Fairy Tale and Film

Fairy Tale Films: Visions of Ambiguity
, ed. Greenhill and 
Matrix, pp. 99–115
Williams, Tony (1996) ‘Trying to Survive on the Darker Side: 1980s Family 
Horror’, in 
The Dread of Difference
, ed. Grant, pp. 164–80
Williams-Ellis, Amabel (1976a) 
British Fairy Tales
(1965; London: Blackie)
——— (1976b) 
More British Fairy Tales
(1965; London: Blackie)
Windling, Terri (ed.) (1995a) 
The Armless Maiden and Other Tales for Childhood’s 
Survivors
(New York: Tor)
——— (1995b) ‘Women and Fairy Tales’, 
The Endicott Studio Forum
, www.endicott-
studio.com/forashs.html
——— (1997) ‘Ashes, Blood and the Slipper of Glass’, 
The Endicott Studio Forum
, 
www.endicott-studio.com/forashs.html 
Wood, Robin (1984) ‘An Introduction to the American Horror Film’, in 
Planks of 
Reason
, ed. Barry Keith Grant (London: Scarecrow Press), pp. 164–200
——— (2002) ‘The American Nightmare: Horror in the 1970s’, in 
Horror, The Film 
Reader
, ed. Mark Jancovich (London: Routledge), pp. 25–32

---

Bibliography 
203
Yolen, Jane (1993) ‘The Brothers Grimm and Sister Jane’, in 
Reception of Grimm’s 
Fairy Tales
, ed. Haase, pp. 283–9
——— (2000) 
Not One Damsel in Distress: World Folktales for Strong
Girls
(San Diego: 
Silver Whistle/Harcourt)
Yueh-yu yeh, Emilie and Neda Hei-tung Ng (2009) ‘Magic, Medicine, Cannibalism: 
The China Demon in Hong Kong Horror’, in 
Horror to the Extreme
,
 
ed. Choi and 
Wada-Marciano,
 
pp. 145–59
Zipes, Jack (1983) 
Fairy Tales and the Art of Subversion: The Classical Genre for 
Children and the Process of Civilisation
(New York: Wildman)
——— (ed.) (1984) 
Don’t Bet on the Prince: Contemporary Feminist Fairy Tales in 
North America
(London: Routledge) 
——— (1993) 
The Trials and Tribulations of Little Red Riding Hood: Versions of the 
Tale in Socio-Cultural Context
, 2nd edn (London: Routledge) 
——— (2002a) 
Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales
, rev. 
edn (1979; Lexington: University Press of Kentucky) 
——— (2002b) 
The Brothers Grimm: From Enchanted Forests to the Modern World
, 
2nd edn
 
(1998; Basingstoke: Palgrave Macmillan)
——— (2006) 
Why Fairy Tales Stick: The Evolution and Relevance of a Genre
(London: Routledge)
———
 
(2009) 
Relentless Progress: The Reconfi guration of Children’s Literature, Fairy 
Tales and Storytelling 
(London: Routledge)
——— (2010) ‘Grounding the Spell: The Fairy Tale Film and Transformation’, 
Foreword to 
Fairy Tale Films: Visions of Ambiguity
, ed. Greenhill and Matrix, 
pp. ix–xiii 
——— (2011) 
The Enchanted Screen: The Unknown History of Fairy-Tale Films
(London: Routledge)
——— (2012) 
The Irresistible Fairy Tale: The Cultural and Social History of a Genre 
(Princeton University Press)

---

204
Filmography
AI: Artifi cial Intelligence 
(Steven Spielberg, 2001)
Aladdin 
(Ron Clements and John Musker, 1992)
Alice in Wonderland
(Tim Burton, 2010)
Amelie 
(Jean-Pierre Jeunet, 2001)
American Psycho
(Mary Harron, 2000)