Iacobus Leodiensis [Iacobus de Montibus, Iacobus de Oudenaerde]

oxford.

Pitt Rivers Museum, University of Oxford: mainly non-European, incl. H. Balfour, B. Blackwood, Hutton, Mills, E. Pritchard, part of Tagore (Indian) and E.B. Taylor collections.

H. Balfour: ‘Report on a Collection of Musical Instruments from the Siamese, Malay States and Perak’, Fasciculi Malayensis: Anthropology, 2a, ed. N. Annandale (Liverpool, 1904), 1–18; A. Baines: Bagpipes, Occasional Papers of Technology, ix (1960), ed. H.T. La Rue (1995); H.T. La Rue: Pitt Rivers Museum: a Whole Room For Music (1991)

saffron walden, essex.

Saffron Walden Museum: c125 archaeological and ethnological.

st helier, jersey.

Société Jersiaise: c20 from local churches and bands.

R. Falle: ‘A List of the Musical Wind Instruments in the Museum of the Société Jersiaise’, Société Jersiaise Bulletin, no.16 (1954)

sheffield.

Sheffield City Museum: c50 European winds, incl. Lady Stanley Clarke, John Parr and a few from Jeremy Montagu collections.

shipley, w. yorks.

Museum of Victorian Reed Organs and Harmoniums: c50, Phil and Pam Fluke collection.

P. and P. Fluke: Victorian Reed Organs and Harmoniums: the Collection of Phil and Pam Fluke (1985)

spalding, lincs.

Rutland Cottage Music Museum: c500 mostly mechanical.

swindon.

Museum and Art Gallery: c60 European art, traditional and non-European, many from F. Winslow collection.

torquay.

Torquay Museum: c50 European and Asian from U. Daubeny, and Paget-Blake collections.

U. Daubeny: Orchestral Wind Instruments, Ancient and Modern (London, 1920)

totnes, devon.

Dartington College of Arts: c50 Japanese, Indian, and Balinese gamelan.

twickenham.

Royal Military School of Music Museum: c500 military from Royal United Services Institute, Buckingham Palace and W.F. Blandford collections.

warrington.

Museum and Art Gallery: c20 European art.

wigan.

History Shop: 22 European art, William Rimmer collection.

wootton bassett, wilts.

John Webb collection: 400 wind, mostly brass.

york.

Castle Museum: c250.

G.B. Wood: Musical Instruments in the York Castle Museum (1938)

united states of america

abilene, tx.

Department of Music, McMurry University: c30 Western incl. Thomas H. Greer collection.

albuquerque.

Maxwell Museum of Anthropology, University of New Mexico: c700 ethnological and archaeological, esp. Native American (particularly Southwest), east African and Asian, incl. the Kidd collection.

Man: the Music-Maker (1973) [exhibition catalogue]

ambridge, pa.

Old Economy Village: c35 Western art, a few military and mechanical.

ann arbor.

Stearns Collection of Musical Instruments, School of Music, University of Michigan: over 2200 worldwide.

A.A. Stanley: Catalogue of the Stearns Collection of Musical Instruments (1918, 2/1921); R.A. Warner: ‘The Stearns Collection of Musical Instruments’, JVdGSA, ii (1965), 38–48; B.M. Smith: Two-Hundred Forty-One European Chordophones in the Stearns Collection (1981); W. Malm: ‘Stearns Musical Instruments: an Exotic Collection’, Ann Arbor Magazine (1986), 14–19; J.M. Borders: European and American Wind and Percussion Instruments: Catalogue of the Stearns Collection of Musical Instruments, University of Michigan (1988); The Stearns Collection of Musical Instruments: the First Century, 1899 to 1998 (1998)

ashburnham, ma.

Edmund Michael and Patricia Frederick collection: 25 string keyboards.

E.M. Frederick: ‘The “Romantic” Sound in Four Pianos of Chopin’s Era’, 19CM, iii/2 (1979), 150–53; A. Porter: ‘Musical Events: a Fine Resource’, New Yorker, (26 Oct 1981); G. Hayes: ‘How Many Pianos Does It Take to Fill A House?’, Early Keyboard Studies Newsletter, i/2 (1985); M. Boriskin: ‘They Prefer Pianos to Furniture’, Piano Quarterly (Summer 1985); E.M. Frederick: ‘English vs. Viennese Fortepianos’, Haydn’s Piano Sonatas (1990); I. Braus: ‘Early Pianos: a Conversation with Michael Frederick’, Early Keyboard Studies Newsletter, vii/3 (1993)

bakersfield, ca.

Kern County Museum: c30, half mechanical, also country-and-western.

baltimore.

Maryland Historical Society: c40 locally made or owned, incl. 15 Baltimore pianos.

G.R. Weidman: Furniture in Maryland, 1740–1940 (1984)

bartlesville, ok.

Woolaroc Museum, Frank Phillips Foundation: incl. c25 Native American.

bellevue, wa.

Experience Music Project: c100, mainly acoustic and electric guitars.

beloit, wi.

Logan Museum of Anthropology, Beloit College: c150, half Native North and Central American, African and from the Pacific Rim.

bennington, vt.

Bennington Museum: c30 with local associations.

berea, ky.

Berea College Appalachian Museum: c25 traditional Appalachian.

berkeley.

Department of Music, University of California: c110 mainly Western art, also African and Asian incl. Ansley K. Salz (string) collection.

D.D. Boyden: Catalogue of the Collection of Musical Instruments in the Department of Music, University of California, Berkeley (1972); J.A. Emerson: Musical Instruments, East and West, i (1972); Catalog of an Exhibit on the Occasion of the 12th Congress of IMS (1977)

berkeley.

Phoebe Hearst Museum of Anthropology (formerly Robert H. Lowie Museum of Anthropology), University of California: 1050 mainly Native North and Latin American ethnological and archaeological, esp. Californian and Peruvian, also African, Asian, Australian, Oceanian and European.

bethlehem, pa.

Moravian Museum of Bethlehem: c35, many trombones, by local makers.

C.S. Mayes: A Descriptive Catalogue of Historic Percussion, Wind and Stringed Instruments in Three Pennsylvania Museums (MA thesis, Florida State U., 1974)

bismark, nd.

Museum of State Historical Society of North Dakota: c160 Western and Native American.

bloomfield hills, mi.

Cranbrook Institute of Science: c80 worldwide ethnological.

bloomington, in.

Musical Instrument Collection, William Hammond Mathers Museum of World Cultures, Indiana University: c1800 worldwide, esp. American, African, Southeast Asian, and Balkan traditional and ethnological incl. Robert Ellison (Native North American Plains), Frances Cossard (mainly Japanese), Georg Herzog-Erich von Hornbostel, Carl Anton Worth (Sudanese and Javanese puppet and gamelan), and Laura Bolton collections.

P. Gold: Traditional Music of the World (1968); L. Boulton: Musical Instruments of World Cultures (New York, 1972); ‘Boulton Collection Donated to Arizona State’, AMIS Newsletter, xii/2 (1983)

boise, id.

Idaho State Historical Society: c50 Western art, traditional and popular.

boston.

Boston Symphony Orchestra: c100 Western and non-Western art, traditional, ethnological incl. Casadesus and John S. Barnet collections.

‘BSO Collection Reinstalled’, AMIS Newsletter, xx/1 (1991)

boston.

Musical Instruments Collection, Museum of Fine Arts: c1200 Western art, traditional and ethnological, incl. North and South American; African, Asian, esp. 1840 Blora Javanese gamelan; the Leslie Lindsey Mason (formerly Francis W. Galpin [Western art, traditional, and non-Western], and Moule [Chinese]), Edwin M. Ripin (keyboards), Douglas Diehl, Peggy Stewart Coolidge, Harold Priest and Searles/Rowland collections.

‘Leslie Lindsey Mason Collection of Musical Instruments’, Museum of Fine Arts Bulletin, xv (1917); N. Bessaraboff: Ancient Musical Instruments: an Organological Study of the Musical Instruments in the Leslie Lindsey Mason Collection (1941); N.B. Bodley [Bessaraboff]: ‘The Auloi of Meroe’, American Journal of Archaeology, l/2 (1946); N. Williamson: ‘The Leslie Lindsey Mason Collection’, Museum of Fine Arts Bulletin, lix/315 (1961); N. Williamson: ‘The Musical Instrument Collection at Boston’, VdGSA, iii (1966); R.M. Rosenbaum: Galpin Collection and Galpin Consort, AMIS Newsletter, ii/3 (1973); Ripin Collection Merlin Harpsichord, AMIS Newsletter, iii/2 (1974); B. Lambert: ‘The Musical Instruments Collection, Museum of Fine Arts, Boston’, CIMCIM Newsletter, x (1982); B. Lambert: Musical Instruments Collection: Checklist of Instruments on Exhibition (1983); D.S. Quigley: ‘Museum of Fine Arts, Boston: Collection of Musical Instruments Acquisitions from 1972–1987’, FoMRHI Quarterly, xlix (1987); ‘MFA Retains Searles/Rowland Collection’, AMIS Newsletter, xxi/2 (1992); D. Kuronen: ‘The Musical Instruments of Benjamin Crehore’, Journal of the Museum of Fine Arts, Boston, iv (1992); J. Koster: Keyboard Musical Instruments in the Museum of Fine Arts, Boston (1994)

boston.

New England Conservatory of Music: c125, mostly Asian, also Western, incl. Eben Tourjee collection.

E. Burnett: A Catalogue of the Collection of Ancient Instruments Owned by the New England Conservatory (MA thesis, New England Conservatory of Music, 1967)

boston.

Sheridan Germann collection: c20, half string keyboards.

S. Germann: ‘The Accidental Collector’, Early Keyboard Studies Newsletter, v/3 (1991)

boston.

Society for the Preservation of New England Antiquities: over 50 Western art and popular.

bowling green, ky.

Kentucky Museum, Western Kentucky University: c35 mainly Western popular, art and traditional, a few non-Western.

browning, mt.

Museum of the Plains Indian and Crafts Center: c30 Plains Native American, esp. Sioux.

burlington, vt.

Robert Hull Fleming Museum, University of Vermont: c170 worldwide ethnological, some American popular.

cambridge, ma.

Department of Music, Harvard University: c100 Western and Asian art, traditional, ethnological incl. Ralph Isham and Edward R. Hewitt collections.

S.E. Thompson: Checklist (1990)

cambridge, ma.

G. Norman Eddy collection: c475 winds and string keyboards.

F.N. and G.N. Eddy: ‘Four Flageolets’, AMIS Newsletter, i/4 (1972); T. Good and G.N. Eddy: The Eddy Collection of Musical Instruments: a Checklist (San Francisco, 1985)

cambridge, ma.

Peabody Museum of Archaeology and Ethnology: c2000 worldwide, half Native North American.

carbondale, il.

Southern Illinois University Museum: c250 Middle Eastern, American, Asian ethnological and some archaeological.

charleston, sc.

Charleston Museum: c75 used locally, incl. Siegling Music House collection.

charlottesville, va.

Thomas Jefferson Memorial Association: 7 Jefferson-related art.

W.H. Adams: The Eye of Thomas Jefferson (1976); H. Cripe: Thomas Jefferson and Music (1974); S. Stein: The Worlds of Thomas Jefferson at Monticello (New York, 1993)

chicago.

Department of Anthropology, Field Museum of Natural History: c3800, over half American ethnological and archaeological, also African, Middle Eastern, Asian, Oceanian and European.

S.C. De Vale: ‘The Gamelan’, Field Museum of Natural History Bulletin (1978)

chicago.

Oriental Institute Museum, University of Chicago: c40 archaeological Egyptian and Near Eastern.

cincinnati.

Cincinnati Art Museum: c775 Western art, traditional and non-Western ethnological, incl. William Howard Doane collection and loans from Metropolitan Museum of Art.

E. Winternitz: Musical Instruments: Collection of the Cincinnati Art Museum (1949) [catalogue]; Cincinnati Art Museum Handbook (1977)

claremont, ca.

Kenneth G. Fiske Museum of Musical Instruments, Claremont Colleges: c1200 Western, incl. c450 Asian, African, ethnological North and South American, Oceanian incl. Curt Janssen, Leon Whitsell and Jack Coleman (winds) collections.

A.R. Rice: ‘The Curtis W. Janssen Collection’, Journal of the International Trumpet Guild, xiv/3 (1990)

clarksdale, ms.

Delta Blues Museum: over 30, American acoustic and electric guitars, also traditional and popular.

cleveland.

Western Reserve Historical Society Museum: c100.

T. Albrecht: An Annotated Catalogue of Musical Instruments in the Collection of the Western Reserve Historical Society (1978) [typescript]

colorado springs, co.

Colorado Springs Museum: over 100 mainly music boxes, also Western, and Native American archaeological and ethnological

concord, nh.

New Hampshire Historical Society Museum: c65 Western art, traditional and popular used locally.

B.D. Turcott: ‘Concord Musical Instrument Makers’, Historical New Hampshire, xxii/1 (1967), 18–27; E. Wall: ‘Abraham Prescott: Bass Viol Maker of Deerfield and Concord’, Historical New Hampshire, xlii/2 (1987), 101–23; W. Copley: ‘Musical Instrument Makers of New Hampshire, 1800–1860’, Historical New Hampshire, xlvi/4 (1991), 231–48

corning, ny.

Corning Museum of Glass: c15, 7 glass instruments and whistles.

costa mesa, ca.

Christian and Kathleen Eric collection: c300 music boxes.

davenport, ia.

Putnam Museum of History and Natural Science: c35 European art, traditional, popular and Native North American.

deansboro, ny.

Deansboro Musical Museum: incl. Arthur and Elsie Sanders collection, auctioned 1998.

L. Libin: ‘The Sad End of an Era’, AMIS Newsletter, xxvii/3 (1998); A. and E. Sanders: ‘The Musical Museum’, AMIS Newsletter, xxvii/3 (1998)

dearborn, mi.

Henry Ford Museum and Greenfield Village: over 600 mainly American art, popular and band, incl. D.S. Pillsbury (brass), and Chickering (piano) collections.

Chickering & Sons: Pianofortes at the Exhibition of 1856 (1857); Under the Auspices of Chickering & Sons: Catalogue of the Exhibition, Horticultural Hall, Boston (1902); R.E. Eliason: Brass Instrument Key and Valve Mechanisms Made in America Before 1875, with Special Reference to the D.S. Pillsbury collection (DMA diss., U. of Missouri, 1969); V. Angelescu: ‘The Henry Ford Collection of Instruments’, Violins, xxi (1960), 3–9, 46, 48–53, 97–102, 138–44, 173; R.E. Eliason: D.S. Pillsbury Collection of Brass Instruments (1972); R.E. Eliason: Graves & Company: Musical Instrument Makers (1975); R.E. Eliason: Early American Brass Makers (Nahville, TN, 1979)

decorah, ia.

Vesterheim Norwegian-American Museum: c100 European art and traditional having belonged to Norwegian Americans.

D.D. Henning and others: Norwegian American Wood Carving of the Upper Midwest (1978)

denver.

Denver Museum of Natural History: c725 mainly Native North and Latin American archaeological, ethnographic, also African, Oceanian and Asian.

detroit.

Children’s Museum: c300 African, Asian and American.

detroit.

Detroit Institute of Arts: c70 Western art, traditional, and some ethnological (formerly exhibited the Edith J. Freeman collection).

Musical Instruments Through the Ages (1952) [exhibition catalogue Toledo, Ohio, Museum of Art]; Music and Art (1958) [exhibition guide, U. of Minnesota]

edwardsville, il.

University Art Museum, Southern Illinois University: c125 mainly European art, also Asian incl. Carl H. Tollefsen, Kiburz Flute, and African collections.

A.R. Rice: ‘Southern Illinois University Checklist Prepared’, AMIS Newsletter, xx/3 (1991), 8–9

elmira, ny.

Chemung County Historical Centre: c50 Western art and popular.

flagstaff, az.

Museum of Northern Arizona: c350 southwest Native American.

franklin, pa.

DeBence Antique Music World: 125 mechanical.

‘DeBence Antique Music World’, AMIS Newsletter, xxiv/1 (1995)

hartford, ct.

Connecticut Historical Society Museum: c35 Connecticut-origin.

harvard, ma.

Fruitlands Museums: c35 incl. Native American, Shaker, Western art and traditional.

homer, ny.

The Ralph and Virginia Dudgeon collection: c200 Western, half brass.

honolulu.

Bernice Pauahi Bishop Museum: c640 Hawaiian and Oceanian.

Te Rangi Hiroa [Peter H. Buck]: ‘Section 9: Musical Instruments’, Arts and Crafts of Hawaii, (1957); Pahu and Pūnio (1980) [drum exhibition catalouge]; J. Koster: ‘Report from Hawaii’, AMIS Newsletter, xxi/3 (1992)

houston.

Anthropology Department, Houston Museum of Natural Science: c35 ethnological.

indianapolis, in.

Indiana State Museum: c70 European art, popular and mechanical.

iowa city, ia.

University of Iowa: c40.

D. Ross: Musical Instruments at the University of Iowa: a Catalogue (1979)

ivoryton, ct.

The Company of Fifers and Drummers: c195 mainly American and European fifes and drums, also bugles.

S. Cifaldi: ‘The Company of Fifers and Drummers’, Sonneck Society for American Music Bulletin, xvi/2 (1990), 50–53

jacksonville, al.

E. Lee Chaney collection: c30 reed organs.

E.L. Chaney: ‘Three Rare Organs’, ROS Bulletin, viii/1 (1989), 20–23; E.L. Chaney: ‘When Reed Organs Went to War’, ROS Bulletin (1990), 6–10

kalamazoo, mi.

Kalamazoo Valley Museum: c95 esp. Kalamazoo-made, also African and Asian ethnological.

kenosha, wi.

G. Leblanc Corporation Collection: c200 Western woodwind and brass.

kent, oh.

Hugh A. Glauser School of Music, Center for the Study of World Musics, Kent State University: c100 African, Asian, Pacific, Middle Eastern.

lawton, ok.

Percussive Arts Society Museum: c300.

‘Growth Reflected in PAS Museum Expansion’, AMIS Newsletter, xxiv/3 (1994)

le mars, ia.

Parkinson Collection of Historical Musical Instruments (loan), Plymouth County Historical Museum: c500 worldwide.

lewisburg, pa.

Harold E. Cook Collection of Musical Instruments, Department of Music, Bucknell University: c150, many Asian, also African, some European, Ecuadorean, and United States.

‘A Checklist of Musical Instruments in the Harold E. Cook Collection’ (1971) [typescript]; J. Hill: The Harold E. Cook Collection of Musical Instruments (Cranberry, NJ, 1975)

lincoln, ne.

Anthropology Division, State Museum, University of Nebraska: c115 African, East Indies, Philippines, South American and Plains Native American ethnological.

litiz, pa.

Litiz Moravian Congregation Archives and Museum: over 50.

los angeles.

Albert Gale and Leonardo De Lorenzo collections, University of Southern California: c180 mainly Native American, Asian, European and American.

P.J. Norvel: A History and Catalogue of the Albert Gale Collection of Musical Instruments (MA thesis, U. of Southern California, 1952); A.R. Rice: ‘Communications’, AMIS Newsletter, xxvii/2 (1998)

los angeles.

Department of Musicology, University of California (UCLA): 1000 non-Western art, esp. Southeast Asian.

los angeles.

Erich Lachmann collection, University of California (UCLA): c55 string.

E. Lachmann: Erich Lachmann Collection of Historical Stringed Musical Instruments (1950)

los angeles.

Fowler Museum of Cultural History, University of California (UCLA): 4,300 worldwide, esp. African.

los angeles.

Southwest Museum: c975 mainly Native American, also Hispanic/Spanish colonial, European, Pacific and Asian.

los angeles.

Watts Towers Arts Center: c70 traditional African, Asian, South and North American (incl. Native American) most from Joseph Howard collection.

manhattan, ks.

Riley County Historical Society and Museum: c60 European popular, traditional and art.

manoa, hi.

Music Department, University of Hawaii: over 1500 from the Pacific Rim.

memphis.

Memphis Pink Palace Museum: c35 Western art, popular and ethnological.

middletown, ct.

Collection of Musical Instruments, Wesleyan University: 500 mainly non-Western esp. Ghanaian, Javanese, Indian, East Asian, also electronic and experimental.

milwaukee.

Milwaukee Public Museum (affiliated with University of Wisconsin): c400 worldwide art and ethnological.

minden, ne.

Harold Warp Pioneer Village: c60 Western, regional, some ethnological.

monroe, mi.

Monroe County Historical Museum: c40 mainly band.

nashville, tn.

Country Music Hall of Fame and Museum

nashville, tn.

Cumberland Science Museum: c85 mainly African, Asian and Middle Eastern ethnological.

nazareth, pa.

C.F. Martin Guitar Museum: over 30, mainly guitars, other fretted.

M. Longworth: Martin Guitars: a History (1975, 3/1988); J. Washburn and R. Johnston: Martin Guitars: an Illustrated Celebration (Emmaus, PA, 1997)

nazareth, pa.

Museum of Moravian Historical Society: c60.

L. Libin: ‘Nazareth Piano may be among America’s First’, Moravian Music Journal, xxxiii/1 (1988), 2–6

newark, nj.

Newark Museum: 300 mainly ethnological, esp. African and Tibetan, incl. the Russell Barkley Kingman (European art) collection.

Catalogue of the Tibetan Collection (1950); ‘The Russell Barkley Kingman Collection of European Art Instruments’, The Museum, xiv/1 (1962)

new haven, ct.

Department of Anthropology, Peabody Museum of Natural History, Yale University: 1000 African, Oceanian and North American.

new haven, ct.

Yale University Collection of Musical Instruments: c1000 European art, some traditional and non-Western incl. Morris Steinert, Belle Skinner, Emil Hermann (string), Albert Steinert (formerly at Rhode Island School of Design), part of Mrs. W.D. Frishmuth, and Robyna Neilson Ketchum (bells) collections.

M. Steinert Collection of Keyed and Stringed Instruments (1893); Catalogue of the Morris Steinert Collection of Keyed and Stringed Instruments (New York, 1893); T.W. Booth: Historical Catalogue of the M. Steinert Collection of Musical Instruments (1913); W.L. Chapman: ‘The Albert Steinert Collection of Harpsichords’, Rhode Island School of Design Bulletin, xvi/1 (1928); K.B. Neilson: ‘Keyboard and Strings’, Rhode Island School of Design Museum, Museum Notes, viii/3 (1951); D. Tower: Keyboard and Strings, Early Instruments and Performers: Notes on the Musical Instruments in the Albert M. Steinert Collection (1951) [exhibition catalogue]; W. Skinner: The Belle Skinner Collection of Musical Instruments (Holyoke, MA, 1933); S. Marcuse: Checklist of Western Instruments, i: Keyboard Instruments (1958); S. Marcuse: Musical Instruments at Yale: a Selection of Western Instruments from the 15th to the 20th Century (1960); R. Rephann: Checklist: Yale Collection of Musical Instruments (1968); R. Rephann and N. Renouf: The Robyna Neilson Ketchum Collection of Bells (1975); N. Renouf: Musical Instruments in the Viennese Tradition, 1750–1850 (1981); N. Renouf: A Yankee Lyre: Musical Instruments by American Makers (1983); ‘Dolmetsch-Chickering Instruments at Yale’, AMIS Newsletter, xxi/2 (1992)

new orleans.

New Orleans Jazz Club Collections, Louisiana State Museum: c50.

newton, ma.

Marlowe A. Sigal collection: c300 mainly keyboards, European and some American woodwinds.

new york.

Department of Anthropology, American Museum of Natural History: 4000 ethnographic esp. African, Asian, Siberian, Melanesian, North and South American esp. pre-Columbian.

C.W. Mead: The Musical Instruments of the Incas: a Guide Leaflet to the Collection on Exhibition (1903); C.W. Mead: ‘The Musical Instruments of the Incas’, Anthropological Papers of the American Museum of Natural History, xv/3 (1924), 313–47; T.R. Miller: ‘The Evidence of Instruments’, Anthropology and Humanism Quarterly, xvii/2 (1992), 49–60

new york.

Frederick R. and Patricia B. Selch Collection of Historic Musical Materials (part also in Sharon Springs, NY): over 1000 primarily Western European and American art, traditional, popular and ethnological, esp. ante-bellum Northeastern American bass viols and winds; large library of primary sources on musical instruments, most early instruction manuals, early American performance music, many hundreds of paintings, prints and drawings of musical subjects.

F.R. Selch: An Exhibition of Early Musical Instruments (1959) [exhibition catalogue]; F.R. Selch: ‘Yankee Bass Viol Makers’, Journal of the Violin Society of America, ii/2 (1979); F.R. Selch: ‘Early American Violins and their Makers’, Journal of the Violin Society of America, vi/1 (1980); F.R. Selch: ‘American Musical Instruments: a Brief History’, The Art of Music, American Painting and Musical Instruments 1770–1910 (1984) [exhibition catalogue, Whitney Museum, New York, Duke U., Exeter, NH]; F.R. Selch: ‘Who was Chapin?’, Stearns Collection Newsletter (1991); F.R. Selch: ‘The Yankee Bass Viol’, AMIS Newsletter, xx/2 (1991); F.R. Selch: ‘Some Moravian Makers of Bowed Stringed Instruments’, JAMIS, xix (1993), 38–64; F.R. Selch: ‘American Moravian Makers and the Vogtländisch school of Musical Instrument Making’, Journal of the Violin Society of America, xiii/1 (1993); F.R. Selch and J. Peknik: ‘America’s First School of Violin Making’, Journal of the Violin Society of America, xiv/3 (1996), 125–76; F.R. Selch: ‘Early American Musical Paintings: Bright Visions of Forgotten Musical Worlds’, Musique – Images – Instruments (forthcoming)

new york.

Lillian Caplin collection: c50 worldwide.

new york.

Metropolitan Museum of Art, Department of Musical Instruments and other departments: c5000 worldwide, esp. European, American, Asian, African art, traditional, popular, ethnological and archaeological, incl. Mrs. John Crosby Brown, Joseph W. Draxel, Getty, some of Tagore, part of Mrs. W.D. Frishmuth, Herbert J. Harris (worldwide percussion), Robert A. Lehman and other collections.

M.E. Crosby Brown and W. Adams Brown: Musical Instruments and Their Homes: a Complete Catalogue of the Collection ... Now in the Possession of Mrs. J. Crosby Brown (1888); F. Morris and others: Catalogue of the Crosby Brown Collection of Musical Instruments of All Nations (1901–14); E. Winternitz: Keyboard Instruments in the Metropolitan Museum of Art (1961); E. Winternitz: Musical Instruments of the Western World (1966); E. Winternitz: ‘The Crosby Brown Collection ... its Origin and Development’, Metropolitan Museum Journal, iii (1970), 337–56; Checklist of Western European Flageolets, Recorders, and Tabor Pipes (1976); Checklist of European & American Fifes, Piccolos, and Transverse Flutes (1977, 2/1989); Checklist of Bagpipes (1977); L. Libin: ‘The “Restored” Stradivari and Amati Violins of the Metropolitan Museum of Art’, Journal of the Violin Society of America, iv/1 (1977–8), 34–47; L. Libin: ‘Musical Instruments in the Metropolitan Museum of Art’, Metropolitan Museum of Art Bulletin, xxxv/3 (1978), 1–48; W. Monical: Checklist of Viole da Gamba (1979); Checklist of European & Ameican Harps (1979); S. Pollens: Forgotten Instruments [exhibition catalogue, Katonah, NY] (1980); L. Libin: American Musical Instruments in the Metropolitan Museum of Art (1985); L. Libin: Two Centuries of Piano Design (1985) [exhibition catalogue]; Recent Acquisitions: a Selection, 1985–1986 (1986); R.A. Lehman: ‘Preparation and Management of a Descriptive Inventory for a Collection of Flutes’, JAMIS, xii (1986), 137–48; L. Libin: Historic Flutes from Private Collections (1986) [exhibition catalogue]; B. Burn: Checklist of American Musical Instruments (1989); J.K. Moore: Sounding Forms: African Musical Instruments (1989) [exhibition catalogue]; L. Libin: ‘Keyboard Instruments’, Metropolitan Museum of Art Bulletin, lxvii/1 (1989); K. Christiansen: A Caravaggio Rediscovered: the Lute Player (1990) [exhibition catalogue]; S. Pollens: ‘Michele Todini’s Golden Harpsichord’, Metropolitan Museum Journal, xxv (1990), 33–47; The Spanish Guitar/La guitara Espanola (1990) [exhibition catalogue]; L. Libin: Our Tuneful Heritage (1994) [exhibition catalogue of instruments from MMA coll., Provo, Utah]; S. Pollens and others: Violin Masterpieces of Guarneri Del Gesu: an Exhibition (1994); ‘Musical Instruments Retell African-American History at the Metropolitan Museum’, AMIS Newsletter, xxv/3 (1996); S. Pollens: ‘Flemish Harpsichords and Virginals in the Metropolitan Museum of Art: an Analysis of their Alterations and Restorations’, Metropolitan Museum Journal, xxxii (1997), 85–110

new york.

Murtogh Guinness collection: musical automata.

new york.

Museum of the American Piano: c45 keyboards.

new york.

Museum of the City of New York: c30 Western art and popular.

new york.

Research Branch, National Museum of the American Indian, Smithsonian Institution: 6150 (3210 ethnological, 2940 archaeological) Native North, Central and South American. Exhibitions held at NMAI’s George Gustave Heye Center, New York City.

norris, tn.

Museum of Appalachia. c200 traditional.

J.R. Irwin: Musical Instruments of the Sothern Appalachian Mountains (West Chester, PA, 2/1983)

north newton, ks.

Kauffman Museum: c100, more than half European-American origin, also Native North American, Asian and Central African ethnological.

oakland, ca.

Pardee Home Museum: c60 Western, many popular.

oberlin, oh.

String Instrument Construction Collection, Oberlin College

L.S. Richer: The VSA [Violin Society of America]-H. K. Goodkind Collection: a Guide and Selective Index to the Stringed Instrument Construction Collection at the Oberlin College Library (1997)

oklahoma city, ok.

National Cowboy Hall of Fame: c35 mainly US military.

oklahoma city, ok.

Oklahoma Historical Society Museum: c50 Western, Native American, some non-Western.

oklahoma city, ok.

Richard W. Payne collection: over 500 archaeological and ethnological American winds, esp. flutes.

R.W. Payne: ‘Indian Flutes of the Southwest’, JAMIS, xv (1989), 5–31; R.W. Payne: ‘Medicine and Music: Whistles of the Eastern Oklahoma Indians’, Chronicles of Oklahoma, lxviii (1991), 424–33; R.W. Payne: ‘Bone Flutes of the Anasazi’, Kiva, lvi/2 (1991), 165–77

onchiota, ny.

Six Nations Indian Museum: c30.

orono, me.

Hudson Museum, University of Maine: c60 Meso- and North American, African, and Southeast Asian ethnological and archaeological.

philadelphia.

Museum of Archaeology and Anthropology, University of Pennsylvania: c3500 North-, Central-, South American, African, Near Eastern and Oceanian mainly ethnological, also some Western incl. Mrs. William D. Frishmuth collection.

phoenix, az.

Heard Museum of Native Cultures and Art: c600 ethnological primarily Native North American, African.

pine bluff, ar.

Band Museum: c1200 mainly American, incl. Jerry G. Horne collection.

S. Yount: ‘Formation of Band Museum’, AMIS Newsletter, xxiv/2 (1995)

pittsburgh.

Division of Anthropology, Carnegie Museum of Natural History: c475 worldwide ethnological, esp. Costa Rican and Colombian archaeological ocarinas.

pittsburgh.

Tamburitzan Folk Arts Center: 500 European traditional (esp. Balkan) and non-Western ethnological.

portland, me.

Maine Historical Society Museum: c30 Western art and traditional.

portland, or.

Oregon Historical Society Museum: c60 Western used locally, some Native American.

portland, or.

Rasmussen Collection of Northwest Coast Indian Art, Portland Art Museum: c15.

E. Gunther: Art in the Life of the Northwest Coast Indians (1966)

potsdam, ny.

Crane School of Music, State University College: Charles N. Lanphere collection, over 100 Middle Eastern from Biblical period, incl. reconstructions, Asian, Australian, from Madagascar, the Philippines and Siberia; Washburn Collection, c150 African and Asian.

C.N. Lanphere: The First Ten Thousand Years of Music: Music of the Bible (2/1972); African and Asian Musical Instruments (1981) [exhibition catalogue]

poughkeepsie, ny.

Treasure Room, Historical Musical Instruments Collection, Department of Music, Vassar College: over 50 Western, art esp. keyboards.

‘Instruments in Vassar’s Collection (Partial Listing)’, AMIS Newsletter, xxvii/3 (1998)

providence, ri.

Rhode Island Historical Society Museum: c40, mainly brass.

provo, ut.

Museum of Art, Brigham Young University: c150 non-Western and Western, incl. Lloyd Miller and Lotta Van Buren collections.

red wing, mn.

Goodhue County Historial Society Museum: c40 mainly Western art and traditional.

rochester, ny.

Helen R. and Charles R. Valenza flute collection: over 60 European and American art

Historic Flutes from Private Collections (1986) [exhibition catalogue, Metropolitan Museum of Art, New York]

rolling hills, ca.

Kermit Welch collection: c225 woodwinds.

st johnsbury, vt.

Fairbanks Museum of Natural Science and Planetarium: c75 mainly ethnological, and some American winds and string instruments.

st joseph, mo.

St. Joseph Museum: c75, mainly Native American, also non-Western ethnological and some Western.

st paul.

Minnesota Historical Society Museum: c175 Western.

st paul.

The Schubert Club Museum of Musical Instruments: c2100 worldwide, incl. 100 keyboards, Western art, traditional, band, mechanical and ethnological, esp. African and Indian, and 60 phonographs, most from William and Ida Kugler collection.

A. Gage: ‘Incredible Music Machines: the History of the Phonograph 1877-1927’, Minnesota Monthly, xxi/10 (1987); T. Wenberg: Violin & Bow Makers of Minnesota (1988); B. Carlson: The Schubert Club Museum (1991); B. Weiss: Song of India (1992) [exhibition catalogue]

salem, ma.

Peabody Essex Museum: c300 mainly Asian (particularly Chinese), Native American, from Hawaiian Islands, African ethnological, and some Western art.

salem, sc.

Old Salem (Moravian Community)

J. Watson: ‘Claviers for Salem: Historic Instruments in the Salem Moravian Community’, Moravian Music Journal, xxxi/1 (1986); ‘Historic Tannenberg Organ from Old Salem’, AMIS Newsletter, xxviii/3 (1999)

salt lake city.

Museum of Church History and Art, Church of Jesus Christ of Latter-Day Saints: c75 Western art and popular.

san diego.

San Diego Museum of Man: c300 ethnological mainly North American and Mexican, also African, Asian and Oceanian.

san diego.

Harry Partch collection, University of California

T. Kakinuma: The Musical Instruments of Harry Partch as an Apparatus of Production in Musical Theatre (diss., U. of California, 1989); D.A. Savage: Voice and Soul: Intrinsic Description of Harry Partch’s Keyboard and String Instruments (diss., U. of California, 1994)

san francisco.

Fine Arts Museums of San Francisco: c270 Western and ethnological incl. Jascha Heifitz’s 1742 Guarneri del Gesu violin.

santa ana, ca.

Bowers Memorial Museum: c70 pre-Columbian, archaeological and a few Western.

santa barbara, ca.

Santa Barbara Historical Society Museum: c300 bells worldwide, c15 Western.

santa barbara, ca.

Department of Music, University of California: c900 East Asian, southeast Asian, African, Middle Eastern, pre-Columbian and Western, incl. Henry Eichheim collection.

‘UCSB Acquires Non-Western Instruments’, AMIS Newsletter, xi/2 (1982); D.M. Hsu: Henry Eichheim Collection of Oriental Instruments (1984) [exhibition catalogue]

santa fe.

Wheelwright Museum of the American Indian (formerly Museum of Navajo Ceremonial Art): c50 Navajo, Pueblo and Apache Native American.

seattle.

Anthropology Division, Thomas Burke Memorial Washington State Museum, University of Washington: c500 from the Pacific Rim and Native North American.

seattle.

Museum of History and Industry, Historical Society of Seattle and King County: c70 Western art and popular, some ethnological.

seattle.

Seattle Art Museum: c175 from the Pacific Rim, African, North and South American art and ethnological.

seattle.

School of Fine and Performing Arts, Seattle Pacific Univesity: c25 art and ethnological flutes from Jim Buck collection.

shelburne, vt.

Shelburne Museum: c40 mainly music boxes incl. Wilmerding collection.

sitka, ak.

Sheldon Jackson Museum: c25 Inuit, and a Russian organ, 1846, first used in Alaska.

stanford, ca.

Department of Music, Stanford University: c65 string instruments esp. bowed, Harry R. Lange collection.

H.W. Myers: ‘Stanford’s Lange Collection Profiled’, AMIS Newsletter, xiv/3 (1985)

sterling, co.

Overland Trail Museum: c50 mainly Western used locally.

sturbridge, ma.

Old Sturbridge Village: c110 made or used in New England before 1840.

superior, wi.

Douglas County Historical Society: c50 Western used locally.

tallahassee, fl.

Department of Anthropology, Florida State University: c65 worldwide, especially Peru, Panama, and Montana.

tallahassee, fl.

James Roberts Instrument Collection, Florida State University

K.R. Gengo: The James Roberts Instrument Collection: a Documentation and Description (MM thesis, Florida State U., 1994)

toluca lake, ca.

Emil Richards collection: c600 percussion worldwide.

topeka, ks.

Kansas State Historical Society and Kansas Museum of History: c150 Western art, popular, and traditional made or used in Kansas.

tucson, az.

c500 ethnological and archaeological southwestern and Mexican Native American, some Asian.

E.A. Morris: ‘Basketmaker Flutes From the Prayer Rock District, Arizona’, American Antiquity, xxiv/4 (1959), 406–11; B.M. Bakkegard and E.M. Morris: ‘Seventh-Century Flutes from Arizona’, EthM, v/3 (1961), 184–6; D.N. Brown: ‘The Distribution of Sound Instruments in the Prehistoric Southwestern United States’, EthM, xi/1 (1967), 71–90; L. Queen: ‘Southwestern Indian Musical Instruments’, Smoke Signal, xxxv (1978); A. Ferg: ‘Amos Gustina, Apache Fiddle Maker’, American Indian Art Magazine, vi/3 (1981), 28–35; R.W. Payne: ‘Indian Flutes of the Southwest’, JAMIS, xv (1989), 5–31

tulsa.

Anthropology Department, Gilcrease Museum: c40 mainly Native American.

tulsa.

Native American Collection, Philbrook Museum of Art: c30 mainly Plains tribes.

urbana-champaign, il.

Band Museum, University of Illinois: worldwide incl. Carl Busch, some from Lloyd Farrar collections.

C.T. Carrell: A Catalogue of the Brass Musical Instruments of the Carl Busch Collection at the University of Illinois (DMA diss., U. of Illinois, 1996); K.L. Cox: A Catalog of the Clarinets in the University of Illinois Bands Museum (DMA diss., U. of Illinois, 1997)

urbana-champaign, il.

School of Music, Division of Musicology, University of Illinois: c90 Middle Eastern, Asian, Native North and Latin American incl. permanent loan of Peruvian archaeological from Krannert Art Museum

J.R. Haefer: A Checklist of Folk and Non-European Musical Instruments in University of Illinois Collections (1974) [typescript]

urbana-champaign, il.

University of Illinois: small collections in the Afro-American Culture Centre, Department of Anthropology Laboratory, and Natural History Museum.

vermillion, sd.

America's Shrine to Music Museum, University of South Dakota: over 6000 Western art, traditional, popular and worldwide ethnological, incl. Arne B. Larson, Laurence Witten (string instruments), Rawlins Family, Wayne Sorensen (band), Dale Higbee (flutes), Rosario Mazzeo (clarinets), John Powers (saxophone), Cecil Leeson (saxophone), and Joe and Joella Utley (brass) collections.

A.P. Larson: A Catalogue of the Double Reed Instruments in the Arne B. Larson Collection of Musical Instruments (diss., U. of South Dakota, 1968); A.P. Larson: Catalog of the Nineteenth-Century British Brass Instruments in the Arne B. Larson Collection (diss., West Virginia U., 1974); G.M. Stewart: Restoration and Cataloging of Four Serpents in the Arne B. Larson Collection of Musial Instruments (MM thesis, U. of South Dakota, 1978); G.M. Stewart: Catalog of the Collections, the Shrine to Music Museum, i: Arne B. Larson Collection: Keyed Brass Instruments (1980); T.E. Cross: Instruments of Burma, India, Nepal, Thailand, and Tibet (1982); ‘The Wayne Sorensen Collection’, AMIS Newsletter, xii/3 (1983); M.D. Banks: ‘North Italian Viols at the Shrine to Music Museum’, JVdGSA, xxi (1984), 7–27; M.D. Banks: ‘Recent Acquisitions ... the Witten-Rawlins Collection’, CIMCIM Newsletter, xii (1985); L. Kitzel: The Trombones of the Shrine to Music Museum (diss., U. of South Dakota, 1985); G.R. Moege, ed.: A Catalogue of the Alto Brass Instruments in the Arne B. Larson Collection of Musical Instruments (1985); J.J. Swain, ed.: A Catalog of the E-Flat Tubas in the Arne B. Larson Collection (diss. U. of Michigan, 1985); M.D. Banks: ‘The Witten-Rawlins Collection and other Early Italian Stringed Instruments at the Shrine to Music Museum’, Journal of the Violin Society of America, viii/3 (1987), 19–48; M.D. Banks: ‘The “Harrison” Violin, the “Rawlins” Guitar, and other Stradivari Materials at the Shrine to Music Museum’, Journal of the Violin Society of America, ix/3 (1988), 13–35; M. Schlenz: The Shrine to Music Museum: a Pictorial Souvenir (1988); M.L. Scott: The American Piston Valved Cornets and Trumpets of the Shrine to Music Museum (1988); Amadeus: his Music and the Instruments of the Eighteenth Century (1990); ‘USD Museum Opens New Gallery’, AMIS Newsletter, xix/2–3 (1990); D.W. Knutson: A Catalogue of the European Cornets and Trumpets at the Shrine to Music Museum (DMA diss., U. of Illinois, 1992); S. Carter: ‘Early Trombones in America’s Shrine to Music Museum’, HBSJ, x (1998); P. Machlis: ‘Rosario Mazzeo Collection of Clarinet Music’, AMIS Newsletter, xxvii/2 (1998); Beethoven: Musical Treasures from the Age of Revolution & Romance (1999) [exihibtion catalogue at Santa Ana, The Bowers Museum of Cultural Art]

warrensburg, mo.

Music Division, Central Missouri State University: c300 mainly winds, worldwide: the Don Essig collection.

‘Essig Collection is Cataloged and Exhibited’, AMIS Newsletter, x/2, (1981)

washington, dc.

Daughters of the American Revolution (DAR) Museum: c45 European and American.

E.D. Garrett: The Arts of Independence, the DAR Museum Collection (1985); Strike Up the Band (1988) [exhibition checklist]

washington, dc.

Department of Anthropology, National Museum of Natural History, Smithsonian Institution: 3300 ethnological, esp. African and Oceanian.

F. Densmore: Handbook of the Collection of Musical Instruments in the United States National Museum (1927); D.L. Thieme: A Descriptive Catalogue of Yoruba Musical Instruments (diss., Catholic U. of America, 1969)

washington, dc.

Music Division, Library of Congress: c1780 mainly Western, art incl. Dayton C. Miller (flutes), Gertrude Clark Wittall (major Italian violin-family and bows), H. Blakiston Wilkins (bowed string instruments), Thai-Laotian Ceremonial, and Robert E. Sheldon (winds loan) collections.

H.B. Wilkins: The Stradivari Quintet of Stringed Instruments (1936); W.D. Orcutt: Stradivari Memorial (1938); L.E. Gilliam and W. Lichtenwanger: The Dayton C. Miller Flute Collection: a Checklist (1961); R.E. Sheldon: Wind Instruments (1968) [exhibition brochure, Museum of History and Technology, Smithsonian]; F. Traficante: ‘Henry Blakiston Who? Or Some Early Instruments at the Library of Congress’, JVdGSA, x (1973); C.A. Goodrum: Treasures of the Library of Congress (1980); M. Seyfrit: Musical Instruments in the Dayton C. Miller Flute Collection: a Catalog, i: Recorders, Fifes and Simple System Transverse Flutes of One Key (1982); The Stringed Instrument Collection in the Library of Congress (Tokyo, 1986); M.J. Simpson: ‘Dayton C. Miller and the Dayton C. Miller Flute Collection’, Flutist Quarterly, xv (1990), 5–11; R. Sheldon: ‘The Musical Instrument Collections of the Library of Congress’, Flutist Quarterly, xvi/3 (1991); Music, Theater, Dance: an Illustrated Guide (1993); R. Hargrave: Amati, Stradivari & Guarneri: the Library of Congress Violins (1997)

washington, dc.

National Museum of American History (formerly Museum of History and Technology) Smithsonian Institution: c5000 American and European art, traditional, jazz and popular, incl. 268 keyboards and Hugo Worch (keyboards), part of Mrs. W.D. Frishmuth, and Janos Scholz (cello bow) collections.

T. Wilson: Prehistoric Art, or The Origin of Art as Manifested in the Works of Prehistoric Man (1898); H.W. Krieger: Material Culture of the People of Southeastern Panama (1926); F. Densmore: Handbook of the Collection of Musical Instruments in the United States National Museum (1927/R); J.D. Shortridge: Italian Harpsichord Building in the 16th and 17th Centuries (1960); A Checklist of Keyboard Instruments at the Smithsonian Institution (1967); J.T. Fesperman: Organs in Early America (1968) [exhibition brochure]; J. Fesperman: ‘Music and Instruments at the Smithsonian Institution’, CMc, vi (1968), 63–5; C.A. Hoover: Harpsichords and Clavichords (1969); J. Fesperman: A Snetzler Chamber Organ of 1761 (1970); C.A. Hoover: Music Machines: American Style (1971) [exhibition catalogue]; J.S. Odell: Plucked Dulcimers: a Checklist of Appalachian Dulcimers and Similar Instruments in the Collection of the Division of Musical Instruments (1971); R. Eliason: Keyed Bugles in the United States (1972); J.S. Odell: A Checklist of Banjos in the Collections of the Division of Musical Instruments (1973); C.A. Hoover: History of Music Machines (1975); H.R. Hollis: Pianos in the Smithsonian Institution (1975); Checklist of Keyboard Instruments at the Smithsonian Institution (1975); G. Sturm: ‘Exhibition of Violins and Bows in the Smithsonian Collection’, Journal of the Violin Society of America, v/2 (1979), 75–102; ‘Smithsonian Acquires Important Bowed Strings’, AMIS Newsletter, viii/3 (1979); L.E. Herman: The Harmonious Craft: American Musical Instruments (1979) [exhibition brochure]; Classical Bowed Stringed Instruments from the Smithsonian Institution (1986); G. Sturm and W. Monical: American Violin Makers before 1930 (1987) [exhibition catalogue]; M.K. O’Brien: ‘The Smithsonian Clavichords’, Early Keyboard Journal, x (1992), 121–78; J.E. Hasse: The Life and Genius of Duke Ellington (1993); Piano Roles: Three Hundred Years of Life with the Piano (1999)

washington, dc.

National Park Service, US Department of the Interior: western art and traditional, ethnological, archaeological, esp. Native American.

wichita, ks.

Flutes of the World, Betty Austin Hensley Collection: over 350 Western art, traditional, popular and non-Western ethnological flutes.

B.A. Hensley: Flutes of the World: a Checklist (1983)

wichita, ks.

Thurlow Lieurance Indian Flutes, Wichita State University: c25 flutes, half Native North American.

B.A. Hensley: Thurlow Lieurance Indian Flutes (1990)

wilbraham, ma.

Robert S. Howe collection: c250.

williamsburg, va.

DeWitt Wallace Gallery, Colonial Williamsburg: c80 mainly English and American 18th-century art.

M. Hamilton-Phillips: ‘Magnificent Keyboards of Colonial Williamsburg’, Ovation, vii/6 (1986)

williamstown, ma.

Department of Music, Williams College: c50 Western art, incl. Telford Taylor collection.

wiscasset, me.

The Musical Wonder House: large number of mechanical.

york, pa.

Historical Society of York County: c50 Western art, traditional used locally

uruguay

montevideo.

Museo Histórico Nacional

montivedo.

Museo Romántico

uzbekistan

samarkand.

Museum of Uzbek History, Culture and Arts: c60 traditional Usbeg and documentation of Tashkent musical-instrument factory.

tashkent.

Applied Arts Museum of Uzbekistan: c80 important Uzbeg.

tashkent.

Scientific Experimental Laboratory for the Sphere of Research, Reconstruction and Improvement of the Musical Instruments by the State Conservatory ‘M. Ashrafi’: c700 reconstructions of traditional Uzbeg and other Central Asian cultures.

A.I. Petrosyants: Instrumentovedenie [Organology] (1951, 2/1980)

tashkent.

Tashkent Historical Museum of the People of Uzbekistan: c65 Usbeg and manufacturing tools.

tashkent.

Uzbek State Museum of Art: c110, some 85 Usbeg traditional incl. by Usto Zupharov, and c25 Indian

venezuela

caracas.

Fundación de Etnomusicología y Folklore del CONAC: c1250 Venezuelan, Latin American and Carribbean.

caracas.

Museo Organologico, Instituto Interamericano de Etnomusicología y Folklore: 700 ethnological, mainly winds and percussion incl. the Aretz-Ramón, and Rivera collections.

Cuatro mil aeo Organologico, Institu (1976); I. Aretz: Instrumentos musicales para una orquesta latinoamericana (1983); I. Girón: ‘Instrumentos musicales del contexto mágico-religioso’, Catálogo de la exposición del primer congreso interamericano de etnomusicología y folklore (1983); M.T. Melfi and I. Girón: Instrumentos musicales de América latina y el caribe (1988)

vietnam

saigon.

National Museum of Vietnam

yugoslavia

belgrade.

Etnografski Muzej [Ethnographical Museum]: c355 from throughout Yugoslavia and surrounding countries.

Narodni muzicki instrumenti jugoslavie (1967)

belgrade. i

nstitute of Musicology of the Serbian Academy of Sciences and Arts: c60 regional.

belgrade.

Fakultet Muzicke, Univerzitet Umetnosti u Beogradu [Faculty of Musical Art, University of Arts in Belgrade]: c500 mostly Eastern European.

belgrade.

Muzej Africke, Universitet Umetnosti u Beogradu [African Museum, University of Arts in Belgrade]: c40 African.

A. Gojković: Africki muzicki instrumenti (1987) [catalogue]

zaïre

bukavu.

Département d’Anthropologie Culturelle, IRSAC: c45 regional.

kinshasa.

Institut des Musée Nationaux du Zaïre (IMNZ): c2200 traditional

zambia

livingstone.

Livingstone Museum

A.M. Jones: ‘African Music in Northern Rhodesia and some other places’, Occasional Papers of the Rhodes-Livingstone Museum (1974); A.A. Mensah: Music and Dance in Zambia (1971)

mbala.

Moto-Moto Museum: over 140 Northern and Central Zambian (Bemba, Bisa, Lala, Mambwe and Inamwanga peoples), incl. Father Jean-Jacques Corbeil collection.

J.-J. and W.F. Corbeil: African Music: Bemba Instruments (n.d.)

zimbabwe

harare.

Ethnography Department, Queen Victoria Museum: c50 Ghona and Mdebele traditional.

C. Jones: Making Music: Musical Instruments of Zimbabwe Past and Present (1992)

Instruments, collections of

BIBLIOGRAPHY

general

BoalchM

ClinkscaleMP

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MGG2 (B. Lambert, S.K. Klaus and M.H. Schmid)

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G.L. Kinsky: ‘Musikinstrumentensammlungen in Vergangenheit und Gegenwart’, JbMP 1920, 47–60

C. Sachs: ‘La signification, la tèche et la technique muséographique des collections d’instruments de musique’, Mouseion, xxvii–xxviii (1934), 153–84

T. Norlind, ed.: Systematik der Saiteninstrumente, i: Geschichte der Zither (Stockholm, 1936); ii: Geschichte des Klaviers (Stockholm, 1939)

G. Thibault: ‘Les collections privées de livres et d’instruments de musique d’autrefois et d’aujourd’hui’, HMYB, ix (1961), 131–47

Die Bedeutung, die optische und akustische Darbietung und die Aufgaben einer Musikinstrumentensammlung: Nuremburg 1969

W.H. Fitzgerald: Directory of Asian-Pacific Museums (Honolulu, 1969)

B. Geiser: ‘Musical Instruments in Public and Private Collections in Switzerland’, CIMCIM Newsletter, no.2 (1974)

W. Lichtenwanget and others, ed.: A Survey of Musical Instrument Collections in the United States and Canada (Ann Arbor, 1974)

E.M. Ripin: The Instrument Catalogs of Leopoldo Franciolini (Hackensack, NJ, 1974)

J. Jenkins: International Directory of Musical Instrument Collections (Buren, 1977)

I. Mačák, P. Kurfürst and F. Hellwig, eds.: Contributions to the Study of Traditional Musical Instruments in Museums (Bratislava, 1987)

J. Coover: Musical Instrument Collections: Catalogues and Cognate Literature (Detroit, 1981)

P.T. Young: Twenty-Five Hundred Historical Woodwind Instruments: an Inventory of the Major Collections (New York, 1982)

F. Gétreau: ‘Les instruments de musique dans les collections publiques français non spécialisées’, La vie musicale en Picardie au temps des Puys, Musée de Picardie, Amiens, 29 Apr – 13 July 1983 (Amiens, 1983), 71–4 [exhibition catalogue]

T.J. Wenberg: The Violin Makers of the United States (Mt Hood, OR, 1986)

F. de la Grandville: Recensement des instruments de musique anciens (Paris, 1988–90)

M. Haine: Les instruments de musique dans les collections belges/Musical Instruments in Belgian Collections (Liége, 1989)

W. Powers: ‘Checklist of Historic Recorders in American Private and Public Collections’, American Recorder, xxx/2 (1989)

C. Bevan, ed.: Musical Instrument Collections in the British Isles (Winchester, 1990)

S. Levin: ‘Collecting of Musical Instruments in Russia and the Soviet Union’, JAMIS, xvi (1990), 118–31

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R. van Acht: Checklist of Technical Drawings of Musical Instruments in Public Collections of the World (Celle, 1992)

P.T. Young: 4900 Historical Woodwind Instruments: an Inventory of 200 Makers in International Collections (London, 1993)

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B. Lambert: International Directory of Musical Instrument Collections [IDMC] (1997)

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A. Rice: Directory of Musical Instruments in Canada and the United States (1997)

R. Meucci, ed.: ‘Musei e collecioni di strumenti musicali’, Annuario musicale Italiano, iv/1 (1989), 387–8; iv/2 (1989), 347–55

inventories

A. Kircher: Musurgia universalis (Rome, 1650/R)

M. Todini: Dichiaratione della galleria armonica (Rome, 1676/R)

M. Fürstenau: Beiträge zur Geschichte der königlich sächsischen musikalischen Kapelle (Dresden, 1849)

M. Fürstenau: Ein Instrumentinventarium vom Jahre 1593 (Dresden, 1872)

L. Puliti: Cenni storici della vita del serenissimo Ferdinando dei Medici Granprincipe di Toscana, e della origine del pianoforte (Florence, 1874) [orig. pubd in Atti dell’Accademia de R. Insituto musicale di Firenze, xii, 1874]

L.F. Valdrighi: Musurgiana (Modena, 1879–96); 1st ser. repr. (Bologna, 1970)

A. Bruni: Un inventaire sous la Terreur: état des instruments de musique relevé chez les émigrés et condamnés ed. J. Gallay (Paris, 1890/R)

C. Pierre: La facture instrumentale à l’Exposition universelle de 1889 (Paris, 1890)

J. Sittard: Zur Geschichte der Musik und des Theaters am württemburgischen Hofe (Stuttgart, 1890–91/R)

E. de Bricqueville: ‘Les collections d’instruments de musique aux XVIe, XVIIe et XVIIIe siècles’, Un coin de la curiosité: les anciens instruments de musique (Paris, 1894), 15

F. Pedrell: Emporio cientifico e histórico de organografia musical espamusique aux X (Barcelona, 1901)

E. Zulauf: Beiträge zur Geschichte der Landgräfliche-hessische Hofkapelle zu Cassel bis auf die Zeit Moritz des Gelehrten (Kassel, 1902)

F. Waldner: ‘Zwei Inventarien aus dem XVI. und XVII. Jahrhundert über hinterlassene Musikinstrumente und Musikalien am Innsbrucker Hofe’, SMw, iv (1916), 128–47

A. Aber: Die Pflege der Musik unter den Wettinern und wettinischen Ernestinern (Bückeburg and Leipzig, 1921)

F.A. Drechsel: ‘Alte Dresdener Instrumenten Inventare’, ZMw, x (1927–8), 495–9

F.W. Galpin: The Collection of Musical Instruments Formed and Owned by the Late C. van Raalte, Fox & Sons, 21 June 1927 (Bournemouth, 1927) [sale catalogue]

H. Anglès: La música en la corte de Carlos V, MME, ii (1944, 1965R)

P. Loubet de Sceaury: Musiciens et facteurs d’instruments sous l’ancien régime (Paris, 1949)

A. Baines: ‘Two Cassel Inventories’, GSJ, iv (1951), 30–38

S. Marcuse: ‘The Instruments of the King’s Library at Versailles’, GSJ, xiv (1961), 34–6

S. Hellier: ‘A Catalogue of Musical Instruments’, GSJ, xviii (1965), 5–6

M. McLeish: ‘An Inventory of Musical Instruments at the Royal Palace, Madrid, in 1602’, GSJ, xxi (1968), 108–28

F. Crane: Extant Medieval Musical Instruments: a Provisional Catalogue by Types (Iowa City, 1972)

M. Castellani: ‘A 1593 Veronese Inventory’, GSJ, xxvi (1973), 15–24

B. Dickey, E.H. Tarr and P. Leonards: ‘The Discussion of Wind Instruments in Bartolomeo Bismantova’s Compendio musicale (1677): Translation and Commentary’, Basler Jb für historische Musikpraxis, ii (1978), 143–87

D. Krickeberg: ‘Die alte Musikinstrumentensammlung der Naumberger St. Wenzelskirche im Spiegel ihrer Verzeichnisse’, JbSIM (1978), 7–30

J. Watson: ‘A Catalog of Antique Keyboard Instruments in the Southeast’, Early Keyboard Journal, ii (1983–4), 64–82; iii (1984–5), 60–77; v (1986–7), 53–69; ix (1991), 71–103; xv (1997)

E. Tremmel: ‘Musikinstrumente im Hause Fugger’, Die Fugger und die Musik: Lautenschlagen Lernen und Leben, ed. R. Eikelmann (Augsburg, 1993), 61–70

periodicals

IAMIC Newsletter [International Association of Musical Instruments Collections], nos.1–2 (1973–4)

CIMCIM Newsletter nos.3–14 (1975–89)

CIMCIM Bulletin no.1– (1989–)

catalogues of major loan exhibitions

C. Engel, ed.: Catalogue of the Special Exhibition of Ancient Musical Instruments, South Kensington Museum (London, 1872)

A.J. Hipkins: International Inventions Exhibition, London, 1885: Guide to the Loan Collection and List of Musical Instruments, Royal Albert Hall (London, 1885)

C.R. Day: A Descriptive Catalogue of the Musical Instruments Recently Exhibited at the Royal Military Exhibition, London, 1890 (London, 1890)

Musée rétrospectif de la classe 17: instruments de musique, matérial, procédés et produits à l’Exposition universelle internationale de 1900 (Paris, 1900)

Under the Auspices of Chickering & Sons: Catalogue of the Exhibition, Horticultural Hall (Boston, 1902)

An Illustrated Catalogue of the Music Loan Exhibition, Fishmongers’ Hall, London, June – July 1904 (London, 1909)

K. Meyer: Katalog der Internationalen Ausstellung Musik im Leben der Völker, Frankfurt, 11 June – 28 Aug 1927 (Frankfurt, 1927)

Ausstellung alte Musik: Katalog, Bayerischen Nationalmuseum, Munich, Nov – Dec 1951 (Munich, 1951)

The Galpin Society: British Musical Instruments, Arts Council of Great Britain, London, 7 Aug – 30 Aug 1951 (London, 1951)

V festival Gulbenkian de musica: exposiçaô internacional de instrumentos antigos, Palácio Foz (Lisbon, 1961)

Mostra di antichi strumenti musicali, Teatro Comunale, 1963–4 (Modena, 1963)

Catalogue of the Musical Instrument Exhibition, Expo Sussex (Haywards Heath, Sussex, 1968)

The Galpin Society, 21st Anniversary Exhibition: an Exhibition of European Musical Instruments, Reid School of Music, U. of Edinburgh, 18 Aug – 7 Sept 1968 (Edinburgh, 1968)

K.S. Kothari: Indian Folk Musical Instruments, Sangeet Natak Akademi, 15 Nov – 22 Nov 1968 (New Dehi, 1968)

Exposition des instruments de musique des XVIème et XVIIème siècles, Hôtel de Sully, Paris, June 1969 (Brussels, 1969)

M. van Vaerenbergh-Awouters and others: Catalogus van de tentoonstelling gewijd aan muziekinstrumenten uit de XVIe en XVIIe eeuw, behorend tot het Instrumentenmuseum van Brussel/Catalogue de l’exposition ‘Instruments de musique des XVIe et XVIIe siècles’, appartenant au Musée instrumental de Bruxelles, Kasteel Laarne, Sept – Nov 1972 (Brussels, 1972)

G. Thibault, J. Jenkins and J. Bran-Ricci: Eighteenth Century Musical Instruments: France and Britain/Les instruments de musique au XVIIIe siècle: France et Grand-Bretagne, Victoria and Albert Museum (London, 1973)

J. Français: Collector’s Choice: Musical Instruments of Five Centuries from American Private Collections, Amsterdam Gallery, Lincoln Center (New York, 1975)

J. Jenkins and P. Rovsing Olsen: Music and the World of Islam, Horniman Museum, 6 Apr – 6 Oct 1976 (London, 1976)

P. Dumoulin: L’Europe du clavecin: en hommage à T.R.C. Goff, Palais Lascais, June – July 1977 (Nice, 1977)

C. Marcel-Dubois and others: L’instrument de musique populaire: usages et symboles, Musée Nationale des Arts et Traditions Populaires, 28 Nov 1980 – 19 Apr 1981 (Paris, 1980)

S. Pollens: Forgotten Instruments, Katonah Gallery, 15 Nov 1980 – 18 Jan 1981 (Katonah, NY, 1980)

P.T. Young: The Look of Music: Rare Musical Instruments, 1500–1900, Vancouver Museum (Vancouver, 1980)

Orlando di Lasso: Musik der Renaissance, Münchner Fürstenhof, 27 May – 31 July 1982 (Wiesbaden, 1982)

La vie musicale en Picardie au temps des Puys, Musée de Picardie, Amiens, 29 Apr – 13 July 1983 (Amiens, 1983)

Catching the Tune: Music and William Sidney Mount, State U. of New York at Stony Brook (Stony Brook, NY, 1984)

The Art of Music: American Paintings and Musical Instruments, 1770–1910, Fred L. Emerson Gallery, Hamilton College (Clinton, NY, 1984)

J.S. Britt: Nothing More Agreeable: Music in George Washington’s Family (Mount Vernon, VA, 1984)

R.L. Webb: Ring the Banjar: the Banjo in America from Folklore to Factory, MIT Museum Compton Gallery, 12 Apr – 29 Sept 1984 (Cambridge, MA, 1984)

300 Jahre Johann Sebatsian Bach: sein Werk in Handschriften und Dokumenten, Musikinstrumente seiner Zeit, seine Zeitgenossen, Staatsgalerie Stuttgart, 14 Sept – 27 Oct (Tutzing, 1985)

Domenico Scarlatti: i grandi centenari dell’anno europeo dell musica/Les grands jubilés de l’année européenne de la musique, Centro culturale beato Pietro Berno, Ascona, 24 Aug – 30 Oct 1985 (Ascona, 1985) [ Eng. and Ger. version also pubd 1985]

John Joseph Merlin: the Ingenious Mechanick, Iveagh Bequest (London, 1985)

J. Simon, ed.: Handel: a Celebration of his Life and Times, 1685–1759, National Portrait Gallery (London, 1985)

Made for Music: an Exhibition to Mark the 40th Anniversary of the Galpin Society, Sotheby’s, 11 Aug – 12 Aug 1986 (London, 1986)

P.T. Young: University of Victoria Loan Exhibition of Historic Double Reed Instruments, U. of Victoria (Victoria, 1988)

M.-T. Brincard, ed.: Sounding Forms: African Musical Instruments, National Museum of African Art, Washington DC, 26 Apr – 18 June 1989 (New York, 1989) [touring exhibition]

Die Klangwelt Mozarts, Kunsthistorisches Museum, 28 Apr – 27 Oct 1991 (Vienna, 1991)

C. Bégin and C. Nebel: Opus: the Making of Musical Instruments in Canada, Canadian Museum of Civilization (Hull, PQ, 1993)

Il museo della musica: mostra di strumenti antichi, Libreria sansoviniana, Venice, 12 Apr – 15 June 1997 (Venice, 1997)