Kill a person. (306 ) Differences in a number of such bytes require care to prevent a letter from becoming a consonant. Since the science of aruz is directly related to the phonetic and orthoepic features of X, harps and sounds, the position in the

became one of the species. Turkish-speaking poets are well versed in Arabic and Persian and are aware of centuries of experience in composing ghazals in these languages .
In addition to their existence, they also relied on the long and ancient traditions of Turkish ghazal poetry, which had achieved great success during its reign. Therefore, a deaf poet had to follow and study the traditions and literary laws that had been developed and practiced long before him in ghazal poetry. However, this should not lead to the opinion that the world of images, themes, forms and other elements of Turkish ghazal poetry consist of images, themes, and arts that are completely different from the features of the Turkic language and are legalized in other languages. It should be noted that the basic principles of the system of images in classical Turkish poetry are inherited from the most ancient artistic monuments of the Turks, and this is a unique archaic layer in the foundations of classical Turkish poetry, unrelated to Arabic and Persian poetics. in turn, means that the Turkish classical ghazal is the birthplace of the independent ghazal. This long evolution of Turkish ghazalism has not been studied scientifically from the theoretical, literary and critical point of view until Navoi, and this topic is one of the most important tasks of our literary criticism today. However, the inner lyrical theme, which is one of the main features of the ghazal, has a long way of development in Turkish poetry, starting with the work of Mahmud Kashgari "Devonu lugotit-turk", but also earlier monuments. ⁴³ 'The same can be said of the science of art. For example, tajnis, one of the means of art, has been used in the oral literature of the Turkic people since ancient times. A number of examples can be cited from Devonu Lugotit-Turk. In particular, there is a poem in this play in which the coffee crown is used:
If you stay, don't throw the hangar!
Bakkil hangar ezgulun agzin kula!
(If a man comes, do not throw ashes on him,
Do good and laugh). ^z5)
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