Проблемы современной науки и образования

 
A B C 
 
Fig. 3. a. The Khamsah, or five poems Makhzan al-asrār F.6r 1539-1543 British Library; b. Four young scholars 
in discussion, signed by Muhammad Murad Samarqandi, Persia, Safavid, Bukhara, early 17th; c. Youth Fallen 
From a Tree‘, Folio from the Shah Jahan Album 
some fields, we often see images of birds, animals and other decorative or fantastic animals. Fields 
for simplicity look like spots of different colours or pieces of gold.
While the space of the letter or image is empty, the entire composition of the fields indicates that 
the work with the fields could be done by a special artist. In some miniatures, the form of the 
composition appears in the fields and merges with them. This is one aspect of miniature art. This 
arrangement of images is an integral part of the book industry [1] (Fig. 3).
Watching the decoration of the pages of the classic book, we see that the emphasis was on the field 
decoration. A field is empty space around an image or text on a sheet, leaving a blank sheet of paper 
and subsequent additional texts.

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Fig. 4. A. Jome “Saloman and Absal” 
The margins of the pages were decorated in the form of spots, and later they began to develop 
simple monochrome compositions. Typically, such decorations are represented by different ratios of 
the same colour. At the same time, we see that the fields are widely used in different colours and gold. 
Although fields are used as book illustrations, some of the thumbnails have complex compositions and 
some as full-colour illustrations. In these figures, the composition of the fields, the colour, and the 
performance skills of the fields are at the level of the main image, so that they can be combined. In 
such works, it is difficult to distinguish between the main image and the ornaments of the fields. The 
goal of leaving different space around the main text of the sheet is to keep the text for a long time. The 
reader is most affected by the openness of the book when scrolling, unloading, accidentally entering 
the water and fire. Book masters left the edges of the pages to prevent such damage or permanent 
damage to the image.
Therefore, the fields field is often skipped. Although manuscripts are used as ornaments of plant, 
phonetic, and cloud forms as part of fields, one can see the use of A. Jomi ornaments in the 
manuscripts of Saloman and Absal. The portraits of the manuscript sheets used rectangular and 
octagonal portraits. Islimi ornaments on the sheet are made of soil, and you can see a wide variety of 
colours used in the work of human clothing and face. On some saved pages, you can see that the fields 
are fully traced, leaving space for text or images in the center. From this, we can conclude that the 
ghost drawing on the sheet was made by another artist. Currently, we can find out which miniature 
school they belong to. For example, we often see in Indian miniature schools that field painting is 
closer to the real state. Indian miniature schools are characterized by the widespread use of luxurious 
and sophisticated forms of framing (Fig. 4).