RICHARD BRINSLEY SHERIDAN
(1751-1816)
Richard Brinsley Sheridan is the most outstanding satirist in the drama of the
Enlightenment. He came of an Irish stock; his father was an actor and his mother
an authoress. Sheridan was educated at Harrow. Later on he developed connections
with the theatrical world. He was twenty-three when his first comedy “The Rivals”
(1775) was staged.
The action of the play unfolds itself within two parallel intrigues. Julia, a girl of
quiet temperament, has a jealous and mistrustful lover. His character gives rise to a
number of petty quarrels and conflicts, which are happily settled towards the end,
when the lovers are united.
The other heroine Lydia is a girl full of romantic fancies. A legitimate marriage
seems too prosaic for her; besides she prefers an admirer without social standing.
Therefore, Lydia’s suitor, Caption Absolute (a sober young man) decides on a trick
to capture the girl’s fancy – he introduces himself to her in guise of a poor
lieutenant. When the deception is discovered, Lydia at first refuses to marry him,
but finally agrees to become his wife.
The most interesting characters of Sheridan’s art are two comic characters in this
play. One of them is Bob Acres, a coward who is forced by circumstances to fight
a duel. The resulting scene is highly comical. The second is Lydia’s aunt, Mrs.
Malaprop. The most characteristic feature of this pretentious woman is her love for
long foreign words which she uses incorrectly. For example, she says epitaph
instead of “epithet” etc. A funny fondness for high sounding words and their
incorrect usage, so wittily ridiculed by Sheridan, has since been given the name of
“malapropism”. Such personages as Sir Anthony, Bob Acres, and, above all, Mrs.
Malaprop, are classic figures in English comedy.
Sheridan’s tribute to the vogue of the day was his comic opera “The Duenna”
(1775). Its plot shows the influence of Molliere and the Spanish comedy. In 1777
he wrote “The School for Scandal”. The latter is the best artistic work of the
English drama of the 18
th
century and one of the best English comedies of all
times. In his comedy Sheridan boldly criticizes the bourgeois aristocratic society of
England. He created the English social comedy. It exposes the hypocrisy, cruelty
and egoism of bourgeois-aristocratic circle in England.
Sheridan discontinued playwriting to become a partner in, and later on a sole
proprietor of the Drury Lane Theatre.
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In 1780, Sheridan went in for politics and became a famous orator. Some of
Sheridan’s political speeches delivered within this period are regarded as a
classical example of English oratory art. In 1780, he became a member of the
English parliament. By turns he filled the posts of undersecretary for foreign
affairs, secretary of the exchequer, and, finally, treasurer of the Admiralty.
In 1787, he delivered his famous speech against Hastings, the Governor-General of
India. In his speech during the long trial that lasted for six hours, he held to shame
the English policy in India.
The second half of Sheridan’s life was overshadowed by two misfortunes; the
death of his wife in 1792 and the loss of his property – the Drury Lane Theatre –
which was burnt to the ground. The catastrophe, however, did not rob Sheridan of
his natural cheerfulness. A witness’ evidence has it that during the fire Sheridan
was calmly drinking wine in a coffee-house opposite and indulging in witticism
about the burning theatre. The last years of Sheridan find him in reduced
circumstances. He had contracted many debts, and at the same time of his death
there were bailiffs at his house.
Byron remarked of Sheridan in these words: “He has made the best speech and
written the best comedy, the best opera, and the best farce in the English
literature”.
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