Anna Karenina

Chapter 33
Vronsky for the first time experienced a feeling of anger against Anna,
almost a hatred for her willfully refusing to understand her own position.
This feeling was aggravated by his being unable to tell her plainly the cause
of his anger. If he had told her directly what he was thinking, he would
have said:
"In that dress, with a princess only too well known to everyone, to show
yourself at the theater is equivalent not merely to acknowledging your
position as a fallen woman, but is flinging down a challenge to society, that
is to say, cutting yourself off from it forever."
He could not say that to her. "But how can she fail to see it, and what is
going on in her?" he said to himself. He felt at the same time that his
respect for her was diminished while his sense of her beauty was
intensified.
He went back scowling to his rooms, and sitting down beside Yashvin,
who, with his long legs stretched out on a chair, was drinking brandy and
seltzer water, he ordered a glass of the same for himself.
"You were talking of Lankovsky's Powerful. That's a fine horse, and I
would advise you to buy him," said Yashvin, glancing at his comrade's
gloomy face. "His hind-quarters aren't quite first-rate, but the legs and
head--one couldn't wish for anything better."
"I think I will take him," answered Vronsky.
Their conversation about horses interested him, but he did not for an instant
forget Anna, and could not help listening to the sound of steps in the
corridor and looking at the clock on the chimney piece.
"Anna Arkadyevna gave orders to announce that she has gone to the
theater."
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Yashvin, tipping another glass of brandy into the bubbling water, drank it
and got up, buttoning his coat.
"Well, let's go," he said, faintly smiling under his mustache, and showing
by this smile that he knew the cause of Vronsky's gloominess, and did not
attach any significance to it.
"I'm not going," Vronsky answered gloomily.
"Well, I must, I promised to. Good-bye, then. If you do, come to the stalls;
you can take Kruzin's stall," added Yashvin as he went out.
"No, I'm busy."
"A wife is a care, but it's worse when she's not a wife," thought Yashvin, as
he walked out of the hotel.
Vronsky, left alone, got up from his chair and began pacing up and down
the room.
"And what's today? The fourth night.... Yegor and his wife are there, and
my mother, most likely. Of course all Petersburg's there. Now she's gone in,
taken off her cloak and come into the light. Tushkevitch, Yashvin, Princess
Varvara," he pictured them to himself.... "What about me? Either that I'm
frightened or have given up to Tushkevitch the right to protect her? From
every point of view--stupid, stupid!... And why is she putting me in such a
position?" he said with a gesture of despair.
With that gesture he knocked against the table, on which there was standing
the seltzer water and the decanter of brandy, and almost upset it. He tried to
catch it, let it slip, and angrily kicked the table over and rang.
"If you care to be in my service," he said to the valet who came in, "you
had better remember your duties. This shouldn't be here. You ought to have
cleared away."
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The valet, conscious of his own innocence, would have defended himself,
but glancing at his master, he saw from his face that the only thing to do
was to be silent, and hurriedly threading his way in and out, dropped down
on the carpet and began gathering up the whole and broken glasses and
bottles.
"That's not your duty; send the waiter to clear away, and get my dress coat
out."
Vronsky went into the theater at half-past eight. The performance was in
full swing. The little old box-keeper, recognizing Vronsky as he helped him
off with his fur coat, called him "Your Excellency," and suggested he
should not take a number but should simply call Fyodor. In the brightly
lighted corridor there was no one but the box-opener and two attendants
with fur cloaks on their arms listening at the doors. Through the closed
doors came the sounds of the discreet staccato accompaniment of the
orchestra, and a single female voice rendering distinctly a musical phrase.
The door opened to let the box-opener slip through, and the phrase drawing
to the end reached Vronsky's hearing clearly. But the doors were closed
again at once, and Vronsky did not hear the end of the phrase and the
cadence of the accompaniment, though he knew from the thunder of
applause that it was over. When he entered the hall, brilliantly lighted with
chandeliers and gas jets, the noise was still going on. On the stage the
singer, bowing and smiling, with bare shoulders flashing with diamonds,
was, with the help of the tenor who had given her his arm, gathering up the
bouquets that were flying awkwardly over the footlights. Then she went up
to a gentleman with glossy pomaded hair parted down the center, who was
stretching across the footlights holding out something to her, and all the
public in the stalls as well as in the boxes was in excitement, craning
forward, shouting and clapping. The conductor in his high chair assisted in
passing the offering, and straightened his white tie. Vronsky walked into
the middle of the stalls, and, standing still, began looking about him. That
day less than ever was his attention turned upon the familiar, habitual
surroundings, the stage, the noise, all the familiar, uninteresting,