English language faculty-i course paper in lexicology

Emotional words and stylistic devices based on emotional

In stylistics, the emotional meaning or emotional color of a word plays a big role. The emotional meaning of a word can be clearly understood when compared to its neutral meaning. It can be said that the words we use when we express our emotions strongly exist in language as a symbol of human emotions. They represent feelings such as sadness, despair, grief, woe, amazement, amazement. They are defined as the expressive means of language. The emotionally painted features of the cuts become a stylistic tool.

Not a necessary statement; is a word with a strong emotional meaning. In traditional grammars, the cut is seen as part of speech as a noun, adjective, verb, and so on. The cut always shows the speaker’s clear attitude to the problem and therefore has intonation.

Sections can be divided into primary and secondary. Primary passages usually have no logical meaning. The resulting fragments may retain their logical meanings to a certain extent, but these meanings can be emotional meanings. Oh !, Oh !, Bah !, Pooh !, Gosh !, Hush !, Wow! Although they are primary fragments, some of them once had a logical meaning. Derivative interjections are Heavens!, Good gracious!, Dear me!, God!, Come on!, Look here!, By the Lord!, God knows!, Bless me! and others.

There are a number of adjectives and adverbs that can also serve as a cut. They are awesome !, awesome !, awesome !, awesome !, awesome !, good! and so on. They are not used in a logical dictionary when it comes to cutting. Like other words in the English dictionary, interiors have biblical, neutral, and colloquial features. So oh, ah, bah and so on are neutral; unfortunately, Lo, Hark is a reader; god, why, in good colloquial language.

2. An epithet is a stylistic tool based on the interaction of emotional and logical meanings in a word, phrase, or even a sentence. It reflects the individual emotional response of the writer or speaker to the object in question. E.g.:

"She had a wide, cool, go-to-hell mouth."

From the point of view of compositional structure epithets can be divided into simple, compound and phrase-epithets. Simple (one-word) epithets - simple qualities: iron hatred, silver hair. Joint epithets are formed as joint adjectives: a heart-warming smile, cat-like eyes, a fairy-like work.

Phrase-epithets are very specific to English. They not only help to reveal the individual views of the author and his protagonists, but also to make it more economical: the life-and-death struggle-all adventures.

Often such constructions serve to create a funny effect. Another structural diversity of epithets is the species we call reverse epithets. The inverse epithet consists of two horses connected to each other:

The shadow of a smile; is the devil of the matter. Sometimes three, four, five, or even more epithets are combined in a chain. They are called wire epithets. The structural type of branch epithets is similar to enumeration. These attributes describe the object from different perspectives:

It was an old, moldy, ugly, narrow-minded, clean, and bitter room. Another distribution model is the transmitted epithet. Conducted epithets are simple logical attributes that describe a person’s state by referring to inanimate objects. For example: sick room, sleepless pillows, merry hours.

Like all other stylistic means, the epithets, which gradually lose their feel, are blurred. It is difficult to call epithets in combinations such as a bright smile, a happy ending, a lucky coincidence original, fixed, or traditional.

3. Oxymoron is also based on the interaction of logical and emotional meanings. It presents a combination of two opposing views. For example:

Cute ugly face, loyal traitor, low skyscraper, sweet sorrow, terribly beautiful.

Oxymoron reveals the opposite sides of the same phenomenon. One of its components reveals some features or qualities that exist objectively, while the other serves to convey the author’s personal attitude to the same object.

If the primary meaning of the adjective changes or weakens, the stylistic effect of the oxymoron is lost. It was once associated with oxymoronic compounds, e.g. 'noda is used. , only as amplifiers. Not every phrase is an oxymoron, because new meanings developed in new combinations do not always lead to contradictions.

In contrast, oxymorons are often found in simulations. For example: He was as soft as hell. Oxymoron always reveals the author’s subjective attitude. In such cases, the two opposing ideas replicate each other very naturally, so that once formed, the oxymoron is almost never repeated in different contexts, and therefore always remains a free combination.

The stylistic effect is based on the fact that the denotative meaning of the attribute is not completely lost. If it was missing, the phrase would have been similar to those attributes that only had an emotional meaning, for example: It’s so cute, I’m so happy. Oxymoron, as a rule, has the following structural models: quality + horse, extra + quality.

Have you ever told your parents about a movie you “dreamed of seeing” or maybe a new game system you “should have”? Using your words to win the heart of a parent means that you are using emotional language or words and phrases that evoke an emotional response to the topic.

An antithesis to emotional language is called a reference language, which means that a word or phrase is used only with a lexical definition or denotation. For example, the strict use of “cool” to set the temperature would be the use of reference language.

Emotional language, on the other hand, relies on connotation, which means a meaning or significance that is meant beyond the definition of a word or phrase. The funny thing about connotation is that it allows for different interpretations depending on any context. Take, for example, the word “hot,” which lexically refers to the level of heat energy as “cool”. However, the same term can take on a variety of meanings - from measuring attractiveness to identifying something that is stolen, popular, or even borderline.

The effect of emotional language

No matter what the audience is, writers and speakers can use some kind of emotional language to get their attention. Hearing words like “savagery” or “cruelty” attracts us because we react to them so quickly because of their emotional burdens, as well as the fact that we don’t hear them often in public conversation.

Speakers and authors use emotional language for the same reasons you and your parents do after capturing an audience. They want the reader or listener to have an emotional response to what they want to say. By proworking an emotional response, viewers are more receptive to the evidence they are accepting. Let’s face it: we humans often approve of something based on our emotional connection to it, not through logical reasoning. .

The only possible problem with using human emotions as a means of persuasion is that it takes us back to connotation. Just as words and phrases have different meanings, they can also affect different people in different ways. For example, talking about the Holocaust can provoke the anger of one person and bring tears to the eyes of another. Nevertheless, effective users of emotional language know their listeners well and are able to adjust their words to get the desired emotional response. Let’s now look at some examples of emotional language.

Emotional language is about word choice. Special diction is used to awake emotions in the reader.

Word choice has a big impact on how you write and perceive speech. Different words can be used to evoke different reactions in the audience. Identify Emotional Language Any words that cause an emotional reaction are an example of emotional language. Emotional language is also not reserved for literature. It is also used in everyday relationships. Often, news headlines use emotional language to engage viewers.