Opies’ Oxford Dictionary of Nursery Rhymes gives the last two lines as:
“Some in rags, some in jags,
And one in a velvet gown.”
Terry’s household nursery rhyme book must strike a balance between these two versions. The rhyme is said to be about the mob of Dutchmen that William of Orange brought over with him to England in 1688, with the “one in a velvet gown” being the Prince himself. Or else it is a reference to Henry VIII’s dissolution of the monasteries, forcing monks to beg on the streets for a living. Take your pick.
- [p. 171/130] “A sixteen, an eight, a four, a one!”
This makes perfect sense: since trolls have silicon brains, naturally they’d think in binary. Every number, no matter how large can be represented in binary (29, for instance, is 11101; sixteen plus eight plus four plus one). Cuddy is therefore absolutely right when he points out to Detritus: “If you can count to two, you can count to anything!”
- [p. 172/131] “That,’ said Vimes, ‘was a bloody awful cup of coffee, Sham.’ [...] ‘And a doughnut’.”
This entire scene is a loose parody of David Lynch’s cult TV series Twin Peaks, where the protagonists are forever eating doughnuts and drinking “damn fine coffee”.
- [p. 173/131] “And give me some more coffee. Black as midnight on a moonless night.”
In one of the early Twin Peaks episodes, Agent Cooper praises the coffee at the Great Northern Hotel, and is very precise in ordering breakfast, specifying the way the bacon etc. should be cooked and asking for a cup of coffee, which is “Black as moonlight on a moonless night”. Although the waitress at the Hotel is considerably less inclined to nitpick than Sham Harga, she also makes a comment along the lines of “That’s a pretty tough order”.
- [p. 175/133] “[...] clown Boffo, the corpus derelicti, [...]”
“Corpus delicti” is a Latin phrase meaning the victim’s body in a murder case.
- [p. 176/133] “The whole nose business looked like a conundrum wrapped up in an enigma [...]”
Paraphrase of a famous quote by Winston Churchill, referring to Russia:
“It is a riddle wrapped in a mystery inside an enigma; but perhaps there is a key.”
+ [p. 179/135] “He went into Grope Alley!”
Terry has confirmed that Grope Alley is based on Threadneedle Street in the City of London, which used to be the haunt of prostitutes and hence rejoiced in the name ‘Gropecunte Lane’—its modern name is just a more euphemistic way of putting things. It’s the site of the Bank of England. Some would consider this to be appropriate.
There’s also a Grope Alley in Shrewsbury, getting its name from the Tudor buildings on either side almost meeting each other at roof level, causing one to have to grope along.
- [p. 184/139] “The word ‘polite’ comes from ‘polis’, too. It used to mean proper behaviour from someone living in a city.”
As far as I can tell this is utter and total balderdash. ‘Policeman’ indeed comes from ‘polis’, but ‘polite’ comes from the Latin ‘polire’, to polish.
- [p. 185/140] “Vimes had believed all his life that the Watch were called coppers because they carried copper badges, but no, said Carrot, it comes from the old word cappere, to capture.”
This, however, appears to be true, according to Brewer’s, who says that it is “more likely” that ‘copper’ derives from ‘cop’ (instead of the other way around!), as in the verb ‘to cop something’, which indeed comes from the Latin ‘capere’, to take.
- [p. 189/143] “He pushed his hot food barrow through streets broad and narrow, crying: ‘Sausages! Hot Sausages! Inna bun!”
From the folk song ‘Molly Malone’:
“In Dublin’s fair city
Where the maids are so pretty
I first set my eyes on sweet Molly Malone
She wheels her wheel-barrow
Through streets broad and narrow
Crying ‘cockles and mussels alive alive-o”
I am told that the statue that was put up in Dublin in honour of Molly was such an artistic failure, that it is now fondly known by the Dubliners as “The Tart with the Cart”.
- [p. 192/145] “I call it a flapping-wing-flying-device, [...] It works by gutta-percha strips twisted tightly together.”
This time, Leonard has invented the rubber-band-powered model aeroplane.
- [p. 193/146] “[...] wondering how the hell he came up with the idea of pre-sliced bread in the first place.”
From the saying (of inventions): “the greatest thing since sliced bread”.
- [p. 194/146] “My cartoons,” said Leonard. “This is a good one of the little boy with his kite stuck in a tree,” said Lord Vetinari.
The reference to Charlie Brown’s struggle against the kite-eating tree in Charles M. Shultz’s comic strip Peanuts will be obvious to most readers, but perhaps not everyone will realise that in Leonardo da Vinci’s time a cartoon was also a full-size sketch used to plan a painting.
- [p. 197/149] “They do things like open the Three Jolly Luck Take-away Fish Bar on the site of the old temple in Dagon Street on the night of the Winter solstice when it also happens to be a full moon.”
I’m rather proud of figuring this one out, because I really hadn’t a clue as to why this Fish Bar would be such a bad idea. Then it occurred to me to look up the word ‘Dagon’. Webster’s doesn’t have it, but luckily Brewer saves the day, as usual: ‘Dagon’ is the Hebrew name for the god Atergata of the Philistines; half woman and half fish.
It was actually a Dagon temple that the biblical Samson managed to push down in his final effort to annoy the Philistenes (Judges 16:23, “Then the lords of the Philistines gathered them together for to offer a great sacrifice unto Dagon their god, and to rejoice: for they said, Our god hath delivered Samson our enemy into our hand.”)
After including this annotation in earlier editions of the APF, there have been numerous e-mails from people pointing out that H. P. Lovecraft also uses the entity Father Dagon as the leader of the Deep Ones in some of his horror stories. Terry has confirmed, however, that the inspiration for his Dagon goes back to the original source, not Lovecraft’s incarnation.
- [p. 203/153] “[...] Dibbler, achieving with his cart the kind of getaway customarily associated with vehicles that have fluffy dice on the windscreen [...]”
Take an old, battered car of the type that the Waynes and Kevins of our world (boyfriends to Sharon and Tracey—see the annotation for p. 106/95 of Reaper Man) often drive—a Ford Cortina or Capri is the usual candidate in the UK. Respray it metallic purple. Some go-faster stripes, possibly a la ‘Starsky and Hutch’ may be appropriate at this time. Plaster rear window with car stickers in dubious taste: “Passion wagon—don’t laugh it could be your daughter inside”, “My other car is a Porsche”, or even: “I Ankh-Morpork”. Advanced students might like to experiment with a stick-on cuddly Garfield in the rear window. Put in stretch seat-covers, preferably in luminous pink fur. Add a Sun-strip, possibly with the names of the owner and ‘His bird’ on them (so they can remember where to sit presumably). Hang a pair of fluffy dice from the rear-view mirror. That kind of vehicle.
- [p. 205/155] “Chrysoprase, he not give a coprolith about that stuff.”
Coprolith = a fossilised turd.
- [p. 209/158] “He say, you bad people, make me angry, you stop toot sweet.”
“Toute suite” = immediately. One of the few bits of French that the typical Brit is said to remember from schooldays.
- [p. 210/158] “C. M. O. T. Dibbler’s Genuine Authentic Soggy Mountain Dew,’ she read.”
Terry is not referring to Mountain Dew, the American soft drink, but is using the term in its original meaning, as a colloquialism for whisky— particularly, the homemade ‘moonshine’ variety.
- [p. 218/165] VIA CLOACA
The major sewer in ancient Rome, running down into the Tiber, was called the Cloaca Maxima. Anything with ‘Via’ in its name would have been a street or road. The Cloaca Maxima was actually a tunnel.
- [p. 235/178] “[...] huge scrubbing brushes, three kinds of soap, a loofah.”
Loofah is a genus of tropical climbing plant bearing a fruit, the fibrous skeleton of which is used for scrubbing backs in the bath.
- [p. 238/180] “Hi-ho—‘—hi-ho—‘ ‘Oook oook oook oook ook—”
The dwarvish hiho-song. See the annotation for p. 88/73 of Moving Pictures.
- [p. 239/181] “He said “Do Deformed Rabbit, it’s my favourite”, Carrot translated.
Running gag. See also the annotation for p. 226/162 of Small Gods.
- [p. 251/190] “All right, no one panic, just stop what you’re doing, stop what you’re doing, please. I’m Corporal Nobbs, Ankh-Morpork City Ordnance Inspection City Audit -- [...] Bureau ... Special ... Audit ... Inspection.”
Nobby is imitating Eddie Murphy. Terry explains:
“Almost a trademark of the basic Murphy character in a tight spot is to whip out any badge or piece of paper that looks vaguely official and simply gabble official-sounding jargon, which sounds as if he’s making it up as he goes along but nevertheless browbeats people into doing what he wants. As in:
“I’m special agent Axel Foley of the Special ... Division ... Secret ... Anti-Drugs ... Secret ... Undercover ... Taskforce, that’s who I am, and I want to know right now who’s in charge here, right now!”
Cpl Nobbs uses this technique to get into the Armoury in MAA.”
- [p. 252/191] “Have you got one of those Hershebian twelve-shot bows with the gravity feed?” he snapped. “Eh? What you see is what we got, mister.”
This is straight from The Terminator. Arnold says to the gun shop owner: “Have you got a phase plasma rifle in the 40 watt range?” and the shopkeeper responds: “Hey, just what you see, pal”.
- [p. 255/193] “Oh, wow! A Klatchian fire engine! This is more my meteor!”
Perhaps obvious, but this really had me puzzled until I realised that ‘meteor’ refers back to Sgt Colon’s use of the French word ‘metier’ a few pages back...
- [p. 257/195] “No sir! Taking Flint and Morraine, sir!”
These two trolls first appeared as actors in Moving Pictures.
As far as their names go, Flint is obvious, but I had to look up Morraine: Webster spells it with one ‘r’, and defines it as “the debris of rocks, gravel, etc. left by a melting glacier”.
An e-mail correspondent subsequently pointed out to me that Webster’s definition is lacking, because (a) the spelling with two r’s is valid, and (b) morraine is unstratified debris only. If it were stratified it would be called esker or kame, which are of course fluvioglacial products rather than just glacial.
Hey, don’t look at me—I’m just the messenger...
- [p. 258/196] “Sometimes it’s better to light a flamethrower than curse the darkness.”
From the old saying: “It is better to light a candle than curse the darkness”.
- [p. 258/196] “Lord Vetinari won’t stop at sarcasm. He might use’— Colon swallowed—‘irony.”
This reminded many correspondents of Monty Python’s ‘Dinsdale’ sketch:
Vercotti: I’ve seen grown men pull their own heads off rather than see Doug. Even Dinsdale was frightened of Doug.
Interviewer: What did he do?
Vercotti: He used sarcasm. He knew all the tricks, dramatic irony, metaphor, bathos, puns, parody, litotes and satire.
Presenter: By a combination of violence and sarcasm the Piranha brothers, by February 1966, controlled London and the South East.
- [p. 263/200] “I mean, I don’t mean well-endowed with money.”
Very obvious, but still: it is the conventional stereotype that both under-sized males as well as black males are ‘better-endowed’ than white males. Hence the joke: ‘What is fifteen inches long and white?’ Answer:
‘Nothing’.
- [p. 268/203] “Shall we be off... Joey, wasn’t it? Dr Whiteface?”
Another Grimaldi reference. See the annotation for p. 143/108.
- [p. 269/204] “All those little heads...”
Clowns’ faces are trademarked and cannot be copied by any other clown (unlike clothes or a specific act). If you are a clown, you can send a photograph of your face to the Clown and Character Registry, where the face is then painted on a goose egg (a tradition dating back to the 1500s) and stored.
- [p. 277/210] “Stuffed with nourishin’ marrowbone jelly, that bone,’ he said accusingly.”
All through the 1960s and 1970s, TV commercials for Pal (“Prolongs Active Life”) dog food used to claim that it contained “nourishing marrowbone jelly”, and showed an oozing bone to prove it.
- [p. 279/212] “Gonnes don’t kill people. People kill people.”
Slogan of the US National Rifle Association.
- [p. 284/216] “It’s Bluejohn and Bauxite, isn’t it?’ said Carrot.”
More troll names. For Bauxite see the annotation for p. 49/37. Bluejohn is another one I had to look up, and again I was saved by Brewer’s, because Webster’s doesn’t have it. Blue John is “A petrifaction of blue fluor-spar, found in the Blue John mine of Tre Cliff, Derbyshire; and so called to distinguish it from the Black Jack, an ore of zinc. Called John from John Kirk, a miner, who first noticed it.”
Brewer’s may not have the final word on this, however. A correspondent tells me that Blue John is actually derived from a rock called ‘Bleu-Jaune’ (blue-yellow) because of its mixed colouring. This rock was originally named in French either because it was first found shortly after the Norman invasion or because the buyers were primarily French.
- [p. 285/216] “Remember, every lance-constable has a field-marshal’s baton in his knapsack.”
“Every French soldier carries in his cartridge-pouch the baton of a marshal of France.” Said originally by Napoleon, though of course he would have pronounced it as “Tout soldat francais porte dans sa giberne le baton de mere’chal de France.”
Note that on p. 297/226 Detritus repeats the phrase as “You got a field-marshal’s button in your knapsack”, while on p. 302/230 Cuddy creatively manages “You could have a field-marshal’s bottom in your napkin”.
+ [p. 287/218] “Only two-er things come from Slice Mountain! Rocks... an’... an’...’ he struck out wildly, ‘other sortsa rocks! What kind you, Bauxite?”
Detritus in drill sergeant mode replays a scene from the movie An Officer and a Gentleman, in which sergeant Foley (played by Louis Gossett, Jr) has a conversation with a new recruit as follows:
Sgt Foley: “You a queer?”
Sid Worley: “Hell no sir!”
Sgt Foley: “Where you from, boy?”
Sid Worley: “Oklahoma City, Oklahoma, sir.”
Sgt Foley: “Ah! Only two things come out of Oklahoma. Steers and queers.”
- [p. 295/224] “You just shut up, Abba Stronginthearm!”
One of the members of the legendary Swedish pop group Abba was Bjorn Ulvaeus. Obviously, by Discworld logic, if Bjorn is a typical dwarf name, so is Abba. Not to mention the ‘Bjorn Again’ pun Death makes on p. 82/62:
Bjorn Again is the name of an Australian band with a repertoire that consists entirely of Abba covers.
- [p. 295/224] “Aargh! I’m too short for this shit!”
A phrase originating from US forces slang during the Vietnam war, where the tour of duty was fixed so the ‘grunts’ knew exactly how long, to the day, until they were due back in ‘the world’. A short timer was one who didn’t have long to go and therefore didn’t want to put himself at undue risk—hence “I’m too short for this shit”.
Another popular reference to this expression is “I’m too old for this shit”, a catchphrase for Danny Glover’s character in the Lethal Weapon series of movies.
Terry adds:
“I’m too short for this shit’ is a line that has appeared in at least two grunt movies. I had intended Cuddy to use it in the sewers...”
- [p. 305/232] “I thought you rolled around on the floor grunting and growing hair and stretching,’ he whimpered.”
Reference to the famous werewolf transformation scenes in the 1981 horror movie An American Werewolf in London.
- [p. 307/234] “So we’re looking for someone else. A third man.”
A reference to the film The Third Man. Terry says:
“It may be that there is a whole generation now to whom The Third Man is just a man after the second man. And after all, it wasn’t set in Vienna, Ohio, so it probably never got shown in the US :-)”
The book contains a couple of other resonances with The Third Man. In the film, the British, French, American and Russian occupation troops in Vienna patrol the city in groups of four, one from each country, to keep an eye on each other. Carrot sends the Watch out in similar squads of a human, a dwarf and a troll. The final chase through the sewers under the city also mirrors the film.
- [p. 313/238] “As I was a-walking along Lower Broadway, [...]”
Terry says: “While there are 789456000340 songs beginning “As I was a-walking...” and I’ve probably heard all of them, the one I had in mind was ‘Ratcliffe Highway’.”
‘Ratcliffe Highway’ (a version which can be found on the album Liege & Lief by Fairport Convention) starts out:
“As I was a-walking along Ratcliffe Highway,
A recruiting party came beating my way,
They enlisted me and treated me till I did not know
And to the Queen’s barracks they forced me to go”
- [p. 317/241] “Hand off rock and on with sock!”
The Discworld version of an old army Sgt Major yell to get the troops up in the morning: “Hands off cocks, on with socks!”.
- [p. 318/242] “We’re a real model army, we are”
The New Model Army, besides supplying the name for a Goth group, was the Parliamentarian army which turned the tide of the English Civil War, and ensured the defeat of King Charles I.
- [p. 321/244] “Yes, sir. Their cohorts all gleaming in purple and gold, sir.”
Lord Byron, The Destruction of Sennacherib:
“The Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold... The sheen of his spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee.”
A cohort is not an item of clothing or armour but a division of the old Roman Army: the tenth part of a legion, 300 to 600 men.
- [p. 325/246] “[...] Fondel’s ‘Wedding March’ [...]”
Fondel = Haendel.
- [p. 325/247] “[...] it’s got the name B.S. Johnson on the keyboard cover!”
Johann Sebastian Bach’s initials are ‘JSB’, which is ‘BSJ’ backwards, and Bach was of course also involved in organ music. But Terry has mentioned numerous times (not just on-line but also in The Discworld Companion) that he did not choose the name with this intention at all.
- [p. 332/252] “Who would have thought you had it in you,’ said Vimes, [...]”
Shakespeare. See the annotation for p. 227/226 of Wyrd Sisters.
- [p. 341/258] “Detritus! You haven’t got time to ooze!”
“I ain’t got time to bleed!” is a line from Predator, another Arnold Schwarzenegger action movie.
- [p. 345/262] “It was important to ensure that rumours of his death were greatly exaggerated.”
Paraphrase of a famous quip Mark Twain cabled to Associated Press after they had reported his demise.
- [p. 357/271] “Cling, bing, a-bing, bong...”
The scene with Vimes’ watch mirrors the movie For a Few Dollars More. All the way through this film, the bad guy has been letting a watch chime, telling his victims to go for their gun when the chimes stop (of course he always draws first and kills them). At the end of the film his victim is Lee van Cleef, and just as the watch chimes stop, Clint Eastwood enters with another watch, chiming away, to ensure Lee gets his chance and all is well.
Terry says: “[...] when the play of Men At Arms was done a couple of months ago, [Stephen Briggs]’s people actually went to the trouble of getting a recording of the ‘right’ tune for the watch.
It was interesting to hear the laughter spread as people recognised it...”
- [p. 365/277] “They call me Mister Vimes,’ he said.”
In the Sidney Poitier movie In the Heat of the Night the most famous line (and indeed the name of the sequel) is Poitier saying “They call me Mister Tibbs.”
- [p. 371/281] “Would he accept?’ ‘Is the High Priest an Offlian? Does a dragon explode in the woods?”
Is the Pope Catholic? Does a bear shit in the woods?
- [p. 373/283] “Like a fish needs a... er... a thing that doesn’t work underwater, sir.”
From the quip (attributed to feminist Gloria Steinem): “A woman without a man is like a fish without a bicycle.” Note that the bicycle is not known on the Discworld to anybody but the Patrician and Leonard of Quirm. And they don’t know what it is.
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