Sherman Joseph Alexie Jr. (born October 7, 1966) is a Spokane-Coeur d'Alene-Native American novelist, short story writer, poet, screenwriter, and filmmaker. His writings draw on his experiences as an Indigenous American with ancestry from several tribes. He grew up on the Spokane Indian Reservation and now lives in Seattle, Washington.
His best-known book is The Lone Ranger and Tonto Fistfight in Heaven (1993), a collection of short stories. It was adapted as the film Smoke Signals (1998), for which he also wrote the screenplay.
His first novel, Reservation Blues, received a 1996 American Book Award.[2] His first young adult novel, The Absolutely True Diary of a Part-Time Indian (2007), is a semi-autobiographical novel that won the 2007 U.S. National Book Award for Young People's Literature and the Odyssey Award as best 2008 audiobook for young people (read by Alexie). His 2009 collection of short stories and poems, War Dances, won the 2010 PEN/Faulkner Award for Fiction.
Alexie is the guest editor of the 2015 Best American Poetry.
In 2018 he was accused of sexual harassment by multiple women.
Alexie was born on October 7, 1966,[6] at Sacred Heart Hospital in Spokane, Washington. As a child he lived on the Spokane Indian Reservation, located west of Spokane.[7] His father, Sherman Joseph Alexie, was a member of the Coeur d'Alene tribe, and his mother, Lillian Agnes Cox, was of Colville, Choctaw, Spokane and European American ancestry. One of his paternal great-grandfathers was of Russian descent. Alexie was born with hydrocephalus, a condition that occurs when there is an abnormally large amount of cerebral fluid in the brain's ventricular system. He had to have brain surgery when he was six months old, and was at high risk of death or mental disabilities if he survived. Alexie's surgery was successful; he suffered no mental damage but had other side effects.
His parents were alcoholics, though his mother achieved sobriety. His father often left the house on drinking binges for days at a time. To support her six children, Alexie's mother, Lillian, sewed quilts, worked as a clerk at the Wellpinit Trading Post, and had some other jobs.
Alexie has described his life at the reservation school as challenging, as he was constantly teased by other kids and endured abuse he described as "torture" from white nuns who taught there. They called him "The Globe" because his head was larger than usual, due to suffering hydrocephalus as an infant. Until the age of seven, Alexie suffered from seizures and bedwetting; he had to take strong drugs to control them. Because of his health problems, he was excluded from many of the activities that are rites of passage for young Indian males. Alexie excelled academically, reading everything available, including auto repair manuals
In order to better his education, Alexie decided to leave the reservation and attend high school in Reardan, Washington., 22 miles from the reservation, and where Alexie was the only Native American student. He excelled at his studies and became a star player on the basketball team, the Reardan High School Indians.
He was elected class president and was a member of the debate team.
His successes in high school won him a scholarship in 1985 to Gonzaga University, a Roman Catholic university in Spokane. Originally, Alexie enrolled in the pre-med program with hopes of becoming a doctor, but found he was squeamish during dissection in his anatomy classes. Alexie switched to law, but found that was not suitable, either. He felt enormous pressure to succeed in college, and consequently, he began drinking heavily to cope with his anxiety. Unhappy with law, Alexie found comfort in literature classes.
In 1987, he dropped out of Gonzaga and enrolled in Washington State University (WSU), where he took a creative writing course taught by Alex Kuo, a respected poet of Chinese-American background. Alexie was at a low point in his life, and Kuo served as a mentor to him. Kuo gave Alexie an anthology entitled Songs of This Earth on Turtle's Back, by Joseph Bruchac. Alexie said this book changed his life as it taught him "how to connect to non-Native literature in a new way". He was inspired by reading works of poetry written by Native Americans.
Sexual harassment allegations
On February 28, 2018, Alexie published a statement regarding accusations of sexual harassment against him by several women, including author Litsa Dremousis, with whom he had a consensual affair in the past and who claimed numerous women had spoken to her about Alexie's behavior. Alexie admitted he had "harmed" other people besides Dremousis. Dremousis's response initially appeared on her Facebook page and was subsequently reprinted in The Stranger on March 1, 2018. The allegations against Alexie were detailed in an NPR story five days later. NPR corroborated the sexual harassment allegations of three other women. The fallout from these accusations includes the Institute of American Indian Arts renaming its Sherman Alexie Scholarship as the MFA Alumni Scholarship. The blog Native Americans in Children's Literature has deleted or modified all references to Alexie. In February 2018 it was reported that the American Library Association, which had just awarded Alexie its Carnegie Medal for You Don't Have to Say You Love Me: A Memoir, was reconsidering, and in March it was confirmed that Alexie had declined the award and was postponing the publication of a paperback version of the memoir. The American Indian Library Association rescinded its 2008 Best Young Adult Book Award from Alexie for The Absolutely True Diary of a Part-Time Indian, "to send an unequivocal message that Alexie's actions are unacceptable."
Alexie published his first collection of poetry, The Business of Fancydancing: Stories and Poems, in 1992 through Hanging Loose Press.[8][22] With that success, Alexie stopped drinking and quit school just three credits short of a degree. However, in 1995, he was awarded an honorary bachelor's degree from Washington State University.
In 2005, Alexie became a founding board member of Longhouse Media, a non-profit organization that is committed to teaching filmmaking skills to Native American youth and using media for cultural expression and social change. Alexie has long supported youth programs and initiatives dedicated to supporting at-risk Native youth.
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