Jahf biannual Bibliography, 2000-2014

JAHF Biannual Bibliography, 2000-2014

Addiss, Stephen. 2000. "The Life, Art and Poetry of Kodojin." Orientations 31 (2):54-61.

Addiss, Stephen. 2001. "Daoist Themes in Early Modern Japanese Painting." Oriental Art 47 (1):47-53.

Addiss, Stephen. 2002. "The Flourishing of Nanga." In An Enduring Vision, edited by Lisa Retondo-McCord, 27-48. New Orleans: New Orleans Museum of Art.

Addiss, Stephen. 2002. "Epilogue: Edo-Period Painting in the Gitter-Yelen Collection." In An Enduring Vision, edited by Lisa Retondo-McCord, 213-222. New Orleans: New Orleans Museum of Art.

Addiss, Stephen. 2002. "'The Artistic World of Kameda Bosai'; 'Supernatural Art in Japan'; Visions of Enlightment: Japanese Zen Painting and Calligraphy'; 'Haiga: the Haiku-Painting Tradition'; 'The Life, Art and Poetry of Kodojin'." In Arts of Japan: Paintings, Prints and Screens, 4-12, 24-36, 93-101, 227-236, 360-367. Hong Kong: Orientations.

Addiss, Stephen. 2002. "Nanga: the Literati Painting of Japan." In Delightful Pursuits, 135 (in Japanese) 205-6 (in English). Tokyo: Suntory Museum.

Addiss, Stephen. 2002. Haiku Landscapes: In Sun, Wind, Rain, And Snow. New York, NY: Weatherhill.

Addiss, Stephen. 2002. "Riddle-Haiku." Blue Ridge Haiku Journal (14):9-10.

Addiss, Stephen. 2003. "Zen no Sho." In Zen no Sho: the Calligraphy of Fukushima Keido Roshi, edited by Jason Wirth, 16-29. Santa Fe: Clear Light Publisher.

Addiss, Stephen. 2003. "A Brief History of Haiga." Reeds: Contemporary Haiga (1):51-53.

Addiss, Stephen. 2004. The Haiku of the ‘Old Taoist’ Fukuda Kodojin. Simply Haiku 2 (5).

Addiss, Stephen. 2004. "Haiga Study: Two Deer." Reeds: Contemporary Haiga (2):4-9.

Addiss, Stephen. 2004. "Haiga, East and West." Modern Haiku 35 (2):56-60.

Addiss, Stephen. 2005. The Art of Chinese Calligraphy. Philadelphia: Running Press.

Addiss, Stephen. 2005. "Nanga: Transformations in Japanese Literati Painting." Orientations 36 (77):48-56.

Addiss, Stephen. 2005. "The Haiku Spirit." Ukiyo-e Society of America Newsletter:4.

Addiss, Stephen. 2006. 77 Dances: Japanese Calligraphy by Poets, Monks and Scholars, 1568-1868. Boston, MA: Weatherhill/Shambhala Publications.

Addiss, Stephen. 2006. "Yomeiride: Haiga as Dowry." Reeds: Contemporary Haiga 4:12-16.

Addiss, Stephen. 2011. "Japanese Calligraphy since 1868." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 445-470. Honolulu: University of Hawai’i Press.

Addiss, Stephen. 2012. The Art of Haiku: Its History through Poems and Paintings by Japanese Masters. Boston and London: Shambhala.

Addiss, Stephen. 2014. "The Art of Ōbaku." In Eat This and Drink Some Tea: Huangbo / Ōbaku Crosscultural Zen Calligraphy, 8-41. London: Sydney L. Moss Ltd.

Addiss, Stephen, and Jonathan Chaves. 2001. Old Taoist: The Life, Art and Poetry of Kodojin. New York: Columbia University Press.

Addiss, Stephen, Gerald Groemer, and J. Thomas Rimer. 2006. Traditional Japanese Arts and Culture: An Illustrated Sourcebook. Honolulu: University of Hawai'i Press.

Ajioka, Chiaki. 2011. "Aspects of Twentieth-Century Crafts: The New Craft and Mingei Movements." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 408-444. Honolulu: University of Hawai’i Press.

Allen, Laura W. 2011. "The Most Superior Association of Engravers: Sosaku Hanga Artists and the Rebuilding of Post-War Japan." Orientations 42 (7):78-83.

Allen, Laura W., Melissa M. Rinne, and Emily J. Sano, eds. 2013. In the Moment: Japanese Art from the Larry Ellison Collection. San Francisco: Asian Art Museum.

Anderson, John. 2012. "Kawari Kabuto: Helmets ‘Transformed’." In Art of Armor: Samurai Armor From The Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 71-75. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller Museum in association with Yale University Press.

Arthur M. Sackler Gallery, and Smithsonian Freer Gallery of Art. 2005. The Arts of Japan: A Teacher's Guide. Washington, DC: Smithsonian Institution.

Aso, Noriko. 2014. Public Properties: Museums in Imperial Japan. Durham; London: Duke University Press.

Audsley, George Ashdown, and James Lord Bowes. 2005. Ceramic Art of Japan, Elibron Classics Series. Boston, Mass.: Adamant Media Corp.

Augustin, Birgitta. 2014. "Japan’s Warriors as Rulers, Patrons and Artists." Orientations 45 (2):136-145.

Bailey, Penny. 2014. "Korea's Chosŏn Dynasty Ceramics: Beyond Yanagi Sōetsu’s ‘Beauty of Sorrow’ Discourse."Ph.D. Dissertation, The University of Queensland.

Balcer, Rene, C. 2013. "Kawase Hasui: Collecting a Versatile Modern Master." Impressions: Journal of the Japanese Art Society of America 34:109-122.

Bambling, Michele. 2001. "Illuminating Japan's Sacred Geography: The Kongo-ji Sun-Moon Landscape Screens."Ph.D. dissertation, Columbia University.

Barbier-Mueller, J. Gabriel. 2012. Art of Armor: Samurai Armor From The Ann and Gabriel Barbier-Mueller Collection. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller Museum in association with Yale University Press.

Barnet, Sylvan, and William Burto. 2005. "Finial for a Monk's Staff." Orientations 36 (8):89.

Barnet, Sylvan, and William Burto. 2012. "The Indecisive Moment: Hiroshi Sugimoto's Kegon Waterfall." Orientations 43 (4):71-76.

Barnet, Sylvan, and Burto William. 2004. "Thinking about Buddhist Ritual Objects." Orientations 35 (1):67-69.

Bartal, Ory. 2009. "Vagina Dialogues: The Love Mother Earth Advertisement." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 22-39. Newcastle-upon-Tyne: Cambridge Scholars Press.

Becker, Ton, and Mies Becker. 2014. "Ōnamuchi no mikoto. A Lost Legend." Andon 95:58-61.

Belgin, Tayfun. 2013. "Viennese Japonisme: From the Figured-Perspective to the Ornamental-Extensive Style." In Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period: The Khalili Collection, edited by Gregory Irvine, 90-103. New York: Thames & Hudson.

Beningson, Susan L., and Miwako Tezuka. 2014. " Points of Departure: Japanese Works of Art from Brooklyn." Orientations 45 (2):127-135.

Benjamin, Sterling Betsy, Shigeki Fukumoto, Massachusetts College of Art, Textile Museum, and Bellevue Art Museum. 2005. Rozome Masters of Japan. Boston, Mass: Mass Art.

Bennett, James, and Amy Reigle Newland. 2009. The Golden Journey: Japanese Art from Australian Collections. Adelaide: Art Gallery of South Australia.

Beres, Tiffany. 2011. "A Lifetime Adventure Collecting Nestuke: An Interview with Joseph Kurstin." Orientations 42 (5):76-78.

Bergmann, Annegret. 2014. "Die achtzehn Stücke des Kabuki: Ein Holzschnitt-Album im Museum für Asiatische Kunst, Berlin (The Eighteen Pieces of Kabuki: A Woodcut Album in Museum of Asian Art, Berlin)." Ostasiatische Zeitschrift, Neue Serie 27:37–51.

Bernardi, Joanne. 2013. "Re-Envisioning Japan: Japan as Destination in 20th Century Visual and Material Culture." In. Rochester, NY: University of Rochester Digital Humanities Center, River Campus Libraries. http://humanities.lib.rochester.edu/rej/.

Berndt, Jaqueline. 2008. "Nationally Naked? The Female Nude in Japanese Oil Painting and Posters (1890's-1920's)." In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill.

Berry, Paul. 2008. Literati Modern, Bunjinga from Late Edo to Twentieth-Century Japan: The Terry Welch Collection at the Honolulu Academy of Arts. Honolulu: Honolulu Academy of Arts.

Berry, Paul. 2014. "Eclecticism as a Mode of Transformation in Taishō Nihonga: An Interpictorial Approach to Period Style." Andon 97:58-74.

Berthier, François , and Graham Parkes. 2000. Reading Zen in the Rocks: The Japanese Dry Landscape Garden. Chicago, Ill: University of Chicago Press.

Bethe, Monica. 2010. "Kenmonsha, or Patterned Three-End Gauze, within an East Asian Context." In Transmitting Robes, Linking Minds: The World of Buddhist Kasaya, edited by Museum Kyoto National. Kyoto: Kyoto National Museum.

Bincsik, Monika. 2002. "The Trade in Japanese Art During the Meiji Period with Special Reference to Lacquer, as Mirrored in the Collections at the Ferenc Hopp Museum of Eastern Asiatic Arts, Budapest." Ars Decorativa:103-143.

Bincsik, Monika. 2003. "Meiji Period Export Lacquer and the Hungarian Collectors of Japanese Lacquerware." In The Role of Urushi in International Exchange, 16-21. Tokyo: National Research Institute for Cultural Properties Tokyo.

Bincsik, Monika. 2005. "The Establishment and Early History of the Japanese Collection at the Ferenc Hopp Museum of Eastern Asiatic Arts." In Japanese Collections in European Museums II, edited by Josef Kreiner, 229-243. Bonn, Germany: Bier’sche Verlagsanstalt.

Bincsik, Monika. 2006. "Lotus Flowers of the Lacquer Pond." Orientations 37 (May):53-55.

Bincsik, Monika. 2006. "Japanese Maki-e Incense Boxes Exported in the Meiji Period." Arts of Asia July-August:72-83.

Bincsik, Monika. 2006. "Collecting Japanese Art in Hungary Around the Turn of the 20th Century." Andon (80):31-45.

Bincsik, Monika. 2009. "Plum Flowers and Cherry Blossoms: Auspicious Symbols of a Political Alliance: A Maki-e Daimyo Wedding Set." Orientations:73-79.

Bincsik, Monika. 2010. "Japanese Exported Lacquer: Reassessments and Summary of Sources." Impressions: Journal of the Japanese Art Society of America (31):158-170.

Birnbaum, Phyllis. 2006. Glory in a line: A Life of Foujita: The Artist Caught between East and West. New York: Faber and Faber.

Black, Candice, ed. 2013. Tiger: 100 Representations in Classic Japanese Art, Solar East. Washington, D.C.: Solar Books.

Boehm, Christian. 2012. The Concept of Danzō: ‘Sandalwood Images’ in Japanese Buddhist Sculpture of the 8th to 14th Centuries. London: Saffron Books.

Boehm, Christian. 2014. "Japanese Buddhist Sculpture in the Inaugural Exhibition of the New Heisei Chishinkan Wing at the Kyoto National Museum." Arts of Asia 44 (6):132-140.

Boehm, Christian. 2014. "Miniaturised Buddhist Worlds: Portable Sandalwood Shrines in China and Japan." Arts of Asia 44 (2):109-115.

Boehm, Christian. 2014. "Sandalwood Images of Avalokiteśvara in China and Japan." Arts of Asia 44 (2):109-115.

Bogel, Cynthia. 2009. With a Single Glance: Buddhist Icon and Early Mikkyō Vision. Seattle: University of Washington Press.

Bogel, Cynthia. 2010. "The Tōji Lecture Hall Statues and Performing Mikkyō." In Esoteric Buddhism and the Tantras in East Asia, edited by Charles D. Orzech, Henrik H. Sørensen and Richard K. Payne, 936-954. Leiden: Brill.

Bogel, Cynthia. 2011. "Contemplations and Imagery: Issues Relevant to Ancient Japanese Buddhist Icons, Ritual Practice, and Cultural Contexts." Pacific World: Journal of the Institute of Buddhist Studies, New Series 12.

Boot, W. J. 2005. "Frontier Contact between Choson Korea and Tokugawa Japan." Harvard Journal of Asiatic Studies 65 (2):473-483.

Bottomley, Ian. 2012. "Horse Accoutrements and Mounted Warfare." In Art of Armor: Samurai Armor From The Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 77-89. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller Museum in association with Yale University Press.

Bottomley, Ian, and Royal Armouries Museum. 2005. Shogun: The Life of Lord Tokugawa Ieyasu. Leeds, U.K.: Royal Armouries.

Boudin, Phillipe, Maiko Takenobu, and Yoshichika Kitamura. 2014. "Nobori: Witnesses of a Forgotten World. The Banners of Kitamura Yoshichika." Andon 95:5-25.

Bowring, Richard John. 2005. The Religious Traditions of Japan, 500-1600. Cambridge, UK ; New York: Cambridge University Press.

Brandt, Kim. 2009. "Serizawa Keisuke and the Mingei Movement." In Serizawa: Master of Japanese Textile Design, edited by Joe Earle, 113-116. New Haven: Yale University Press.

Brecher, W. Puck. 2013. The Aesthetics of Strangeness. Honolulu: University of Hawai'i Press

Brinker, Helmut. 2011. "Seeking Delight in the Arts: Literary Gathering by Ikeda Koson." In Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by Jerome Silbergeld and Dora C. Y. Ching, 679-692. Princeton, NJ; Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Brinker, Helmut. 2013. "Anointing with Eyes, Raiment and Relic: Insights from the Cologne Jizō." Impressions: Journal of the Japanese Art Society of America 34:151-169.

Brisset, Claire-Akiko, and Pascal Griolet. 2010. Shaka no Honji: La Vie Du Buddha Racontée Et Illustrée Au Japon. Paris: Presses Universitaires de France.

Brown, Kendall H. 2013. "Out of the Dark Valley: Japanese Woodblock Prints and War 1937-1945." In Art and War in Japan and its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 65-85. Leiden-Boston: Brill.

Brown, Kendall H. 2014. "Shin Hanga in America, 1923-1930: Yoshida Hiroshi’s Journey from Painter to Printmaker." Andon 97:45-57.

Brown, Kendall H., Sharon Minichiello, and Honolulu Academy of Arts. 2005. Taisho Chic: Japanese Modernity, Nostalgia, and Deco. Seattle, Wash: University of Washington Press, Projected Date: 200503.

Browne, Rory. 2013. "Priests, Pachyderms, and Portuguese: Animal Exchange in the Age of Exploration." In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 61-70. Boston: McMullen Museum of Art, Boston College.

Bru, Ricard. 2014. Erotic Japonisme: The Influence of Japanese Sexual Imagery on Western Art. Translated by Amalia Ran. Leiden: Hotei Publishing.

Bruijn, Eric. 2012. "Spirit Embodied: Japanese Esoteric Buddhist Art at the Wereldmuseum Rotterdam." Orientations 43 (1):58-65.

Bruschke-Johnstone, Lee. 2005. Dismissed as Elegant Fossils: Konoe Nobutada and the Role of Aristocrats in Early Modern Japan, Japonica Neerlandica, Vl. 9. Leiden: Hotei Publishing.

Buckland, Rosina. 2004. Golden Fantasies: Japanese Screens from New York Collections. New York, NY: Asia Society.

Buckland, Rosina. 2004. "The Message of the Monkeys." Oriental Art XLIX (5):2-10.

Buckland, Rosina. 2010. Shunga: Japanese Erotic Art. London: British Museum Press.

Buckland, Rosina. 2013. Painting Nature for the Nation: Taki Katei and the Challenges to Sinophile Culture in Meiji Japan, Japanese Visual Culture (Book 8). Leiden: Brill.

Buckland, Rosina. 2013. Kabuki: Japanese Theatre Prints. Edinburgh: National Museums Of Scotland

Buckland, Rosina. 2013. "Erotic Art of the Meiji Era." In Shunga: Sex and Pleasure in Japanese Art 1600–1900, edited by Timothy Clark and et al., 455-463. London: British Museum Press.

Buckland, Rosina. 2013. "The Fate of Shunga in the Meiji Era." Japan Review 26:259-276.

Buckland, Rosina Clark Timothy, and Shigeru Oikawa. 2006. A Japanese Menagerie: Animal pictures by Kawanabe Kyosai. London: British Museum, Projected Date: 200610.

Bullen, Richard. 2009. Pleasure and Play in Edo Japan. Christchurch, New Zealand: Canterbury Museum and University of Canterbury.

Bullen, Richard. 2012. "Freedom and Restraint in the World of Tea." In Concepts and categories of emotion in East Asia, edited by Giusi Tamburello, 252-265. Rome: Carocci editore.

Bundy, Rosalee. 2006. "Solo Poetry Context as poetis Self - Portrait: The One Hundred - Round Context of Load Teika's Own Poems." Monumenta Nipponica 61 (1):1-58.

Buntrock, Dana. 2002. Japanese Architecture as a Collaborative Process: Opportunities in a Flexible Construction Culture. London: Spon Press.

Buntrock, Dana. 2010. Materials and Meaning in Contemporary Japanese Architecture: Tradition and Today. London: Routledge.

Burnham, Helen. 2014. "The Allure of Japan." In Looking East: Western Artists and the Allure of Japan, edited by Helen Burnham, 12-27. Boston Mass.: MFA Publications: Museum of Fine Arts, Boston.

Butler, Lee. 2004. "Patronage and the Building Arts in Tokugawa Japan." Early Modern Japan: An Interdisciplinary Journal 12 (2):39-52.

Butler, Lee. 2004. "Introduction: Pre-modern Japan Through the Prism of Patronage." Early Modern Japan: An Interdisciplinary Journal 12 (2):3-10.

Butler, Lee. 2005. "'Washing Off the Dust': Baths and Bathing in Late Medieval Japan." Monumenta Nipponica 60 (1):1-41.

Cabañas, Pilar. 2013. Héroes de la Gran Pacificación. Grabados de Yoshiiku (Heroes of the Great Pacification. Prints by Yoshiiku). Gijón: Satori.

Calza, Gian Carlo. 2005. Ukiyo-e. London; New York: Phaidon.

Carpenter, John. 2014. "Weaving Kimono Back into the Fabric of Japanese Art History." Orientations 45 (7):58-66.

Carpenter, John T. 2005. Hokusai and His Age: Ukiyo-e Painting, Printmaking, and Book Illustration in Late Edo Japan. Amsterdam: Hotei.

Carpenter, John T. 2011. "Cultural Symbolism in Still-life Surimono." In The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited by Maribeth Graybill, 109-134. Portland OR: Portland Art Museum.

Carr, Kevin Gray. 2005. "The Lives of Shotoku: Narrative Art and Ritual in Medieval Japan."Ph.D. dissertation, Princeton University.

Carr, Kevin Gray. 2012. "The Evidence of Our Eyes: The Epistemology of Vision(s) in Early Medieval Japan." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 77-94. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Carvalho, Pedro Moura. 2013. "The Circulation of European and Asian Works of Art in Japan, Circa 1600." In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 37-44. Boston: McMullen Museum of Art, Boston College.

Cathcart, Adam. 2005. "Chinese Nationalism in the Shadow of Japan, 1945-1950."Ph.D. dissertation, Ohio University.

Cattaneo, Angelo. 2013. "The Mutual and Emplacement of Japan and Europe during the Nanban Century." In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 27-36. Boston: McMullen Museum of Art, Boston College.

Cavaye, Ronald Paul Griffith, and Senda Akihiko. 2005. A Guide to the Japanese Stage: From Traditional to Cutting Edge. Tokyo: Kodansha.

Center, I. D. B. Cultural. 2005. Nikkei Latin American Artists of the 20th Century: Featuring Artists of Japanese Descent from Argentina, Brazil, Mexico, and Peru. Washington, D.C: Inter-American Development Bank, Cultural Center Art Gallery.

Chance, Frank L., and Julie Nelson Davis. 2007. Dramatic Impressions: Japanese Theatre Prints from the Gilbert Luber Collection. Philadelphia: Arthur Ross Gallery, University of Pennsylvania, distributed by the University of Pennsylvania Press.

Chance, Frank Lewis, Matthew John Mizenko, Philip Berman, Muriel Berman, Leo Corazza, and Muriel Berman Museum of Art at Ursinus College. 2005. Modern Impressions: Japanese Prints from the Berman and Corazza Collections, 1950-1980. Collegeville, Pa: Philip and Muriel Berman Museum of Art at Ursinus College.

Chancey, Jill R. 2008. The Floating World: Ukiyo-e Prints from the Wallace B. Rogers Collection. Laurel, MS: Lauren Rogers Museum of Art.

Chiang, Nicole T.C. 2014. "The Japanese Collection at the Museum of East Asian Art in Bath." Andon 98 (69-74).

Chin, Gail F. 2014. "As a Vessel of the Darma, I Am a Woman: A Nineteenth-Century Japanese Visual Parody." Artibus Asiae 74 (1):221-236.

Chung, Doryun. 2012. Tokyo 1955-1970: A New Avant-Garde. New York, NY: The Museum of Modern Art.

Clark, John. 2011. "Okakura Tenshin and Aesthetic Nationalism." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 212-256. Honolulu: University of Hawai’i Press.

Clark, John. 2012. Modernities of Japanese Art. Leiden: Brill.

Clark, Timothy, Andrew Gerstle, Aki Ishigami, and Akiko Yano, eds. 2013. Shunga: Sex and Pleasure in Japanese Art. London: Brill/Hotei Publishing.

Coats, Bruce A. 2012. "The Changing Face of ‘The Twilight Beauty’ (Yugao) in Genji Prints." In Genji’s World in Japanese Woodblock Prints, edited by Andreas Marks, 22-31. Leiden: Hotei Publishing.

Coats, Bruce A. 2012. "A Changing Suma: Varied Illustrations for The Tale of Genji." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 55-73. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Conant, Ellen P. 2006. Challenging Past and Present: The Metamorphosis of Nineteenth-century Japanese art. Honolulu: University of Hawai'i Press.

Conant, Ellen P. 2011. "Japanese Painting from Edo to Meiji: Rhetoric and Reality." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 34-65. Honolulu: University of Hawai’i Press.

Conant, Ellen P. 2012. "'Cut from Kyoto Cloth:' Takeuchi Seihō and his Artistic Milieu." Impressions: Journal of the Japanese Art Society of America (33):71-93.

Conant, Ellen P. 2014. "Satisfactory Like a Dream: Joseph Lindon Smith, Boston Artist in 1901 Japan." In Inventing Asia: American Perceptions around 1900, edited by Alan Chong and Noriko Murai. Boston: Isabella Stewart Gardner Museum, distributed by University of Hawai’i Press.

Conant, P. Ellen. 2006. "Introduction." In Challenging Past and Present: the Metamorphosis of Nineteenth Century Japanese Art, edited by P. Ellen Conant, 1-27. Honolulu: University of Hawai'i Press.

Conant, P. Ellen. 2006. "Japan 'Abroad' at the Chicago Exposition, 1893." In Challenging Past and Present: the Metamorphosis of Nineteenth Century Japanese Art, edited by P. Ellen Conant, 254-280. Hawai'i: University of Hawai'i Press.

Concannon, Kevin. 2005. "War Is Over!: John and Yoko’s Christmas Eve Happening, Tokyo, 1969." Review of Japanese Culture and Society 17, 1960s Japan: Art Outside the Box.

Cort, Louise. 2000. "Shopping for Pots in Momoyama Japan." In The Arts of Japan: An International Symposium, edited by Miyeko Murase and Judith Smith. New York: Metropolitan Museum of Art.

Cort, Louise. 2000. "The Death and Life of Woodfiring in Asia." Studio Potter 28 (2).

Cort, Louise. 2001. "Early Ceramic Production in the Shigaraki Valley—An Outline of its Social and Economic Basis." In Kinsei Shigarakiyaki wo megutte. Kyoto: Kansai Tojishi Kenkyukai.

Cort, Louise. 2002. "A Short History of Woodfiring in America." The Log Book (The International Publication for Woodfirers) (9-12).

Cort, Louise. 2003. "Shopping for Pots in Momoyama Japan." In Japanese Tea Culture: Art, History, and Practice., edited by Morgan Pitelka. London and New York: RoutledgeCurzon.

Cort, Louise. 2003. "Clay as Content: The Significance of Shigaraki Clay in Japanese Ceramics." Taoci (Transactions of the Oriental Ceramic Society of France) (3).

Cort, Louise. 2003. "Sodeisha: The Emergence of a Ceramic Avant-garde in Japan." Kerameiki Techni International Ceramic Art Review (45).

Cort, Louise. 2004. Shigaraki: Potters' Valley. New York: Weatherhill.

Cort, Louise. 2004. "Remembering Hirano-sensei." In Special Exhibition: With Shigaraki Ceramics Kanroku-gama Kiln and Yuto-jin. Shigaraki, Japan: Shigaraki Ceramic Cultural Park.

Cort, Louise. 2004. "Isamu Noguchi & Modern Japanese Ceramics." Ceramics: Art and Perception (55).

Cort, Louise. 2004. "Crawling through Mud: Avant-garde Ceramics in Postwar Japan." Studio Potter 33 (1).

Cort, Louise. 2004. "A Tosa Potter in Edo." In The Artist as Professional in Japan, edited by Melinda Takeuchi, 103-112. Stanford, CA: Stanford University Press.

Cort, Louise, Massumeh Farhad, and Ann Gunter. 2000. Asian Traditions in Clay: The Hauge Gifts. Washington D.C.: Freer Gallery of Art and Arthur M. Sackler Gallery Smithsonian Institution.

Cort, Louise, and Bert Winter-Tamaki. 2000. Isamu Noguchi and Modern Japanese Ceramics. Washington, D.C.: Arthur M. Sackler Gallery in association with University of California Press, Berkeley.

Cort, Louise Allison. 2006. "Collecting Against the Grain: Unexpected Japanese Ceramics in the Collection of the Walters Art Museum." The Journal of the Walters Art Museum, A Curator’s Choice: Essays in Honor of Hiram W. Woodward, Jr. 64-65:177-198.

Cort, Louise Allison. 2009. "A Tosa Potter Looks at Kyoto Ceramics." Research Report of the Otemae Research Center of History 7:7-26.

Cort, Louise Allison. 2009. "A Chinese Green Jar in Japan: Source of a New Color Aesthetic in the Momoyama Period." Impressions: Journal of the Japanese Art Society of America (30):32-41.

Cort, Louise Allison. 2009. "Mrs. Gardner’s ‘Set of Tea-Things’: A Vehicle for Friendship, Power, and Aesthetic Instruction." In Journeys East: Isabella Stewart Gardner and Asia, edited by Alan Chong and Noriko Murai. Boston: Isabella Stewart Gardner Museum.

Cort, Louise Allison. 2010. "Creating Chigusa." Impressions: Journal of the Japanese Art Society of America (32):135-143.

Cort, Louise Allison. 2011. "Harry Packard’s Japanese Pots." Impressions: Journal of the Japanese Art Society of America (32):114-127.

Cort, Louise Allison. 2011. "Creating Chigusa." Impressions: Journal of the Japanese Art Society of America (32):134-143.

Cort, Louise Allison. 2012. "Looking at White Dew." Studio Potter 40 (1):16-24.

Cressman, Elizabeth. 2003. "Actor Prints from the School of Utagawa."Ph.D. dissertation, University of Louisville.

Croissant, Doris. 2005. "Zeuxis Goes East: Negotiating Mimesis in Early Modern Japan." Hamburger Forschungen zur Kunstgeschichte IV:207-228.

Croissant, Doris. 2005. "Hokusai and Takahashi Yuichi: Changing Concepts in Still Life Painting." In Hokusai and His Age. Ukiyoe-Painting, Printmaking and Book Illustration in Late Edo Japan, edited by John Carpenter, 217-233. Amsterdam: Hotei Publishing.

Croissant, Doris. 2006. "Visions of the Third Princess. Gendering Space in The Tale of Genji illustrations." Arts Asiatiques 60.

Croissant, Doris. 2006. "In Quest of the Real: Portrayal and Photography in Japanese Painting Theory." In Challenging Past and Present. The Metamorphosis of Japanese Art in the Nineteenth Century, edited by Ellen P. Conant, 153-176. Honolulu: University of Hawai’i Press.

Croissant, Doris. 2008. "From Madonna to Femme Fatale: Gender Play in Japanese National Painting." In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill.

Croissant, Doris. 2011. Splendid Impressions: Japanese Secular Paintings 1400-1900 in the Museum of East Asian Art, Cologne. Leiden: Brill/Hotei Publishing.

Croissant, Doris. 2011. "Artifacts or Art? Envisioning East Asian Culture in Imperial Germany." In Splendid Impressions: Japanese Secular Paintings 1400-1900 in the Museum of East Asian Art, Cologne, edited by Doris Croissant, 17-31. Leiden: Brill/Hotei Publishing.

Croissant, Doris, Catherine Vance Yeh, and Joshua Mostow. 2008. Performing 'Nation': Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880-1940. Leiden: Brill.

Cuccio, Claire S. 2005. "Inside Myojo (Venus, 1900-1908): Art for the Nation's Sake (Japan)."Ph.D. dissertation, Stanford University.

Curvelo, Alexandra. 2013. "Nanban Art: What's Past Is Prologue." In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 71-78. Boston: McMullen Museum of Art, Boston College.

David, Catherine. 2005. "Acrobatic Encounters: Korean Horseback Acrobats in Tokugawa Japan and their Representation in Popular Art." Arts of Asia 35 (5):107-112.

Davies, Barry, Isaac Kaplan Collection, and Kaplan-Kushlick Foundation. 2005. Hidden Treasures of Japanese Art: The Isaac Kaplan Collection. Cape Town, South Africa: Kaplan Kushlick Foundation.

Davis, Julie Nelson. 2003. "A Gift of Distinction: New Year’s Pine Tree Festival by Teisai Hokuba." The Bulletin of the Allen Memorial Art Museum:53-59.

Davis, Julie Nelson. 2004. "Artistic Identity and Ukiyo-e Prints: The Representation of Kitagawa Utamaro to the Edo Public." In The Artist as Professional in Japan, edited by Melinda Takeuchi, 113-151. Stanford: Stanford University Press.

Davis, Julie Nelson. 2004. "Diversions in the Floating World: Selected Ukiyo-e Prints from the Bergen Museum of Art." In Ukiyo-e: Bilder fra den Flytende Verden, edited by Knut Ormhaug, Frode Sandvik and Kunstmuseum Bergen.

Davis, Julie Nelson. 2005. "Kitagawa Utamaro and his Contemporaries, 1780-1804." In The Hotei Encyclopedia of Japanese Woodblock Prints, edited by Amy Reigle Newland, 135-166. Amsterdam: Hotei Publishing.

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Davis, Julie Nelson. 2006. "A Second Glance." Art Quarterly:36-39.

Davis, Julie Nelson. 2007. Utamaro and the Spectacle of Beauty. London & Honolulu: Reaktion Books; University of Hawai’i Press.

Davis, Julie Nelson. 2007. "The Trouble with Hideyoshi: Censoring Ukiyo-e and the Ehon Taikōki Incident of 1804." Japan Forum 19 (3):281-315.

Davis, Julie Nelson. 2008. "Peindre les couleurs du Monde flottant: Réflexions sur le peintre de l’ukiyo-e et son art” (“Painting the colors of the Floating World: Reflections on the Ukiyo-e painter and his art”)." In Splendeurs des Courtisanes – Japon, Peintures Ukiyo-e du musée Idemitsu, edited by Michel Maucuer. Paris: Cernuschi Museum.

Davis, Julie Nelson. 2008. "Tsutaya Jūzaburō, Master Publisher." In Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680 – 1860, edited by Julia Meech and Jane Oliver. New York & Seattle: Asia Society and Japanese Art Society of America.

Davis, Julie Nelson. 2008. "The Utagawa School." Print Quarterly 25 (4):453-455.

Davis, Julie Nelson. 2009. "Doing Everything For Effect: Performing Beauty in Late Eighteenth and Early Nineteenth-Century Ukiyo-e." In The Golden Journey: Japanese Art from Australian Collections, edited by James Bennett and Amy Reigle Newland, 152-166. New South Wales: Art Gallery of New South Wales.

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Davis, Julie Nelson. 2010. "Pictures of Remarkable Beauty: Utamaro Prints and the Connoisseurial Gaze." In Kitagawa Utamaro, edited by Jonathan Watkins, 9-23. Birmingham: Ikon Gallery.

De Jong, Jon. 2013. "The Echoes of Roaring Mountains: A Chronology of Undated Landscape Paintings by Yokoi Kinkoku (1761-1832)." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 53-62. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

De Vonyar, Jill, and Richard Kendall. 2007. Degas and The Art of Japan. Reading, PA and New Haven, CT: Reading Public Museum and Yale University Press.

Dees, Jan. 2005. "The Ethereal World of Uzawa Shogetsu." Orientations 36 (4):45-54.

Dees, Jan. 2013. "Bold and Colourful. Lacquer Art at the Government-Sponsored Art Exhibitions 1927-1944." Andon 94:62-66.

Dix, Monika. 2006. "Writing Women into Religious Histories: Re-reading Representations of Chujohime in Medieval Japanese Buddhist Narratives." Ph.D. Ph.D. Dissertation, University of British Columbia.

Dower, John W., Jacqueline M. Atkins, and Bard Graduate Center for Studies in the Decorative Arts Design and Culture. 2005. Wearing Propaganda: Textiles on the Home Front in Japan, Britain, and the United States, 1931-1945. New Haven Conn.: Published for the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture by Yale University Press.

Drogin, Melanie Beth. 2000. "Images for Warriors: Unkei's Sculptures at Ganjōjuin and Jōrakuji."Ph.D. dissertation, Yale University.

Dunn, Michael. 2005. Inspired Design: Japan's Traditional Arts. Milano: 5 continents.

Dusselier, Jane E. 2005. "Artful Identifications: Crafting Survival in Japanese American Concentration Camps."Ph.D. dissertation, University of Maryland.

Earle, Joe. 2000. Japanese Lacquer: The Chiddingstone Castle Collection. London.

Earle, Joe. 2000. The Robert S. Huthart Collection of Iwami Netsuke. Hong Kong.

Earle, Joe. 2000. Infinite Spaces: The Art and Wisdom of the Japanese Garden. Boston: Tuttle Publishing.

Earle, Joe. 2001. Netsuke: Fantasy and Reality in Japanese Miniature Sculpture. Boston, MA: MFA Publications.

Earle, Joe. 2001. "Japanese Bronzes of the Early Meiji Period (1868–1912): Meaning and Motivation." Apollo 154 (477):36-41.

Earle, Joe. 2002. Splendors of Imperial Japan: Arts of the Meiji Period from the Khalili Collection. London: Khalili Family Trust.

Earle, Joe. 2002. "Marketing the Marvellous: The Promotion of Textiles and Ceramics in the Later Meiji Era." Orientations:63-70.

Earle, Joe. 2004. Lethal Elegance: The Art of Samurai Sword Fittings. Boston, MA: MFA Publications.

Earle, Joe. 2008. Contemporary Japanese Masters. New York: Japan Society.

Earle, Joe. 2008. New Bamboo: Contemporary Japanese Masters. New York: Japan Society.

Earle, Joe. 2009. Serizawa: Master of Japanese Textile Design. New Haven: Yale University Press.

Earle, Joe. 2009. Japanese Art & Design. London: Victoria and Albert Museum.

Earle, Joe. 2011. "Memories, Dreams, Reflections: Bye Bye Kitty!!! at Japan Society, New York." Orientations 42 (2):139-142.

Earle, Joe. 2013. "Japanese Bronzes in the Larry Ellison Collection of Japanese Art." In In the Moment: Japanese Art from the Larry Ellison Collection, edited by Laura W. Allen, Melissa M. Rinne and Emily J. Sano, 35-39. San Francisco: Asian Art Museum.

Earle, Joe, Halsey North, Alice North, and Museum of Fine Arts Boston. 2005. Contemporary Clay: Japanese Ceramics for the New Century. Vol. 1st. Boston, Mass: MFA Publications: New York, NY: Distributed to the trade by D.A.P.

Eichman, Shawn. 2011. "The Art of Collaboration: Tomioka Tessai and a Chinese Rubbing of the Orchid Pavilion Gathering." Orientations 42 (7):58-63.

Eijer, Dieuwke. 2011. "Wenn die Experten sich nicht einig sind. Suzuki Harunobu und Shiba Kōkan (When Experts Don’t Agree: Suzuki Harunobu and Shiba Kōkan)." Ostasiatische Zeitschrift, Neue Serie (22):16-29.

Eijer, Dieuwke. 2012. "Dutch Coins in Netsuke." International Netsuke Society Journal 32 (3):12-20.

Emmerich, Michael. 2012. "A Rustic Genji by a Fraudulent Murasaki: A Sense of the Story." In Genji’s World in Japanese Woodblock Prints, edited by Andreas Marks, 18-21. Leiden: Hotei Publishing.

Ettinger, Bracha, and Kyoko Gardiner. 2009. "Affectuous Encounters: Feminine-Matrixial Encounters in Buras/ Resnais’ Hiroshima Mon Amou." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 251-275. Newcastle-upon-Tyne: Cambridge Scholars Press.

Evans, Michael, and Wolf Rovert. 2005. Kokeshi: Wooden Treasures of Japan. Carmel: Vermillion.

Fabricand-Person, Nicole. 2001. "Filling the Void: The Fugen Jurasetsunyo Iconography in Japanese Buddhist Art."Ph.D. dissertation, Princeton University.

Fabricand-Person, Nicole. 2011. "A Change of Clothes: The Selective Japanization of Female Buddhist Images in the Late Heian and Kamakura Periods." In Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by Jerome Silbergeld and Dora C. Y. Ching, 511-529. Princeton, NJ; Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Fabricand-Person, Nicole. 2012. "Redeeming Qualities: Absolving the Sin of Secular Art and Literature in Early Medieval Japan." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 221-242. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Failla, Donatella, and Ukiyoe del Museo Chiossone di Genova. 2005. Dipinti e stampe del mondo fluttuante: capolavori Ukiyoe del Museo Chiossone di Genova. Milano: Skira.

Faulkner, Rupert. 2000. "Beyond Maki-e." Asian Art in London:16-17.

Faulkner, Rupert. 2001. Hiroshige Fan Prints. London: Victoria & Albert Museum.

Faulkner, Rupert. 2002. "The Toshiba Gallery at the Victoria & Albert Museum." In Acts of Renewal: Japanese Art Re-Interpreted, edited by Naren Barfield and Allan Walker, 10-11. London: Victoria & Albert Museum, EYECON, and Wimbledon School of Art.

Faulkner, Rupert. 2002. "The Making of the Montgomery Collection." In Timeless Beauty: Traditional Japanese Art, edited by Waal Edmund de and etc, 161-225. Milan: Skira Editore SpA.

Faulkner, Rupert. 2002. "Ceramics." In Timeless Beauty: Traditional Japanese Art, edited by Edmund de Waal and et al., 161-225. Milan: Skira Editore Spa.

Faulkner, Rupert. 2002. "An Interview with Rupert Faulkner of the Victoria and Albert Museum." Tosetsu (591):33-44.

Faulkner, Rupert. 2003. Tea: East and West. London: Victoria & Albert Museum.

Faulkner, Rupert. 2003. "Cultural Identity and Japanese Studio Ceramics." In Quiet Beauty: Fifty Centuries of Japanese Folk Ceramics from the Montgomery Collection, edited by Robert Moes, 236-245. Art Services International: Alexandria, Virginia.

Faulkner, Rupert. 2003. "What's in a Teabowl: The Case of Raku Kichizaemon XV." Taoci (Transactions of the Oriental Ceramic Society of France) (3):49-56.

Faulkner, Rupert. 2004. "Personal Encounters: Europeans in East Asia." In Encounters: The Meeting of Asia and Europe, 1500-1800, edited by Anna Jackson and Amin Jaffer, 176-187. London: Victoria & Albert Museum.

Faulkner, Rupert. 2004. "Imported Ceramics and Japanese Tea Drinking." In Encounters: The Meeting of Asia and Europe, 1500-1800, 46-56. London: V & A.

Faulkner, Rupert. 2005. "Murose Kazumi and the Victoria and Albert Museum." In Urushi: Works of Murose Kazumi, edited by Research Mejiro Institute of Urushi and Conservation, 86-89. Tokyo: Arrow Art Works and Ohori Kazuhiko.

Faulkner, Rupert. 2005. "A New Generation: Artist-Craftsmen of the Mingei Movement." In International Arts and Crafts, edited by Karen Livingstone and Linda Parry, 312-327. London: Victoria & Albert Museum.

Favell, Adrian. 2014. "Visions of Tokyo in Japanese Contemporary Art." Impressions: Journal of the Japanese Art Society of America 35:69-84.

Feldman, Martha, and Bonnie Gordon. 2006. The Courtesan's Arts: Cross-Cultural Perspectives. New York: Oxford University Press.

Feltens, Frank. 2012. "Immaculate Concepts: In Conversation with Hiroshi Sugimoto." Orientations 43 (4):66-70.

Fiorillo, John, and Peter Ujlaki. 2014. "Koban Nishiki-e: Rare Small-Format Colour Prints from Osaka." Andon 96:5-36.

Fischer, Felice. 2007. Ike Taiga and Tokuyama Gyokuran: Japanese Masters of the Brush. Philadelphia and New Haven, CT: Philadelphia Museum of Art and Yale University Press.

Fischer, Felice. 2008. The Art of Japanese Craft: 1875 to the Present. Philadelphia and New Haven, CT: Philadelphia Museum of Art and Yale University Press.

Fishbein, Richard. 2012. "Collecting Hakuin." Impressions: Journal of the Japanese Art Society of America 33:111-112.

Fister, Patricia. 2003. Art by Buddhist Nuns: Treasures from the Imperial Convents of Japan. New York, NY: Institute for Medieval Japanese Studies.

Fister, Patricia. 2009. Amamonzeki jiin no sekai: Kōjotachi mikotachi no shinkō to gosho bunka (A Hidden Heritage: Treasures of the Japanese Imperial Convents). Edited by Kenkyūjo Chūsei Nihon. Sankei Shinbunsha: Tokyo.

Fister, Patricia. 2011. "Sanmi no Tsubone: Ashikaga Wife, Imperial Consort, Buddhist Devotee and Patron." Japan Review (23):3-21.

Fitski, Menno. 2011. Kakiemon porcelain: a handbook. Leiden: Amsterdam University Press/Leiden University Press.

Fitski, Menno. 2013. "Baisekidō's Sketchbook." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 13-15. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

Fitski, Menno. 2014. "The New Guardians of the Rijksmuseum." Andon 95:26-31.

Fogel, Joshua A. 2007. "Lust for Still Life: Chinese Painters in Japan and Japanese Painters in China in the 1860s and 1870s." In Acquisition: Art and Ownership in Edo-period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions.

Fogel, Joshua A. 2013. Japanese Historiography and the Gold Seal of 57 C.E. Relic, Text, Object, Fake. Vol. 42, Brill's Japanese Studies Library Boston: Brill.

Fondevilla, Herbeth L. 2007. "Contemplating the Identity of Manga in the Philippines." International Journal of Comic Art 9 (2):441-454.

Fondevilla, Herbeth L. 2012. "Local and Contemporary: Community-Based Art Initiatives in Southern Ibaraki, Japan." Asia Pacific Journal of Arts and Cultural Management 9 (1):14-23.

Ford, James L. 2005. "Competing with Amida: A Study and Translation of Jokei's Miroku Koshiki." Monumenta Nipponica 60 (1):43-79.

Formanek, Susanne, and Sepp Linhart. 2005. Written Texts--Visual Texts: Woodblock-Printed Media in Early Modern Japan, Hotei Academic European Studies on Japan; Vl. 3. Amsterdam: Hotei.

Formanek, Susanne, and Sepp Linhart. 2012. "Playing with the ‘Shining Prince’: Genji-related Woodblock-printed Games." In Genji’s World in Japanese Woodblock Prints, edited by Andreas Marks, 40-53. Leiden: Hotei Publishing.

Fowler, Elizabeth. 2005. "The Rockwood Sage: Kitaro Shirayamadani, Japanism, Art Nouveau, and the American Art Pottery Movement, 1885-1912."Ph.D. dissertation, University of Minnesota.

Fowler, Sherry. 2000. "Shifting Identities in Buddhist Sculpture: Who’s Who in the Murōji Kondō." Archives of Asian Art (52):83-104.

Fowler, Sherry. 2000. "The Splitting Image of Baozhi at Saioji and His Cult in Japan." Oriental Art 46 (4):2-10.

Fowler, Sherry. 2006. "Travels of the Daihōonji Six Kannon Sculptures." Ars Orientalis (36):178-214.

Fowler, Sherry. 2006. "The Murōji Golden Hall Wall Painting or “Taishakuten Mandara"." Zurich Studies in the History of Art: Georges Bloch-Jahrbuch, Universität Zürich Kunsthistorisches Institut 13 (14):434-459.

Fowler, Sherry. 2007. "Between Six and Thirty-three: Manifestations of Kannon in Japan” (“Zwischen sechs und dreiunddreissig: Erscheinungsformen von Kannon Bosatsu”)." In Divine Compassion: Early Buddhist Art from Japan (Kannon Göttliches Mitgefuhl Frühe buddhistische Kunst aus Japan). Rietberg Museum at the University of Zürich: Zürich.

Fowler, Sherry. 2008. "Views of Japanese Temples and Shrines from Near and Far: Precinct Prints of the Eighteenth and Nineteenth Centuries." Artibus Asiae 68 (2):247-285.

Fowler, Sherry. 2010. "Locating Tōmyōji and Its “Six” Kannon." In Capturing the “Original”: Archives for Cultural Properties, edited by Kenkyūjo Tokyo Bunkazai, 56-74. Tokyo: National Research Institute for Cultural Properties.

Fowler, Sherry. 2014. "Containers of Sacred Text and Image at Twelfth-Century Choanji in Kyushu." Artibus Asiae 74 (1):43-73.

Fowler, Sherry. 2014. "Saved by the Bell: Six Kannon and Bonsho?" In China and Beyond in the Medieval Period: Cultural Crossings and Inter-regional Connections, edited by Dorothy Wong and Gustav Heldt, 329–350. New Delhi and Amherst, New York: Manohar Publishers and Cambria Press.

Fowler, Sherry Dianne. 2005. Muroji: Rearranging Art and History at the Japanese Buddhist Temple. Honolulu: University of Hawai'i Press.

Foxwell, Chelsea. 2007. "Dekadansu: Ukiyo-e and the Codification of Aesthetic Values in Modern Japan, 1880-1930." Octopus: A Visual Studies Journal 3:21-41.

Foxwell, Chelsea. 2008. "Kano Hogai (1828-88) and the Making of Modern Japanese Painting."Ph.D. dissertation, Columbia University.

Foxwell, Chelsea. 2009. "Japan as Museum? Encapsulating Change and Loss in Late-Nineteenth-Century Japan." Getty Research Journal 1:39-52.

Foxwell, Chelsea. 2010. "Merciful Mother Kannon and its Audiences." The Art Bulletin XCII (4):39-52.

Foxwell, Chelsea. 2012. "New Art and Display of Antiquities in Mid-Meiji Tokyo." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:137-154.

Fraleigh, Matthew. 2009. "Crafting a Japanese Don Quixote." In Serizawa: Master of Japanese Textile Design, edited by Joe Earle, 101-105. New Haven: Yale University Press.

Fraser, Karen. 2006. "The Tomishige Studio and the Development of Domestic Commercial Photography in Meiji Japan (1868-1912)."Ph.D. dissertation, Stanford University.

Fraser, Karen. 2009. "Studio Practices in Early Japanese Photography." History of Photography 33 (2):132-144.

Fraser, Karen M. 2011. Photography and Japan. Reaktion Books: London.

Fraser, Karen M. 2012. "Beauty Battle: Politics and Portraiture in Late Meiji Japan (1868-1912)." In Visualizing Beauty: Gender and Ideology in East Asia, edited by Aida Yuen Wong. Hong Kong: HKU Press.

Fritsch, Lena. 2011. The Body as a Screen: Japanese Art Photography of the 1990s. Hildesheim: Georg Olms.

Fritsch, Lena. 2012. "Tales of Tono and the Concept of Furusato." In Daido Moriyama: Tales of Tono. London: Tate Publishing.

Fritsch, Lena. 2012. "Tod und Töten im fotografischen Bild (Death and Killing in the Photographic Image). Izima Kaorus 'Landscapes with a Corpse' und Yann Tomas 'Crimes sur Commande'." In Töten: Darstellbarkeit eines Prozesses? (Killing: Is it Possible to Depict the Process?), edited by Doris Schuhmacher-Chilla and Nadia Ismail, 87–106. Oberhausen: Athena.

Fritsch, Lena. 2014. "Die Verpackung zählt! Miwa Yanagis fotografische Serie “Elevator Girls” und die Kunst des Verhüllens in japanischen Kaufhäusern (Wrapping Matters! Miwa Yanagi’s Photographic Series Elevator Girls and the Art of Wrapping in Japanese Department Stores)." In Haut und Hülle: Umschlag und Verpackung (Skin and Shell: Envelope and Packaging), edited by Michael Fisch and Ute Seiderer, 194–206. Berlin: Rotbuch.

Fritsch, Lena. 2014. "Miyako Ishiuchi." In Unbeugsam und Ungebändigt: Dokumentarische Fotografie um 1979 (Intractable and Untamed: Documentary Photography around 1979), edited by Barbara Engelbach, 90–92. Cologne: Museum Ludwig Cologne.

Fritsch, Lena. 2014. "The Bittersweet Beauty of Ephemerality: Ishiuchi Miyako’s Photography." In Miyako Ishiuchi: Hasselblad Award 2014, edited by Louise Wolthers and Dragana Vujanovic, 137–142. Heidelberg: Kehrer.

Fukuoka, Maki. 2005. "Between Seeing and Knowing: Shifting Standards of Accuracy and the Concept of Shashin in Japan, 1830-1872."Ph.D. dissertation, University of Chicago.

Fukuoka, Maki. 2010. "Toward a Synthesized History of Photography: Conceptual Genealogy of Shashin." Positions: Asia Critique 18 (3 Special Issue on Photography in East Asia):571-597.

Fukuoka, Maki. 2011. "Selling Portrait Photographs: Early Photographic Business in Asakusa, Japan." History of Photography 35 (4):353-374.

Fukuoka, Maki. 2012. The Premise of Fidelity: Science, Visuality, and Representing the Real in Nineteenth-Century Japan. Palo Alto: Stanford University Press.

Garcia Rodriguez, Amaury A. 2011. El control de la estampa erótica japonesa shunga (The Control of Japanese Erotic Shunga Prints)  México, D.F.: El Colegio de México.

Gerhart, Karen. 2001. "Issues of Talent and Training in the Seventeenth-Century Kano Workshop." Ars Orientalis (31):103-128.

Gerhart, Karen M. 2000. "Kano Tan'yu and Horin Josho: Patronage and Artistic Practice." Monumenta Nipponica 55 ((Winter) 4):483-508.

Gerhart, Karen M. 2003. "Talent, Training, and Power: The Kano Painting Workshop in the Seventeenth Century." In Copying the Master and Stealing His Secrets: Talent and Training in Japanese Painting, edited by Brenda Jordan and Weston Victoria, 9-30, 189-194. Honolulu: University of Hawaii Press.

Gerhart, Karen M. 2004. "Vision of the Dead: Kano Tan'yu's Paintings of Tokugawa Iemitsu's Dreams." In Critical Perspectives on Classicism in Japanese Painting, 1600-1700, edited by Elizabeth Lillehoj, 1-34. Honolulu: University of Hawai Press.

Gerhart, Karen M. 2004. "Classical Imagery and Tokugawa Patronage: A Redefinition in the Seventeenth Century." In Critical Perspectives on Classicism in Japanese Painting, 1600-1700, edited by Elizabeth Lillehoj, 169-186. Honolulu: University of Hawai Press.

Gerstle, C. Andrew, Timothy Clark, and Akiko Yano. 2005. Kabuki Heroes on the Osaka Stage, 1780-1830. Honolulu: University of Hawai'i Press.

Glassman, Hank. 2002. "The Nude Jizō at Denkōji: Notes on Women's Salvation in Kamakura Buddhism." In Engendering Faith: Women and Buddhism in Pre-Modern Japan, edited by Barbara Ruch, 383-413. Ann Arbor: Center for Japanese Studies, University of Michigan.

Glassman, Hank. 2003. "'Show me the Place Where my Mother Is!' Chūjōhime, Preaching, and Relics in Late Medieval and Early Modern Japan." In In Approaching the Pure Land: Religious Praxis in the Cult of Amitābha, edited by Richard Payne and Kenneth Tanaka, 139-168. Honolulu: Kuroda Institute/University of Hawaii Press.

Gluckman, Dale Carolyn, and Hollis Goodall. 2008. Kimono as Art: The Landscapes of Itchiku Kubota. San Diego: Thames & Hudson.

Goldberg, Deborah A. 2000. "Isamu Noguchi: The Artist as Engineer and Visionary Designer, 1918-1939."Ph.D. dissertation, Institute of Fine Arts/New York University.

Goodall, Hollis. 2008. "Kubota as Imagist: Reinventing Pictorial Icons in Kimono Form." In Kimono as Art: The Landscapes of Itchiku Kubota, edited by Dale Carolyn Gluckman and Hollis Goodall. San Diego: Thames & Hudson.

Goodall, Hollis. 2011. "The Jacqueline Avant Collection of Japanese Lacquer: An Intriguing Pursuit." Arts of Asia 41 (2):107-117.

Goodall, Hollis. 2014. "The ‘Greater Taishō’ Era: A Boiling Cultural Stew." Andon 97:7-18.

Goodall, Hollis, Virginia G. Atchley, Sebastian Izzard, Neil K. Davey, Christine Drosse, Odile Madden, and Robert T. Singer. 2003. The Raymond and Frances Bushell Collection of Netsuke: A Legacy at the Los Angeles County Museum of Art. Chicago & Los Angeles: Art Media Resources.

Graham, Patricia J. 2000. "Festivals of the Twelve Months: Japanese Ceremonial and Seasonal Time." In Tempus Fugit: Time Flies, edited by Jan Schall, 282-287. The Nelson-Atkins Museum of Art: Kansas City, MO.

Graham, Patricia J. 2001. "China's Influence on Japanese Edo Period Paintings at the Indianapolis Museum of Art." Orientations 32 (3):78-92.

Graham, Patricia J. 2002. "The Later Flourishing of Literati Painting in Edo-period Japan." In An Enduring Vision: Paintings from the Manyo'an Collection from the 17th to the 20th Century, edited by Tadashi Kobayashi, 69-87. New Orleans: New Orleans Museum of Art.

Graham, Patricia J. 2003. "Shingon in Japanese Visual Culture, 17th to 20th Century." Bulletin of the Research Institute of Esoteric Buddhist Culture October:119-138.

Graham, Patricia J. 2003. "Fans Afloat: Samurai Taste in Japanese Yamatoe Design." Orientations 34 (11):20-29.

Graham, Patricia J. 2003. "Karamono for Sencha, Transformations in the Taste for Chinese Art." In Japanese Tea Culture: Art, History, and Practice, edited by Morgan Pitelka, 110-136. Routledge-Curzon Press: London.

Graham, Patricia J. 2003. "An Interview with Dr. Kurt A. Gitter and Alice Rae Yelen." Orientations 33 (8):77-81.

Graham, Patricia J. 2007. Faith and Power in Japanese Buddhist Art, 1600-2005. Honolulu: University of Hawai'i Press.

Graham, Patricia J. 2007. "Ōtagaki Rengetsu and the Japanese Tea Ceremony." In Black Robe, White Mist: The Art of the Japanese Buddhist Nun Ōtagaki Rengetsu. Canberra: National Gallery of Australia.

Graham, Patricia J. 2009. "Dissention in the World of Tea: The Fashion for Sencha and Chinese Culture in Early Modern Japan." In Steeped in History: The Art of Tea, edited by Beatrice Hohenegger, 90-105. Los Angeles: Fowler Museum at UCLA.

Graham, Patricia J. 2010. "'Japan to 1333' & 'Japan After 1333'." In Art History, edited by Marilyn Stokstad and Michael Cothren. Upper Saddle River, NJ: Pearson-Prentice Hall.

Graham, Patricia J. 2011. "Compassion, Craft, and Connectedness: Shinji Turner-Yamamoto’s Cincinnati Global Tree Project." Orientations 42 (4):80-85.

Graham, Patricia J. 2011. "The Visual Culture of Japanese Buddhism from the Early Modern Period to the Present." Religious Compass 5 (8):389–411.

Graham, Patricia J. 2011. "Craftsmanship in Japanese Arts." In Reading Asian Art and Artifacts: Windows to Asia on American College Campuses, edited by Paul K. Nietupski and Joan O'Mara, 123-148. Bethlehem PA, Lanham, MD: Lehigh University Press/Rowman & Littlefield.

Graham, Patricia J. 2012. "Compassion, Craft and Connectedness." In Shinji Turner-Yamamoto Global Tree Project, edited by Shinji Turner-Yamamoto, Patricia J. Graham and Justine Ludwig, 49-54. Bologna: Damiani Editore.

Graham, Patricia J. 2014. "East Asian Art." In Appraising Art: The Definitive Guide to Appraising the Fine and Decorative Arts, edited by Wendall Garnett, 291-296. New York: Appraisers Association of America

Graham, Patricia J. 2014. Japanese Design: Art, Aesthetics, and Culture. Rutland VT: Tuttle Publishing.

Graham, Patricia J. 2014. "Ōbaku and Sencha." In Eat This and Drink Some Tea: Huangbo / Ōbaku Crosscultural Zen Calligraphy, 44-54. London: Sydney L. Moss, Ltd.

Graybill, Maribeth. 2011. The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum. Portland OR: Portland Art Museum.

Groemer, Gerald. 2011. "Tamura Hachidayu and the ‘Masters of Sacred Dance'." Japanese Journal of Religious Studies 38 (2):303-327.

Grossman, Nancy, James T. Ulak, Marjorie Williams, Laurence Channing, and Cleveland Museum of Art. 2005. Art of Japan: Masterpieces from the Cleveland Museum of Art. Cleveland, Ohio: Cleveland Museum of Art.

Gunji, Naoko. 2011. "Redesigning the Death Rite and Redesignating the Tomb: The Separation of Kami and Buddhist Deities at the Mortuary Site for Emperor Antoku." Japanese Journal of Religious Studies 38 (1):55-92.

Gunji, Naoko. 2013. "The Ritual Narration of Mortuary Art: The Iliustrated Story of Antoku and Its Etoki at Amidaji." Japanese Journal of Religious Studies 40 (2):203-245.

Guth, Christine. 2004. Longfellow's Tattoos: Tourism, Collecting, and Japan. Seattle: University of Washington Press.

Guth, Christine. 2008. "Hokusai’s Geometry." Review of Japanese Culture and Society 20:120-132.

Guth, Christine, Emiko Yamanashi, and Alicia Volk. 2004. Japan and Paris: Impressionism, Post-Impressionism and the Modern Era. Seattle & Honolulu: University of Washington; Honolulu Academy of Arts.

Guth, Christine M. E. 2011. "Hokusai’s Great Waves in Nineteenth-Century Japanese Visual Culture." The Art Bulletin 93 (4):468-485.

Haft, Alfred. 2005. "Patterns of Correspondence between the Floating World and the Classical Tradition: A Study of the Terms Mitate, Yatsushi and Furyu in the Context of Ukiyo-e."Ph.D. dissertation, University of London, SOAS.

Haft, Alfred. 2006. "Harunobu and the Stylishly Informal: Furyu Yatsushi as Aesthetic Convention." Impressions: Journal of the Japanese Art Society of America 28:23-29.

Haft, Alfred. 2008. "Immortalizing the Yoshiwara Courtesan: Mitate in a Surimono Series by [Yashima] Gakutei." In Reading Surimono: The Interplay of Text and Image in Japanese Prints, edited by John Carpenter. Leiden: Brill.

Haft, Alfred. 2012. "Japanese Prints of the Edo and Meiji Periods." Orientations 43 (7):70-71.

Hamada, Shukuko. 2009. "The Art of Serizawa Keisuke." In Serizawa: Master of Japanese Textile Design, edited by Joe Earle, 117-119. New Haven: Yale University Press.

Hánová, Markéta. 2001. "Harimaze Screens." Bulletin of the National Gallery in Prague:65-72.

Hánová, Markéta. 2003. "Reflection of Reality in Japanese Landscape Painting." Bulletin of the European Association for Japanese Studies (63).

Hánová, Markéta. 2005. "The Image of Mount Fuji in the Perceived Reality of Japanese Landscape Painting." Bulletin of the National Gallery in Prague:71-85.

Hánová, Markéta. 2005. "Tradition of Asian Art Exhibitions in the Czech Lands." In Mimoevropské umění v českých sbírkách; soumrak někdejší slávy? Seminář o studiu mimoevropského umění v souvislosti s českými sbírkami, jejich zpracováním a vystavováním (Symposium on non-European Art Studies with regards to Czech collections and their presentations), edited by Císařský sál Carolinae. Prague: Department of Far East Studies, Charles University in Prague.

Hánová, Markéta. 2006. "Příroda v japonské malbě a grafice” (Nature in Japanese Painting and Graphics)." In Asian Art : Guide to the Permanent Exhibition of the Collection of Oriental Art of the National Gallery in Prague, edited by Michaela Pejčochová. Prague: National Gallery in Prague.

Hánová, Markéta. 2008. "Iluze nebo realita? Ikonografie japonské a evropské krajinomalby na přelomu 19. a 20. století v kontextu reflexe skutečnosti a fenoménu japonismu (Illusion or reality? Iconography of Japanese and European landscape painting at the turn of the 19th and 20th century in reflection of reality and the Japonisme phenomenon)."Ph.D. dissertation, Charles University.

Hánová, Markéta. 2009. Japonské vize krajin (Japanese Visions of Landscape). Prague: National Gallery in Prague.

Hánová, Markéta. 2009. "Srovnání Váchalovy tvorby a jeho originálních technik s uměním japonského dřevořezu." In Hory a srdce. Josef Váchal, Jiří Kornatovský (Yama to kokoro Yozefu Vaharu, Iji Korunatofusuki). Sušice: Takasaki City Gallery, Museum Šumavy Sušice.

Hánová, Markéta. 2010. Japonské exlibris (Japanese exlibris). Hradec Králové: Museum východních Čech v Hradci Králové.

Hánová, Markéta. 2010. Japonisme in the Fine Arts of the Czech Lands. Prague: National Gallery in Prague.

Hánová, Markéta. 2012. "Japonisme in the Czech Visual Arts – An Idiom of Modernity at the turn of the 19th and 20th centuries." In Orientalism/Occidentalism: The Languages of Culture vs. the Languages of Description, edited by Evgeny Steiner, 58-66. Moscow: Russian Institute for Cultural Research.

Harris, Jennifer. 2014. Netsuke and Other Miniatures From the Japanese Collection, Art Gallery of South Australia. Adelaide: Art Gallery of South Australia, THA Distributed.

Harris, John Wesley. 2006. The Traditional Theatre of Japan: Kyogen, Noh, Kabuki, and Puppetry. Lewiston, N.Y: Edwin Mellen Press.

Harris, Victor. 2005. Cutting Edge: Japanese Swords in the British Museum. Vol. 1st. North Clarendon, VT: Tuttle Pub.

Havlicova, Eva. 2012. "What Is in a Place? New Initiatives in Ink Landscape Painting in Eastern Japan during the Later Muromachi Period." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 183-202. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Hayashi, Michio. 2012. "Tracing the Graphic in Postwar Japanese Art." In Tokyo 1955-1970: A New Avant-Garde, edited by Doryun Chung, 94-119. New York, NY: The Museum of Modern Art.

Hein, Laura. 2009. "Tomiyama Taeko’s Art and Remembrance of the Asia Pacific War." Education About Asia 14 (3):14-29.

Hein, Laura. 2010. "Modern Art Patronage and Democratic Citizenship in Japan." Journal of Asian Studies 69 (3):821-841.

Hein, Laura. 2011. "Reckoning with War in the Museum: Hijikata Teiichi at the Kamakura Museum of Modern Art." Critical Asian Studies 43 (1).

Hein, Laura. 2013. "Reckoning with War in the Museum: Hijikata Teiichi at the Kamakura Museum of Modern Art." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 353-366. Leiden-Boston: Brill.

Hein, Laura, and Rebecca Jennison. 2010. Imagination Without Borders: Visual Artist Tomiyama Taeko and Social Responsibility. Ann Arbor: Center for Japanese Studies, The University of Michigan.

Hein, Laura, and Nobuo Tanaka. 2010. "Brushing with Authority: The Life and Art of Tomiyama Taeko." The Asia-Pacific Journal: Japan Focus (13-3-10).

Heinrich, Amy V. 2006. Seasons of Sacred Celebration: Flowers and Poetry from an Imperial Convent. New York, NY: Institute for Medieval Japanese Studies.

Herlands, Jason. 2009. "Rewriting History: The Intoxicating Hierarchies of Kachikujin yapu." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 50-71. Newcastle-upon-Tyne: Cambridge Scholars Press.

Herwig, Henk, Vos, Jos, and Paul Griffith. 2014. "Surprise Comparisons in Kunisada’s Print Series Mitate Sanjūrokkusen." Andon 96:37-64.

Herwig, Henk J., and Joshua Mostow. 2007. The Hundred Poets Compared: A Print Series by Kuniyoshi, Hiroshige, and Kunisada. Leiden & Boston: Hotei Publishing.

Hirano, Katsuya. 2007. "Social Networks and Production of Public Discourse in Edo Popular Culture." In Acquisition: Art and Ownership in Edo-period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions.

Hirasawa, Caroline. 2005. "Hellbent on Heaven: Female Damnation and Salvation in Tateyama's Mandalas."Ph.D. dissertation, Stanford University.

Hirasawa, Caroline. 2008. "The Inflatable, Collapsible Kingdom of Retribution: A Primer on Japanese Hell Imagery and Imagination." Monumenta Nipponica 63 (1):1-50.

Hirasawa, Caroline. 2012. "Cracking Cauldrons and Babies on Blossoms: The Relocation of Salvation in Japanese Hell Painting." Artibus Asiae 72 (1).

Hirasawa, Caroline. 2013. Hell-bent for Heaven in Tateyama Mandara: Painting and Religious Practice at a Japanese Mountain. Vol. 6, Japanese Visual Culture. Leiden and Boston: Brill.

Hirase, Reita. 2013. "War and Bronze Sculpture." In Art and War in Japan and Its Empire, 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Tiampo Ming, 229-239. Leiden: Brill.

Hirasuna, Delphine, and Kit Hinrichs. 2005. The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps, 1942-1946. Berkeley, Calif: Ten Speed Press.

Hirayama, Miki. 2009. "The Emperor’s New Clothes: Japanese Visuality and Imperial Portrait Photography." History of Photography 33 (2):165-184.

Hirayama, Mikiko. 2011. "Japanese Art Criticism: The First Fifty Years." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 257-280. Honolulu: University of Hawai’i Press.

Hirayama, Mikiko. 2013. ""Fictionalized Truth": Realism as the Vehicle for War Painting." In Art and War in Japan and its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 39-58. Leiden-Boston: Brill.

Hoaglund, Lind. 2012. "The Lost Art of Resistance." Impressions: Journal of the Japanese Art Society of America 33:31-42.

Hockley, Allen. 2000. "Shunga: Function, Context, Methodology." Monumenta Nipponica 55 (2):257-269.

Hockley, Allen. 2001. "Cameras, Photographs, and Photography in Nineteenth-Century Japanese Prints." Impressions: Journal of the Japanese Art Society of America 23:42-63.

Hockley, Allen. 2002. Inside the Floating World: Japanese Prints from the Lenoir C. Wright Collection. Greensboro, NC: Weatherspoon Art Gallery.

Hockley, Allen. 2003. The Prints of Isoda Koryusai : Floating World Culture and its Consumers in Eighteenth-Century Japan. Seattle, Wash; Chesham: University of Washington Press; Combined Academic.

Hockley, Allen. 2004. "The Zenning of Shiko Munakata." Impressions: Journal of the Japanese Art Society of America 26:77-87.

Hockley, Allen. 2004. "First Encounters Emerging Stereotypes: Westerners and Seisha in the Late Nineteenth Century." In Geisha: Beyond the Painted Smile, edited by Museum Peabody Esses, 51-65. New York: George Braziller.

Hockley, Allen. 2004. "Packaged Tours: Photo Albums and Their Implications for the Study of Early Japanese Photography." In Reflecting Truth: Photography in Nineteenth-Century Japan, edited by Nicole Coolidge Rousmaniere and Mikiko Hirayama, 66-85. Amsterdam: Hotei Publishing.

Hockley, Allen. 2006. Public Spectacles and Personal Pleasures: Four Centuries of Japanese Prints From a Cincinnati Collection. Cincinnati: Cincinnati Museum of Art.

Hockley, Allen. 2006. "New Age Warriors: Redeploying the Heroic Ethos in the Late Meiji Period." In Chikanobu: Modernity and Nostalgia in Japanese Prints, 109-115. Amsterdam: Hotei Publishing.

Hockley, Allen. 2006. "Expectation and Authenticity in Meiji Tourist Photography." In Challenging Past and Present: The Metamorphosis of Nineteenth-Century Japanese Art, edited by P. Ellen Conant, 114-132. Honolulu: University of Hawaii Press.

Hockley, Allen. 2010. "A Response to Kinoshita Naoyuki: Foreign Perspectives on 'Living Dolls' at Asakusadera." Impressions: Journal of the Japanese Art Society of America (32):167-176.

Hockley, Allen. 2012. "Other Tea Cults." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:94-115.

Holmberg, Ryan. 2009. "The Third Mind." Impressions: Journal of the Japanese Art Society of America (31):142-157.

Hori, Sachiko. 2012. "The Roles of Women of the Samurai Class." In Art of Armor: Samurai Armor From The Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 51-57. Dallas, TX, New Haven, CT, & London: The Ann and Gabriel Barbier-Mueller Museum in association with Yale University Press.

Horiuchi, Lynne. 2005. "Dislocations and Relocations: The Built Environments of Japanese American Internment."Ph.D. dissertation, University of California at Santa Barbara.

Hoshino, Yukinobu. 2012. Professor Munakata’s British Museum Adventure. Edited by Nicole Coolidge Rousmaniere. London: British Museum Press.

House, John. 2013. "Impressionism and Japan." In Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period: The Khalili Collection, edited by Gregory Irvine, 104-139. New York: Thames & Hudson.

Hu, Philip K. 2009. "Sail Returning from Distant Shore: Chinese Themes and Styles on Japanese Folding Screens." In Beyond Golden Clouds: Japanese Screens from the Art Institute of Chicago and the Saint Louis Art Museum, edited by Janice Katz, 57-72. Singapore: The Art Institute of Chicago.

Hughes, Michael C. 2006. An Important Collection of Chinese, Korean and Ryukyuan Lacquer. New York: Michael C. Hughes, LLC.

Hunter, Harriet. 2002. "A Late Heian Period Reinterpretation of the Rishukyô Mandara." Japanese Religions 27 (1 Special Issue on Shingon Buddhism).

Hutt, Julia. 2000. "East and West in Japanese Export Lacquerware: Some Problem Pieces in the Victoria and Albert Museum." In Ostasiatische und Europäische Lacktechniken (East Asian and European Lacquer Techniques), 19-26. Munchen: Bayerisches Landesamt fur Denkmalpflege.

Hutt, Julia. 2000. "Unryuan – Looking Back as a Way Forward." In Creativity Within Tradition: The Lacquer Art of Kitamura Tatsuo – Unryuan: Precious Makie, edited by Museum Nomura Art. Kyoto: Nomura Art Museum.

Hutt, Julia. 2001. "Lacquerwork of Japan and Korea." In The World of Lacquer: 2000 years of history, edited by Carvalho Pedro de Moura, 67-79. Lisbon: Calouste Gulbenkian Foundation.

Hutt, Julia. 2003. Japanese Netsuke. London: Victoria & Albert Museum.

Hutt, Julia. 2003. "The Japanese Collection of Lacquerware in the Victoria and Albert Museum." In The Role of Urushi in International Exchange, edited by Tokyo National Research Institute for Cultural Properties and Museum Tokyo National, 46-51. Tokyo: National Research Institute for Cultural Properties, Tokyo and Tokyo National Museum.

Hutt, Julia. 2004. "Asia in Europe: Lacquer for the West." In Encounters; The Meeting of Asia and Europe 1500 - 1800, edited by Anna Jackson and Amin Jaffer, 234-253. London: Victoria & Albert Museum.

Hutt, Julia. 2005. "The Mazarin Chest Project: Japanese Export Lacquer in the Victoria & Albert Museum." Arts of Asia 35 (5):101-106.

Hutt, Julia. 2006. "From the Eight Views of the Xiaoxiang to the Omi Hakkei: A New Interpretation of the Iconography of the Mazarin Chest." Transactions of the Oriental Ceramic Society 71:3-18.

Hutt, Julia, and Lesley Kehoe. 2003. Unryuan: Master of Traditional Japanese Lacquer: Selected Works. Melbourne, Australia: Lesley Kehoe Galleries.

Hutt, Julia, and Stephen Overbury. 2000. Namiki: The Art of Japanese Lacquer Pens. Toronto, Ontario: Pens Unlimited.

Ikeda, Asato. 2009. "Japan’s Haunting War Art: Contested War Memories and Art Museums." disClosure (18):5-32.

Ikeda, Asato. 2009. "Fujita Tsuguharu Retrospective 2006: Resurrection of a Former Official War Painter." Review of Japanese Culture and Society 21:97-115.

Ikeda, Asato. 2010. "Twentieth Century Japanese Art and the Wartime State: Reassessing the Art of Ogawara Shū and Fujita Tsuguharu." The Asia-Pacific Journal: Japan Focus (43-2-10).

Ikeda, Asato. 2012. "Envisioning Fascist Space, Time, and Body: Japanese Paintings during the Fifteen-Year War (1931-1945)."Ph.D. dissertation, University of British Columbia.

Ikeda, Asato. 2013. "Ikeda Manabu, the 2011 Great East Japan Earthquake, and Disaster/ Nuclear Art in Japan." The Asia-Pacific Journal: Japan Focus 11 (13-2).

Ikeda, Asato. 2013. "On Uranium Art: Artist Ken + Julia Yonetani in Conversation with Asato Ikeda." The Asia-Pacific Journal: Japan Focus 11 (11-1).

Ikeda, Asato. 2013. "Modern Girls and Militarism: Japanese Style Machine-ist Paintings, 1935-1940." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 91-110. Leiden-Boston: Brill.

Ikeda, Asato, Aya Louisa McDonald, and Ming Tiampo, eds. 2013. Art and War in Japan and its Empire, 1931-1960. Leiden: Brill.

Ikeda, Asato, and Ming Tiampo. 2011. "The Transnational History of Japanese Woodblock Prints." In Inuit Prints: Japanese Inspiration. Ottawa: Canadian Museum of Civilization.

Ikeda, Shinobu. 2008. "The Allure of a "Woman in Chinese Dress": Representation of the Oilier in Imperial Japan." In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill.

Imada, Kinichi. 2004. "Typography Review 04: Succeeding the History of Typefaces." Idea International Graphic Art (304):119-134.

Impey, O. R., and C. J. A. Jörg. 2005. Japanese Export Lacquer: 1580-1850. Amsterdam: Hotei.

Inaga, Shigemi. 2012. "Okakura Kakuzō and India: The Trajectory of Modern National Consciousness and Pan-Asian Ideology Across Borders." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:39-57.

Inaga, Shigemi. 2012. "Crossing Axes: Occidentalism and Orientalism in Modern Visual Representations of Manchukuo (1931-1945)." In Orientalism/Occidentalism: The Languages of Culture vs. the Languages of Description, edited by Evgeny Steiner, 93-113. Moscow: Russian Institute for Cultural Research.

Irvine, Gregory. 2000. The Japanese Sword: the Soul of the Samurai. London: Victoria & Albert Museum.

Irvine, Gregory. 2001. "The Japanese Sword." Orientations 32 (10):36-38.

Irvine, Gregory. 2002. "Masks." In Timeless Beauty: Traditional Japanese Art from the Montgomery Collection, edited by Waal Edmund de and etc, 227-253. Milan: Skira Editore SpA.

Irvine, Gregory. 2002. "Metalwork." In Timeless Beauty: Traditional Japanese Art from the Montgomery Collection, edited by Waall Edmund de and etc, 254-287. Milan: Skira Editore SpA.

Irvine, Gregory. 2004. Guide to Japanese Art Collections in the UK. London: Hotei Publications in conjunction with the Japan Society.

Irvine, Gregory. 2004. "Japanese Diplomatic Relations with Europe." In Encounters: the Meeting of Europe and Asia 1500-1800, edited by Anna Jackson and Amin Jaffer, 100-101. London: Victoria & Albert Museum.

Irvine, Gregory. 2004. "East Asian Metalwork for the Export Market." In Encounters: the Meeting of Europe and Asia 1500-1800, edited by Anna Jackson and Amin Jaffer, 232-233. London: Victoria & Albert Museum.

Irvine, Gregory. 2004. "The Impact of European War Technology." In Encounters: the Meeting of Europe and Asia 1500-1800, edited by Anna Jackson and Amin Jaffer, 324-325. London: Victoria & Albert Museum.

Irvine, Gregory. 2004. Well-Hammered: The Art of Japanese Metalwork. Bournemouth: Russell-Cotes Museum.

Irvine, Gregory. 2005. "Shippōyaki: ‘The Art of Japanese Cloisonné." Arts of Asia 35 (5):76-86.

Irvine, Gregory. 2005. "Collecting Japanese Arms and Armour: A European Perspective with an Emphasis on the Collections of the Victoria & Albert Museum." Oriental Art Magazine LV (1):37-46.

Irvine, Gregory. 2006. Japanese Cloisonné: The Seven Treasures. London: Victoria & Albert Museum.

Irvine, Gregory. 2007. "The Hayashi Revisions Revised: Hayashi and the Japanese Art Collection of the Victoria and Albert Museum, London, 1886." In Hayashi Tadamasa: Japonisme and cultural exchange. Tokyo: Brücke Inc.

Irvine, Gregory. 2009. "Collecting Japanese Art at the Victoria and Albert Museum." Arts of Asia 39 (4).

Irvine, Gregory. 2010. "Le Samouraï: une histoire millénaire (The Samurai: the history of a millennium)." In Kyoto-Tokyo, des Samourais aux mangas (Kyoto-Tokyo, The Samurais of Mangas), edited by Emmanuelle Kouchner. Paris: Xavier Barral/Grimaldi Forum.

Irvine, Gregory. 2011. Japanese Cloisonné Enamels. London: V & A Publishing.

Irvine, Gregory. 2012. "Japanese Arms and Armour after 1600." In Art of Armor: Samurai Armor from the Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 99-106. New Haven: Yale University Press.

Irvine, Gregory, ed. 2013. Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period: The Khalili Collection. New York: Thames & Hudson.

Irvine, Gregory. 2013. "From Namban to Meiji: The Availability and Reception of Japanese Art in the West." In Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period: The Khalili Collection, edited by Gregory Irvine, 16-53. New York: Thames & Hudson.

Irvine, Gregory. 2013. "Wakon Yosai -- Japanese spirit, Western Techniques: Meiji Period Arts for the West." In Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period: The Khalili Collection, edited by Gregory Irvine, 166-223. New York: Thames & Hudson.

Irvine, Gregory. 2014. "The Dresden State Art Collections: Collecting Japan in the 19th Century." Arts of Asia 44 (4):41-54.

Irvine, Gregory, and Anna Jackson. 2000. "'The Finest Piece of Bronze Which an Artist’s Hand Ever Produced': The Life and Times of a Japanese Incense Burner." Apollo 465:18-23.

Isaka, Maki. 2009. "Images of Onnagata: Complicating the Binarisms, Unraveling the Labyrinth." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 22-39. Newcastle-upon-Tyne: Cambridge Scholars Press.

Ito, Daisuke. 2007. "The Kotohiragu Collection: Dedications to the Kompira Deity." In Acquisition: Art and Ownership in Edo-period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions.

Iwakiri, Yuriko, and Amy Newland. 2013. Kuniyoshi: Japanese Master of Imagined Worlds. Leiden: Hotei Publishing.

Iwatate, Marcia, and Geeta K. Mehta. 2005. Japan Houses. North Clarendon, Vt: Tuttle.

Izzard, Sebastian. 2010. "Catherine Halff Edson (1938–2010): Remembering an Esteemed Collector." Impressions: Journal of the Japanese Art Society of America (32):177-179.

Izzard, Sebastian. 2010. "The Kollar Collection of Japanese Prints and Paintings." In Fleeting Beauty: Japanese Woodblock Prints, edited by Catherine C. Roche, 9-13. Seattle: Seattle Art Museum.

Jabn, Gisela. 2005. The Art of Japanese Export Porcelain and Satuma Ware 1868-1912. Stuttgart, Germany: Arnoldsche Art Publishers.

Jackson, Anna. 2000. "Orient and Occident." In Art Nouveau 1890-1914, edited by Paul Greenhalgh, 100-113. London: Victoria & Albert Museum.

Jackson, Anna. 2000. "Textiles." In Mingei: Beauté du Quotidien au Japon, La Collection Montgomery, 117-139. Nice, France: Musée des Arts Asiatiques.

Jackson, Anna. 2000. "Tradition and Modernity: Japan and the Creation of Art Nouveau." New Architecture 6:38-45.

Jackson, Anna. 2001. "Art and Design: East Asia." In The Victorian Vision: Inventing New Britain, edited by John MacKenzie, 296-313. London: Victoria & Albert Museum.

Jackson, Anna. 2002. "Textiles." In Timeless Beauty: Traditional Japanese Art from the Montgomery Collection, edited by Waal Edmund de and etc, 289-355. Milan: Skira Editore SpA.

Jackson, Anna. 2003. "Tessuti del Mondo Fluttuante; stoffe tradizionali nelle xilografie giapponesi’ [Fabrics of the Floating World: traditional textiles in Japanese woodblock prints]." In in Giappone Coloir Indaco: La Collezione Montgomery, 10-13. Milan: Biblioteca di via Senato Edizioni.

Jackson, Anna. 2003. "Inspiration from the East." In Art Deco:1910-1939, edited by Tim Benton Charlotte Benton and Wood Ghislaine, 66-77. London: Victoria & Albert Museum.

Jackson, Anna. 2003. "Art Deco in East Asia." In Art Deco:1910-1939, edited by Charlotte Benton, Tim Benton and Ghislaine Wood, 370-381. London: Victoria & Albert Museum.

Jackson, Anna. 2003. "Ritual and Drama: Japanese Costume in the Victoria and Albert Museum." Arts of Asia 33 (2):102-109.

Jackson, Anna. 2003. "La Passion du Laque." Dossier de l’art Hors Série de l’Estampille/L’Object d’art (95):52-57.

Jackson, Anna. 2004. "Japanese Textiles in the Victoria and Albert Museum."

Jackson, Anna. 2004. "Visual Responses: Depicting Europeans in East Asia." In Encounters: the meeting of Asia and Europe, edited by Anna Jackson and Amin Jaffer, 200-217. London: Victoria & Albert Museum.

Jackson, Anna. 2005. "Fashion for the Foreign: The Taste for Exotic Textiles and Dress in Momoyama and Edo Period Japan." Oriental Art LV (1):28-36.

Jackson, Anna. 2005. "Dynamic Lines and Syncopated Rhythms: Art Nouveau and Art Deco Designs in Early Twentieth-Century Kimono." In Fashioning Kimono: Dress and Modernity in early twentieth century Japan, edited by Annie van Assche, 30-37. Milan: 5 Continents Editions.

Jackson, Anna. 2014. "Fashioning the ‘Greater Taishō’ Era." Andon 97:105-116.

Jackson, Anna, and Amin Jaffer. 2002. Encounters: the meeting of Asia and Europe. London: Victoria & Albert Museum.

Jaffer, Amin. 2000. "Textiles." In Mingei: Beauté du Quotidien au Japon, La Collection Montgomery, 117-139. Nice: Musée des Arts Asiatiques.

Javallana SJ, René B. 2013. "The Invention of an Icon: From Francisco Xavier of Navarre to San Francisco, Patron of the Missions and Apostle to the Indies." In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 17-26. Boston: McMullen Museum of Art, Boston College.

Jenkins, Donald. 2011. "The Artist’s Touch, The Craftsman’s Hand: Endurance and Innovation in Japanese Prints." In The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited by Maribeth Graybill, 25-65. Portland OR: Portland Art Museum.

Jenkins, Donald. 2011. "Harunobu Reconsidered." In The Artist’s Touch, The Craftsman’s Hand: Three Centuries of Japanese Prints from the Portland Art Museum, edited by Maribeth Graybill, 97-106. Portland OR: Portland Art Museum.

Jirka-Schmitz, Patrizia. 2005. The World of Netsuke: The Werdelmann Collection at the Museum Kunst Palast Dusselsorf. Stuttgart: Arnoldsche Art Publishers.

Jirka-Schmitz, Patrizia. 2014. "Shin Hanga and Nihonga in Berlin, 1929-1932: Donations and Exhibitions." Andon 97:75-90.

Jodidio, Philip. 2008. Tadao Ando: Modern Art Museum of Fort Worth. New York and Fort Worth: Rizzoli and Modern Art Museum of Fort Worth.

Johnson, Hiroko. 2005. Western Influence on Japanese Art: The Akita Ranga Art School and Foreign Books. Amsterdam: Hotei.

Johnson, Hiroko. 2010. "Early Provenance Histories: The Cora Timken Burnett Bequest of Ukiyo-e Prints." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 33-52. Seattle: University of Washington Press.

Johnson, Hiroko. 2010. "Yokohama-e: Prints of a New Port City." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 145-186. Seattle: University of Washington Press.

Johnson, Scott. 2014. "New Colours, A New Profession & A New Idea: Zuan Enrich Kyoto Design Books." Andon 97:117-128.

Jungmann, Burglind. 2004. Painters as Envoys: Korean Inspiration in Eighteenth-century Japanese Nanga. Princeton, N.J: Princeton University Press.

Kainuma, Oshiko. 2014. "Chogen’s Jodoji Amida Triad and Its Environment: A Theatrical Effect of the Raigo Form." Artibus Asiae 74 (1):97-128.

Kal, Hong. 2003. "The Presence of the Past: Exhibitions, Memories, and National Identities in Colonial and Postcolonial Korea and Japan."Ph.D. dissertation, SUNY Binghamton.

Kamada, Yumiko. 2013. "Woven Flowers: Persian and Indian Carpets in Early Modern Japan." Orientations 44 (3):53-61.

Kameda-Madar, Kazuko. 2012. "A Set of Four Guardian Hanging Scrolls and the Transformation of the Twelve Devas Pictorial Tradition in Medieval Japan." Kaikodo Journal 28:21-27.

Kameda-Madar, Kazuko. 2014. "Copying and Theory in Edo Period Japan (1615-1868)." Art History 37 (4 Special Issue, Theorizing Imitation in a Global Context):708-727.

Kameda-Madar, Kazuko. 2014. "A Sixteenth-Century Korean Landscape Painting with Seal Reading ‘Bunsei’." Kaikodo Journal XXX:24-29.

Kamens, Edward. 2011. "Ink Play." The Yale Review 99 (2):51-74.

Kaminishi, Ikumi. 2006. Explaining Pictures: Buddhist Propaganda and Etoki Storytelling in Japan. Honolulu: University of Hawai'i Press.

Kanda, Fusae. 2004. "Hōnen’s/Senchaku/Doctrine and his Artistic Agenda." Journal of Religious Studies 31:3-27.

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Kunimoto, Namiko. 2014. "Tanaka Atsuko’s Electric Dress and the Circuits of Subjectivity." The Art Bulletin XCV (3):465-483.

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Kuroda, Raiji. 2005. "A Flash of Neo Dada: Cheerful Destroyers in Tokyo (1993)." Review of Japanese Culture and Society 17, 1960s Japan: Art Outside the Box.

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Lai, Yu-chih. 2005. "Surreptitious Appropriation: Ren Bonian (1840-1850) and Japanese Culture in Shanghai, 1852-1895."Ph.D. dissertation, Yale University.

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Lillehoj, Elizabeth. 2010. "Making Asia out of China: Okakura Kakuzo's Notions of Classicism." In Collecting China: The World, China, and a Short History of Collecting, edited by Vimalin Rujivacharakul. Newark: Delaware University Press, Rowman & Littlefield.

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Lippit, Yukio. 2003. "The Birth of Japanese Painting History: Kano Artists, Authors, and Authenticators of the Seventeenth Century."Ph.D. dissertation, Princeton University.

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Lippit, Yukio. 2011. "The Monk Painter in Medieval Japan." In Splendid Impressions: Japanese Secular Paintings 1400-1900 in the Museum of East Asian Art, Cologne, edited by Doris Croissant, 32-39. Leiden: Brill/Hotei Publishing.

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Lippit, Yukio. 2012. "Seer of Sounds: The Muqi Triptych." In Crossing the Sea: Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu, edited by Gregory P. A. Levine, Andrew M. Watsky and Gennifer Weisenfeld, 243-266. P.Y. and Kinmay W. Tang Center for East Asian Art and the Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Lippit, Yukio. 2012. Colorful Realm: Japanese Bird-and-Flower Paintings by Itō Jakuchū. Washington DC: National Gallery of Art.

Lippit, Yukio. 2013. "The Heirloom Painting in Early Modern Japan." In The Family Model in Chinese Art and Culture edited by Jerome Silbergeld and Dora C.Y. Ching, 475-512. Princeton: Princeton University Press.

Lippit, Yukio. 2013. "Fantasies and Foreign Contact in the Art History of Japan: Timon Screech in Conversation with Yukio Lippit." The Art Bulletin 95 (2):212-217.

Lippit, Yukio. 2014. "Japanese Folding Screens and the Gitter-Yelen Collection." In Unfolding Worlds: Japanese Screens from the Gitter-Yelen Collection, edited by Miriam Malachi. Jerusalem: The Israel Museum.

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Loveday, Helen. 2013. "A New Display: The Japanese Collections of the Baur Foundation." Arts of Asia 43 (4):48-57.

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Lühl, Hendrick. 2014. "An Album of Osaka Actor Prints." Andon 98:49-68.

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Machotka, Ewa. 2009. Visual Genesis of Japanese National Identity. Hokusai's Hyakunin isshu. New York: Peter Lang Publishing Group.

Machotka, Ewa. 2014. "For Girls and Wives: Narrating ‘Tradition’ and ‘Modernity’ through Gendered Publications of the Taishō Era." Andon 97:91-104.

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Maeda, Tamaki. 2009. "Rediscovering China in Japan: Fu Baoshi's Ink Painting." In Writing Modern Chinese Art: Historiographic Explorations, edited by Josh Yiu. Seattle: Seattle Art Museum.

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Marks, Andreas. 2005. "A Country Genji: Kunisada’s Single-Sheet Genji Series." Impressions: Journal of the Japanese Art Society of America 27:58-79.

Marks, Andreas. 2007. "Third Month 1807 (Bunka 4), Utagawa Kunisada’s Debut?" Ukiyo-e geijutsu 154:66-69.

Marks, Andreas. 2007. "When the Shogun Travels to Kyoto—The Great 'Processional Tokaido' Series." Andon 81:5-44.

Marks, Andreas. 2008. Generosity in Clay: Modern Japanese Ceramics from the Natalie Fitz-Gerald Collection. Clark Center Exhibition Series 3. Hanford: Clark Center for Japanese Art and Culture.

Marks, Andreas. 2008. They Swim, Fly, Wiggle, Walk, or Slither: The Hidden Code of Animals in Japanese Art. Clark Center Exhibition Series 2. Hanford: Clark Center for Japanese Art and Culture.

Marks, Andreas. 2008. Traces of China: The Japanese Transformation of Chinese Themes and Techniques. Clark Center Exhibition Series 1. Hanford: Clark Center for Japanese Art and Culture.

Marks, Andreas. 2008. "Hiroshige’s Publishers." In Hiroshige: Shaping the Image of Japan, edited by Chris Uhlenbeck and Marije Jansen. Leiden: Brill.

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Marks, Andreas. 2010. Publishers of Japanese Woodblock Prints: A Compendium. Leiden and Boston: Hotei Publishing.

Marks, Andreas. 2010. Japanese Woodblock Prints: Artists, Publishers and Masterworks 1680–1900. North Clarendon, Tokyo, Singapore: Tuttle.

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Marks, Andreas. 2010. "Anything that Creeps and Flies: Natural History Prints." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 118–127. Seattle: University of Washington Press.

Marks, Andreas. 2010. "Prince Genji and His Provincial Successor: Inaka Genji Prints." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 128–143. Seattle: University of Washington Press.

Marks, Andreas. 2010. "Japanese Heroes in Prints of the Meiji Period." In Dreams and Diversions: 250 Years of Japanese Woodblock Prints at the San Diego Museum of Art, edited by Andreas Marks and Sonya Quintanilla, 174–185. Seattle: University of Washington Press.

Marks, Andreas. 2011. Fukami: Purity of Form. Hanford, CA: Clark Center for Japanese Art & Culture and Washington University Press.

Marks, Andreas. 2012. Kamisaka Sekka: Rinpa Traditionalist, Modern Designer. San Francisco: Pomegranate.

Marks, Andreas. 2012. Modern Twist: Contemporary Japanese Bamboo Art. Washington DC, Seattle: International Arts and Artists and Washington University Press.

Marks, Andreas. 2012. "The Genji Print Phenomenon." Aziatische Kunst 42 (4):13-23.

Marks, Andreas. 2012. "The ‘Decadent’ Japanese Woodblock Print: Application and Preservation of Color in the Mid-Nineteenth Century." In Awash in Color: French and Japanese Prints, edited by Chelsea Foxwell and Anne Leonard, 123–132. Chicago: Smart Museum of Art, University of Chicago.

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Marks, Andreas. 2012. "The Development of Bijinga until the Mid-Nineteenth Century." In The Beauty of the Moment: Women in Japanese Woodblock Prints, edited by Katharina Epprecht, 11–18. Zurich: Museum Rietberg and Scheidegger & Spiess.

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Morse, Anne Nishimura. 2001. "Netsuke in the Museum of Fine Arts, Boston." In Netsuke: Fantasy and Reality in Japanese Miniature Sculpture, 11-15. Boston: Museum of Fine Arts, Boston.

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Morse, Anne Nishimura. 2005. "Exploiting a New Visuality: The Origins of Russo-Japanese War Imagery." In A Much Recorded War: The Russo-Japanese War in History and Imagery, 32-51. Boston: Museum of Fine Arts, Boston.

Morse, Anne Nishimura. 2010. "Images of Wrath and Elegance: Heian Period Buddhist Paintings at the Museum of Fine Arts, Boston." Arts of Asia 40 (6):84-90.

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Morse, Anne Nishimura, and Abigail Hykin. 2014. "An Exploration of Finality: Conservator and Curator Examine the Ceramic Sculpture of Nishida Jun." Impressions: Journal of the Japanese Art Society of America 35:85-96.

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Morse, Samuel C. 2009. "Revealing the Unseen: The Master Sculptor Unkei and the Meaning of Dedicatory Objects in Kamakura-Period Sculpture." Impressions: Journal of the Japanese Art Society of America (31):25-41.

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Mostow, Joshua. 2004. "Inventing a New 'Classical' Theme: Tan'yu and the One Hundred Poets." In Classicism in Japanese Art of the Early Edo Period, edited by Elizabeth Lillehoj and Sam Morse, 133-167. Hawai'i: University of Hawai'i Press.

Mostow, Joshua. 2006. "Setsugakka: Snow, Moon and Cherry." In Chikanobu: Modernity and Nostalgia in Japanese Prints, edited by Bruce A. Coats, 83-89. Leiden: Hotei Publishing.

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Osam, Hiraki. 2004. "Japon: Un Autre Portrait – Photographes 1945-1965." In Comment déchiffrer la photographie du Japon d’après-guerre, 46-261. Paris: Flammarion.

Oshima, Ken Tadashi. 2003. "Constructed Natures of Modern Architecture in Japan, 1920-1940: Yamada Mamoru, Horiguchi Sutemi, and Antonin Raymond."Ph.D. dissertation, Columbia University.

Oshima, Ken Tadashi. 2009. "Hijiribashi: Spanning TIme and Crossing Place." In Kenchiku shikō, edited by Suzuki Committee for the Publication in Honor of Professor Hiroyuki, 549-568. Chuo Koron Bijutsu Shuppan.

Ota, Aya, and Yukio Lippit. 2012. "‘Colorful Realm’: An Exhibition Celebrating the Centennial Anniversary of the Cherry Blossom Festival." Orientations 43 (3):44-51.

Oxenboell, Morten. 2005. "Images of Akuto [Evil Bands]." Monumenta Nipponica 60 (2):235-262.

Oyobe, Natsu. 2005. Human Subjectivity and Confrontation with Materials in Japanese Art: Yoshihara Jiro‚ and Early Years of the Gutai Art Association, 1947-1958.

Paget, Rhiannon. 2009. Lethal Beauty: Samurai Weapons and Armor. Edited by Andreas Marks. Hanford, CA: Clark Center for Japanese Art & Culture.

Paget, Rhiannon. 2010. "Luminosity in Monochrome: Japanese Ink Painting and Calligraphy." In Clark Center Exhibition Series 7, edited by Andreas Marks. Hanford CA: Clark Center for Japanese Art & Culture.

Paget, Rhiannon. 2010. "Kodakara and Kamuro." In Utamaro: Hymn to Beauty, edited by Khanh Trinh. Art Gallery of NSW: Sydney.

Paget, Rhiannon. 2010. The Splendor of the Japanese Screen. Edited by Andreas Marks. Hanford, CA: Clark Center for Japanese Art & Culture.

Paget, Rhiannon. 2011. "Raising Subjects: Visual Representations of Children and Childhood in Meiji Japan." New Voices (The Japan Foundation) (4):1-31.

Paget, Rhiannon. 2012. "New Literati: Fukuda Kodojin and Early 20th Century Nanga." TAASA Review, the Journal of the Asian Art Society of Australia 21 (2):12-14.

Paget, Rhiannon. 2012. "Erotic Genji Fantasies." In Genji’s World in Japanese Woodblock Prints, edited by Andreas Marks, 54-67. Leiden: Hotei.

Parthasarathi, Prasannan. 2013. "The Portuguese Textile Trade in Asia." In Portugal, Jesuits, and Japan: Spiritual Beliefs and Earthly Goods, edited by Victoria Weston, 57-60. Boston: McMullen Museum of Art, Boston College.

Pate, Alan Scott. 2005. Ningyo. Boston, Mass.: Tuttle.

Pegg, Richard A. 2014. Cartographic Traditions in East Asian Maps. Honolulu: MacLean Collection and University of Hawai'i Press.

Peschard-Erlih, Erika. 2000. "Les Peintures des Enfers du Rokudo-e du Monastere Shoju-Raigoji." The Journal of Kyoritsu Area Studies (17):13-46.

Peschard-Erlih, Erika. 2006. "Visages Dans L’Art Japonais." Bulletin of Center for Interdisciplinary Studies of Science and Culture, Kyoritsu Women's University 12:109-125.

Pier, Garrett Chatfield. 2005. Temple Treasures of Japan, Kessinger Publishing's rare reprints. Whitefish, MT: Kessinger Pub.

Pitelka, Morgan. 2001. "Raku Ceramics: Tradition and Cultural Reproduction in Japanese Tea Practice, 1574-1942."Ph.D. dissertation, Princeton University.

Pitelka, Morgan. 2004. "Tea Taste: Patronage and Collaboration Among Tea Masters and Potters in Early Modern Japan." Early Modern Japan: An Interdisciplinary Journal Fall:20-38.

Pitelka, Morgan. 2005. Handmade Culture: Raku Potters, Patrons, and Tea Practitioners in Japan. Honolulu: University of Hawai’i Press.

Pitelka, Morgan. 2007. "Back to the Fundamentals: 'Reproducing' Rikyu and Chojiro in Japanese Tea Culture." In The Culture of Copying in Japan: Critical and Historical Perspectives, edited by Rupert Cox. London: Routledge.

Pitelka, Morgan. 2008. "A Raku Wastewater Container and the Problem of Monolithic Sincerity." Impressions: Journal of the Japanese Art Society of America.

Pitelka, Morgan. 2009. "The Empire of Things: Tokugawa Ieyasu's Material Legacy and Cultural Profile." Japanese Studies 29 (1):19-32.

Pitelka, Morgan. 2011. "Art, Agency, and Networks in the Career of Tokugawa Ieyasu." In Blackwell Companion to Asian Art, edited by Deborah Hutton and Rebecca Brown. New York: Wiley-Blackwell.

Pitelka, Morgan. 2013. "The Tokugawa Storehouse: Ieyasu’s Encounters with Things." In Early Modern Things: Objects and their Histories, 1500-1800, edited by Paula Findlen. London: Routledge.

Pollack, David. 2009. "The Cultural Environment of Edo Shunga." Impressions: Journal of the Japanese Art Society of America (31):73-87.

Pollard, Clare. 2003. Master Potter of Meiji Japan: Makuzu Kozan (1842-1916) and His Workshop. Oxford: OUP Oxford Oriental Monographs.

Pollard, Clare. 2003. The Art of Hokusai – Masterpieces of Japanese Printing in the Chester Beatty Library. Dublin: Town House.

Pollard, Clare. 2006. "Gorgeous with Glitter and Gold: Miyagawa Kozan and the Role of Satsuma Export Ware in the Early Meiji Ceramic Industry." In Challenging Past and Present: The Metamorphosis of Nineteenth Century Japanese Art, edited by Ellen P. Conant. Honolulu: University of Hawai'i Press.

Pollard, Clare. 2006. "Zen Mind: The Development of Zen Buddhism." In Zen Mind, Zen Brush: Japanese Ink Paintings from the Gitter-Yelen Collection. Sydney: Art Gallery of New South Wales.

Pollard, Clare. 2011. "The Japanese Collections at the Ashmolean Museum." Arts of Asia 41 (3):114-127.

Pollard, Clare. 2013. "The Art of Bourgeois Culture in Kamakura." In Japan Since 1945: From Postwar to Post-Bubble, edited by Christopher Gerteis and Timothy George, 10-26. London: Continuum Books.

Pollard, Clare, and Mitsuko Ito Watanabe. 2014. Hiroshige: Landscape, Cityscape: Woodblock Prints in the Ashmolean Museum Oxford: Ashmolean Museum.

Pollock, Naomi R. 2005. Modern Japanese House. London ; New York, NY: Phaidon.

Pompili, Marco. 2012. "The Structural Core as Totem: Reflections on Form and Symbol in the Architecture of Metabolism." Fabrications: The Journal of the Society of Architectural Historians, Australia and New Zealand 21 (1):68-87.

Post, Pamela Lee. 2000. "East Meets West: The Model Homes Exhibit at the 1939-1940 New York and San Francisco World's Fairs."Ph.D. dissertation, University of California at Santa Barbara.

Pradel, Chari. 2004. "The Tenjukoku Shucho Mandara: Reconstruction of the Iconography and Ritual Context." In Images in Asian Religious: Texts and Contexts., edited by Phyllis Granoff and Koichi Shinohara, 257-289. Vancouver & Toronto: UBC Press.

Pradel, Chari. 2014. "Portrait of Prince Shōtoku and Two Princes: From Devotional Painting to Imperial Object." Artibus Asiae 74:191-220.

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Quinn, Shelley Fenno. 2005. Developing Zeami: the Noh Actor's Attunement in Practice. Honolulu: University of Hawaii Press.

Rabitz, Gisela, and Albrecht Rabitz. 2014. "Two Versions of Takahashi Shōtei’s ‘Starry Night’." Andon 95:56-57.

Rao, Peggy Landers, Len Brackett, and Aya Brackett. 2005. Building the Japanese House Today. New York: H.N. Abrams.

Rappard-Boon, Charlotte van. 2000. Surimono: Poetry & Image in Japanese Prints. Leiden: Hotei Publishing.

Ray, Deborah Kogan. 2001. Hokusai: The Man Who Painted a Mountain. New York: Farrar, Straus and Giroux.

Reeve, John, and British Museum. 2006. Floating World: Japan in the Edo Period. London: British Museum.

Reynolds, Jonathan. 2011. "Can Architecture Be Both Modern and ‘Japanese’? The Expression of Japanese Cultural Identity through Architectural Practice from 1850 to the Present." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 315-339. Honolulu: University of Hawai’i Press.

Rhee, Jieun. 2005. "Performing the Other: Yoko Ono's 'Cut Piece'." Art History 28 (Feb):96-118.

Ricketts, Paul W. 2013. "Kaleidoscopic Modernisms: Montage Aesthetics in Shanghai and Tokyo Pictorials of the 1920s and 1930s." In Liangyou, Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926–1945, edited by Paul G. Pickowicz, Kuiyi Shen and Yingjin Zhang, 17–43. Leiden: Brill.

Rimer, J. Thomas. 2011. Since Meiji: Perspectives on the Japanese Visual Arts, 1868-2000. Honolulu: University of Hawai'i Press.

Rimer, J. Thomas. 2013. "Still Seeing With New Eyes." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 50-52. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

Ringelberg, Kirstin. 2012. "The Faked Pain of the Artist: Empathy or Sympathy, Compassion or Concealment?" In Representations of Pain in Art & Visual Culture, edited by James Elkins and Maria Pia Di Bella, 28-38. New York: Routledge.

Roach, Colin M. 2014. "Introducing the Japanese Sword." Andon 95:41-55.

Robertson, Jennifer. 2009. "Relentless Presentism: Life and Art in the Superflat Dimension." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, 2-21. Newcastle-upon-Tyne: Cambridge Scholars Press.

Robertson, Jennifer Ellen. 2005. A Companion to the Anthropology of Japan, Blackwell Companions to Anthropology; 5. Malden, MA; Oxford: Blackwell Publishing.

Roche, Catherine C. 2010. Fleeting Beauty: Japanese Woodblock Prints. Seattle: Seattle Art Museum.

Roman, Maria. 2012. "Asian Values in Japan’s Cultural Heritage: The Role of Chinese and Korean Ceramics." In Shifting Paradigms in East Asian Visual Culture, A Festschrift in Honour of Lothar Ledderose, edited by Burglind Jungmann, Adele Schlombs and Melanie Trede, 193-208. Berlin: Dietrich Reimer Verlag GmbH.

Rosenfield, John. 2012. "Okakura Kakuzō and Margaret Noble (Sister Nivedita): A Brief Episode." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:58-69.

Rousmaniere, Nicole Coolidge. 2012. Vessels of Influence: China and the Birth of Porcelain in Medieval and Early Modern Japan. London: Bristol Classics Press.

Rousmaniere, Nicole Coolidge. 2012. "Arts of Fire / Transformation of Space: Masterworks of Contemporary Japanese Porcelain." In Biennale internationale, Création contemporaine et céramique, edited by d'art Somogy éditions, 184-190. Paris: Somogy éditions d’art.

Rousmaniere, Nicole Coolidge. 2012. "The Dogū Phenomenon." In Dogū Cosmos, edited by Nobuo Tsuji, 246-262; 334-340. Tokyo: Hatori Shoten.

Rousmaniere, Nicole Coolidge. 2012. "Japanese Art in Norwich, Sir Robert and Lady Sainsbury’s Collection in the Sainsbury Centre for Visual Arts, UK." In Kobayashi Tadashi sensei koki kinen ronbunshu, edited by iinkai Kobayashi Tadashi sensei koki kinen ronbunshu henshu, 468-475. Tokyo: Geika Shoin.

Rousmaniere, Nicole Coolidge, and Mikiko Hirayama, eds. 2004. Reflecting Truth: Japanese Photography in the Nineteenth Century. Edited by Nicole Coolidge Rousmaniere and Mikiko Hirayama. Amsterdam: Hotei Publishing.

Ruch, Barbara. 2002. Engendering Faith: Women and Buddhism in Premodern Japan, Michigan monograph series in Japanese studies; no. 43. Ann Arbor, Mich: Center for Japanese Studies, University of Michigan.

Rüger, Axel. 2013. "Vincent van Gogh and Japan." In Japonisme and the Rise of the Modern Art Movement: The Arts of the Meiji Period: The Khalili Collection, edited by Gregory Irvine, 13-15. New York: Thames & Hudson.

Saito, Tamaki. 2009. "The Asymmetry of Masculine/ Feminine Otaku Sexuality: Moe, Yaoi and Phallic Girls." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 155-170. Newcastle-upon-Tyne: Cambridge Scholars Press.

Sakomura, Tomoko. 2004. "Japanese Games of Memory, Matching, and Identification." In Asian Games: The Art of Contest, edited by Colin Mackenzie and Irvin Finkel, 253-271. New York: Asia Society.

Sakomura, Tomoko. 2007. "Pictured Words and Codified Seasons: Visualizations of Waka Poetry in Late Sixteenth- and Early Seventeenth-Century Japan."Ph.D. dissertation, Columbia University.

Sakomura, Tomoko. 2009. "Negotiating Word and Image: The Case of Ōgi no sōshi." In New Horizons in Japanese Literary Studies: Canon Formation, Gender, and Media / edited with introduction by Haruo Shirane, edited by Haruo Shirane. Tokyo: Benseisha.

Sakomura, Tomoko. 2009. "Unfolding Narratives: Visualising the Tales of Genji and Heike on the Folding Screen." In The Golden Journey: Japanese Art from Australian Collections, edited by James Bennett and Amy Newland. Adelaide: Art Gallery of South Australia.

Sakomura, Tomoko. 2011. "Summoning the Thirty-six Poets: A Look at a Poet-Portrait Screen." Impressions: Journal of the Japanese Art Society of America 32:144-165.

Sakomura, Tomoko. 2013. "Japan 1400-1600." In History of Design: Decorative Arts and Material Culture, 1400-2000, edited by Pat Kirkham and Susan Weber. New Haven: Yale University Press.

Sakomura, Tomoko. 2013. "Japan 1600-1750." In History of Design: Decorative Arts and Material Culture, 1400-2000, edited by Pat Kirkham and Susan Weber. New Haven: Yale University Press.

Sakomura, Tomoko. 2013. "Visual Remembrances: Flower Viewing, Poetry, and Yoshino in Text and Image." In Japanese Visual Culture: Performance, Media, and Text, edited by Kenji Kobayashi, Maori Saitō and Haruo Shirane. Tokyo: National Institute of Japanese Literature.

Salel, Stephen. 2013. "The Ephemerality of Gender: Nanshoku and Wakashū in Japanese Erotic Art." Orientations 44 (2):145-152.

Salel, Stephen. 2013. "Exorcizing Demons: A Consideration of Transgressive Humour in 19th Century Shunga." Orientations 44 (7):77-84.

Salel, Stephen. 2014. "The Allure of Innocence: Depictions of Women in Modern Japanese Erotic Art." Orientations 45 (8):58-66.

Salter, Rebecca. 2006. Japanese Popular Prints: From Votive Slips to Playing Cards. Honolulu: University of Hawaii Press.

Sanabrais, Sofia. 2005. "The Biombo or Folding Screen: Examining the Impact of Japan on Artistic Production and the Globalization of Taste in Seventeenth-Xåentury New Spain (Mexico)."Ph.D. dissertation, New York University.

Sand, Jordan, and Harvard University Asia Center. 2005. House and Home in Modern Japan: Reforming Everyday Life 1880-1930, Harvard East Asian monograms ;; 223. Cambridge, Mass.: Harvard University Press.

Sandler, Mark H. 2013. "The Living Artist: Matsumoto Shunsuke's Reply to the State." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 155-168. Leiden-Boston: Brill.

Sano, Emily J. 2013. "In Pursuit of Perfection: The Larry Ellison Collection of Japanese Art." In In the Moment: Japanese Art from the Larry Ellison Collection, edited by Laura W. Allen, Melissa M. Rinne and Emily J. Sano, 9-14. San Francisco: Asian Art Museum.

Sano, Emily J. 2013. "The Larry Ellison Shōtoku Taishi." In In the Moment: Japanese Art from the Larry Ellison Collection, edited by Laura W. Allen, Melissa M. Rinne and Emily J. Sano, 15-20. San Francisco: Asian Art Museum.

Sapin, Julia Elizabeth. 2003. "Liaisons between Painters and Department Stores: Merchandising Art and Identity in Meiji Japan, 1868-1912."Ph.D. dissertation, University of Washington.

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Saunders, Rachel. 2005. "Pursuits of Power: Falconry in Edo Period Japan." Orientations 36 (2):82-92.

Saunders, Rachel. 2011. Le Japon Artistique. San Francisco: Chronicle Editions.

Saunders, Rachel. 2012. "Talking Pictures: The Life of Xuanzang in a Fourteenth-century Japanese Handscroll." Literature and Aesthetics 22 (2):174-200.

Saunders, Rachel. 2013. "Gyre and Gimble: The Artist Books of Takei Takeo (1894–1983)." Print Quarterly 30 (1):23-39.

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Schattschneider, Ellen. 2005. "The Bloodstained Doll: Violence and the Gift in Wartime Japan." Journal of Japanese Studies 31 (2):329-356.

Scheidegger, Ildegarda, and Soseki Muso. 2005. Bokutotsusō: Studies on the Calligraphy of the Zen master Musō Soseki (1275-1351), Worlds of East Asia; vol. 6. Bern ; New York: P. Lang.

Schenk, Sabine. 2010. "Expressions of Modern Design in Early 20th Century Japanese Art." In Clark Center Exhibition Series 6, edited by Andreas Marks. Hanford: Clark Center for Japanese Art & Culture.

Schenk, Sabine. 2014. "Takehisa Yumeiji’s Designs for Music Score Covers." Andon 98:40-48.

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Schmidt, Victor M. 2014. "Zuihitsu: Cast Shadows." Andon 95:62-66.

Schneider, Fred. 2010. The Art of Japanese Cloisonne Enamel: History, Techniques and Artists, 1600 to the Present. Jefferson NC: McFarland & Company.

Schulenburg, Stephan, der Graf von, Gisela Jaohn, M. A. K. Frankfurt, Museum für Ostasiatische Kunst der Stadt Köln, and Collections Baur. 2005. Faszination Keramik: moderne japanische Meisterwerke in Ton aus der Sammlung Gisela Freudenberg. Frankfurt; Köln: Museum für Angewandte Kunst; Wienand Verlag.

Schulz, Claus-Peter. 2013. "Manzai Dancers or a Scene from the Kyōgen Play Suehirogari?: Reflections on Two Paintings by Ise Monsui (1859-1932)." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 63-68. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

Schumacher, Mark. 2013. "Hina Matsuri, Doll Festival, Girls' Festival." Accessed March 3, 2013. http://www.onmarkproductions.com/html/hina-matsuri-dolls.html.

Schumacher, Mark. 2013. 15/16th Century Niō Statues on World Art Market: YouTube.

Schumacher, Mark. 2013. Journeys in Japan -- A Spiritual Journey in Ōita, Japan. NHK World Television (Japan Broadcasting Corporation).

Schumacher, Mark. 2014. "Adapting to the Times: Jizō Statues Along the Kamakura Pilgrimage Route." Impressions: Journal of the Japanese Art Society of America 35:153-176.

Schumacher, Mark. 2014. "Sacred Icons of China's Mt. Tiāntái Region (with comparisons to icons in Japan)." Accessed Sept. 21, 2014. http://www.onmarkproductions.com/China-Tiantai/tiantai-slideshow-long-version.html.

Schumacher, Mark. 2014. "Yakushi: The Buddha of Medicine and Healing in Japan." Accessed May 22, 2014. http://www.onmarkproductions.com/html/yakushi.shtml.

Schwartzman,  Allan, ed. 2014. Parallel Views: Italian and Japanese Art from the 1950s, 60s, and 70s. Bologna, Italy: Damiani.

Schweizer, Anton. 2010. "Das unbeständige Original: Zur denkmalpflegerischen Problematik lackierter japanischer Architektur (The changeable original: On the problem of conserving Japanese lacquered architecture)." Ostasiatische Zeitschrift, Neue Serie (20):28-37.

Schweizer, Anton. 2010. "The Ōsaki Hachiman Shrine in Sendai and the Phenomenon of Lacquered Architecture in Momoyama Japan."Ph.D. dissertation, Heidelberg University.

Schweizer, Anton. 2011. "Narrating in Images: Japanese Hanging and Horizontal Picture Scrolls." In Visual stories: Japans Bilder erzählen: Bildrollen, manga, anime, edited by C. M. Schneider, 14-21. Neuss: Langen Foundation.

Schweizer, Anton. 2011. "Komposite für den Export: Die Dekore der Münchener Münzkabinette (Composites for export: The decorations of the Munich coin cabinets)." In Japanische Lackkunst für Bayerns Fürsten: Die Japanischen Lackmöbel der Staatlichen Münzsammlung München (Japanese lacquer art for the princes of Bavaria: The Japanese lacquer cabinets of the State Numismatic Collection Munich), edited by Anton Schweizer, Hirsch Klose and Dietrich O. A. Klose, 13-29.

Schweizer, Anton, Martin Hirsch, and Dietrich O. A. Klose. 2011. Japanische Lackkunst für Bayerns Fürsten: Die Japanischen Lackmöbel der Staatlichen Münzsammlung München (Japanese lacquer art for the princes of Bavaria: The Japanese lacquer cabinets of the State Numismatic Collection Munich). Munich: Staatliche Münzsammlung.

Schweizer, Anton, and Avinoam Shalem. 2010. "Translating Visions: A Japanese Lacquer Plaque of the Haram of Mecca in the L. A. Mayer Memorial Museum, Jerusalem." Ars Orientalis (39):148-173.

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Screech, Timon. 2005. "Hokusai and the Microscope." In Hokusai and his Age, edited by John T. Carpenter. Leiden: Hotei Publishing.

Screech, Timon. 2005. "'Pictures (the Most Part Bawdy)': The Anglo-Japanese Painting Trade in the Early 1600s." Art Bulletin 87 (1):50-72.

Screech, Timon. 2005. Japan Extolled and Decried: Carl Peter Thunberg and the Shogun's Realm, 1775-1796. London, New York: Routldge.

Screech, Timon. 2006. "Shunga in the Edo Period." In The Hotei Encyclopedia of Ukiyo-e, edited by Amy Newland. Leiden: Hotei Publishing.

Screech, Timon. 2006. "Going to the Courtesans: Accessing the Pleasure Districts in Edo Period Japan." In The Courtesan’s Arts, edited by Martha Feldman and Bonnie Gordon. Oxford: Oxford University Press.

Screech, Timon. 2006. Secret Memoirs of the Shoguns: Isaac Titsingh and Japan, 1779-1822. London; New York: Routledge.

Screech, Timon. 2007. "Owning Edo-Period Paintings." In Acquisition: Art and Ownership in Edo-Period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions.

Screech, Timon. 2012. "Carl Peter Thunberg, Katsuragawa Hoshu and Two Presents Sent From Europe to Japan." In Orientalism/Occidentalism: The Languages of Culture vs. the Languages of Description, edited by Evgeny Steiner, 130-140. Moscow: Russian Institute for Cultural Research.

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Seo, Audrey Yoshiko. 2011. "Adoption, Adaptation, and Innovation: The Cultural and Aesthetic Transformations of Fashion in Modern Japan." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 471-496. Honolulu: University of Hawai’i Press.

Sharf, Frederic Alan, Anne Nishimura Morse, and Sebastian Dobson. 2005. A Much Recorded War: The Russo-Japanese War in History and Imagery. Boston, MA: MFA Publications.

Sharf, Frederic Alan, and Athenaeum Portsmouth. 2005. The Art of Propaganda: Lithographs Published During the Russo-Japan War, 1904-1905. Newbury, Mass.: Newburyport Press.

Shepardson-Scott, Karl. 2013. "Fuchigami Hakuyō's Evening Sun: Manchuria, Memory, and the Aesthetic Abstraction of War." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 275-293. Leiden-Boston: Brill.

Shimizu, Yoshiaki. 2011. "Copying in Japanese Art: Calligraphy, Painting, and Architecture." In Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by Jerome Silbergeld and Dora C. Y. Ching, 761-778. Princeton, NJ; Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Shimomura, Roger, William W. Lew, Roger Daniels, and Rudolph E. Lee Gallery. 2005. Minidoka Revisited: The Paintings of Roger Shimomura. Clemson, S.C; Seattle: Lee Gallery, Clemson University; Distributed by University of Washington Press.

Shiner, Eric C. 2011. "Fashion Altars, Performance Factors, and Pop Cells: Transforming Contemporary Japanese Arts, One Body at a Time." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 168-190. Honolulu: University of Hawai’i Press.

Shirai, Yoko Hsueh. 2009. "Public Memory and Identity Politics at the Ruined Buddhist Temple Kudaraji ato in Hirakata City." Sungkyun Journal of East Asian Studies 9 (2):185-211.

Shirai, Yoko Hsueh. 2011. "The Buddha Triad Senbutsu unearthed in Japan: Replicating and Reinventing the Chinese Prototype in the Seventh Century." Artibus Asiae 71 (2):185-219.

Shirai, Yoko Hsueh. 2014. "The Amitabha Senbutsu Unearthed in Japan: Close Interaction with Unified Silla Korea in the Late Seventh Century." Artibus Asiae 74 (1):163-190.

Shirane, Haruo. 2009. "Dressing Up, Dressing Down: Poetry, Image and Transposition in the Eight Views." Impressions: Journal of the Japanese Art Society of America (31):51-71.

Simms, Larry. 2008. "Drawing on Japan: Ceramics Designed by the Artist Felix Bracquemond Pioneered the use of Motifs Drawn from Japanese Art in 19th-Century French Decorative Arts." Apollo 168 (557):64-73.

Smith II, Henry D. 2012. "Lessons from the One-Mat Room: Piety and Playfulness among Nineteenth-Century Japanese Antiquarians." Impressions: Journal of the Japanese Art Society of America 33:55-70.

Smith II, Henry D. 2014. "The Stuff of Dreams: Kawanabe Kyōsai's Nirvana Painting of Matsuura Takeshirō." Impressions: Journal of the Japanese Art Society of America 35:96-136.

Smith, Lawrence. 2011. "Japanese Prints 1868-2008." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 361-407. Honolulu: University of Hawai’i Press.

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Snow, Hilary K. 2010. "Ema: Display Practices of Edo Period Votive Paintings."Ph.D. dissertation, Stanford University.

Snow, Hilary K. 2012. "Votive Paintings of the Kabuki Actor Ichikawa Danjûrō at Naritasan Shinshōji Temple." Archives of Asian Art 62:69-79.

Sorgenfrei, Carol Fisher, and Shuji Terayama. 2005. Unspeakable Acts: The Avant-garde Theatre of Terayama Shuji and Postwar Japan. Honolulu: University of Hawai`i Press.

Stanley-Baker, P. Richard. 2007. "Mythic and Sacred Gardens in Medieval Japan: Sacred Meditation in the Rokuonji and Saihōji Gardens." In Sacred Gardens and Landscapes: Ritual and Agency (Dumbarton Oaks Colloquium on the History of Landscape Architecture), edited by Michel Conan, 115-151. Washington, D.C. : Dumbarton Oaks Research Library and Collection.

Stanley-Baker, Richard. 2011. "Jōetsu’s Catching a Catfish with a Gourd Cultural Agendas and the Early Fifteenth-Century Shogunal Academy." In Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong, edited by Jerome Silbergeld and Dora C. Y. Ching, 421-445. Princeton, NJ; Woodstock: Princeton, P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology, Princeton University in association with Princeton University Press.

Steiner, Evgeny. 2006. Zen-Life: Ikkyu and Beyond. St.Petersburg: Orientalia.

Steiner, Evgeny. 2008. Catalog of Japanese Prints in the Pushkin Museum of Fine Arts. 2 vols. Moscow: Pushkin State Museum of Fine Arts.

Steiner, Evgeny. 2010. "The Kitaev Collection of Japanese Art in the Pushkin Museum: Historia Calamitatum." Impressions: Journal of the Japanese Art Society of America (32):37-63.

Steiner, Evgeny. 2011. Approaching Mt. Fuji. Moscow: Slovo.

Steiner, Evgeny. 2011. "The Kitaev Collection in the Pushkin Museum." Impressions: Journal of the Japanese Art Society of America 32:37-63.

Steiner, Evgeny. 2011. "Hokusai Manga: The Principles of the Text Composition." Orientalia et Classica, papers of the Institute of Oriental and Classical Studies (Russian State University for the Humanities) 39:136-158.

Steiner, Evgeny. 2012. Orientalism/Occidentalism: Languages of Cultures vs. Languages of Description. Moscow: Sovpadenie.

Stevenson, John. 2004. Japanese Kite Prints: Selections from the Skinner Collection. The Drachen Foundation, in association with University of Washington Press: Seattle.

Stevenson, John. 2005. Yoshitoshi's Strange Tales. Leiden and Boston: Brill.

Stevenson, John. 2012. "The Warrior in Japanese History." In Art of Armor: Samurai Armor from the Ann and Gabriel Barbier-Mueller Collection, edited by J. Gabriel Barbier-Mueller, 29-49. New Haven: Yale University Press.

Stinchecum, Amanda Mayer. 2001. "Threads of Okinawan History." Natural History 110 (7):54-61.

Stinchecum, Amanda Mayer. 2001. "Who Tells the Tale?: `Ukifune': A Study in Narrative Voice." In Bloom's Modern Critical Interpretations, edited by Harold Bloom, 127-160. Broomall, PA: Chelsea House.

Stinchecum, Amanda Mayer. 2004. "Yaeyama Minsa: A Cotton Sash and its Transformation Across Boundaries of Usage, Class, and Meaning in Okinawa." In Moving Objects: Time, Space, Context, edited by Properties Tokyo National Research Institute of Cultural, 146-156. Tokyo: Tokyo National Research Institute of Cultural Properties.

Stinchecum, Amanda Mayer. 2006. "Tradition and Transformation in Yaeyama: Symbol of Island Identity." In Japaneseness versus Ryukyuanism? Aspects of Okinawan Identity and Emigration, edited by Josef Kreiner. Bonn, Germany: Bier’sche Verlagsanstalt.

Stinchecum, Amanda Mayer. 2009. "Serizawa Keisuke and Okinawa." In Serizawa: Master of Japanese Textile Design, edited by Joe Earle, 107-111. New Haven: Yale University Press.

Suchomel, Filip. 2000. "Early Examples of Japanese Export Lacquerware in Czech Collections." In Ostasiatische und europäische Lacktechniken (East Asian and European Lacquer Techniques), edited by Michael Kühlenthal, 51-56. München: ICOMOS.

Suchomel, Filip. 2001. "Masterpieces of the 17th and 18th Century. Japanese Export Lacquerware in the Czech Collections." Orientations 32 (5):59-66.

Suchomel, Filip. 2002. "Lyricism Amid the Cannon Salvos. Japanese Prints from Sino-Japanese War in Czech Collections." Andon 70 (January):5-16.

Suchomel, Filip. 2002. "Japanese Collections in the Czech Republic." In A visit from Prague - Japanese Art from Czech Museums, Puraha kara no bi no tayori. Satogaeri no nihon bijutsu, 10-16. Kyoto: Kyoto National Museum.

Suchomel, Filip. 2002. "Painting Gardens of Jun Shirasu." In Language of the Dawn Garden Aquatics - Jun Shirasu, Tokyo 2002. Tokyo: Bunpodo Gallery.

Suchomel, Filip. 2004. Mysterious Grace of the East. Japanese Art from the Collections of Rainer Kreissl. Roztoky u Prahy: The Central Bohemian Museum at Roztoky.

Suchomel, Filip. 2005. "Japanese Lacquerware from the Main Czech Collections from the 17th and 18th Centuries, Part II." In The Role of Urushi in International Exchange, 47-61. Tokyo: Tokyo National Museum.

Suchomel, Filip. 2005. "Japanese Art at Castles and Chateaux in the Czech Republic." In Japanese Collections in European Museums II, edited by Josef Kreiner, 199-201. Bonn: Bier'sche Verlagsanstalt.

Suchomel, Filip. 2006. Photographs of Japan: The Times of Joe Hloucha. A Collection of Albumen Prints from the Museum of Decorative Arts in Prague. Roztoky u Prahy: The Central Bohemian Museum at Roztoky.

Suchomel, Filip. 2007. "Figural Porcelain from the Kakiemon Workshop and its Decoration." Fukuoka.

Suchomel, Filip. 2007. Zlata Černá, Půvaby orientálního salonu, Umělecké řemeslo Dálného východu z jihomoravských a jihočeských zámeckých sbírek, (Delights of the Oriental Salon. Arts and crafts of the Far East in the South Moravian and South Bohemian Chateaux Collections). Brno: Prague.

Suchomel, Filip. 2008. "Evropští fotografové v Japonsku a Japonsko v evropské fotografii druhé poloviny 19. století (European photographs in Japan and Japan in European photography in the second half of the 19th century)." Kateřina Bláhová a Václav Petrbok eds, Cizí, jiné, exotické v české kultuře 19. století, sborník příspěvků z 27. ročníku sympozia k problematice 19. století, Plzeň, 2008.

Suchomel, Filip, and Zlata Černá. 2002. Enamels of the Far East. The Art of Colour, Matal and Fire. Roztoky u Prahy: The Central Bohemian Museum at Roztoky.

Suchomel, Filip, and Markéta Hánová. 2002. Art Treasures from Kyoto. Masterpieces from the Kyoto National Museum. Prague: National Gallery in Prague.

Suchomel, Filip, and Oldřich Palata. 2000. The Japanese Collection of the North Bohemian Museum in Liberec. Vol. 1, Neznámé sbírky japonského umění v Čechách a na Moravě. Prague: National Gallery in Prague.

Suchomel, Filip, and Marcela Suchomelová. 2002. A Surface Created for Decoration. Japanese Lacquer Art from the 16th to the 19th Centuries. Prague: National Gallery in Prague.

Suchomel, Filip, and Marcela Suchomelová. 2006. Journal of a Voyage. The Erwin Dubský Collection: Photographs from Japan in the 1870s. Brno: Moravian Gallery in Brno.

Sudo, Kumiko. 2006. Kake-jiku: Images of Japan in Appliqué, Fabric Origami and Sashiko. Elmhurst, Ill; Garsington : Windsor distributor], Projected Date: Breckling; 200607.

Sun, Seunghye. 2011. "Images of a Southern Utopia: The Xiao and Xiang Rivers in Japanese Art." Orientations 42 (4):44-49.

Suzuki, Keiko. 2012. "When Westerners Were Chinese: Visual Representations of Foreigners in the Japanese Popular Art of Ukiyo-e." In Orientalism/Occidentalism: Languages of Cultures vs. Languages of Description, edited by Evgeny Steiner, 114-129. Moscow: Sovpadenie.

Suzuki, Yui. 2005. "The Medicine Master: Yakushi Buddha Icons and Devotional Practices in Heian Japan."Ph.D. dissertation, University of California, Los Angeles.

Suzuki, Yui. 2014. "Twanging Bowls and Throwing Rice: Warding Off Evil in Medieval Japanese Birth Scenes." Artibus Asiae 74 (1):17-42.

Szostak, John. 2007. "Two Paths to the Pure Land: The Niga-byakudō Theme and the Modernist Buddhist Art of Hada Teruo." Archives of Asian Art 57:121-150.

Szostak, John. 2009. "Takeuchi Seihō, Chigusa Sōun and John Ruskin’s Modern Painters: Reconciling Realism with Japanese Painting, 1900–1910." In Crossing Cultures: Conflict, Migration and Convergence, edited by Jaynie Anderson. Melbourne: The Miegunyah Press.

Szostak, John. 2009. "Yoshihiro Suda’s Neo-Okimono: Reimagined Traditions in Contemporary Japanese Art." In, edited by James F. Jensen. Honolulu: Contemporary Art Museum.

Szostak, John. 2011. "Foul is Fair: Abject Beauties and the Psychology of the Grotesque in Modern Japanese Painting." In Rethinking Japanese Modernism, edited by Roy Starrs, 362-383. Global Oriental Press.

Szostak, John. 2012. "From Idealized Visions to Realistic Impressions: The Changing Nature of Bijinga." In The Beauty of the Moment: Women in Japanese Woodblock Prints, 19-26. Zurich: Museum Rietberg.

Szostak, John. 2012. "Unexpected Pairings: Neo-Rinpa Paintings by Yamaguchi Ai and Yamamoto Taro." In Kamisaka Sekka: Dawn of Modern Japanese Design, 155-162. Sydney: Art Gallery of New South Wales.

Szostak, John. 2013. "‛Art is Something Born’: The Rise and Fall of the Kokuga Society (1918-1928) and the Emergence of the Kokuten Style." Positions: Asia Critique 21 (2 Collectivism in Twentieth-Century Japanese Art):269-308.

Szostak, John. 2013. "Unexpected Reversals: Japanism, Ukiyo-e Prints, and their Influence on Meiji and Taishō-era Kyoto Nihonga." In Art of Japan, Japanisms and Polish-Japanese Art Relations. Krakow: Manggha Museum.

Szostak, John Donald. 2005. "The Kokuga Sōsaku Kyôkai and Kyoto Nihonga Reform in the Meiji, Taishō and Early Shōwa Years (1900-1928)."Ph.D. dissertation, University of Washington.

Tadanori, Yokoo. 2003. "The Complete Writings of Yokoo Tadanori." Idea International Graphic Art (298):119-166.

Takahashi, Masaaki. 2005. Design City Tokyo, IA; Variation: Interior angles. Chichester, England: Wiley-Academy.

Takahashi-Harb, Sayumi. 2009. "Yoko Ono and the Poetics of the Vanishing Gift." In PostGender: Gender, Sexuality and Performativity in Japanese Culture, edited by Ayelet Zohar, 204-228. Newcastle-upon-Tyne: Cambridge Scholars Press.

Takei, Jirō, and Marc P. Keane. 2001. Sakuteiki: Visions of the Japanese Garden: A Modern Translation of Japan's Gardening Classic. Boston: Tuttle.

Takenaka-O'Brien, Akiko. 2004. "The Aesthetics of Mass Persuasion: War and Architecture Sites in Tokyo, 1868-1945."Ph.D. dissertation, Yale University.

Takeuchi, Melinda. 2012. "Birds of a Feather: Jakuchu, Natural Science and the Artistic Imagination." Orientations 43 (3):52-61.

Takeuchi, Yoshimi. 2012. "Okakura Tenshin: Civilization Critique from the Standpoint of Asia." Review of Japanese Culture and Society 24, Beyond Tenshin: Okakura Kakuzō’s Multiple Legacies:15-25.

Tamamushi, Satoko. 2007. "Sakai Hoitsu and Art Ownership." In Acquisition: Art and Ownership in Edo-period Japan, edited by Elizabeth Lillehoj. Warren, CT: Floating World Editions.

Tamamushi, Satoko. 2009. "Tosa Mitsuoki's Screens of Flowering Cherry and Autumn Maples with Poem Slips in the Context of Kazari and Tsukuri." In Beyond Golden Clouds: Japanese Screens from the Art Institute of Chicago and the Saint Louis Art Museum, edited by Janice Katz, 33-47. Singapore: The Art Institute of Chicago.

Tanabe, Maseko. 2010. "Ukiyoe: The Splendor of Edo." In Returning Home: Edo Paintings from the Gitter-Yelen Collection, edited by Tadashi Kobayashi, 172-175. Tokyo: NHK Puromōshon.

Tanabe, Willa J., and University of Hawaii Art Gallery. 2006. Painting with Threads: The Art of Japanese Embroidery. Honolulu, Hawaii: University of Hawaii Art Gallery.

Tanaka, Keiko. 2009. "Japanese Beauties: Glamorous, Decadent, Sensuous, and Bizarre." In Clark Center Exhibition Series 4, edited by Andreas Marks. Hanford: Clark Center for Japanese Art & Culture.

Tanaka, Shuji. 2011. "Sculpture." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 283-314. Honolulu: University of Hawai’i Press.

Tanaka, Yuki. 2010. "War and Peace in the Art of Tezuka Osamu: The Humanism of His Epic Manga." The Asia-Pacific Journal: Japan Focus (38-1-10).

Teasley, Sarah. 2001. "Nation, Modernity and Interior Decoration: Hybridity and Identity in the 1922 Peace Commemoration Tokyo Exposition Culture Village Houses." Japanstudien 13:49-88.

Teasley, Sarah. 2002. "The National Geographics of Design: The Rhetoric of Tatami in 1920s and 30s Japanese Interiors." In De-Placing Difference: Architecture, Culture and Imaginative Geography, edited by Samer Accach, 267-276. Adelaide: University of Adelaide Centre for Asian and Middle Eastern Architecture.

Teasley, Sarah. 2003. "Furnishing the Modern Metropolitan: Moriya Nobuo's Designs for Japanese Domestic Interiors, 1922-1927." Design Issues 19 (4):57-71.

Teasley, Sarah. 2003. "Design in the Past, Design from Now On." Idea International Graphic Art (300):185-200.

Teasley, Sarah. 2004. "Reforming the Inside Out: Kogure Joichi on Furniture and Architecture." Design History 2:75-114.

Teasley, Sarah. 2004. "Visits in the Mediated Metropolis: Women’s Magazines and the Modern Japanese Home." In Sophia AGLOS Working Papers Series No. 2: Urban Space/Global Consumption, edited by Angela Liu, 65-81.

Teasley, Sarah. 2005. 20th Century Design History. Tokyo: Petit Grand Publishing.

Teasley, Sarah. 2005. "Home Builder or Homemaker? Reader Presence in Articles on Homebuilding in Commercial Women’s Magazines in 1920s Japan." Journal of Design History 18 (1):81-97.

Teasley, Sarah. 2009. "Travel-Writing the Design Industry in Modern Japan, 1905-25." In Space, Travel, Architecture, edited by Miodrag Mitrasinovic and Jilly Traganou, 103-124. London: Ashgate Press.

Teasley, Sarah. 2010. "The Simple Beauty of Thin Black Lines and Blurry White Surfaces." In Nendo: Thin Black Lines and Blurry White Surfaces. London: Phillips de Pury and Saatchi Gallery.

Ten Grotenhuis, Elizabeth. 2010. "Landmarks of Esoteric Art in Japan." In Esoteric Buddhism and the Tantras in East Asia, edited by Charles D. Orzech, Henrik H. Sørensen and Richard K. Payne, 872-892. Leiden: Brill.

Teramoto, Tado John, and Harada Heisaku. 2005. Japanese Masterworks: Paintings from the Indianapolis Museum of Art. Indianapolis: Museum of Art.

Tezuka, Miwako. 2005. "Jikken Kobo (Experimental Workshop): Avant-Garde Experiments in Japanese Art of the 1950s."Ph.D. dissertation, Columbia University.

Tezuka, Miwako. 2011. "Experimentation and Tradition: The Avant-Garde Play Pierrot Lunaire by Jikken Kōbō and Takechi Tetsuji." Art Journal 70 (3):64-85.

Tezuka, Miwako. 2013. "Jikken Kōbō and Takiguchi Shūzō: The New Deal Collectivism of 1950s Japan." Positions: Asia Critique 21 (2 Collectivism in Twentieth-Century Japanese Art):351-381.

Thal, Sarah. 2005. Rearranging the Landscape of the Gods: The Politics of a Pilgrimage Site in Japan, 1573-1912, Studies of the Weatherhead East Asian Institute, Columbia University. Chicago: University of Chicago Press.

Thomas, Julia Adeney. 2013. "Landscape's Mediation between History and Memory: A Revisualization of Japan's (Wartime) Past." In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 367-383. Leiden-Boston: Brill.

Thompson, Sarah E. 2014. "Japanese Prints at Home." In Looking East: Western Artists and the Allure of Japan, edited by Helen Burnham, 28-35. Boston Mass.: MFA Publications: Museum of Fine Arts, Boston.

Thomsen, Hans. 2005. "The Visual Salon: Itō Jakuchū and the Rokuonji Temple Ensemble of 1759."Ph.D. dissertation, Princeton University.

Thomsen, Hans Bjarne. 2011. "Individuality in a Communal Setting." In Fukami: Purity of Form, edited by Andreas Marks, 26-39. Hanford, CA: Clark Center for Japanese Art & Culture.

Thomson, Grace, Jan Gates, and Japanese Canadian National Museum. 2005. Shashin: Japanese Canadian Photography to 1942. Burnaby, B.C: Japanese Canadian National Museum.

Tiampo, Ming. 2003. "Gutai and Informel: Post-war Art in Japan and France, 1945-1965."Ph.D. dissertation, Northwestern University.

Tiampo, Ming. 2011. Gutai: Decentering Modernism. Chicago: University of Chicago Press.

Tiampo, Ming. 2013. "Body, War, and the Discourses of History: Rethinking Postwar Japanese Art " In Art and War in Japan and Its Empire 1931-1960, edited by Asato Ikeda, Aya Louisa McDonald and Ming Tiampo, 339-352. Leiden-Boston: Brill.

Tiampo, Ming. 2013. "Gutai Chain: The Collective Spirit of Individualism." Positions: Asia Critique 21 (2 Collectivism in Twentieth-Century Japanese Art):383-415.

Tiampo, Ming. 2013. Gutai: Splendid Playground. New York: Guggenheim.

Tiffin, Sarah, and Queensland Art Gallery. 2005. Sparse Shadows, Flying Pearls: A Japanese Screen Revealed. Brisbane: Queensland Art Gallery.

Till, Barry. 2008. Japan Awakens: Woodblock Prints of the Meiji Period (1868-1912). San Francisco: Pomegranate Communications.

Till, Barry. 2012. "The Vendetta of the Forty-Seven Ronin in Japanese Woodblock Prints." Arts of Asia 42 (4):112-123.

Till, Barry. 2014. "Banko Ceramics: A Little Known Japanese Export Pottery." Arts of Asia 44 (4):63-72.

Tinios, Ellis. 2008. "Japanese Warrior Prints." Print Quarterly 25 (2):219-221.

Tinios, Ellis. 2009. "Kuniyoshi and Chinese Subjects: Pushing the Boundaries." Impressions: Journal of the Japanese Art Society of America (31):89-99.

Tinios, Ellis. 2013. "Playful Transformations." In Graphic Designer, Collector, Curator and Scholar of Japanese Art: Essays in Honour of Robert Schaap, edited by Amy Reigle Newland, 31-37. The Hague: Heinz M. Kaempfer Fund, Society for Japanese Arts.

Tokyo Kokuritsu Hakubutsukan, and Yomiuri Shinbunsha. 2005. Splendid and Refined: Imari Ware and Kyoto Ware Ceramics. Tokyo: Yomiuri Shimbun.

Tolman, Norman. 2005. "Enduring Voices." Asian Art News 15 (5).

Tomii, Reiko. 2000. "Rebel with a Cause: Akasegawa Genpei’s Greater Japan Zero-Yen Note." M’Ars 12 (3-4).

Tomii, Reiko. 2001. "Thought Provoked: Ten Views of Tokyo, Circa 1970." In Century City: Art and Culture of the Modern Metropolis. London: Tate Modern.

Tomii, Reiko. 2001. "History as Memory—One Day, I Thought About Yukinori Yanagi in New York." In Yanagi Yukinori: Akitsushima (Hiroshima: Hiroshima. Hiroshima: Hiroshima City Museum of Contemporary Art.

Tomii, Reiko. 2002. ""Contemporary Art,” (“Contemporary Painting), "Nishonga," "Sculpture" and "Yoga"." In Encyclopedia of Contemporary Japanese Culture, edited by Sandra Buckley. London: Routledge.

Tomii, Reiko. 2002. "A Cosmic Sensibility: Hitoshi Nomura’s Photographic Works." Persimmon 2 (3).

Tomii, Reiko. 2002. "State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company." Positions: Asia Critique 10 (1).

Tomii, Reiko. 2002. "Akasegawa Genpei’s The Sakura Illustrated: When the Good Old Man Makes a Dead Tree Flower and the Bad Old Man Throws a Fire Bomb." International Journal of Comic Art 4 (2).

Tomii, Reiko. 2003. "Akai Akai Asahi Asahi - Red, Red Is the Rising Sun: Wartime Memory in Akasegawa Genpei's Sakura gahō." Review of Japanese Culture and Society 15, Japanese Art: The Scholarship and Legacy of Chino Kaori.

Tomii, Reiko. 2004. "Who Needs Globalism?: Exploring the Local in Contemporary Art in Japan, Echigo-Tsumari Art Triennial 2003." ArtAsiaPacific 39.

Tomii, Reiko. 2004. "‘Another Story’: Some Aspects of Post-1945 Japanese Painting, as Seen Through the Gibson Gallery Collection." In Resounding Spirit: Japanese Contemporary Art of the 1960s, The Gibson Gallery Collection. Potsdam, N.Y.: Roland Gibson Gallery, SUNY.

Tomii, Reiko. 2004. "Historicizing ‘Contemporary Art’: Some Discursive Practices in Gendai Bijutsu in Japan." Positions: Asia Critique 12 (3).

Tomii, Reiko. 2005. "Genpei Akasegawa, the State of Japan, and Expo ’70 in Osaka." In Resounding Spirit: Japanese Contemporary Art of the 1960s, The Gibson Gallery Collection, edited by Shin'ya Watanabe. New York: White Box.

Tomii, Reiko. 2005. "'Art Outside the Box' in 1960s Japan: An Introduction and Commentary." Review of Japanese Culture and Society 17, 1960s Japan: Art Outside the Box:1-11.

Tomii, Reiko. 2006. "An Invitation to 'Comparative Art History': Katuhiro Saiki and Christoph Weber." In SUMAZO 2006. Vienna: SUMAZO.

Tomii, Reiko. 2006. "Recent Painting by Mizue Sawano: Passionate Expressions of Nature’s Forces Enduring in Peace." In Mizue Sawano. Tokyo: Takashimaya Art Gallery.

Tomii, Reiko. 2006. "An Invitation to ‘Comparative Art History’: Katsuhiro Saiki and Christoph Weber." In. Vienna: SUMAZO, 2006.

Tomii, Reiko. 2007. "After the ‘Descent to the Everyday’: Japanese Collectivism from Hi Red Center to The Play, 1964-1973." In Collectivism After Modernism, edited by Blake Stimson and Gregory Sholette. Minneapolis: University of Minnesota Press.

Tomii, Reiko. 2007. "Geijutsu on Their Minds: Memorable Words on Anti-Art." In Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970, edited by Charles Merewether and Rika Iezumi Hiro. Los Angeles: Getty Research Institute.

Tomii, Reiko. 2007. "Border-Crossings; Snapshots from the Past: Japan Society and Gendai Bijutsu—From the Perspective of 1960s Art; Dictionary of Ei Arakawa: Excerpts from a Preliminary Edition; Food Is a Many-Splendored Thing; Conceptual Landscapes of Tōru Hayashi; The Exquisitely Extreme Photography of Gō Sugimoto; Tremors of the Air." In Making a Home: Japanese Contemporary Artists in New York, edited by Eric C. Shiner and Reiko Tomii. New York: Japan Society & Yale University Press.

Tomii, Reiko. 2007. "Matsuzawa Yutaka (1922-2006) [obituary]." ArtAsiaPacific (52).

Tomii, Reiko. 2007. "Yukinori Yanagi." Art on Paper [4th Annual New Prints Review]:72.

Tomii, Reiko. 2008. "Matsuzawa Yutaka’s Vanishing Act." In Into the Atomic Sunshine: Post-War Art under Japanese Peace Constitution Article 9. New York: Atomic Sunshine Exhibition Committee.

Tomii, Reiko. 2008. "Ground Zero of Anti-Art: Kudō Tetsumi’s Early Years, 1957-1962." In Tetsumi Kudō. New York: Andrea Rosen Gallery.

Tomii, Reiko. 2008. "Fragments of Chaos: Ei Arakawa’s ‘On-Site Magazines." Art on Paper.

Tomii, Reiko. 2009. "Event to Change the Image of Snow and Psychophysiology Research Institute." Art on Paper (6th Annual New Prints Review):82-83.

Tomii, Reiko. 2009. "Beyond Gutai 101." ArtAsiaPacific (66):56.

Tomii, Reiko. 2009. "Beyond the Collection Display: Connecting to the Trans-national Past of 1960s Japanese Art, with a focus on MoMA, New York." Diaaalogue: AAA’s Monthly Newsletter.

Tomii, Reiko. 2009. "Rebel with a Cause: Akasegawa Genpei’s Greater Japan Zero-Yen Note." In Appropriation, edited by David Evans, 45-50. Cambridge MA and London: The MIT Press and Whitechapel.

Tomii, Reiko. 2009. "Positioning GUN in World Art History." In GUN Group: Event to Change the Image of Snow. Tokyo: Tokyo Gallery.

Tomii, Reiko. 2009. "The Regional/International Origins of Gutai." In Rose Is a Rose Is a Rose. Oudenburg, Belgium: Foundation De Elf Lijnen.

Tomii, Reiko. 2009. "Voiding the Exhibition: Hi Red Center and Matsuzawa Yutaka." In Voids, A Retrospective of Empty Exhibitions, 427-432. Paris, Bern, and Zürich: Centre Pompidou, Kunsthalle, and JRP/Ringier.

Tomii, Reiko. 2009. Kazuo Shiraga: Six Decades. New York: McCaffery Fine Art.

Tomii, Reiko. 2009. "'International Contemporaneity’ in the 1960s: Discoursing on Art in Japan and Beyond." Japan Review (21):123-147.

Tomii, Reiko. 2010. "Before Tomason: Akasegawa Genpei’s Print Adventures—Model 1,000-Yen Note Incident and The Sakura Illustrated." In Hyperart: Thomason. New York: Kaya Press.

Tomii, Reiko. 2010. "Contemporary Art, ‘Contemporaneity,’ and World Art History." In Art and Globalization, edited by James Elkins, Zhivka Valiavicharska and Alice Kim. University Park: Penn State University Press.

Tomii, Reiko. 2010. "Yanagi Yukinori and Inujima Art Project: A New Potential for 21st-Century Art." In Yanagi Yukinori: Inujima Note. Tokyo: Miyake Fine Art.

Tomii, Reiko. 2010. "The Culture of Showing: The Operational Context for Nomura Hitoshi’s Early Works." In Hitoshi Nomura: Early Works. New York: McCaffery Fine Art.

Tomii, Reiko. 2010. "Akasegawa Genpei as a Populist Avant-Garde: An Alternative View to Japanese Popular Culture." Kontur: Culture, History, Politics (20 Special Issue on Visualizing Asian Modernity):36-47.

Tomii, Reiko. 2011. "How Gendai Bijutsu Stole the ‘Museum’: An Institutional Observation of the Vanguard 1960s." In Since Meiji: Perspectives on the Japanese Visual Arts, edited by J. Thomas Rimer, 144-167. Honolulu: University of Hawai’i Press.

Tomii, Reiko. 2013. "Introduction: Collectivism in Twentieth-Century Japanese Art with a Focus on Operational Aspects of Dantai." Positions: Asia Critique 21 (2 Collectivism in Twentieth-Century Japanese Art):225-267.

Tomii, Reiko, and Kevin Concannan. 2000. "Chronology: Exhibitions, Concerts, Events, etc." In YES Yoko Ono. New York: Japan Society.

Tomii, Reiko, Seth McCormick, Hiroko Ikegami, Jeffrey Wechsler, and Midori Yoshimoto. 2009. "Exhibition as Proposition: Responding Critically to The Third Mind." Art Journal 68 (3):30-49-30-49.

Trede, Melanie. 2006. "Lives of the Japanese Picture (as wandelbare japanischen Bild)." In Arts of Japan: The John C. Weber Collection (Kunst aus Japan: Die John C. Weber Sammlung), edited by Melanie Trede and Julia Meech, 20-27. New York and Berlin: Museum für Ostasiatische Kunst, Staatliche Museen zu Berlin.

Trede, Melanie. 2007. "Edo: Images of a City between Visual poetry and idealized reality / Edo: Bilder einer Stadt zwischen visueller Poesie und idealisierter Wirklichkeit / Images d’une ville entre poésie visuelle et réalité idéale." In Hiroshige: One Hundred Famous Views of Edo, edited by Melanie Trede. Cologne, New York: Taschen.

Trede, Melanie. 2007. "Comment/Komento, Session II: Lives and Culture Depicted in Illustrated Materials: The Early Modern Period in East Asia." In Kanagawa daigaku 21seiki COE puroguramu shinpojiumu hōkoku 4, dai 2 kai kokusai shinpojiumu “Zuzō, mingū, keikan: Himoji shiryō kara jinrui bunka wo yomitoku: Kanagawa University 21st Century COE Program Conference Series, Bulletin No. 4: The 2nd International Symposium: “Interpreting Human Culture through Nonwritten Materials: Perspectives on Illustrated Material, Folk Implements and Landscape, edited by Second International Symposium Organizing Committee, 145-150. Yokohama: Kanagawa daigaku 21seiki COE puroguramu.

Trede, Melanie. 2008. "Banknote Design as a Battlefield of Gender Politics and National Representation in Meiji Japan." In Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, edited by Doris Croissant, Catherine Vance Yeh and Joshua Mostow. Leiden: Brill.

Trede, Melanie. 2011. "Pictorial Narratives." In Splendid Impressions. Japanese Secular Paintings 1400-1900 in the Museum of East Asian Art, Cologne, edited by Doris Croissant, 43-117. Leiden: Brill/Hotei.

Trede, Melanie, and Lorenz Bichler. 2007. Hiroshige: One Hundred Famous Views of Edo. Cologne, New York: Taschen.

Trede, Melanie, and Lorenz Bichler. 2010. Hiroshige: One Hundred Famous Views of Edo. Cologne, New York: Taschen.

Trede, Melanie, and Martina Köppel-Yang. 2009. Becoming Intense, Becoming Animal, Becoming…. Heidelberg: Kehrer Publishers.

Trede, Melanie, and Julia Meech. 2006. Arts of Japan: The John C. Weber Collection. Berlin: Museum of East Asian Art, National Museums in Berlin.

Trede, Melanie, and Julia Meech. 2006. Kunst aus Japan: Die John C. Weber Sammlung. Berlin: Museum für Ostasiatische Kunst, Staatliche Museen zu Berlin.

Truong, Hong-An, and elin o'Hara-Slavick. 2010. "War, Memory, the Artist and The Politics of Language." The Asia-Pacific Journal: Japan Focus (31-2-10).

Tsang, Carol Richmond. 2005. "Marriage, Adoption, and Honganji." Japanese Journal of Religious Studies 32 (1):53-83.

Tschumi, Christian, and Saito Wernli Markuz. 2005. Mirei Shigemori: Modernizing the Japanese Garden. Berkeley: Stone Bridge Press.

Tsen, Hsuan. 2011. "Spectacles of Authenticity: The Emergence of Transnational Entertainments in Japan and America, 1880-1905."Ph.D. dissertation, Stanford University.

Tseng, Alice. 2004. "Styling Japan: The Case of Josiah Conder and the Museum at Ueno, Tokyo." Journal of the Society of Architectural Historians:472-497.

Tseng, Alice. 2004. "Art in Place: The Display of Japan at the Imperial Museums, 1872-1909."Ph.D. dissertation, Harvard University.

Tseng, Alice. 2008. The Imperial Museums of Meiji Japan: Architecture and the Art of the Nation. Seattle: University of Washington Press.

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Weisenfeld, Gennifer. 2012. Imaging Disaster: Tokyo and the Visual Culture of Japan’s Great Earthquake of 1923. Berkeley: University of California Press.

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Winfield, Pamela D. 2013. Icons and Iconoclasm in Japanese Buddhism: Kūkai and Dōgen on the Art of Enlightenment. New York: Oxford University Press.

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Winther-Tamaki, Bert. 2012. Maximum Embodiment: Yōga, the “Western Painting” of Japan, 1910-1955. Honolulu: University of Hawai’i Press.

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Zohar, Ayelet. 2014. Two Moons on the Shore, Wind-Up Bird in Norwegian Wood: Haruki Murakami and Contemporary Art. Tel Aviv: Contemporary by Golconda Gallery.