Propósitos y Representaciones


Propósitos y Representaciones



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Propósitos y Representaciones
Aug. 2020, Vol. 8, SPE(2), e678 
http://dx.doi.org/10.20511/pyr2020.v8nSPE2.678
 
that allows both teachers and educators and parents and children to interact and collaborate in a 
competently organized subject and spatial environment of an educational institution. The aesthetic 
principle should lie at the base of building the entirety of the model of education and upbringing 
where artistic activity along with play and communication presents the meaning and content of a 
child’s life and activity in kindergarten and at school. This has to be the meaning of a teacher’s 
activity, too. 
The results of studies conducted by the employees of the Institute of Art Education and 
Cultural Studies of the Russian Academy of Education suggest that the most natural way of 
learning for a child is primarily the path from image to a concept, and not vice versa. It is 
necessary that logical, conceptual thinking does not displace figuratively associative and 
emotional thinking further on. In defining the development-promoting environment as a range of 
mutually connected pedagogical conditions promoting the manifestation and active development 
of children, we must highlight that a unified developed educational space that the child enters 
from the first days of their life should be in its center. 
The system of education and upbringing in a children’s institution should be built in a 
way that would allow the children to do a lot themselves; so that they would be able to act in 
various spaces and in different peer groups; have mastery over their body, voice, hearing, smell, 
touch; would be able to study the surrounding reality “given to us in sensations” on their own; 
solve creative tasks, think originally, not be afraid of the new and the unexpected. The prototype 
of this trend in preschool education is currently presented by a modern innovative model of 
preschool education called the “Garden of Childhood” developed at the Institute of Art Education 
and Cultural Studies the principles of which include: 
• The universality of the aesthetic component of the process of education of children with 
art culture permeating the entire course of maturation of the child. 
• The priority of general cultural development: creativity, communication, knowledge. 
• Novelty and openness to the outside world. 
•Figurative and semantic perception and reproduction of the products of human life, 
teaching the dialectics of the mind. 
• The development of the sphere of knowledge through the eternal problems of human 
existence and historical ways of its understanding by people (finite and infinite, ideal and real, 
living and nonliving, beauty and ugliness, etc.). 
• The variety of the active forms of embodiment of the child’s creative searches and 
decisions. 
• Integrated learning and holistic multi-artistic education in the context of individual and 
collective co-creation embodied in an “artistic event”. 

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