Encyclopedia of Islam



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Encyclopedia of  Islam

of the Orfalea Center for Global and International 

Studies; Scott Marcus, associate professor of eth-

nomusicology; Kathleen Moore, associate profes-

sor of law and society; Nancy Gallagher, professor 

of history; and Professors Dwight Reynolds, W. 

Clark Roof, Catherine Albanese, and Richard 

Hecht in religious studies. My approach to this 

project was also guided by the humanism and 

spirit of public service exemplified by our late 

colleague Walter Capps and his wife, Lois. Over 

the years, Richard C. Martin, Fredrick M. Denny, 

Richard Eaton, Azim Nanji, Barbara Metcalf, Wil-

liam Shepherd, Steve Wasserstrom, Bruce B. Law-

rence, Gordon Newby, Jane D. McAuliffe, Zayn 

Kassam, Tazim Kassam, and scholars and teachers 

at other colleges and universities, too many to 

mention by name, have also provided invaluable 

inspiration, directly or indirectly.

My deep gratitude also goes to Kendall Busse, 

Ph.D. student in religious studies, who provided 

skilled editorial support and helpful feedback 

along the way, and to several undergraduate 

research assistants: Maria Reifel Saltzberg, Has-

san R. Elhaj, and Hassan Naveed. Their work was 

funded by the Freshman Seminar Program at the 

University of California, Santa Barbara. Through 

the years, my undergraduate students have con-

sistently affirmed my belief that education is an 

ongoing process with mutual benefits that extend 

well beyond the classroom.

Funding provided by Fulbright-Hayes Group 

Projects grants presented me with opportuni-

ties to accompany two groups of California K-12 

teachers and administrators to Egypt in 2003 and 

2004. I benefited greatly from our workshop ses-

sions, travel experiences, and the conversations we 

shared in Egypt, which enriched my understand-

ing of the K-12 curriculum and the challenges our 

teachers face in instructing young people about 

unfamiliar religions, civilizations, and languages. I 

am especially obliged to Karen Arter, Frank Stew-

art, and Paul and Ruth Ficken for their encourage-

ment and interest in this publication.

I am also grateful for the hospitality and 

warmth extended to me by several cultural, inter-

faith, and religious organizations, including the 

Turkish-American Pacifica Institute of Los Ange-

les and Orange Counties, the Interfaith Initiative 

of Santa Barbara County, the University Religious 

Center in Isla Vista, and the community of St. 

Mark’s Parish Catholic Church in Isla Vista.

At Facts On File, I owe a great debt to Claudia 

Schaab and J. Gordon Melton for valuable advice 

and infinite patience in bringing the publication 

to completion. Gordon graciously shared pho-

tographs of mosques taken during his travels 

around the world.

Publishing this book would not have been 

possible without the support of a wide circle of 

family and friends extending from the United 

States to Colombia (the land of my birth), Egypt, 

and India. These include Shafik and Gilane, Galal 

and Negwa, Amr and Janet, Mahmoud and Suhair, 

Said and Soraya, Mehran and Nahid, Zaveeni, 

and Viji and Sujata. Above all, I am indebted to 

my wife, Magda, to whom this book is dedicated

for her unwavering love and encouragement in 

good times and bad, and to our sons Andrés and 

Federico as they begin to follow their own paths 

in the world.



xxi

Among the world’s religions, few have attained the 

historical, cultural, and civilizational stature and 

diversity that Islam has. Since the seventh cen-

tury, when it first emerged in the western region 

of the Arabian Peninsula known as the Hijaz, it 

has been continuously adapted and carried forth 

by its adherents, who call themselves Muslims, to 

new lands and peoples in the wider Middle East, 

Africa, Asia, Europe, and, more recently, to the 

Americas, Australia, and New Zealand. Indeed, 

the new religio-historical syntheses brought about 

by the back-and-forth interactions of Muslims and 

non-Muslims, and of the many different cultures 

to which they belong, have had significant influ-

ence for centuries, not only upon the religious 

experience of a large part of humankind, but also 

upon the development of philosophy, the arts and 

sciences, and even the very languages we speak 

and the foods we eat. European scholars eagerly 

sought to acquire the wisdom achieved by Mus-

lims in the fields of philosophy, mathematics, 

astronomy, and medicine during the Middle Ages. 

The different Islamicate architectural styles devel-

oped in a wide variety of locales, ranging from 

Spain to sub-Saharan Africa, India, Central Asia, 

and Southeast Asia, were adapted by non-Muslims 

in many parts of the world. Spanish settlers and 

immigrants brought “Moorish” (Spanish-Islamic) 

architectural styles to the New World, beginning 

in the 16th century, which would later be adapted 

by European and American architects for our 

modern homes, hotels, cinemas, concert halls, 

shopping centers, and amusement parks. Many of 

our homes are now decorated with beautiful rugs 

and carpets that bear intricate arabesque designs 

from Iran, Turkey, Pakistan, or Kashmir. Coffee 

and sugar, the favored beverages of many Ameri-

cans and Europeans, are both Arabic in origin and 

were cultivated and enjoyed in Muslim lands well 

before they reached the West.

Despite the record of some 14 centuries of 

such achievements, knowledge about Islam and 

Muslims has been very limited, especially in the 

Americas. The modern study of Islam was mostly 

relegated to a few elite universities until the 

1980s, and it was hardly mentioned in social stud-

ies textbooks used by secondary school students 

and teachers. What Americans knew of Muslims 

was largely confined to those who had lived or 

traveled in Muslim countries, met Muslim immi-

grants, or heard about famous African-American 

Muslims like Malcolm X, the boxer Muhammad 

Ali, or Karim Abdul Jabbar. What the average 

person thought or imagined about the Near or 

Middle East was based on the Arabian Nights

stories and motion picture images. The situation 

introduction 

K



K  xxii  


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