Oikos decembar 2020 indd

 Creative Cities and Economic Development. 
Urban Studies, 37(4): 639–649.
Hansen, A. L., Anderson, H. T., & Clark, E. (2001). 
Creative Copenhagen: Globalization, 
Urban 
Governance and Social Change. European Planning Studies, 9, 851-858.
Hesmondhalgh, D. (2002). 
The Cultural Industries. 
London: SAGE.
Howkins, J. (2001). 
The Creative Economy: How People Make Money From Ideas.
Penguin, London 
Hubbard, P. (2004). 
Revenge and Injustice in the Neoliberal City: Uncovering Masculinist Agendas, 
Antipode, 36(4), 665-686.
Jones, P. & Warren, S. (2016). 
Time, Rhythm and the Creative Economy.
Transactions of the Institute 
of British Geographers, 41, 286–296.
Kong, L., Gibson C., & Khoo L. (2006).
 Knowledges of the Creative Economy: Towards A Relational 
Geography of Diffusion and Adaptation in Asia.
Asia Pacific Viewpoint, 47(2), 173–194.
Landry, C. & Bianchini, F. (1995).
 The Creative City.
London: Demos
Leadbeater, C. & Oakley, K. (1999). 
The Independents: Britain’s New Cultural Entrepreneurs. 
London: 
Demos.
Lefebvre, H. (2004). 
Rhythmanalysis: Space, Time and Everyday Life.
Continuum, London
Loveless, A. M. (2006). 
Literature Review in Creativity, 
New Technologies and Learning. Report 
4, Future Lab, School of Education. University of Brighton.http://citeseerx.ist.psu. edu/
viewdoc/download?doi=10.1.1.392.2297&rep=rep1&type=pdf
Lubart, T. I. (2001). 
Models of the Creative Process: Past, Present and Future.
Creativity Research 
Journal, 13, 295–308. 
MacLeod, G. (2002).
 From Urban Entrepreneurialism to a ‘Revanchist City’?
On The Spatial In 
justices of Glasgow’s Renaissance. Antipode, 34, 602-624.
Matheson, B. (2006). 
A Culture of Creativity: Design Education and the Creative Industries.
Journal 
of Management Development, 25(1), 55-64.
Miles, M. (2005). 
Testing the Rhetoric of Culture Ally Led Urban Development.
Urban Studies, 42, 
889-911.
Myerscough, J. (1988). 
The Economic Importance of the Arts in Britain. 
London: Policy Studies 
Institute.
Nielsen, T. (2008).
 The ERIBA Model: An Effective and Successful Policy Framework for the Creative 
Industries.
The Knowledge Foundation. http://www.norden.ee/images/loo memajandus/
info/loome/tobias_nielsen_eribamodel2008.pdf
Oakley, K., O’Brien, D., & Lee, D. (2013). 
Happy Now? Well-Being and Cultural Policy. 
Philosophy 
& Public Policy Quarterly, 31(2), 18–26. 
Oakley, K. & Ward, J. (2018),
 Creative Economy, Critical Perspectives. 
Cultural Trends, 27 (5), 311–
12. 
O’Connor, J. (2016). 
After the Creative Industries: Cultural Policy in Crisis.
Law, Justice & Global 
Development, 1, 1–18.
O’Connor, J. (2009). 
Creative Industries: A New Direction? 
Int.J.Cult. Policy, 54 (4), 387-402.
Parker, C. (2010). 301 
Ways to Use Socialmedia at Boost Your Marketing. 
New York: McGraw-Hill.
Peck, J. (2005).
 Struggling with the Creative Class
. International Journal of Urban and Regional 
Research, 29, 740.
Pearson, K.E. & Saunders, C.S. (2013). S
trategic Management of Information Systems,
John Wily & 
Sons, Singapore 
Picard, R. (ed.) (2005). 
Media Product Portfolios: Issues in Management of Multiple Products and 
Services.
Mahwah, NJ: Lawrence Erlbaum Associates.
Pratt, A. C. (2009).
 Cultural Economy. In: Kitchin
, R. & Thrift, N. (eds). International Encyclopedia 

---

ECONOMICS
169
of Human Geography, Oxford: Elsevier.
Pratt, A. C. (2008).