Microsoft Word Narrative Exploits docx

Short Cuts. Dir. Robert Altman. Perf. Tim Robbins, Lily Tomlin, Julianne Moore, and Tom Waits. Criterion, 2008. Film.

Sigrist-Sutton, Claire. “Mistaking Merry: Tearing Off the Veil in American Pastoral.” Philip Roth Studies 6.1 (Spring 2010): 47-68. Print.

Silko, Leslie Marmon. Ceremony. New York: Penguin, 1977. Print.

---. Interview with Kim Barnes. Journal of Ethnic Studies 13.4 (1986): 83-105.

Print.

Simon, David. “Interview: ‘Treme’ Co-Creator Post-Mortems Season One.” Alan Sepinwall. Hitfix. 20 June 2010. Web. 14 December 2012.

Smiley, Jane. A Thousand Acres. New York: Anchor Books, 1991. Print.

Soja, Edward W. Postmetropolis: Critical Studies of Cities and Regions. Malden, MA: Blackwell, 2000. Print.

---. Postmodern Geographies. New York: Verso, 1989. Print.

---. “Writing the City Spatially.” City 7.3 (2003): 269-280. Print.

Speck, Oliver C. Funny Frames: The Filmic Concepts of Michael Haneke. New York: Continuum, 2010. Print.

---. “Self/Aggression: Violence in Films by Michael Haneke.” Modern Austrian Literature 43.2 (2010): 63-80. Print.

Spiegelman, Art. In the Shadow of No Towers. New York: Pantheon, 2004. Print.

Spindt, Paul and Toni Weiss. “The Economic Impact of Mardi Gras Season on the New Orleans Economy and the Net Fiscal Benefit of Staging Mardi Gras for the City of New Orleans.” Tulane U. Web. 14 December 2012.

Stanley, Sandra Kumamoto. “Mourning the ‘Greatest Generation’: Myth and History in Philip Roth’s American Pastoral.” Twentieth-Century Literature: A Scholarly and Critical Journal 51.1 (Spring 2005): 1-24. Print.

Sturken, Marita. Tourists of History: Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero. Durham: Duke UP, 2007. Print.

Suskind, Ron. The One-Percent Doctrine: Deep Inside America’s Pursuit of Its Enemies Since 9/11. New York: Simon & Schuster, 2006. Print.

Tal, Kali. Worlds of Hurt: Reading the Literatures of Trauma. New York: Cambridge UP, 1996. Print.

Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke UP, 2003. Print.

Thomas, Lynnell L. “‘Roots Run Deep Here’: The Construction of Black New Orleans in Post-Katrina Tourism Narratives.” American Quarterly 61.3 (September 2009): 749-768. Print.

Treme. Season One. Executive Producers David Simon and Eric Overmyer. Los Angeles: Home Box Office Video, 2010. DVD.

Tschumi, Bernard. Architecture and Disjunction. Cambridge, Massachusetts: The MIT P, 1996. Print.

Urbanized. Dir. Gary Hustwit. Swiss Dots, 2011. Film.

VanSpanckeren, Kathryn. “The Mardi Gras Indian Song Cycle: A Heroic Tradition.” MELUS 16.4 (Winter 1989): 41-56. Print.

Varvogli, Aliki. “The Inscription of Terrorism: Philip Roth’s American Pastoral.” Philip Roth Studies 3.2 (Fall 2007): 101-114. Print.

Versluys, Kristiaan. Out of the Blue: September 11 and the Novel. New York: Columbia UP, 2009. Print.

Vidler, Anthony. The Architectural Uncanny: Essays in the Modern Unhomely.

Cambridge: The MIT P, 1992. Print.
Viramontes, Helena María. Their Dogs Came with Them. New York: Washington Square Press, 2007. Print.

---. “You Carry the Border with You.” Conversations with Mexican American Writers. By Elisabeth Mermann-Jozwiak and Nancy Sullivan. Jackson: UP of Mississippi, 2009. 79-94. Print.

Wachs, Martin. “The Evolution of Transportation Policy in Los Angeles: Images of Past Policies and Future Prospects.” The City. Eds. Allen J. Scott and Edward W. Soja. Los Angeles: U of California P, 1996. 106-159. Print.

Walter, Jess. Interview with Amy Grace Loyd. The Zero New York: Harper, 2006. Print.

Walter, Jess. The Zero. New York: Harper, 2006. Print.

Wheatley, Catherine. “Unkind Rewind.” Sight and Sound. April 2008. 18-22.

Print.