Modern literature and education Literary modernism Postmodernism Feminist literature

Non-fiction

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  All What Jazz: A Record Diary 1961–1971. Faber and Faber. ISBN 978-0-571-13476-2.
  
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  Required Writing: Miscellaneous Pieces 1955–1982. Faber and Faber. 1983. ISBN 978-0-571-13120-4.
  
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  Further Requirements: Interviews, Broadcasts, Statements and Book Reviews 1952–1985. Faber and Faber. ISBN 978-0-571-21614-7.
  
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  Larkin, Philip (1979). "The Brynmor Jones Library 1929–1979". In Brennan, Maeve (ed.). 'A Lifted Study-Storehouse': The Brynmor Jones Library 1929–1979, updated to 1985. Hull University Press (published 1987). ISBN 0-85958-561-1.
  
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  Larkin, Philip, ed. (1973). The Oxford Book of Twentieth Century English Verse. Oxford University Press. ISBN 978-0-19-812137-4.
  
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  Thwaite, Anthony, ed. (1992). Selected Letters of Philip Larkin, 1940–1985. Faber and Faber. ISBN 0-571-17048-X.
  
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  Thwaite, Anthony, ed. (2010). Letters to Monica. Faber and Faber. ISBN 0-571-23909-9.
  

LECTURE 6. Writers of the literary movement "Angry Young Men"


Plan:

3. 
   The role of the social and political situation in the country in the emergence of a generation of writers "Angry Young Men"
   
4. 
   Major representatives of the literary movement:
   

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  Kingsley Emis
  
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  John Wayne
  
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  John Braine
  
• 
  Philip Larkin
  

Angry Young Men, various British novelists and playwrights who emerged in the 1950s and expressed scorn and disaffection with the established sociopolitical order of their country. Their impatience and resentment were especially aroused by what they perceived as the hypocrisy and mediocrity of the upper and middle classes.
The Angry Young Men were a new breed of intellectuals who were mostly of working class or of lower middle-class origin. Some had been educated at the postwar red-brick universities at the state’s expense, though a few were from Oxford. They shared an outspoken irreverence for the British class system, its traditional network of pedigreed families, and the elitist Oxford and Cambridge universities. They showed an equally uninhibited disdain for the drabness of the postwar welfare state, and their writings frequently expressed raw anger and frustration as the postwar reforms failed to meet exalted aspirations for genuine change.
The trend that was evident in John Wain’s novel Hurry on Down (1953) and in Lucky Jim (1954) by Kingsley Amis was crystallized in 1956 in the play Look Back in Anger, which became the representative work of the movement. When the Royal Court Theatre’s press agent described the play’s 26-year-old author John Osborne as an “angry young man,” the name was extended to all his contemporaries who expressed rage at the persistence of class distinctions, pride in their lower-class mannerisms, and dislike for anything highbrow or “phoney.” When Sir Laurence Olivier played the leading role in Osborne’s second play, The Entertainer (1957), the Angry Young Men were acknowledged as the dominant literary force of the decade.
Their novels and plays typically feature a rootless, lower-middle or working-class male protagonist who views society with scorn and sardonic humour and may have conflicts with authority but who is nevertheless preoccupied with the quest for upward mobility.
Among the other writers embraced in the term are the novelists John Braine (Room at the Top, 1957) and Alan Sillitoe (Saturday Night and Sunday Morning, 1958) and the playwrights Bernard Kops (The Hamlet of Stepney Green, 1956) and Arnold Wesker (Chicken Soup with Barley, 1958). Like that of the Beat movement in the United States, the impetus of the Angry Young Men was exhausted in the early 1960s.