86–7
, 117–8, 229
accent
102–3
;
see also
sociolinguistic
code
acoustic punctuation
16
adjective (and adjective phrase) 11, 54,
55–6
, 57, 64, 104
adjunct
10–11
, 28, 65, 100, 111, 113;
see also
clause
adverb (and adverb phrase)
11
, 22, 57,
64
Allen, Woody 223
alliteration
16
, 52, 67, 219
allusion
see
intertextuality; parody
analepsis (flashback)
79
;
see also
point of
view
anaphor
201–2
, 203–10
anticipatory constituent
62–3
;
see also
trailing constituent
antilanguage
104–5
, 107
antonym
57
apposition
13
assonance
52
attenuated focalisation
29
;
see also
point
of view
Atwood, Margaret 8–9
Auden, W. H. 16, 52
axis of combination 35, 36,
52–3
axis of selection 35, 36,
52–3
Banks, Iain 27, 79
Barnes, Julian 201
Barthelme, Donald 232
Beckett, Samuel 91
behavioural process
23
, 186, 194;
see also
transitivity
Berkoff, Steven 139
binding
see
narrative comprehension
Bradbury, Ray 195
Breton, André 214–16
Browning, Robert 210
Burgess, Anthony 105
burlesque 218, 220,
222–3
Burns, Robbie 142
Burroughs, William 104
Calvino, Italo 195
caricature
44
categorical assertion
125
;
see also
point
of view, psychological
characterisation 20–1, 27,
74–5
, 88, 119,
120, 123, 178, 231
clause
10–11
; tests for clause
constituents
11–13
; variations in
clause structure
13–14
;
see also
grammar
cloze test
52
, 99
code-switching
102
, 230;
see also
sociolinguistic code
Coetzee, J. M. 229
cognitive stylistics 2,
38–41
, 88, 89–92,
139–42, 201–10, 211–17, 225, 227,
230
cognitive poetics
see
cognitive stylistics
communicative competence
38
, 136, 137
complement 7, 9, 13,
10–11
, 100, 111;
see also
clause
Conrad, Joseph 63, 76
context (of discourse) 7,
35
, 136;
see also
discourse
conventionalised indirectness
37
;
see also
politeness
coordination
13
, 60
cummings, e e 54, 210, 228
declarative
see
mood
deictic signature
141
;
see also
text world
deixis
7
, 28, 79, 84, 91, 111, 181, 202,
231
deviation
see
foregrounding
dialect
102–3
, 181–2, 230;
see also
sociolinguistic code
dialogue
34–5
, 86–8, 136–8, 139, 229,
232;
see also
discourse
Dickens, Charles 63–4, 66, 166, 222
Dickinson, Emily 201–10
discourse, analysis of
7–8
; discourse
strategy
35–8
, 86–7; discourse
structure
35–6
, 87–8; discourse
stylistics 2,
34
, 136, 226; discourse
world
see
text world
Disney, Walt 72
Donne, John 210
downrank
see
embedding
duration
79
;
see also
point of view
Eliot, T. S. 143, 213
ellipsis
14
, 83
embedding
61–2
exchange
36
, 88, 138;
see also
discourse,
structure
existential process
23
;
see also
transitivity
experiential function
22
, 65, 123;
see also
transitivity
fairy tale (folktale)
70–1
felicity conditions
87
feminist stylistics 2,
185–94
, 225, 231
Fielding, Henry 81
finite
64–5
, 111, 166
Fitzgerald, F. Scott 128
foot (metrical)
see
metre
foregrounding 46,
50–1
, 58, 90, 105,
113, 183, 227; internal foregrounding
51
, 56, 66
Formalism, Russian
50
, 90, 227
frame
89
;
see also
schema theory
free indirect discourse
81–3
;
see also
speech presentation; thought
presentation
free verse
18
, 109, 113
Frost, Robert 228
genre 9, 100, 110,
120–3
, 130, 150
Ginsberg, Allen 210
Golding, William 75, 229
gradability
see
adjective
grammar 6,
9–10
, 59–66, 108–12, 113,
114, 151, 152, 157, 163, 201, 203
grammetrics
113
;
see also
metre
grapheme
see
graphology
graphology
6
, 94, 165, 170, 171, 176,
180, 181, 183
Graves, Robert 218
Gray, Thomas 15
Hardy, Thomas 103, 230
Heaney, Seamus 231
Hemingway, Ernest 51, 61, 129, 130–5,
223
Herbert, George 166, 168, 210
heterodiegetic narrative
28
, 82, 126,
226
hint
36–7
;
see also
politeness
holonymic agency
77
, 121;
see also
transitivity
homodiegetic narrative
28
, 83, 124, 226
homophone
46
Hopkins, Gerard Manley 67, 210,
219–22
horror fiction 120, 122–3
humour, verbal
45–8
, 101, 107, 118,
137, 138, 170, 217–23, 227
244
G L O S S A R I A L I N D E X
iambic pentameter
15
;
see also
metre
idealised cognitive model (ICM)
40
, 41,
90, 204, 211–3, 215–6, 227
idiolect
102
idiom
43,
52,
93
, 159, 164
illocutionary force
37
, 39, 47, 226
imagism 108,
111–2
, 231
imperative 13, 36, 196;
see also
mood
incongruity
see
humour, verbal
insertion sequence
36
interpersonal function 121,
123–6
interrogative
see
mood
intertextuality
21
, 217
Ionesco, Eugene 117, 231
irony
46–7
, 101, 145
Isherwood, Christopher 166, 168
James, Henry 74, 129
Jerome, Jerome K. 60
Joyce, James 78, 79, 83, 140, 168–76,
228, 232
Kafka, Franz 128
Larkin, Philip 228
levels of language
5–8
, 167
lexico-grammar
see
grammar
lexis (vocabulary)
6
, 113, 164, 188,
219
liberal humanism
157
literariness
101–2
, 167, 200
‘literary language’ 39,
98–101
, 153, 155,
165, 230
locative expression
29
, 79
Lodge, David 223
Longley, Michael 63, 112, 231
Lowry, Malcolm 82, 84
lyric poem 9,
100
, 101
McEwan, Ian 79, 84–5
McGough, Roger 94–5, 230
MacLaverty, Bernard 119
MacNeice, Louis 166, 168
material process
22
, 119;
see also
transitivity
mental process
23
, 119, 124;
see also
transitivity
mental space
204
, 205–10;
see also
cognitive stylistics
meronymic agency 44,
76
, 121, 194;
see also
transitivity
metalanguage
4
, 88, 135
metaphor 9,
41–3
, 53, 111, 142–5,
160, 164, 188, 227, 230, 232;
chaining
144
, 145; concretisation
92–3
, 144; elaborating (a metaphor)
94,
95,
144; extending (a metaphor)
94
, 144; (metaphors in) everyday
discourse 42,
92
; (metaphors of)
food
92–3
; invariance hypothesis
(of metaphor) 211,
212
, 213–17;
novelty 43,
92–3
, 144; orientational
metaphor
94–5
, 185; (metaphors
for) war
42–3
, 211
metonymy 41,
43
, 142–5;
see also
metaphor
metre 14,
15–18,
109, 150, 175, 225
mind style
75
;
see also
point of view
minor clause
14
, 167, 181
modality
123–7
;
see also
point of view,
psychological
mood (grammatical)
13
Morgan, Edwin 161–2, 210
morpheme
see
morphology
morphology
6
, 10, 171
Morrison, Toni 128
Nabokov, Vladimir 83
narrative
18–21
, 226; narrative
comprehension 20,
91–2
, 141;
narrative discourse
20
, 70;
(Proppian) functions of narrative
70–1
, 72, 73, 74, 228; minimal
narrative
19
; model of narrative
20
; narrative plot
20
, 70, 124;
natural narrative
114–19
, 196,
197, 199–200; structure of narrative
20,
21
narrative report of speech (NRS)
32–3
,
81;
see also
speech presentation
11
111
11
111
G L O S S A R I A L I N D E X
245
narrative report of thought (NRT)
32–3;
see also
thought presentation
narrator’s representation of action
(NRA)
81
neologism
54
nominalisation 25,
111
noun phrase (nominal group) 11, 22,
109, 110, 161,
162–3
, 164, 204
offbeat
16
;
see also
metre
onomatopoeia
67
, 69, 113, 168–76
parallelism
50
, 111;
see also
foregrounding
Parker, Dorothy 47,
parody
46–7
, 217–23; pseudoparody
221–2
passive voice
26
;
see also
transitivity
phatic communion
138
phonaestasia
68
; phonaesthetic fallacy
68–9
phoneme
see
phonology
phonetics 5,
6
, 103, 169
phonology 5,
6
, 170, 174
phrasal verb
7
Pinter, Harold 87
Plath, Sylvia 185–94, 210
Poe, Edgar Allan 128
poetic function (Jakobsonian)
52–4
, 101
point of view 21,
26–30
, 176, 192, 226,
229, 232; ideological 77,
78
; planes of
77–8
; psychological 77, 79–80, 85;
123–7
; spatial 77,
79–80
; temporal
77,
78–9
polarity
10
politeness 8,
36–7
, 137, 139, 226
polyphony
108
Pope, Alexander 46
postmodern novel
130
Pound, Ezra 111, 166, 231
pragmatics
7, 34,
39, 87, 197, 200
predicator 7,
10
, 62–5, 113;
see also
verb;
clause
prepositional phrase
11
, 22, 29, 109
priming
see
narrative, comprehension
props (in schemata) 40,
89
, 95, 144;
see also
schema theory
pun
45–6
, 95, 158, 227
Raine, Craig 93
rank scale
10
;
see also
grammar
Received Pronunciation (RP)
103
;
see also
accent
reflector of fiction
28
, 79, 80, 126, 127,
176;
see also
point of view
register
104
, 106, 107, 159
relational process
Do'stlaringiz bilan baham: |