 1967.
188
Empson, W.
Faustus and the Censor: The English
Faust-book and Marlowe’s ‘Doctor
Faustus’. New York: Basil Black well,
1987.
Forker, Charles R, (ed.) Christopher Marlowe, Edward II. Revels
Play edition. n.p., Machester University
Press, 1994.
Farnhan, Willard.
Twentieth-Century Interpretations of
Doctor Faustus. Englewood Cliffs, New
Jersey: Prentic-Hall, 1969.
Gardner, Helen.
The Second Part of Tamburlaine the
Great. In Critics on Marlowe, ed. Judith
O’Neill. London: George Allen and
Unwin, 1969.
Giamatti, A. Bartlett.
“The Arts of Illusion” in Christopher
Marlowe, New York: Chelsea House,
1986.
Godshalk, W.L.
The Marlovian World Picture. The Hague:
Mouton, 1974.
189
Greenblatt, Stephen
Renaissance Self-Fashioning: From More
to Shakespeare. Chicago: University of
Chicago Press, 1980.
Hope, A.D.
“‘Tamburlaine’: The Argument of Arms”
in Christopher Marlowe. New York:
Chelsea House, 1986.
J. Long, William.
English Literature, Delhi: A.I.T.B.S.
Publishers & Distributors, 2003.
Kocher, P.H.
Christopher Marlowe: A Study of His
Thought, Learning and Character. New
York: Russell & Russel, 1962.
Kuriyama, Constance Brown. Hammer of Anvil: Psychological
Patterns in Christopher Marlowe’s Plays.
New Brunswick, N.J.: Rutgers University
Press, C. 1980.
Leech, Clifford.
Marlowe: A Collection of Critical Essays.
New Jersey: Prentice Hall, 1964.
190
__________.
Christopher Marlowe: Poet for the Stage,
ed. Anne Lancashire. New York: AMS
Press, C. 1986.
Levin, Harry.
The Overreacher: A Study of Christopher
Marlowe, London: Faber & Faber, 1954.
MacLure, Millar.
Marlowe: The Critical Heritage, 1588 –
1896. London; Boston: Routledge & K.
Paul, 1979.
Masinton, Charles G.
Christopher Marlowe’s Tragic Vision.
Athen, Ohio: Ohio University Press, 1972.
Maxwell, J.C.
The Plays of Christopher Marlowe in the
Age of Shakespeare Harmondsworth: The
Pelican Guide to English Literature, Vol.
2, 1955.
Nuttall, A.D.
The Alternative Trinity: Gnostic Heresy in
Marlowe, Milton, and Blake, Oxford;
New York: Clarendon Press, 1998.
Palmer, D.J.
“Marlowe’s Naturalism” in Mermaid
Critical Commentaries: Christopher
191
Marlowe, ed. Brain Norris. New York:
Hill and Wang, 1968.
Proser, Mathew N.
“Tamburlaine I and the Art of
Destruction” in The Gift of Fire:
Aggression and the Plays of Christopher
Marlowe. New York: Peter Lang, 1995.
Ribner, Irving.
“Edward II as a Historical Tragedy” in
Marlowe: Tamburlaine the Great, Edward
the Second and The Jew of Malta, ed. John
Russel Brown, London: The Macmillan
Press, 1982.
Rossiter, A.P.
Engish Drama from Early Times to the
Elizabethans London. New York:
Hutchinson’s University Library, 1959.
Sanders, Wilbur.
The Dramatist and the Raccieved Idia:
Studies in the Plays of Marlowe &
Shakespeare, London: Cambridge
University Press, 1968.
192
Sales, Roger.
Christopher Marlowe, New York: St.
Martin’s Press, 1991.
Stean, J.B.
Marlowe: A Critical Study. Cambridge:
Tulane Drama Review 8, 1964.
Tydeman, William.
Doctor Faustus: Text and Performance.
Basingstoke, England: Macmillan, 1984.
Tydeman, William.
Christopher Marlowe: A Guide Through
the Critical Maze. Bristol: Bristol
Classical Press, 1989.
193
ORIGINAL WRITINGS OF THE PIONEERS:
Erasmus, Desiderius.
In Praise of Folly. Large selection from
the treatise included in Renaissance edited
by E.H. Weatherly in Laurel Masterpieces
of World Literature series, pp. 132-169.
Luther, Martin:
Reformation Writing of Martin Luther
translated and annotated by Bertram Lee
Woolf (n.p., Lutterworth Press, 1952).
More, Sir Thomas.
Utopia English translation by Ralph
Robinson (1566), modern reprint in
Arber’s English Reprint (Constable,
London) n.d.
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