Radically modern writing in the novel of james joyce content Introduction

2.2. Genre variety of forms of the novel.
One of the postmodern features of Joyce's poetics is its democratism, the rejection of the hierarchy of genres, the barrier between "high" and "low" (mass, popular) literature. The artist willingly and often used elements of the poetics and stylistics of popular genres (adventurous, sentimental, women's literature), and not always with one parody purpose, as in Nausicaa. The techniques of the detective genre also play a constructive role in Ulysses. In part, they are close to the just-mentioned “blurred letter”, since they also include deliberate reticence and ambiguity of expression. But here these elements are part of a clear, formalized system of "rules of the game" whose purpose is to capture attention, raise and maintain the tension of the story. The main technique here is to raise questions in the reader that are left unanswered, in other words, to delay information. In Ulysses this is a common and constant device; the author will almost never deliver information as soon as he has aroused the reader's need for it. Most often, hidden information is reported in dosed and widely spaced portions. So, let's say, the reader learns about the previous Bloom services, about the Hungarian Royal Lottery scam (in episodes eight, twelfth and eighteenth), about the mysterious potato (in the fourth, eighth, fifteenth), about the bee sting event and much more.
Thus, through plot threads are created that permeate the novel, and the compositional system of "Ulysses" acquires a detective aspect. In addition, "Ulysses", like a detective, is a constant game of attention with the reader: the reader must always be on the alert, not miss a single detail, be smart and compare. However, as one would expect, detective techniques are subject to ironic rethinking. This is reminiscent of the stylistic patterns of the "Bulls of the Sun": the style is reproduced on a reduced and sparse content. In the detective story, key details are hidden from the reader, the importance of which justifies the chain of hints and omissions that precedes their disclosure and intensifies drama. In Ulysses, with few exceptions, the information concealed with a detective mine is completely insignificant, and it could equally well be reported at any time or not mentioned at all. As a result, the detective elements of the novel shift into the realm of parody and play, acquiring a shade of a parody of a detective story, and at the same time - the character of a kind of game with the reader, who is presented with trifles and trifles with an intriguing, mysterious air. In other words, detective techniques are already half merging with game techniques.[18]
Writing genres (more commonly known as literary genres) are categories that distinguish literature (including works of prose, poetry, drama, hybrid forms, etc.) based on some set of stylistic criteria. Sharing literary conventions, they typically consist of similarities in theme/topic, style, tropes, and storytelling devices; common settings and character types; and/or formulaic patterns of character interactions and events, and an overall predictable form. A literary genre may fall under either one of two categories: (a) a work of fiction, involving non-factual descriptions and events invented by the author; or (b) a work of nonfiction, in which descriptions and events are understood to be factual. In literature, a work of fiction can refer to a short story, novella, and novel, the latter being the longest form of literary prose. Every work of fiction falls into a literary subgenre, each with its own style, tone, and storytelling devices. Moreover, these genres are formed by shared literary conventions that change over time as new genres emerge while others fade. Accordingly, they are often defined by the cultural expectations and needs of a particular historical and, cultural moment or place. According to Alastair Fowler, the following elements can be used to define genres: organizational features (chapters, acts, scenes, stanzas); length; mood; style; the reader's role (e.g., in mystery works, readers are expected to interpret evidence); and the author's reason for writing (an epithalamion is a poem composed for marriage).
Genres are formed by shared literary conventions that change over time as new genres emerge while others fade. As such, genres are not wholly fixed categories of writing; rather, their content evolves according to social and cultural contexts and contemporary questions of morals and norms. The most enduring genres are those literary forms that were defined and performed by the Ancient Greeks; definitions sharpened by the proscriptions of modern civilization's earliest literary critics and rhetorical scholars, such as Plato, Aristotle, Socrates, Aeschylus, Aspasia, Euripides, and others. The prevailing genres of literary composition in Ancient Greece were all written and constructed to explore cultural, moral, or ethical questions; they were ultimately defined as the genres of epic, tragedy, and comedy. Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.
Romance. These stories are about a romantic relationship between two people. They are characterised by sensual tension, desire, and idealism. The author keeps the two apart for most of the novel, but they do eventually end up together. There are many sub-genres, including paranormal, historical, contemporary, category, fantasy, and Gothic. There are also many tropes in the genre: 101 Romance Tropes For Writers Action-Adventure. Any story that puts the protagonist in physical danger, characterised by thrilling near misses, and courageous and daring feats, belongs to this genre. It is fast paced, the tension mounting as the clock ticks. There is always a climax that offers the reader some relief. Science Fiction. This genre incorporates any story set in the future, the past, or other dimensions. The story features scientific ideas and advanced technological concepts. Writers must be prepared to spend time building new worlds and using genre-specific words. The setting should define the plot. There are many science fiction sub-genres. There are also many tropes in the genre: 101 Sci-Fi Tropes For Writers Fantasy. These stories deal with kingdoms as opposed to sci-fi, which deals with universes. Writers must spend plenty of time on world building. Myths, otherworldly magic-based concepts, and ideas characterise these books. They frequently take cues from historical settings like The Dark Ages. There are also plenty of sub-genres here. There is also a specific terminology and many tropes in the genre: 101 Fantasy Tropes For Writers
Speculative Fiction. These stories are created in worlds unlike our real world in certain important ways. This genre usually overlaps one or more of the following: science fiction, fantasy fiction, horror fiction, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate Suspense/Thriller. A character in jeopardy dominates these stories. This genre involves pursuit and escape. It is filled with cliffhangers and there are one or more ‘dark’ characters that the protagonist must escape from, fight against, or best in the story. The threats to the protagonist can be physical or psychological, or both. The setting is integral to the plot. This is often described as a gripping read. A Techno Thriller is a sub-genre.
Young Adult. Young Adult (YA) books are written, published, and marketed to adolescents and young adults. The Young Adult Library Services Association (YALSA) defines a young adult as someone between the ages of 12 and 18, but adults also read these books. These are generally coming-of-age stories, and often cross into the fantasy and science fiction genres. YA novels feature diverse protagonists facing changes and challenges. This genre has become more popular with the success of novels like The Hunger Games, The Fault in Our Stars, and Twilight. New Adult. New Adult (NA) books feature college, rather than school-aged, characters and plotlines. It is the next age-category up from YA. It explores the challenges and uncertainties of leaving home and living independently for the first time. Many NA books focus on sex, blurring the boundary between romance and erotica. Horror/Paranormal/Ghost. These are high-pitched scary stories involving pursuit and escape. The protagonist must overcome supernatural or demonic beings. Occult is a sub-genre that always uses satanic-type antagonists. There are also many tropes in the genre: 101 Horror Tropes For Writers
Mystery/Crime. These are also known as ‘whodunits’. The central issue is a question that must be answered, an identity revealed, a crime solved. This novel is characterised by clues leading to rising tension as the answer to the mystery is approached. There are many sub-genres in this category.
Police Procedurals are mysteries that involve a police officer or detective solving the crime. The emphasis rests heavily on technological or forensic aspects of police work, sorting and collecting evidence, as well as the legal aspects of criminology. Historical. These fictional stories take place against factual historical backdrops. Important historical figures are portrayed as fictional characters. Historical Romance is a sub-genre that involves a conflicted love relationship in a factual historical setting. Westerns. These books are specifically set in the old American West. Plotlines include survival, romance, and adventures with characters of the time, for example, cowboys, frontiersmen, Indians, mountain men, and miners. Family Saga. This genre is about on-going stories of two or more generations of a family. Plots revolve around things like businesses, acquisition, properties, adventures, and family curses. By their nature, these are primarily historical, often bringing the resolution in contemporary settings. There is usually a timeline involved in these books. Women’s Fiction. These plot lines are characterised by female characters who face challenges, difficulties, and crises that have a direct relationship to gender. This is inclusive of woman’s conflict with man, though not limited to that. It can include conflict with things such as the economy, family, society, art, politics, and religion. Magic Realism. Magical events are part of ordinary life in this genre. The characters do not see them as abnormal or unusual. They are a natural part of the story. One Hundred Years of Solitude  is a classic in this genre. Literary Fiction. This genre focuses on the human condition and it is more concerned with the inner lives of characters and themes than plot. Literary fiction is difficult to sell and continues to decline in popularity.