The Archaeology of Early Music
Cultures
, Bonn, pp. 207–221.
Flourentzos (P.)
1990
Cyprus Before the Bronze Age: Art of the Chalcolithic
Period
, The J. Paul Getty Museum, Malibu, California.
Fortin (M.)
1999
Syrie Terre de civilisations,
Musée de la civilisation,
Québec.
Francfort (H.-P).
1982
“Dungeons and Dragons. Re
flections on the System of
Iconography in Prehistoric Bactria and Margiana”, in G.
Possehl (ed.),
South Asian Archaeology Studies
, Oxford and
IBH Publ. Co Ltd, New Delhi–Bombay–Calcutta, pp. 179–208.
2003
“La civilisation de l’Asie Centrale à l’âge du Bronze et à
l’âge du fer”, in O. Bopearachchi, C. Landes, C. Sachs
(eds.),
De l’Indus à l’Oxus. Archéologie de l’Asie Centrale
,
IMAGO, Lattes, pp. 29–34.
Freeman (D.), ed.
2013
Splendors of the Ancient Near East. Antiquities from the
al-Sabah Collection
, Thames and Hudson, London.
Gambino (C.), Rova (E.)
2005
“Riscoperta nelle collezioni del Museo Civico
Archeologico una statuetta mesopotamica della metà
del IV millennio a.C.”,
Bollettino del Museo Civico di
Padova
, 94, pp. 6–53.
Gamble (M.), Winkelmann (Ch.), Fox (S.C.)
2016
“Polydactyly in Chalcolithic Figurines from Cyprus”, in M.
Mina, S. Triantafyllou, Y. Papadatos (eds.),
An Archaeology
of Prehistoric Bodies & Embodied Identities in the
Eastern Mediterranean
, Nicosia,
pp. 3–10.
Gelb (I.J.)
1952
A Study of Writing
, University of Chicago Press, Chicago.
Georgiou (G.)
2016
“Picrolite and Other Stone Beads and Pendants: New
Forms in an Old Material during the Transition from the
Chalcolithic to the Cypriot Bronze Age”, in M. Mina,
S. Triantafyllou, Y. Papadatos (eds.),
An Archaeology of
Prehistoric Bodies & Embodied Identities in the Eastern
Mediterranean
, Nicosia,
pp. 120-128.
2017
Νέο φως στην προϊστορική Λευκωσία από πρόσφατες
ανασκαφές
, in N. Papadimitriou, M. Toli (eds.),
Αρχαία
Κύπρος, Πρόσφατες εξελίξεις στην αρχαιολογία της
Ανατολικής Μεσογείου, Αθήνα
.
Getz-Gentle (P.)
2001
Personal Styles in Early Cycladic Sculpture
, University
of Wisconsin Press, Madison, Wisconsin.
2011
“Zervos”, and “An Overview of Cycladic Art”, in A.
Caubet (ed.),
Zervos et l’art des Cyclades
(exhibition
catalogue, Vézelay, Musée Zervos), Conseil Général de
l’Yonne – diffusion de Boccard, Paris, pp. 10–59.
Getz-Preziosi
(P.)
1990a
“Nr. 2. Marble Sitting Female Figure”, in D. Von Bothmer,
Glories of the Past. Ancient Art from the Shelby White
and Leon Levy Collection
, The Metropolitan Museum of
Art, New York, p. 6.
1990b
“Nr. 8. Marble Group”, in D. Von Bothmer,
Glories of the
Past. Ancient Art from the Shelby White and Leon Levy
Collection
, The Metropolitan Museum of Art, New York,
pp. 13–15.
Getz-Preziosi
(P.) et al.
1987
Early Cycladic Art in North American Collections
, Virginia
Museum of Fine Arts, Richmond, Virginia.
Ghirshman (R.)
1963
“Statuettes archaïques du Fars (Iran)”,
Artibus Asiae
, 26,
pp. 151–160.
Glassner (J.-J.)
2003
The Invention of Cuneiform; Writing in Sumer
,
translated
& edited by Z. Bahrani and M. van de Mieroop,
Baltimore–London
.
Gombrich (E.H.)
1973
“The Mask and the Face: The Perception of Physiognomic
Likeness in Life and in Art”, in E.H. Gombrich,
J. Hochberg, M. Black (eds.),
Do'stlaringiz bilan baham: |