Самарқанд давлат университети ҳузуридаги илмий даражалар берувчи dsc. 03/30

J.Hamroev
Vice-chairman of the Scientific Council 
for awarding scientific degrees, d.p.s.. 
A. B. Pardaev 
Secretary of the Scientific Council for 
awarding scientific degrees, d.p.s. 
B. Yuldoshev, 
Chair of the Scientific Seminar at the Scientific 
Council for awardingscientific degrees, 
d.p.s., prof. 

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69 
INTRODUCTION (Abstract of DSc thesis) 
Purpose of the research. 
The purpose of the research is to determine the 
role, tradition, mystical essence, formal-stylistic and artistic imagery, linguopoetic 
means of interpretation of love in the works of Alisher Navoi on the basis of a 
typological comparison of romantic ghazals in “Khazoinul-maoniy” with Hafiz 
Sherozi’s ghazals.
Object of the research.
The object of research is the romantic ghazals in 
Alisher Navoi's "Khazoinul-maoniy" which includes "Gharoyib us-sigar", 
"Navodir ush-shabab", "Badoe-ul-vasat", "Favoyid ul-kibar" and Hafiz Sherozi’s 
romantic ghazals.
The scientific novelty of the dissertation
consists of the following:
Alisher Navoi's romantic ghazals in the "Khazoinul-maoniy" divan and the 
works containing the definition and description of love have been examined with 
the comparative-typological point of view of Hafiz Sherozi's ghazals, the theme of 
love in Turkish poetry on the poetic interpretation of the traditions of Eastern 
poetry in the framework of artistic criteria, as well as further artistic refinement is 
explained;
it is proved the traditional interpretation of the idea of love, its leading role, 
formed on the basis of Islamic and mystical sources in Uzbek literature, including 
the work of Alisher Navoi;
in the romantic ghazals of Alisher Navoi's collection of poems "Khazoin ul-
maoniy" the mystical aspects of the poetics of the interpretation of love are 
ascertained, the mystical-enlightenment and symbolic meanings are revealed;
it is defined, the poetic interpretation of the symbols of "love" associated with 
the concept of "love", the features of the poetic interpretation of the symbols 
"lover" and "beloved", "rival", "vasl", "parting" in the poet's enlightenment, 
including the proportionality and originality of Hafiz, the general description and 
classification of the system of images they use, their symbolism, the artistic and 
aesthetic functions of the lyrical hero, the prophets, the traditional literary heroes 
are defined in a comparative-typological aspect;
it is demonstrated Navoi's literary skills in the use of question-and-answer, 
word-repetition, and rhyme-forming arts are comparatively studied, and the unique 
artistic structure of the great poet's romantic ghazals.