Fairy Tale and Film

The Bloody Chamber and Other Stories 
(1979; Harmondsworth: 
Penguin)
——— (ed.) (1990) 
The Virago Book of Fairy Tales 
(London: Virago)
——— (ed.) (1992) 
The Second Virago Book of Fairy Tales
(London: Virago)
——— (ed.) (2012) 
Angela Carter’s Book of Fairy Tales
(a single volume combining 
the first and second Virago collections) (2005; London: Virago) 
Carter, David (n.d.) ‘And the moral of the story is ...: Horror Cinema as Modern 
Day Fairy Tale’, www.interdisciplinary.net/ati/fht/fht1/carter%20paper.pdf
Cashdan, Sheldon (1999) 
The Witch Must Die: How Fairy Tales Shape Our Lives 
(New York: Basic Books)
Cherry, Brigid (2009) 
Horror
(London: Routledge)
Choi, Jinhee (2009) ‘A Cinema of Girlhood: Sonyeo Sensibility and the 
Decorative Impulse in the Korean Horror Cinema’, in 
Horror to the Extreme
, ed. 
Choi and Wada-Marciano, pp. 39–56
Choi, Jinhee and Mitsuyo Wada-Marciano (eds) (2009) 
Horror to the Extreme: 
Changing Boundaries in Asian Cinema 
(Hong Kong University Press)
Clark, Nick (2013) ‘Why Grandma, What a Big Family Tree you Have’, Review 
of Dr Jamshid Tehrani’s Research Findings on the History of ‘Little Red Riding 
Hood’, 
The Independent
, Friday 15 November, p. 20
Clover, Carol (1992) 
Men,
Women and Chainsaws: Gender in the Modern Horror Film
(Princeton University Press)
——— (1996) ‘Her Body, Himself: Gender in the Slasher Film’, in 
The Dread of 
Difference
, ed. Grant, pp. 66–80
Collodi, Carlo (2005) 
Pinocchio
(London: Paperview)
Connelly, Brendon (2013) ‘Inside the Research, Design, and Animation of Walt 
Disney’s Frozen with Producer Peter Del Vecho’, 
Bleeding Cool
(25 September)

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Bibliography 
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Cosentino, Donald (1982) 
Defi ant Maids and Stubborn Farmers
(Cambridge 
University Press)
Cox, Marian E. Roalfe (1893) 
Cinderella: Three Hundred and Forty Five Variants of 
Cinderella, Catskin and Cap O’Rushes
(London: Folklore Society)
Creed, Barbara (1993) 
The Monstrous-Feminine: Film, Feminism, Psychoanalysis
(London: Routledge)
——— (1996) ‘Horror and the Monstrous-Feminine: An Imaginary Abjection’, in 
The Dread of Difference
, ed. Grant, pp. 35–65 
Dahl, Roald (1992) 
Revolting Rhymes
(London: Jonathan Cape) 
Donoghue, Emma (1997) 
Kissing the Witch: Old Tales in New Skins
(New York: 
HarperCollins)
Dundes, Alan (ed.) (1982) 
Cinderella: A Folklore Casebook
(New York: Garland)
——— (1987) ‘The Psychoanalytic Study of the Grimms’ Tales with Special 
Reference to “The Maiden Without Hands” (AT 706)’, 
Germanic Review
62, 
pp. 50–65
——— (ed.) (1988) 
Little Red Riding Hood: A Casebook
(Madison: University of 
Wisconsin Press)
Freud, Sigmund (1919) ‘The Uncanny’, in 
The Standard Edition of the Complete 
Psychological Works of Sigmund Freud, Volume XVII (1917–1919): An Infantile 
Neurosis and Other Works, 217–256
, www.arch.mcgill.ca/prof/bressani/arch653/
winter2010/Freud_TheUncanny
Gee, Catherine (2013) ‘
Frozen
: The Disney Princess Comes in from the Cold’, 
Telegraph
, 1 December, www.telegraph.co.uk/culture/film/10484803/Frozen-
the-Disney-princess-comes-in-from-the-cold.html
Gilbert, John (1970) 
Myths and Legends of Ancient Rome
(London: Hamlyn)
Gilbert, Sandra M. and Susan Gubar (2000) ‘The Queen’s Looking Glass: Female 
Creativity, Male Images of Women and the Metaphor of Literary Paternity’, 
in