Чет тиллар факультети инглиз тили ўҚитиш методикаси кафедраси

E.g. in front of the right-hand passage was an awkward-looking, red-carpeted, with an oiled banister, all right angles, no curves – staircase. /J. Kellerman The Web/ [26]
Note: Suspense may function on macro-level as well, affecting the plot development. For instance, in the novel The Singing Stones by Phyllis A. Whitney [57] the authoress resorts to suspense in the last paragraph of the prologue:
E.g. We gathered up our things and started down to the road where Stephen had left his car. No premonition of any sort touched me as we ran to the car, my hand in Stephens. No warning reached me that it would be twelve years before I ever climbed this hill again. /Whitney The Singing Stones/
Naturally we expect to know what happened to the newly wed heroine and why it took her twelve years to come back to the house she was supposed to settle in; but our interest and expectations are kept in suspense, because the next chapter conveys only the events, which took place after that twelve-year period.
ASYNDETON is connection between parts of a sentence or between sentences without any formal sign, when there is a deliberate omission of the connective conjunctions where it is generally expected to be according to the norms of the literary language [4, p. 226].
E.g. Arthur looked at his watch; it was nine o’clock. (Voynich) [4]
E.g. The policeman took no notice of them; his feet were planted apart on the strip of crimson carpet stretched across the pavement; his face, under the helmet, wore the same solid, watching look as theirs. (Galsworthy) [4]
POLYSYNDETONis a SD of connecting words, sentences or phrases by using connective conjunctions [4, p. 226].
E.g.The heaviest rain, and hail, and sleet, could boast of the advantage over him in only one respect. (Dickens) [4]
ELLIPSISis an intentional ommision from the utterance of one or more words that can be restored by the context. [4, p. 231; 5, p. 68] It imitates the common features of colloquial language and is characteristic of a dialogue to create the effect of naturalness and authenticity of lively emotional speech.