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3. F.Shopenning asarlari
Ansambl yoki orkestr bilan fortepiano uchun
Pianino, skripka va violonchellar uchun trio Op. 8 g-moll (1829)
"Don Juan" operasidan tema bo'yicha variantlar Op. 2 B-dur (1827)
Rondo a la Krakowiak Op. 14 (1828)
"Polsha mavzularidagi ajoyib fantaziya" Op. 13 (1829-1830)
Fortepiano va orkestr uchun kontsert Op. 11 elektron mol (1830)
Fortepiano va orkestr uchun kontsert Op. 21 f-mol (1829)
"Andante spianato" va navbatdagi "Katta yorqin poloniza" Op. 22 (1830-1834)
Cello Sonata Op. 65 g-mol (1845-1846) Sello Op uchun poloneziya Op. 3
Mazurkas (58) Op.6 - 4 Mazurkalar: fis-moll, cis-moll, e-major, es-moll (1830)
7 - 5 ta mazurka: B major, minor, f minor, A major, C major (1830-1831)
Op.17 - 4 ta mazurka: B major, e minor, as major, minor (1832-1833)
Op.24 - 4 ta mazurka: g minor, C major, A major, b minor 30 - 4 ta mazurka: c minor, h minor, Des major, cis minor (1836-1837)
Op.33 - 4 ta mazurka: gis-minor, D-major, C-major, h-mol (1837-1838)
Op.41 - 4 ta mazurka: cis-moll, e-mol, H-major, As-major 50 - 3 ta mazurka: G major, major sifatida, cis moll (1841-1842)
Op.56 - 3 Mazurkas: H major, C major, c minor (1843).
Op.59 - 3 Mazurkas: kichik-kichik, A-major, fis-mol (1845)
Op.63 - 3 Mazurkas: H major, f minor, cis minor (1846)
Op.67 - 4 ta mazurka: G major, g minor, C major, № 4 a minor 1846 (1848?)
Op.68 - 4 Mazurkas: C major, minor, F major, f № minorda (1849).
Polonayzlar (16) Op. Es-dur (1830-1832) katta polonizasi
Op. 26 1-sonli cis-mol; №2 es-moll (1833-1835)
Op. 40 № 1 A-dur (1838); №2 c-mol (1836-1839)
Op. 44 fis-mol (1840-1841) Op. 53 As-major (qahramon) (1842)
Op. 61 As-dur, "Fantaziya Polonizasi" (1845-1846)
Voy. №1 d-mol (1827);
№ 2 B-dur (1828);
F-moldagi № 3 (1829)
Tungi bezaklar (jami 21)
Op. 9 b-moll, Es-dur, H-dur (1829-1830)
Op. 15 F major, Fis major (1830-1831), g minor (1833)
Op. 27-cis-moll, Des-dur (1834-1835)
Op. 32-g-major, As-major (1836-1837)
Op. 37 g-mol, G-dur (1839)
Op. 48 c-mol, fis-mol (1841)
Op. 55 f-mol, Es-dur (1843)
Op. 62 № 1 H-dur, № 2 E-dur (1846)
Op. 72 elektron moll (1827)
Op. post. cis-moll (1830), c-moll
Vals (19) Op. 18 "Katta Brilliant Vals" E-dur (1831)
Op. 34 № 1 "Brilliant Vals" As-major (1835)
Op. 34 № 2 a-mol (1831)
Op. 34 № 3 "Brilliant vals" F-dur
Op. 42 "Grand Vals" A-dur
Op. 64 № 1 Des-dur (1847).
Op. 64 № 2-cis-mol (1846-1847)
Op. 64 № 3 As-dur
Op. 69 № 1 As-dur
Op. 69 № 10 H-mol
Op. 70 № 1 Ges-dur
Op. 70 № 2 f-mol
Op. 70 № 2 Des-dur
Op. post. e-moll, E-dur, a-mol
Preludes (jami 25)
Op. 28 (1836-1839)
Prelude cis-moll op "," 45 (1841)
Impromptu (jami 4)
Op. 29 As-major (1837 yil atrofida)
Op, 36 Fis-dur (1839).
Op. 51 Ges-dur (1842).
Op. 66 "Impromptu Fantasy" cis-moll (1834) Eskizlar (jami 27)
Op. 10 C major, minor, E major, cis minor, Ges major, es minor, C major, F major, f minor, A major, Es major, c minor (1828) -1832)
Op. 25 As-major, f-moll, F-major, a-moll, e-moll, gis-moll, cis-moll, Des-dur, Ges-major, h-moll, a-moll, c-moll (1831 y.) -1836)
WoO f-moll, Des-major, As-major (1839)
Scherzo (jami 4)
Op. 20-moll (1831-1832)
Op. 31 b-moll (1837)
Op. 39 cis-moll (1838-1839)
Op. 54 e-dur (1841-1842)
Balladalar (jami 4)
Op. 23 g-mol (1831-1835)
Op. 38 F-dur (1836-1839)
Op. 47 as-dur (1840-1841)
Op. 52 f-mol (1842-1843)
Boshqalar Fantaziya
Op. 49 f-mol (1840-1841) Barcarolle
Op. 60 Fis-dur (1845-1846) Lullaby
Op. 57 Des-dur (1843) Allegro
Op konserti. 46 A-dur (1840-1841)
Tarantella
Op. 43 as-dur (1843). Bolero
Op. 19 C-dur (1833)
Violonchel va fortepiano uchun Sonata
Op. 65 g-mol
Qo'shiqlar
Op. 74 (jami 19) (1829-1847)
Rondo (jami 4)
Shopen musiqasining aranjirovkalari va transkripsiyalari
A. Glazunov. Shopeniana, F. Shopenning asarlaridan süet (bitta aktyor baleti),
Op. 46. \u200b\u200b(1907). Jan Franka.
F.Shopenning 24 ta Preludes orkestri (1969).
S. Raxmaninoff. Mavzu bo'yicha variantlar F. Shopen, Op. 22 (1902-1903).
M. A. Balakirev. Shopenning ikkita preeludasi (1907)
XULOSA
Shopenning bastalash texnikasi juda noan'anaviy va ko'p jihatdan o'z davrida qabul qilingan qoidalar va uslublardan uzoqlashadi. Shopin musiqaning benuqson yaratuvchisi bo'lgan, u G'arb musiqasiga birinchilardan bo'lib noma'lum slavyan modal va intonatsion elementlarini kiritgan va shu tariqa 18-asr oxiriga kelib rivojlangan klassik garmonik tizimning daxlsizligini buzgan. Xuddi shu narsa ritmga taalluqlidir: Polsha raqslarining formulalaridan foydalangan holda, Shopin G'arb musiqasini yangi ritmik naqshlar bilan boyitdi. U o'zining mutlaqo o'ziga xos ohangdor, garmonik va ritmik tilining tabiatiga eng mos keladigan lakonik, o'ziga xos musiqiy shakllarni yaratdi. Kichik fortepiano bo'laklari: Ushbu bo'laklarni deyarli ikki guruhga bo'lish mumkin: asosan "evropa" ohangdor, uyg'un, ritmli va o'ziga xos lazzatda "polyak". Birinchi guruhga etudlarning ko'p qismi, preludalar, sherzolar, nokturnlar, balladalar, ekspampu, rondolar va valslar kiradi. Xususan, polyaklar mazurkalar va polonayzalardir. Shopin o'ttizga yaqin etudlardan iborat bo'lib, ularning maqsadi pianinochiga ma'lum badiiy yoki texnik qiyinchiliklarni engib o'tishga yordam berishdan iborat (masalan, parallel oktavalarda yoki uchinchi qismlarda parchalarni ijro etishda). Ushbu mashqlar bastakorning eng katta yutuqlaridan biridir: Bax singari. Shopinning etudlari yaxshi kayfiyatda ishlaydigan klavierlar uchun, avvalambor bu ajoyib musiqa, bundan tashqari, asbobning imkoniyatlarini juda yaxshi ochib beradi; didaktik vazifalar bu erda fonga aylanadi, ko'pincha ular hatto eslab qolinmaydi.
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