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143
Acknowledgements
The authors and publishers acknowledge the following sources of copyright material and
are grateful for the permissions granted. While every effort has been made, it has not always
been possible to identify the sources of all the material used, or to trace all copyright holders.
If any omissions are brought to our notice, we will be happy to include the appropriate
acknowledgements on reprinting and in the next update to the digital edition, as applicable.
Text on pp. 18-19 adapted from 'The Vertical Farm' by Dickson Despommier,
http:/lwww.verticalfarm.com/, licensed under a Creative Commons Attribution 3.0 Unported License;
Text on pp. 21-22 adapted from 'The Falkirk Wheel' with permission from www.scottishcanals.co.uk
I
www.thefalkirkwheel.co.uk;
Text on pp. 25-26 adapted from 'Reducing the effects of climate change' by Mark Rowe. Nov
2009,Geographical Magazine/Syon
Publishing. Reproduced with permission;
Text on pp. 46-47 adapted from 'If only they could talk' by Hannah Block,
National Geographic,©
Hannah Block, National Geographic Creative;
Text on pp. 49-50 adapted from 'Neuroaesthetics' by Kat Austen.
New Scientist
14/07/2012 © 2012 Reed
Business Information - UK. All rights reserved. Distributed by Tribune Content Agency.
Text on pp. 65-66 adapted from 'A Short History of Silk in China', Cultural-China;
Text on pp. 65-66 adapted from http:/lwww.demurelook.com/about-silk/silk-history.html. Demure Look;
Text on pp. 69-70 adapted from 'Animal Migrations' by David Quammen. November 2010,
National
Geographic Magazine.
Reproduced with permission;
Text on pp. 73-74 adapted from
How the Other Half Thinks: Adventures in Mathematical Reasoning
by
Sherman Stein, 2001, Dover Publications. Reproduced with permission of Sherman Stein;
Graph on p. 77 adapted from 'C0
2
emissions in Europe' by World Bank. Copyright© 2014 by Google.
Reproduced with permission;
Text on pp. 87-88 adapted from 'A Thing or Two about Twins' by Peter Miller, January 2012,
National
Geographic Magazine.
Reproduced with permission;
Text on pp. 91-92 adapted from 'Introduction to film sound' by Jane Knowles
Marshall. http:/lwww.filmsound.org/marshall/index.htm
Text on pp. 97-98 adapted from
The Unfolding of Language: The Evolution of Mankind's Greatest
Invention
by Guy Deutscher. copyright 2005. 2006, Arrow Books, an imprint of Random House and Henry
Holt and Company, LLC. All rights reserved. Reproduced with permission.
The publisher has used its best endeavours to ensure that the URLs for external websites
referred to in this book are correct and active at the time of going to press. However, the
publisher has no responsibility for the websites and can make no guarantee that a site will
remain live or that the content is or will remain appropriate.
144
The
Cambridge English Corpus
IS a
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mult1·b1lllon word collectton of written
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and spoken English. It includes the
Cambridge Leamer Corpus, a umque
bank of exam candidate papers.
Our authors study the Corpus to see how Enghsh is
really used, and to identify typical learner mistakes.
This means that Cambridge materials help students to
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