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Internationale Bruckner-Gesellschaft.
(Ger.)See Bruckner societies.
Internationale Ferienkurse für Neue Musik.
(Ger.)Series of courses in avant-garde music, initiated in 1946 by Wolfgang Steinecke, and held in Darmstadt.
Internationale Gesellschaft für Jazzforschung
(Ger.).
International Society for Jazz Research.
Internationale Gesellschaft für Musikwissenschaft
[IGM] (Ger.).
See International Musicological Society.
Internationale Gesellschaft für Neue Musik
[IGNM] (Ger.).
See International Society for Contemporary Music.
Internationale Musikgesellschaft.
(Ger.)
See International Musicological Society.
Internationale Vereinigung der Schall- und Audiovisuellen Archive
(Ger.). See International Association of Sound and Audiovisual Archives.
Internationales Musikinstitut
(Ger.). Institution founded in Darmstadt in 1948, known as the Kranichsteiner Musikinstitut from 1949 until 1962.
Internationales Musikzentrum
(Ger.).
See International Music Centre.
Internationales Repertorium der Musikikonographie
(Ger.). See Répertoire International d’Iconographie Musicale.
Internationales Repertorium der Musikliteratur
(Ger.). SeeRépertoire International de Littérature Musicale.
Internationale Stiftung Mozarteum
(Ger.).
See Salzburg, §3 and Mozart societies.
Internationale Vereinigung der Musikbibliotheken
(Ger.).
See International Association of Music Libraries, Archives and Documentation Centres.
International Federation of Jeunesses Musicales.
Organization founded in 1945 by the Jeunesses Musicales movement.
International Folk Music Council
[IFMC]. See International Council for Traditional Music.
International Institute for Comparative Music Studies and Documentation.
See under International institute for traditional music.
International Institute for Traditional Music [IITM].
An organization founded in West Berlin in 1963 with support from the Ford Foundation and the Berlin senate. It owed its existence to the efforts of Yehudi Menuhin, Werner Stein (the Berlin senator for art and science), Nicolai Nabokov (cultural advisor to mayor Willy Brandt), and Alain Daniélou, the institute's first director. Originally called the International Institute for Comparative Music Studies and Documentation, the institute was renamed in 1991. Its aim was to promote the study and understanding of minority and non-European musical cultures through ethnomusicological documentation, bilateral cooperative projects, publications, scholarly symposia, festivals, workshops and courses for teachers. The IITM published over 140 records in the UNESCO Collection series which are gradually being reissued on CD. Two new CD series were begun by the institute: Musical Traditions around the World (IITM/Smithsonian/Folkways) and Living Musical Traditions (IITM/Museum Edition Hamburg). The ethnomusicological journal The World of Music was published by the institute, and has been continued by the University of Bamberg. The Institute also published over 40 books, including numerous individual monographs on the music of other countries. In addition, detailed programmes documented the institute's concert events. The IITM initiated two new series of books: Intercultural Music Studies (now published by the University of Bamberg) and Musikbogen: Wege zum Verständnis fremder Musikkulturen. Scientific symposia were held regularly, while the institute’s annual Festival Traditioneller Musik was dedicated to a different topic or geographical area each year. The IITM supported cooperative projects run in partnership with, among others, the University of São Paulo, the National Museum of Bamako (Mali), the Fundación Norte (Salta, Argentina) and the Institute of Musicology of the Slovakian Academy (Bratislava). The IITM was closed at the end of 1996 for financial reasons.
BIBLIOGRAPHY
M.P. Baumann, H. Brandeis and T. de Oliveira Pinto: Musik im Dialog: Projekte und ihre Planung am Internationalen Institut für Traditionelle Musik Berlin (Berlin, 1992)
Das Internationale Institut für Traditionelle Musik e.V.: Interkulturelle Arbeit an einer Berliner Institution: Ziele, Methoden, Erfahrungen (Berlin, 1995)
M.P. Baumann, ed.: Musik im interkulturellen Dialog: zur Dekonstruktion der Ethnomusikologie in Berlin (Berlin, 1996)
MAX PETER BAUMANN
International League of Women Composers [ILWC].
See International Alliance for Women in Music.
International Library of African Music [ILAM].
It was founded in 1954 by musicologist Hugh Tracey at Roodepoort, near Johannesburg, South Africa, on the basis of the archive of recordings of traditional and popular African music which he had made since 1929 in Southern Rhodesia (now Zimbabwe), South Africa and elsewhere in southern Africa. His research was sponsored from 1947 by Eric Gallo with marketing rights, and about 1000 records were issued from 1929 to 1952 under the Regal (Columbia), Gallotone, Trek, Troubadour and HMV labels. Three recordings from this period became well-known: Mbube (Wimoweh), by Solomon Linda, which was popularized by Pete Seeger and the Weavers; Skokiaan, by the Bulawayo Cold Storage Band; and Masanga, a song with guitar by Jean Bosco Mwenda from the Belgian Congo (now the Democratic Republic of the Congo).
In the early 1950s a series of recordings made in central, eastern and southern Africa from 1948 to 1970 was issued by Decca. It was continued by Gallo as the Music of Africa, extending to 25 records. From 1954, 213 records were produced in the Sound of Africa series. It covered 15 countries and 136 languages and dialects, and was eventually published in a library series; a catalogue was issued in 1973. After Tracey's death in 1977, his son Andrew became director and moved ILAM to Rhodes University, Grahamstown, where it continued to research and publish materials relating to African music but with an increased emphasis on teaching. Since 1980, ILAM has published the annual proceedings of the Symposia on Ethnomusicology and continues to publish the journal, African Music (1954–).
ANDREW TRACEY
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