Gulliver’s Travels
, New York: Garland Publishing Co.,
Thomson, George Derwent,
Marxism and Poetry
, London: Lawrence and
Wishart,
Usman, Yusufu Bala,
For the Liberation of Nigeria
, London: New Beacon Books,
Wali, Obi, “The Dead-end of African Literature,” Kampala,
Transition
no.
,
(September
),
–
Wallerstein, Immanuel,
Africa and the Politics of Unity: An Analysis of a Contemporary
Social Movement
, New York: Vintage Books,
Wauthier, Claude,
The Literature and Thought of Modern Africa
, trans. by Shirley
Kay, Washington, DC: Three Continents Press,
Weiskel, Thomas,
The Romantic Sublime: Studies in the Structure and Psychology of
Transcendence
, Baltimore: Johns Hopkins University Press,
Weiss, Peter,
Marat-Sade
, New York: Atheneum,
Bibliography
Wilkinson, Jane, “Interview with Wole Soyinka,” in Biodun Jeyifo (ed.),
Conver-
sations with Wole Soyinka
, Jackson, MS: University Press of Mississippi,
,
–
Williams, Adebayo, “Ritual as Social Symbolism: Cultural Death and the King’s
Horseman,” in Oyin Ogunba (ed.),
Soyinka: A Collection of Critical Essays
,
–
Wilson, Roderick, “Complexity and Confusion in Soyinka’s Shorter Poems,” in
Critical Perspectives on Wole Soyinka
,
–
Wren, Robert,
Those Magical Years: the Making of Nigerian Literature at Ibadan,
–
, Washington, DC:
Wright, Derek,
Wole Soyinka Revisited
, New York: Twayne Publishers,
Yerima, Ahmed and Ayo Akinwale, eds.,
Theatre and Democracy in Nigeria
, Ibadan:
Kraft Books,
Zizek, Slavoj,
The Sublime Object of Ideology
, London: Verso,
Index
Abacha, Sani,
,
,
,
,
Abimbola, Wande,
(
Ifa: An Exposition of Ifa
Literary Corpus
)
Abiola, M.K.O.,
Abrams, M.H.,
Achebe, Chinua, xv,
,
,
,
,
,
,
,
,
(
Arrow of God
);
,
(
Things Fall
Apart
);
,
,
,
(
Morning Yet On
Creation Day
)
Adamu,Ciroma,
Adekoya, Segun,
Adelabu, Adegoke,
Adeniran, Tunde, xii (
The Politics of Wole
Soyinka
)
African socialism,
Aidoo, Ama Ata, xvii,
,
Aiyejina, Funso, xvii,
Akinrinade, Alani,
Akintola, S.L.,
,
Albee, Edward,
(
Who’s Afraid of Virginia
Woolf
)
Alkali, Zeinab, xvii
Althusser, Louis,
Aluko, Sam,
Amin, Idi, xii,
,
,
Anagnorisis,
Anikulapo-Kuti, Fela,
,
Apartheid,
,
Arden, John,
,
Aristophanes,
,
(
Lysistrata
);
(
The
Clouds
)
Aristotle,
(
Poetics
);
Armah, Ayi Kwei,
,
,
(
Two Thousand
Seasons
);
,
,
(
The Beautyful Ones Are
Not Yet Born
)
Austin, J.L.,
Awolowo, Obafemi, xvi,
Awoonor, Kofi,
,
(
The Breast of the
Earth
)
Ayindoho, Kofi, xvii
Azikiwe, Nnamdi, xvi
Ba, Ahmadou Hampate,
Ba, Mariama, xvii,
Babangida, Ibrahim Badamasi,
,
,
,
Bacon, Francis,
,
Baer, William,
Balakian, Anna,
(
The Symbolist
Movement
)
Balewa, Tafawa,
Banda, Hastings,
,
Banham, Martin,
Bappa, Saliu,
Barber, Karin,
,
Beehan, Brendan,
Beier, Ulli,
,
,
,
Bello, Ahmadu, xvi
Benjamin, Walter,
(“Theses on the
Philosophy of History”)
Beowulf,
Berger, Jr, H.,
Beti, Mongo,
,
,
,
Beyala, Calithxe, xvii
Blyden, Edward Wilmot,
Boal, Augusto,
(
The Theatre of the
Oppressed
)
Bokasa, Jean-Bedel,
Booth, James,
,
Borges, Jorge Luis,
Bosch, Hieronymous,
Botha, Pik,
Brecht, Bertolt, xiv (
Herr Puntilla and his Man
Matti
);
,
(
The Threepenny Opera
);
(
Baal
);
,
Brockbank, Philip,
,
,
Brodsky, Josef,
,
Brook, Peter,
,
Brutus, Dennis,
Buhari, Muhammadu,
,
Burundi,
Busia, Abena, xvii
Byrd, Rudolph,
,
Index
Cabral, Amilcar, xii,
,
Camboida,
Casely-Hayford, J.E.,
Castro, Fidel, xvi
Cauldwell, Christopher,
Chaplin, Charlie,
(Modern Times);
Cheney-Coker, Syl, xvii
Chinweizu,
,
Churchill, Caryl,
(
Serious Money
);
Clark, J.P., xv, xxiii,
,
,
,
,
,
class approach to literary criticism, xiii
Cockshot, Una,
Coetzee, J.M.,
Commonwealth Arts Festival
,
Conton, William,
Cooper, Brenda, xvii
Courtine, Jean-Francois,
(
Of the Sublime
)
Coward, Rosalind,
(
Language and
Materialism
)
Crossman, R.H.,
(
The God that Failed
)
Crow, Brian,
,
,
Crowther, Ajai,
Dangarembga, Tsitsi, xvii
Dante, Allegheri,
David, Mary,
,
Davis, Ann B.,
Davis, Carole Boyce,
De St. Jorre, John,
(
The Nigerian Civil War
)
Derrida, Jacques,
Descartes, Rene,
Djebar, Assia, xvii
Dunton, Chris,
Eliot, T.S.,
–
,
,
(
The Wasteland
)
Emecheta, Buchi, xvii
Emokpae, Erabor,
Enahoro, Anthony,
Enahoro, Peter,
,
Enwonwu, Ben,
Eso, Kayode,
(
The Mystery Gunman
)
Etherton, Michael,
,
,
Euba, Femi,
Euripides,
,
(
The Bacchae
)
Fagunwa, D.O.,
Fall, Aminata Sow, xvii
Fanon, Frantz,
,
–
,
,
,
Farrakhan, Louis,
Fasina, Dipo,
Fatoba, Femi,
,
Fatunde, Tunde,
Fawehinmi, Gani,
Festival of Black Arts and Culture(Festac)
,
Fido, Elaine,
Fiebach, Joachim,
,
Fletcher, Angus,
Foucault, Michel,
,
Fraser, Robert,
–
,
Frisch, Max,
(
Count Oederland
)
Fry, Christopher,
Fugard, Athol,
,
Garland, Colin,
Gates, Jr., H.L.,
,
,
Gay, John,
(
The Beggar’s Opera
)
Genet, Jean,
(
The Balcony
)
George, Olakunde,
Gibbs, James,
,
,
,
,
,
Gilliat, Penelope,
Gilroy, Paul,
–
,
Girard, Rene,
,
Gordimer, Nadine, xvii,
,
,
,
,
Government College, Ibadan,
Gowon, Yakubu, xii,
,
,
Graham, Robin,
Gramsci, Antonio, xvii
Greenblatt, Stephen,
Guevarra, Che, xvi
Gunnar, Abdulrazak,
Habermas, Jurgen,
Hagher, Irowuese,
Harris, Wilson,
,
Havel, Vaclav,
,
,
Head, Bessie, xvii,
Hegel, G.W.F.,
,
Heidegger, Martin,
Hertz, Neil,
Hess, Rudolph,
Heywood, Annemarie,
Ho Chi Minh, xvi
Hume, David,
Hunt, Geoffrey,
Ibadan-Ife group, xii, xiii
Ibsen, Henrik,
Idiagbon, Tunde,
Imbuga, Francis,
Innis, Roy,
Irele, Abiola, xv, xxiii,
,
,
Irobi, Esiaba,
Iyayi, Festus, xvii,
,
Izevbaye, D.S.,
,
Jacobean drama,
James, C.L.R.,
Index
Jeyifo, Biodun,
,
,
Johnson, Femi,
,
Johnson, Samuel,
,
Jolly, Rosemary, xvii
Jones, Eldred,
,
Jonson, Ben,
–
,
(
The Alchemist
);
Joyce, James,
,
(
Portrait of the Artist as a
Young Man
);
(
Ulysses
)
Jules-Rosette, Benetta,
July, Robert,
Kabuki Theatre,
Kafka, Frantz,
Kandinsky, Vassily,
,
Kane, Cheikh Hamidou,
,
,
Kavolis, Vytautas,
Katrak, Ketu,
,
Kenyatta, Jomo, xvi
Kermode, Frank,
Khayyam, Omar,
Koestler, Arthur,
Kokoschka, Oscar,
Kosovo,
La Rose, John, xxiii
Labou Tansi, Sonny, xvii
Laclau, Ernesto,
Ladipo, Duro,
,
,
,
–
(
Oba Koso
)
Langley, J. Ayo,
Larsen, Stephan,
Larson, Charles,
Latin American “boom literature,”
Laye, Camara,
Lee, Bruce,
Lindfors, Bernth,
,
,
,
,
,
Locke, John,
Lord, Albert,
(
The Singer of Tales
)
Macebuh, Stanley,
,
Machel, Samora,
Macherey, Pierre,
Maduakor, Obi,
Madunagu, Eddie,
,
Mahood, Molly,
Mair, Lucy,
Mandela, Nelson,
–
,
Mangakis, George,
Marechera, Dambudzo,
,
Marinetti, Filipo Tomaso,
Marx, Karl,
(
The German Ideology
);
(
Capital
)
Marxian labor theory of value,
Mbembe, Achille,
Mbowa, Rose, xvii
McFarlane, James,
Maja-Pearce, Adewele,
Mike, Charles,
Mishima, Yukio,
Mitterand, Francois,
Mnouchkine, Ariadne,
Mobutu, Sese Soko,
Mohammed, Bala,
Mohammed, Murtala, xii
Moore, Gerald,
,
Moseley-Braun, Carole,
Mouffe, Chantal,
Msiska, Mpalive-Hangson, xii
Mugo, Micere, xvii
Naipaul, V.S.,
,
(
A House for Mr. Biswas
)
Nandy, Ashis,
,
Nasser, Gamal Abdel, xvi
Naylor, Gloria,
(
Linden Hills
)
Nazareth, Peter,
N´egritude,
,
,
,
,
,
Nehru, Pandit, xvi
Nguema, Macias,
,
Ngugi wa Thiongo,
,
,
,
,
(
Detained:
A Writer’s Diary
);
,
(
Homecoming
)
Nichol, Abioseh,
Nietzsche, Friedrich Wilhelm,
(
The Birth of
Tragedy
)
Nigeria,
Agbekoya revolt,
,
civil war,
,
,
,
–
,
crisis of
–
,
General Strike
,
“independence generation of writers,”
January
,
military coup,
June
,
Elections,
,
Massacre of Igbos,
,
,
Nigerian Labor Congress,
“pre-independence generation of writers,”
Njemanze, Israel,
,
Nkosi, Lewis,
Nkrumah, Kwame, xvi,
Noh Theatre,
Nwapa, Flora, xvii
Nwoko, Demas,
Nyerere, Julius,
Obafemi, Olu,
Obileye, Yomi,
Obumselu, Ben,
Ofeimun, Odia,
Ogah, Aba,
Ogunba, Oyin,
,
Ogunde, Hubert,
,
–
,
,
,
Ogundipe, Ayodele,
Ogundipe, Molara, xvii,
,
Index
Ogunmola, Kola,
Ogunyemi, Chikwenye, xvii
Ogunyemi, Wale,
Ojaide, Tanure, xii, xvii
Okai, Atukwei, xvii
Okigbo, Chris, xv, xxiii,
,
,
(“Path of
Thunder”)
Okosun, Sunny,
Okoye, Mokwugo,
Okpewho, Isidore,
–
,
,
Okri, Ben,
Olaniyan, Tejumola, xi,
Omotoso, Kole, xii, xvii,
,
Onabrakpeya, Bruce,
O’Neill, Eugene,
,
Oni, Ola,
Onoge, Omafume,
Onwueme, Tess, xvii,
Orwell, George,
(
Animal Farm
)
Osofisan, Femi, xv, xxiii,
,
,
,
,
,
,
,
,
,
Osundare, Niyi, xvii,
,
,
,
,
,
Oswald, Laura,
Ouloguem, Yambo,
,
(
Bound to Violence
)
Oyelana, Tunji,
Palmer, Eustace,
Pecheux, Michel,
(
Language, Semantics and
Ideology
)
Peters, Jonathan, xi
Peters, Shina,
Phillips, Caryl,
postmodernist discourse of race,
poststructuralism,
,
Pound, Ezra,
,
(
The Cantos
)
Quayson, Ato,
,
,
Radin, Paul,
Ransome-Kuti, Beko,
Ransome-Kuti, Funmilayo,
Rive, Richard,
Roscoe, Adrian,
Rothberg, Albert,
Rotimi, Ola,
Royal Court Theatre,
Ruitenbeck,
Saadawi, Nawal el-, xvii,
Saro-Wiwa, Ken,
(
Sozaboy
);
,
,
,
,
Sartre, Jean-Paul,
,
(“Orph´ee Noir”)
Sekoni, Ropo,
Sekyi, Kobina,
Sembene, Ousmane,
,
,
,
(
God’s Bits of
Wood
);
Senghor, Leopold Sedar, xvi,
,
(
Chaka
)
Severac, Alain,
Shagari, Shehu,
,
Shaka,
–
Shakespeare, William,
,
,
(
Anthony and
Cleopatra
);
(
Hamlet
);
,
(
Midsummer
Night’s Dream
);
–
(
The Tempest
)
Solarin, Tai,
Solanke, Jimi,
Solzhenitsyn, Aleksander,
(
The Gulag
Archipelago
)
Sorel, Georges,
(
Reflections on Violence
)
Sowande, Bode,
,
Sowemimo, Segun,
Sowemimo, Sobo,
Wole Soyinka,
and aesthetic radicalism in developing
world,
–
African influences in dramatic works
of,
–
animism, thought in works of,
–
avantgardism of, xviii, xxii,
and the Bakhtinian grotesque realism,
“complexity” and “obscurity” in poetry
of,
,
the “Coriolanus complex,”
,
cosmopolitanism in works of,
and the dilemma of pure anteriority,
,
dogmatic application of Marxism, xiv
and the duality of creation and
destruction,
–
,
and the Eurocentric discourse on Africa,
exile, xii–xiii,
first phase of critical thought,
,
–
and gender,
,
–
and the “great man” theory of history and
politics, xviii
heroic mythos in prose works of,
and the “literature of rediscovery,”
,
the “Kongi” appellation,
and the metanarratives of
emancipation,
–
nativism in works of,
and the national-masculine tradition, xv,
xvii, xix, xx,
nature objectified in works of,
–
on N´egritude cult of blackness,
–
Nobel prize,
,
,
,
on numinous being and consciousness,
–
and Ogun archetype,
–
,
and the Orisanla-Atunda myth,
overvalorization of will in works of,
–
Index
and the “pharmakon,”
on poetic solipsism of N´egritude,
political activism, xiv,
radical break in critical thought of,
–
resistance and oppositionality in works
of,
and the Romantics,
–
ritual festivity in plays of,
ritual matrix as interpretive construct in
critical thought,
–
ritual problematic in plays of,
–
scope of scholarly works on, xi–xii
seclusion as spiritual
enhancement,
–
second phase of critical thought,
–
,
–
self-writing in works of,
–
on social malaise of village life in colonial
Africa,
solitary confinement in prison,
as a student in Britain,
and the sublime, xviii, xx
and the Symbolists,
taking political and artistic risks,
–
thematic patterns in dramatic works
of,
–
third phase of critical thought,
,
–
tragic mythopoesis in works of,
–
and transnational capitalism,
use of language in prose works of,
–
version of the leftist script of Nigerian crisis
of
–
,
–
and violence,
–
and voluntarism,
“And after the Narcissist?,”
–
“Climates of Art,”
–
“The Credo of Being and
Nothingness,”
–
“The Critic and Society,”
“Drama and the Idioms of Liberation,”
“The External Encounter,”
–
“The Fourth Stage,”
,
–
,
“From a Common Black Cloth,”
–
“Neo-Tarzanism and the Poetics of
Pseudo-tradition,”
“New Frontiers for Old,”
–
Nobel lecture,
,
“Theatre in Traditional African
Societies,”
–
,
“Towards a True Theatre,”
–
“The Writer in a Modern African
State,”
–
,
–
,
Prose Works:
Ak´e
,
–
,
,
,
–
,
Art, Dialogue and Outrage
, xiv, xxi
The Burden of Memory and the Muse of
Forgiveness
,
–
Ibadan
,
,
,
,
–
The Interpreters
,
,
,
,
,
,
,
,
–
Isara
,
–
The Man Died
,
,
,
–
,
Myth and Literature and the African World
,
,
,
–
,
The Open Sore of a Continent
,
–
Season of Anomy
,
,
,
–
,
–
Plays:
The Bacchae of Euripides
,
,
,
–
The Beatification of Area Boy
,
,
Before the Blackout
,
A Dance of the Forests
,
,
,
,
,
,
–
Death and the King’s Horseman
,
,
,
,
,
–
,
,
,
From Zia with Love
,
,
,
,
–
The Invention
,
Kongi’s Harvest
,
,
–
,
–
,
The Lion and the Jewel
,
,
–
Madmen and Specialists
,
,
–
,
,
,
,
–
,
–
,
,
,
Opera Wonyosi
,
,
A Play of Giants
,
–
Requiem for a Futurologist
,
The Road
,
,
,
,
,
–
,
–
,
,
–
,
–
,
,
A Scourge of Hyacinths
,
The Strong Breed
,
The Swamp Dwellers
,
Poetry:
Idanre and Other Poems
,
–
,
–
Mandela’s Earth
,
–
Ogun Abibiman
,
–
Outsiders
,
–
A Shuttle in the Crypt
,
–
“Telephone Conversation,”
Film:
“Blues for a Prodigal,”
St. John Perse,
Stratton, Florence,
Sublime, the,
–
,
Sukarno, Achmed, xvi
Sundiata epic,
Sutherland, Efua, xvii,
Swift, Jonathan,
(
Gulliver’s Travels
)
Toyo, Eskor,
Transition magazine, xii, xv
transnational capitalism,
Tutuola, Amos,
,
Index
U’Tamsi, Tchicaya,
University of Ife, xiii
Usman, Bala Yusufu,
,
,
(For the
Liberation of Nigeria)
Vera, Yvonne, xvii
violence,
–
violence of representation,
–
Voltaire,
Walcott, Derek,
,
,
,
,
,
,
,
Wali, Obi,
Wallerstein, Immanuel,
Wauthier, Claude,
Weiss, Peter,
(
Marat-Sade
);
Williams, Adebayo,
,
Williams, Eric, xvi
Wilson-Tagoe, Nana, xvii
Wren, Robert,
Wright, Derek,
,
,
,
,
,
,
,
Yerima, Ahmed,
Yoruba,
Eshu,
–
,
Ifa,
Ogun,
,
,
–
,
,
,
,
,
–
,
Orisanla-Atunda myth,
–
,
Zia ul-Haq,
Zizek, Slavoj,
Document Outline - Cover
- Half-title
- Series-title
- Title
- Copyright
- Dedication
- Contents
- Preface
- Chronology
- Abbreviations
- CHAPTER 1 ‘Representative’ and unrepresentable modalities of the self: the gnostic, worldly and radical humanism of Wole…
- CHAPTER 2 Tragic mythopoesis as radical postcolonial discourse: critical and theoretical writings
- CHAPTER 3 The "drama of existence": sources and scope
- CHAPTER 4 Ritual, anti-ritual and the festival complex in Soyinka's dramatic parables
- CHAPTER 5 The ambiguous freight of visionary mythopoesis: fictional and nonfictional prose works
- CHAPTER 6 Poetry, versification and the fractured burdens of commitment
- CHAPTER 7 "Things fall together": Wole Soyinka in his Own Write
- Notes
- 1. 'REPRESENTATIVE' AND UNREPRESENTABLE MODALITIES OF THE SELF: THE GNOSTIC, WORLDLY AND RADICAL HUMANISM OF WOLE SOYINKA
- 2. TRAGIC MYTHOPOESIS AS POSTCOLONIAL DISCOURSE – CRITICAL AND THEORETICAL WRITINGS
- 3. THE 'DRAMA OF EXISTENCE': SOURCES AND SCOPE
- 4. RITUAL, ANTI-RITUAL AND THE FESTIVAL COMPLEX IN SOYINKA'S DRAMATIC PARABLES
- 5. THE AMBIGUOUS FREIGHT OF VISIONARY MYTHOPOESIS: FICTIONAL AND NONFICTIONAL PROSE WORKS
- 6. POETRY, VERSIFICATION AND THE FRACTURED BURDENS OF COMMITMENT
- 7 "THINGS FALL TOGETHER": WOLE SOYINKA IN HIS OWN WRITE
- Bibliography
- Index
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