Of the rabuplic of uzbekistan samarqand state institute of foreign languages english faculty II

Conclusion
Shakespeare, in his plays, poems, and other writings, used 29,066 unique words. Most people today only use 7,500 to 10,000 unique words in their writing and speech.
Shakespeare introduced nearly 3,000 words into the English language. In addition, Shakespeare’s works, which were often quoted, became such commonplace that they helped set the standards for Modern English; prior to Shakespeare, English grammar and spelling had few standards. In addition, many of Shakespeare’s expressions (such as «a foregone conclusion») are commonly used today.
William Shakespeare used cleverly fashioned insults in his plays to amuse his audiences. He wrote insults that everyone could enjoy, and he used a large range of insults, some of which were vulgar, comical, cruel, or simply heinously descriptive.
Shakespeare’s works are full of literary devices such as metaphors, similes, puns etc.
Shakespeare revolutionized the Elizabethan drama. He was an amazing man with a powerful mind. It seemed that Shakespeare truly understood the meaning of life. He analyzed people and their behavior and applied that to his writing. Not only did his knowledge of the human mind make him great, but also Shakespeare’s knowledge of the art of writing.
Shakespeare’s innovative use of grammar, however, set him apart from his contemporaries
However Shakespeare’s grammatical skill shows even more dexterity with language. He wrote during a transitional period for English grammar when there was a range of grammatical options open to writers.
Much of the grammar he chooses now seems old fashioned, but it lends poetry to commonplace words and significantly while his spelling is often updated, his grammar is not.


List of literature

1. Carl F. Hovde, «Introduction» Moby-Dick by Herman Melville (Spark Publishing, 2003), p.26.

2. Charney, Maurice. All of Shakespeare. Columbia University Press, New York 1993.
3. Dramatic Character Plates for Bell’s Edition of Shakespeare’s Plays, 1775−1776. Facsimile published by Cornmarket Press from the plates in the Birmingham Shakespeare Library, London, 1969.
4. Gager, Valerie L. (1996). Shakespeare and Dickens: The Dynamics of Influence. Cambridge University Press. p. 163.
5. Girard, Rene. A Theater of Envy: William Shakespeare. Oxford University Press, New York 1991. J
6. Hovde, Carl F. «Introduction» Moby-Dick by Herman Melville, Spark Publishing, 2003, page 26.
7. John Bryant, «Moby Dick as Revolution» The Cambridge Companion to Herman Melville, Robert Steven Levine (editor) (Cambridge: Cambridge University Press, 1998), 82.
8. Jorgens, Jack J. Shakespeare on Film. Bloomington, Indiana: Indiana University Press, 1977.
9. Mazzeno, Laurence W.; Frank Northen Magilsadasdasdls and Dayton Kohler (1996). Masterplots: 1,801 Plot Stories and Critical Evaluations of the World’s Finest Literature. Salen Press. p. 2837.
10. Oakley, Lucy. Unfaded Pageant: Edwin Austin Abbey’s Shakespearean Subjects. New York: Columbia University, 1994.
11. Common Phrases Invented by Shakespeare
12. The Language of Shakespeare
13. Shakespearean Comedy
14. Shakespeare’s Poetry
15. Jealousy and Mistaken Identity in Shakespeare
16. Shakespeare and Puns
17. Romeo and Juliet Oxymorons in Romeo and Juliet
18. Shakespeare’s Macbeth — Macbeth as Oxymoron
19. Macbeth: Metaphor Analysis
20. Hamlet: Metaphor Analysis
21. Shakespeare’s Metaphors and Similes