In What We Talk about When We Talk about Love by Raymond Carver we have the theme of love and the difficulties that can come with trying to define (through language) what love is



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Climax
Patient Patients
Finally, Mel gets to the end of his story. Both couples survived the awful accident and were recovering in the same hospital room. Both were bandaged up like mummies, with holes cut for their eyes and mouths. Mel notices that the man is depressed and learns that the cause of the man's depression is his not being able to turn his head. Why's that so depressing? Well, because it keeps him from being able to look over and see his wife. Aw.
So why is this the climax? For one thing, it's Mel's triumphant moment. He finally gets to show the other three what true love is (at least to him). But for another, this love story stands in stark contrast to Terri's. There are two conflicting versions of love here (from two people in a committed relationship with each other, no less), and the end of Mel's story is the ultimate clash between their two definitions.
Suspense
Let's Get Ready to Rumble
The suspense in this story is built around Mel and Terri's bickering or fighting or arguing or whatever you want to call it. You know how it feels to be around people who are arguing—tense, awkward. We don't know who will say or do what next. We don't know if this argument is a serious incident in their relationship or a fairly ordinary occurrence. And we're never quite sure what to say. We're on our toes.
Denouement
Dinner's Done For
If you thought nothing was happening before, well, in this stage the action (if you can call what happens in this story action) completely grinds to a halt. There is no more gin to drink, no more talk to talk. Something about the dramatic way we are told that Terri doesn't get up to get the cheese and crackers—which she says she's going to get—makes us feel like something serious has happened, but it's hard to say what. It could be that she's just drunk like the rest of them and it'll take her a minute to get to the snacks. Or it could be much more serious than that.
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