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The New York Times
July 25, 2008 Friday

Late Edition - Final

Corrections: For the Record
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LENGTH: 54 words
The Shifting Careers column on the Small Business page on Thursday, about nonprofit groups that nurture new businesses, misspelled the surname of Chicago's mayor, whose former technology adviser, David Weinstein, is president of one such group, the Chicagoland Entrepreneurial Center. The mayor is Richard M. Daley, not Daly.
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The New York Times
July 25, 2008 Friday

Late Edition - Final

The Listings
SECTION: Section E; Column 0; Movies, Performing Arts/Weekend Desk; Pg. 23
LENGTH: 2657 words
ART

Museums and galleries are in Manhattan unless otherwise noted. Full reviews of recent art shows: nytimes.com/art.

Museums

AMERICAN FOLK ART MUSEUM: 'ASA AMES: OCCUPATION SCULPTURING,' through Sept. 14. This first show devoted to the American sculptor Asa Ames (1823-51) is a gem. Its eight carved and painted wood portraits -- roughly two-thirds of the work of Ames's brief maturity -- introduce an artist who translated the style of self-taught American portrait painters into three dimensions, imbuing their artificiality with the sense of suspended life found in 19th-century photography. A crowded, wonderfully bizarre photograph that Ames orchestrated of himself, his work and a friend is a poignant tribute to his ambition. 45 West 53rd Street, [phone], folkartmuseum.org.

(Roberta Smith)

BROOKLYN MUSEUM: 'CLICK! A CROWD-CURATED EXHIBITION,' through Aug. 10. Inspired by ''The Wisdom of Crowds'' by the business writer James Surowiecki, ''Click!'' is more of a sociological experiment than a conventional photography show. Photographers submitted their pictures to the museum's Web site for online appraisal by any and all comers. The 78 top-ranked pictures are now on display in a small gallery at the museum. Is the crowd a better judge of artistic merit than an individual expert? You be the judge. 200 Eastern Parkway, at Prospect Park, [phone], brooklynmuseum.org. (Ken Johnson)

GUGGENHEIM MUSEUM: 'LOUISE BOURGEOIS,' through Sept. 28. This retrospective of the French-born New York artist, now 96, has been seen in Paris and London and looks great in the Guggenheim's big spiral, clean but organic -- fecund, tumid, hands-on -- and unclassically classical. The installation is chronological, from early found-wood abstract pieces to recent soft sculptures in fabric, but there is nothing linear about Ms. Bourgeois's thinking: images come and go and reappear, like motives in a dream, and they're intense like a dream. After her long career, the art world tends to take Ms. Bourgeois for granted. That's a mistake. 1071 Fifth Avenue, at 89th Street, [phone], guggenheim.org. (Holland Cotter)

JEWISH MUSEUM: 'ACTION/ABSTRACTION: POLLOCK, DE KOONING AND AMERICAN ART, 1940-1976,' through Sept. 21. With the help of some stupendous paintings and a beautiful installation, the same old story of postwar American painting's glory is told a new way: through the rivalry between its most prominent advocates, the art critics Clement Greenberg and Harold Rosenberg, and through their intellectual milieu. 1109 Fifth Avenue, at 92nd Street, [phone], thejewishmuseum.org. (Smith)

METROPOLITAN MUSEUM OF ART: 'J. M. W. TURNER,' through Sept. 21. Unbelievably, this gathering of nearly 150 paintings and watercolors is the first major American retrospective of this great British landscape painter. It provides a sweeping account of Turner's work; his debt to Poussin and Claude Lorrain; his reinvention of history painting; his DeMillean views of Venice; his determined proto-abstract depiction of heavy weather of all kinds, all the while swinging back and forth between overblown and moving, inspired and mechanical. Turner's ambition seems to exclude all else, including the viewer, which gives the work an oddly imperious, impersonal tone. It may explain why you can emerge from the show impressed by the majesty of his vision and yet oddly untouched, even chilled. [phone], metmuseum.org. (Smith)

MUSEUM OF MODERN ART: 'DALI: PAINTING AND FILM,' through Sept. 15. Salvador Dali's lifelong preoccupation with film -- so perfectly suited to his hyper-real Surrealist painting -- spanned nearly his entire career, from the groundbreaking ''Chien Andalou'' to little-known works from the 1960s and '70s that capture an early Happening by Dali or presage appropriation art of the 1980s. This exhibition skillfully mixes a sizable number of paintings and drawings with continuous screenings of several films, including the dream sequence from Alfred Hitchcock's ''Spellbound.'' Because many of Dali's film projects did not come to fruition, the show gives you an unusually intimate sense of his artistic process and his artistic imagination, which was always on fast-forward. [phone], moma.org. (Smith)

NEUE GALERIE: 'WIENER WERKSTaTTE JEWELRY,' through Sept. 1. Founded in 1903, the Wiener Werkstatte, or Vienna Workshops, set out to prove that the modern world still needed fine craftsmanship and good design. Its first product was jewelry, of which this stunning exhibition presents 40 gorgeous examples. Works in gold, silver and semiprecious stones by the workshop's founders, Josef Hoffmann and Koloman Moser, and others -- including, most notably, Dagobert Peche -- magically blur the line between personal ornament and miniature sculpture. 1048 Fifth Avenue, at 86th Street, [phone], neuegalerie.org. (Johnson)

NEW MUSEUM OF CONTEMPORARY ART: 'AFTER NATURE,' through Sept. 21. This strange, lugubrious, wildly uneven dream of an exhibition exudes a distinctly European mood of ruminative pessimism, relieved intermittently by moments of black humor and otherworldly fantasy. Meditating on a spiritual landscape of death and destruction, it lurches from transcendentally thrilling to portentous to kitschy. The best moment is on the fourth floor, where the elevator doors open on the stunning, tragicomic spectacle of Zoe Leonard's dead tree held up by cables and stanchions and Maurizio Cattelan's full-size horse hanging high in the air, with its head seemingly buried in the wall. 235 Bowery, at Prince Street, Lower East Side, [phone], newmuseum.org. (Johnson)

WHITNEY MUSEUM OF AMERICAN ART: 'PAUL MCCARTHY: CENTRAL SYMMETRICAL ROTATION MOVEMENT: THREE INSTALLATIONS, TWO FILMS,' through Oct. 12. Mr. McCarthy's fans are in for a shock. They will find almost nothing of what this Los Angeles master of transgressive provocation is famous for in this smart, tightly focused exhibition of works dating from 1966 to the present. No psychotic clowning, no pornographic vaudeville. Instead they will discover Mr. McCarthy's art stripped to its bare, abstract yet still metaphorically resonant essentials. The main attractions are two scarily mechanized rooms and a walk-in enclosure dizzyingly animated by feedback loops from four rotating video cameras. [phone], whitney.org. (Johnson)

Galleries: Uptown

EDWARD HOPPER: 'ETCHINGS' Early in his career, when the demands of commercial illustration left him little time to paint, Edward Hopper turned to printmaking and produced some of the most moving and memorable graphic images in 20th-century American art. This small gem of a show presents 13 of those works, dating from 1915 to 1923. Craig F. Starr Gallery, 5 East 73rd Street, [phone], starr-art.com, through Aug. 15. (Johnson)

'ROAD WORKS' This rich selection of comic drawings, paintings and sculptures about life on the road features work by more than two dozen artists, including H. C. Westermann, Saul Steinberg and the great outsider Joseph Yoakum. Adam Baumgold Gallery, 74 East 79th Street, [phone], adambaumgoldgallery.com, through Aug. 15. (Johnson)

Galleries: SoHo

'CONSTRACTION' The title of this visually fizzy group show conjoins the terms conceptual and abstraction. Tauba Auerbach's black-and-white tiled floor and Peter Coffin's rotating party disc on the ceiling make the gallery seem like a hip boutique. On the walls are eye-buzzing neo-Op canvases by Ms. Auerbach, rainbow-hued dot paintings by Xylor Jane and psychedelic murals made of colored wooden slats by Ara Peterson. Mitzi Pederson puts a feminine twist on macho Minimalist sculpture, and Joe Bradley humorously anthropomorphizes Minimalist painting. Deitch Projects, 76 Grand Street, [phone], deitch.com, through Aug. 9. (Johnson)

FRANCISCO DE GOYA: 'LOS DESASTRES DE LA GUERRA (THE DISASTERS OF WAR)' No artist before or since Goya has depicted the domino-effect devastation that warfare visits upon a land, its people and their moral fiber with such precision, formal invention and pathos. His 80 etchings, made between 1810 and 1820 in response to the French invasion of Spain and the subsequent Spanish War of Independence, are more unblinking and pertinent than ever. It is amazing to see them lining the walls of this simple space, especially given its location in a neighborhood that is now synonymous with shopaholic oblivion. Peter Blum Gallery, 99 Wooster Street, near Spring Street, SoHo, [phone], peterblumgallery.com, through Aug. 1. (Smith)

Galleries: Chelsea

PHILIP PEARLSTEIN: 'THEN AND NOW' Those who think the figurative painter Philip Pearlstein's art has changed little (or not at all) over the last four decades may be surprised by this pairing of his early and recent works. His nudes are as smooth-skinned and glassy-eyed as ever, but in the newer paintings they are surrounded by a garage sale's worth of toys and lawn ornaments. Curiously, all this clutter only emphasizes Mr. Pearlstein's clinical treatment of the body. Betty Cuningham, 541 West 25th Street, [phone], bettycuninghamgallery.com, through Aug. 8. (Karen Rosenberg)

THE WORLD'S SMALLEST ART FAIR Probably bound for the record books, this enterprising variant on the standard summer group show includes 28 galleries from the United States and Europe. It is taking place in a large front window, where each participating gallery is represented by a single small work of art; all are installed in neat rows, as if along aisles, and a floor plan is available. As with any art fair, there are unknown artists and galleries to learn about, and a modest media program selected by the artist Alix Pearlstein can be viewed inside the gallery, which is outfitted like a normal-size V.I.P. lounge. Anna Kustera Gallery, 520 West 21st Street, Chelsea [phone], annakustera.com; through Aug. 1. (Smith)

Galleries: Other

FIA BACKSTROM: 'THAT SOCIAL SPACE BETWEEN SPEAKING AND MEANING' Several deft ways with words create a transparent environmental collage of colliding voices and situations. Art reviews, gallery news releases, statements by Ralph Nader and more are deployed in wallpaper designs or extrapolated into brand-expanding tablecloths. Language-related works by other artists are incorporated, and conversations with invited guests are regularly added. The prison house of language is shown to be a soft, inescapable web, ever available for repurposing and revelation. White Columns, 320 West 13th Street, at Horatio Street, West Village, [phone], whitecolumns.org; closes on Saturday.(Smith)

Public Art

'THE NEW YORK CITY WATERFALLS'Walt Whitman would be pleased. The four waterfalls that the Danish-Icelandic artist Olafur Eliasson has temporarily insinuated along Whitman's beloved East River (one on Manhattan, two in Brooklyn, a fourth on Governors Island) tweak the ecstatic experience of city life that is especially palpable at water's edge. Forming a mammoth yet oddly discreet work of shoreline land art, they are spectacular only in the cumulative sense, although the top level of Pier 17 at the South Street Seaport is a great place from which to pick out all four. Their scaffoldings and standard New York apartment riser pipes make them, strictly speaking, fountains. But they are also mirages that add uncanny signs of a primordial Eden that never was. Pier 35 in Lower Manhattan, the eastern foot of the Brooklyn Bridge; between Piers 4 and 5 near the Brooklyn Heights Promenade; north shore of Governors Island; nycwaterfalls.org, through Oct. 13. (Smith)

Last Chance

MAT COLLISHAW: 'DELIVERANCE' In the darkness of Mr. Collishaw's technically tricky but stirring installation, photographic images continually and unpredictably flash and fade away here and there on all four walls. The black-and-white, near life-size images show men and women carrying half-naked children out of nocturnal backgrounds. It's as if you were in the midst of some great human calamity -- or dreaming of one. Tanya Bonakdar, 521 West 21st Street, Chelsea, [phone], tanyabonakdargallery.com; closes on Thursday. (Johnson)

'DEEP COMEDY' Mysteriously humorous highlights of this group show include John Wesley's painting of Donald Duck giving birth and Vija Celmins's painting of a steaming electric frying pan. A video by Michael Smith and Joshua White about a fictitious wellness center spoofs New Age entrepreneurship. Christian Jankowski's mock-documentary film in which nonprofessional child actors play famous artists discussing their works satirizes art-world language and customs to surprisingly touching effect. Marian Goodman, 24 West 57th Street, [phone], mariangoodman.com; closes on Wednesday. (Johnson)

DAVID ELLIS: 'DOZENS' Mr. Ellis's penchants for percussion, performance, graffiti and stop-motion animation come together with exhilarating kinetic results. The tour-de-force ''FAMS 1 (Fine Art Moving and Storage'' marshals paint cans, wine bottles, spackle buckets and other tools and detritus of the studio into a drum kit that accompanies a painting marathon recorded from above. Almost as ingenious and entertaining is ''Heap,'' a very large pile of trash that regularly bursts into miked, gadget-driven drumming. Both of these labor-intensive works must be seen to be believed. Roebling Hall, 606 West 26th Street, Chelsea, [phone], roeblinghall.com; closes today. (Smith)

CLIFF EVANS: 'EMPYREAN' Short and mesmerizing, Mr. Evans's digitally animated video ''Empyrean'' presents surrealistic scenes of war, tourism and industrial development, populated by soldiers, movie stars, porn models, construction workers, terrorists, politicians and other figures lifted from mass-media sources. As the view moves slowly through panoramic desert and mountain landscapes, it is as if God were surveying the mess humankind has made of the world. Luxe Gallery, 53 Stanton Street, at Eldridge Street, Lower East Side, [phone], luxegallery.net; closes on Saturday. (Johnson)

'GEOMETRY AS IMAGE' In this show geometry encompasses, by turns, organic eccentricity (John Duff, Julie Mehretu), chaos (Joel Schapiro), serene chaos (Al Held), measurement (Mel Bochner and Andy Spence), rhythm (Keith Sonnier), electrical towers (Walter Niedermayr), barcode stripes (Paul Miller), big polystyrene squares (Nils Folke Anderson) and amazing optical patterns in three dimensions that might have been made 40 years ago but are still fun to look at (John Pai). Robert Miller Gallery, 524 West 26th Street, Chelsea, [phone], robertmillergallery.com; closes on Wednesday. (Smith)

ZHANG HUAN: 'BLESSINGS' An erstwhile Chinese performance artist, now working with the help of well-trained assistants in his Shanghai studio, shows two gigantic works. An enormous rag doll covered with whole cowhides conforms to the main festivalist-art formula: take a familiar form, make it really big, use unexpected material already charged with meaning. A Communist-era photograph is rendered enormous in incense ash on tall blocks of ash. Pace Wildenstein, 534 West 25th Street,[phone], and 545 West 22nd Street, Chelsea, [phone], pacewildenstein.com; closes on Saturday. (Smith)

'STRENGTH IN NUMBERS: ARTISTS RESPOND TO CONFLICT' With prints and drawings ranging through several decades, this thought-provoking group show examines the way artists use repeating forms -- abstract and not -- in works of a political nature. The repetition might be the figures on a chain gang or rivers of eyes intended to represent the bodies of massacred Rwandans. The best efforts grapple head-on with glaring social problems, from marauding Klansmen to the gentrification of Manhattan, sending a clear message with the focused and efficient exploitation of a given medium. Ellen Sragow Gallery, 153 West 27th Street, Chelsea, [phone], sragowgallery.com; closes on Thursday. (Smith)

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The New York Times
July 24, 2008 Thursday

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Diesel Owner Adds Viktor & Rolf to Portfolio
BYLINE: By SUZY MENKES
SECTION: Section ; Column 0; Style Desk; Pg.
LENGTH: 348 words
PARIS

IN a move that makes him the emperor of designer cool, Renzo Rosso, the owner of Diesel and of hip young denim brands, has taken a controlling stake in Viktor & Rolf, the label of the Dutchmen Viktor Horsting and Rolf Snoeren.

On Tuesday, Only the Brave, Mr. Rosso's Italian holding company, announced the new venture, which marks Viktor & Rolf as a brand with an imposing future.

''My dream is to represent a fresh, modern group for the future -- I don't look for establishment designers but someone with important creativity, and Viktor & Rolf are the expression of my luxury,'' Mr. Rosso said in a telephone interview on Monday. As chairman of O.T.B., which had revenues last year of 1.3 billion euros, or $1.95 billion, Mr. Rosso already controls Dsquared, Maison Martin Margiela and Sophia Kokosalaki, and manufactures Vivienne Westwood's leading lines.

''We have high ambitions,'' said Mr. Snoeren, who like his partner Mr. Horsting is 39. ''We talked for two years because it is such an important step. We wanted to make sure we marry the right partner. Renzo understands creativity and has the vision and power to make a success.''

Viktor & Rolf, known as conceptual fashion artists, have an exhibition in the Barbican Gallery in London. But they had already signed a fragrance deal with L'Oreal in 2002 and had a major success with Flowerbomb and with the men's perfume Antidote. That L'Oreal deal will remain, but the current licensing arrangement with the Italian manufacturer Gibo will be ended, as Staff International, the production arm of O.T.B., takes over.

Mr. Snoeren said that there are plans to open at least five stores in the next five years. And Mr. Rosso confirmed that he wants to create product categories, as he has with Margiela.

The wider significance of the deal is that it puts Only the Brave and its cluster of brands in the hands of an entrepreneur who has the money to invest in them as designer labels of the future -- but on a less conventional and less pricey scale than the luxury houses that dominated the last half of the 20th century.

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July 24, 2008 Thursday

Late Edition - Final

What's On Today
BYLINE: By KATHRYN SHATTUCK
SECTION: Section E; Column 0; The Arts/Cultural Desk; Pg. 7
LENGTH: 674 words
9 P.M. (CNN) BLACK IN AMERICA: BLACK MEN In Part 2 of this four-hour report, Soledad O'Brien investigates whether there are two ''black Americas'' -- success for some, but challenges for many more -- using the stories of members of the 1968 class of Central High School (above, from left, Kenneth Talley, Akono Ekundayo, Donald Gray and James Warren) in Little Rock, Ark., and of their sons and grandsons. Topics include fatherhood; disparities between blacks and whites in educational, career and financial achievement; the high rate of incarceration of black men; and the positive influence of black fathers. Then Ms. O'Brien asks whether the dream of the Rev. Dr. Martin Luther King Jr. is still alive.

10 A.M. (Fox) THE WENDY WILLIAMS SHOW The resilient Ms. Williams, wig still firmly in place after her recent set-to with Omarosa, cooks with Coolio, who also performs.

1 P.M. (NBC) THE MARTHA STEWART SHOW Lidia Bastianich prepares a chocolate, hazelnut and orange torte.

8 P.M. (CBS) GREATEST AMERICAN DOG The third contestant is sent home, presumably with tail drooping.

8 P.M. (NBC) LAST COMIC STANDING The eight remaining contestants travel to the Playboy mansion in Los Angeles, where they must tell frothy bedtime stories to Hugh Hefner's scantily clad girlfriends Holly, Bridget and Kendra. Mr. Hefner peeks in.

8:30 P.M. (HGTV) MYLES OF STYLE Kim Myles, the winner of ''Design Star 2,'' helps a couple turn their bedroom into a haven from their hectic lives.

10 P.M. (ABC) HOPKINS Tonight at Johns Hopkins Hospital parents reluctantly give their permission for an operation on their son's brain tumor; a plastic surgeon looks into reconstructive surgery to transform the face of a boy disfigured by the removal of a tumor when he was a baby; and a girl's family deals with the aftermath of a near-drowning that has left her with minimal brain function.

10 P.M. (13) CHINA: WEST MEETS EAST AT THE METROPOLITAN MUSEUM OF ART ''Great Museums'' looks at nearly 40 centuries of Chinese art on display at the Met, including wall hangings, calligraphy, sculpture and a 13th-century painting documenting China's naval exploration of the East nearly two centuries before Columbus's voyage to America.

10 P.M. (21) GLOBE TREKKER Megan McCormick, in China, starts in Shanghai, where she sees famous acrobats, and continues with a journey to Suzhou, the nation's silk capital; a train ride through the Yellow Mountains; an evening at the Sichuan Opera in Chongqing; and fishing in the Yangtze River.

10 P.M. (Sundance) LIVE FROM ABBEY ROAD The Hoosiers, the Black Keys and Manu Chao perform at this London recording studio.

10 P.M. (Travel) SAMANTHA BROWN: PASSPORT TO GREAT WEEKENDS Ms. Brown packs her carry-on for jaunts to New Hampshire, where she grew up, and, at 10:30, London, where she visits a West London pub, has a traditional Indian meal and discovers views of the city that cost nothing.

10 P.M. (Showtime) PENN & TELLER The droll pair, right, take on the more dubious elements of the green movement, from the private jets of eco-conscious celebrities to gas-guzzling hybrid S.U.V.'s.

10 P.M. (NBC) FEAR ITSELF: COMMUNITY A young couple (Brandon Routh and Shiri Appleby) moves into an idyllic-seeming neighborhood full of people who will go to great lengths to play by the rules.

10 P.M. (USA) BURN NOTICE Michael (Jeffrey Donovan) wrangles with a con artist posing as the perfect victim.

11 P.M. (SoapNet) MVP Trade rumors cause Connie (Kristen Booth, left, with Lucas Bryant) to fret about losing Gabe (Mr. Bryant); Tabbi (Anastasia Phillips) gets into a fight with hockey groupies; Molly (Natalie Krill) tries to lure Trevor (Dillon Casey) into her arms; and Evelyn (Deborah Odell) confronts Malcolm (Matthew Bennett) about stealing her idea.

11 P.M. (Sundance) ICONOCLASTS Oldies but still goodies: in this encore broadcast from the series's first season, Robert Redford pays tribute to Paul Newman's acting, philanthropy, automobile racing and entrepreneurship. Oh yeah, and those eyes. KATHRYN SHATTUCK